Top 10 violin concertos | gramophone.co.uk

7/25/2019 Top 10 violin concertos | gramophone.co.uk

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Est 1923

Guest Mon 7th March 2016p 10 violin concertos

introduction to 10 of the greatest violin concertosh highly recommended recordings

g withthe piano, the violin is the instrument best served with

ertos,and what a variety there is! Heres aviolin concerto Top 10

embraces all the great works at the centre of every violinists

rtoire ranging from the poise of the Mozart via the red-blooded

antic works like the Tchaikovsky to the modern language of the

takovich and Bartk

No 1

MozartViolin ConcertoNo 3

The English Concert / Andrew

Manze (vn)

'First movements combine

swagger, elegance and

exceptional delicacyof touch,

the semiquaver passagework imaginatively, often playfully,

cted. Hair-shirt authenticists may object to Manzes fondness for

ching a phrase here, teasing out a cadence there. To me, his

toalways soundsnatural and spontaneous. In the slow

ements he strikes a fine balance between vernal innocence and

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2/7

uous yearning, drawing a wonderfully eloquent cantabileline and

ming his pure, silvery tone with a discreet and subtle use of

to....' Read the review

://www.gramophone.co.uk/node/107165)

d more on Mozart and discover the essential recordings

p://www.gramophone.co.uk/composers/wolfgang-amadeus-

art-38324)

No 2

BeethovenViolinConcerto

Jascha Heifetz (vn) NBC

Symphony Orchestra / Arturo

Toscanini

'The performance itself is one of

the most remarkable the

mophone has ever given us. The visionary, high tessitura violin

ng is realised by Heifetz with a technical surety which is

tinguishable, in the final analysis, from his sense of the work as

of Beethovens most sublime explorations of that world (in

lers phrase) above the stars where He must dwell. Those who

d query the depth of Heifetzs reading miss this point entirely.

dapt Oscar Wilde, it is they who are in the gutter, Heifetz who is

ng at the stars...' Read the review (/review/beethovenbrahms-

n-concertos-0)

d more on Beethoven and discover the essential recordings

p://www.gramophone.co.uk/composers/ludwig-van-hoven-33808)

No 3

MendelssohnViolinConcerto

Ray Chen (vn) Swedish Radio

Symphony Orchestra / Daniel

Harding

'Chen introduces a number of

the sort of portamentosthat the

s dedicatee, Ferdinand David, would have used to heighten the

essive e!ect. He does so discreetly and tastefully, and, I think,

es a strong case for the need to connect notes in this way, if the

hing quality of the melody is to be fully brought out. Daniel

ing and his Swedish orchestra give magnificent support and the

nce, while sounding entirely natural in its perspective, allows all

mportant solo lines to make their mark. A combination of fine

ng and well-defined recording allows the varied timbres of the

dwind, horns and trumpets to make a particularly vivid impact.

s reminded more forcefully than usual that both concertos are

work of masters of orchestration; Mendelssohn and Tchaikovsky

ht in finding colourful and evocative settings for the soloist and

iety of ways of animating the musical dialogue. The overall

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3/7

d is rich and well balanced, and theres an infectious air of

usiasm and commitment...' Read the review

iew/tchaikovsky-mendelssohn-violin-concertos-0)

d more on Mendelssohn and discover the essential recordings

mposers/felix-mendelssohn-38119)

No 4

BrahmsViolinConcerto

Julia Fischer (vn) Netherlands

PO / Yakov Kreizberg

'Shaham and Kremer o!er tauter

and brisker accounts of the first

movement but Fischer amply

fies her spacious and flexible speeds in the feeling of

taneity. Her performance never feels self-conscious or too

ed and her range of tone and dynamic is extreme, bringing

ssimi of breathtaking delicacy. Thomas Zehetmair with the

hern Sinfonia present the work on a chamber scale a

ormance I find exceptionally magnetic and also take a tauter

Fischers slow movement, too, is expansive while in the finale

ets the tempo relax just enough to allow a persuasive spring in

hythms, bringing out the Hungarian dance flavour...' Read the

w (http://www.gramophone.co.uk/node/110224)

d more on Brahms and discover the essential recordings

mposers/johannes-brahms-34098)

No 5

TchaikovskyViolinConcerto

James Ehnes (vn) Sydney SO /

Vladimir Ashkenazy

'The sound of Ehness violin is

especially full and expressive;its not the kind of tone that

ikovsky would have recognised but it sounds gorgeous and

ws him to rise to the concertos lyrical high spots with

iderable intensity. Even his muted tone in the Canzonetta is

ptionally warm and resonant. He clearly enjoys demonstrating

bility as a virtuoso, making this one of the most exciting

unts of the finale I can remember, with the Sydney Symphony

onding to the verve of the solo playing with exhilarating vigour

deftness....' Read the review

://www.gramophone.co.uk/review/tchaikovsky-concerto-for-

n-s%C3%A9r%C3%A9nade-m%C3%A9lancolique)

d more on Tchaikovsky and discover the essential recordings

p://www.gramophone.co.uk/composers/pyotr-ilyich-

kovsky-40350)

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4/7

No 6

BruchViolin ConcertoNo 1

Kyung-Wha Chung (vn)

Concertgebouw Orchestra /

Klaus Tennstedt

'Chung is lighter and more

mercurial than Perlman, often

more freely flexible in her

oach to Beethoven, as Tennstedt is too, but magnetically keeping

verall command. Perlman may convey magisterial certainty, but

lement of vulnerability in Chung's reading adds to the emotional

ht, above all in the slow movement, which in its wistful

erness is among the most beautiful on disc....' Read the review

iew/beethovenbruch-violin-concertos-0)

d more on Bruch and discover the essential recordings

mposers/max-bruch-34169)

No 7

SibeliusViolinConcerto

Leonidas Kavakos (vln) Lahti

Symphony Orchestra / Osmo

Vnsk

'This disc o!ers an invaluable

insight into the workings of

ius's mind, and I have to say that even in its own right, the 1904

on has many incidental beauties to delight us. Kavakos and the

orchestra play splendidly throughout and the familiar concerto

h was struggling to get out of the 190304 version emerges

lly safely in their hands. The BIS team have put us greatly in their

by making the two versions available for study side by side...'

the review (/review/sibelius-violin-concerto-2-versions)

d more on Sibelius and discover the essential recordings

mposers/jean-sibelius-39924)

No 8

BergViolin Concerto

Isabelle Faust (vn) Orchestra

Mozart / Claudio Abbado

'Few recordings of the Berg have

achieved this level of detailed

commitment from soloist and

orchestra. One that does so is

Suks, made in 1968 with the Czech Philharmonic Orchestra

r Karel An"erl, and they manage to stay closer to Bergs

onome markings some passages in Fausts recording are on

low side, though I cant see that it spoils the performance in any


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5/7

And this new account enjoys more mellifluous recorded sound,

far superior definition....' Read the review

://www.gramophone.co.uk/review/beethoven-violin-concerto-

1-berg-violin-concerto)

d more on Berg and discover the essential recordings

mposers/alban-berg-33848)

No 9

BartkViolin ConcertoNo 2

Barnabs Kelemen

(violin) Hungarian National

Philharmonic Orchestra /

Zoltn Kocsis

'If you havent yet responded to

nthusiasm for Arabella Steinbachers Pentatone recording of

ks Second Concerto with the Suisse Romande under Marek

wski (see review (/review/bartk-violin-concertos-nos-1-and-

old fire. Not that I retract, but this hot recent rival o!ers a

point you may well prefer. It also provides, as one of the fill-ups,

ternative version of the concertos finale, more showy,

estrally, than the one we know but, for the closing pages,

out the soloist (the familiar revision was Zoltn Szkelys idea)...'

the review (/review/bartok-rhapsodies-12violin-concerto-2)

d more on Bartk and discover the essential recordings

p://www.gramophone.co.uk/composers/b%C3%A9la-

%C3%B3k-33737)

No 10

ShostakovichViolinConcerto No 1

Maxim Vengerov (vn) London

Symphony Orchestra /

Mstislav Rostropovich

'He can fine down his tone to

the barest whisper; nor is he

d to make a scorching, ugly sound. While his sometimes slashing

ty of articulation is particularly appropriate to the faster

ements, the brooding, silver-grey Nocturne comes o!superbly

Rostropovich has the lower strings dig into the third movements

acaglia theme with his usual enthusiasm. There are some

essive swellings in accompanimental detail. Indeed, the

estral playing is very nearly beyond reproach....' Read the review

iew/prokofiev-shostakovich-first-violin-concertos)

d more on Shostakovich and discover the essential recordings

mposers/dmitri-shostakovich-39918)

poser:

gang Amadeus Mozart (/composers/wolfgang-amadeus-

art-38324)
http://www.gramophone.co.uk/composers/wolfgang-amadeus-mozart-38324http://www.gramophone.co.uk/composers/dmitri-shostakovich-39918http://www.gramophone.co.uk/review/prokofiev-shostakovich-first-violin-concertoshttp://www.gramophone.co.uk/composers/b%C3%A9la-bart%C3%B3k-33737http://www.gramophone.co.uk/review/bartok-rhapsodies-12violin-concerto-2http://www.gramophone.co.uk/review/bart%C3%B3k-violin-concertos-nos-1-and-2http://www.gramophone.co.uk/composers/alban-berg-33848http://www.gramophone.co.uk/review/beethoven-violin-concerto-op-61-berg-violin-concerto


6/7

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