Upload
shinta-ari-herdiana
View
214
Download
5
Tags:
Embed Size (px)
Citation preview
A. TOTAL PHYSICAL RESPONSE (TPR)
TPR is one of the English teaching approaches and methods developed by
Dr. James J Asher. It has been applied for almost thirty years. This method
attempts to center attention to encouraging learners to listen and respond to the
spoken target language commands of their teachers. In other words, TPR is a
language teaching method built around the coordination of speech and action; it
attempts to teach language through physical (motor) activity. Asher's Total
Physical Response is a "natural method" since Asher views first and second
language learning as parallel processes. He argues that second language teaching
and learning should reflect the naturalistic processes of first language learning.
For this reason, there are such three central processes:
1. before children develop the ability to speak, they develop listening
competence. At the early phases of first language acquisition, they are able to
comprehend complex utterances, which they hardly can spontaneously
produce or imitate. Asher takes into accounts that a learner may be making a
mental blueprint of the language that will make it possible to produce spoken
language later during this period of listening;
2. children's ability in listening comprehension is acquired because children need
to respond physically to spoken language in the form of parental commands;
and
3. when a foundation in listening comprehension has been established, speech
evolves naturally and effortlessly out of it. Asher believes that it is crucial to
base foreign language learning upon how children learn their native language.
In other words, TPR is designed based upon the way that children learn their
mother tongue. In this respect, TPR considers that one learns best when he is
actively involved and grasp what he hears (Haynes, 2004; Larsen-Freeman,
1986; Linse, 2005).
1
1.1. TPR Activities
Activities in the TPR method rely on action based drills in the imperative
form. In fact the imperative drills are introduced to elicit physical/motor activity
on the part of the learners. The use of dialogues is delayed. Typical classroom
activities include: Command drills, role plays on everyday situations (at the
resturant, at the movies …), slide presentations to provide a visual centre for
teacher’s narration, which is followed by commands or questions, reading and
writing can also be introduced to further consolidate grammar and vocabulary.
1.2. Role of teacher and student
The teacher’s role in TPR is to select the teaching material and plan the tasks
the students are going to do (Knight, 2001, p. 154). His main role in the classroom
is to give commands to the students. The teacher might for example tell the
students: “Stand up!”, “Sit down!”, “Take your pencil!” etc. The instructor also
serves as a model and gives feedback to the students. The feedback he/she gives is
likened to the feedback children receive from their parents. The teacher is to
gradually increase the amount of correction given to the learner as he progresses
in his knowledge of the target language just as parents will tolerate less mistakes
as a child gets older (Richards & Rodgers, 2001, p.76). The learner's part is to
listen and to respond physically to the commands. When the students have
sufficient listening fluency and feel ready for it, they can begin to speak as well.
In this later stage, TPR uses role plays and dialogues in which the students act out
real life situations (Richards & Rogers 2001, p. 76).
1.3. The Teaching Techniques
a) Using commands to direct behavior, that is, the commands are given to get
students to perform an action and the action makes the pace lively.
b) Role reversal, that is, students command their teacher and their classmates
to perform some actions. The students may speak longer, but should not be
encouraged to speak until they are ready.
2
c) Action sequence, that is, the teacher gives three connected commands and
the students learn more and more of the target language, a longer series of
connected commands can be given, which together comprise a whole
procedure.
1.4. Advantages And Disadvantages Of TPR
TPR has some advantages and disadvantages. Its advantages include:
a) It is a lot of fun. Learners enjoy it, and this method can be a real stirrer
in the class. It lifts the pace and the mood;
b) It is very memorable. It does assist students to recognize phrases or
words;
c) It is good for kinaesthetic learners who are required to be active in the
class;
d) It can be used both in large or small classes. In this case, it is no matter
to have how many students you have as long as you are prepared to take
the lead, the learners will follow;
e) It works well with mixed-ability classes. The physical actions get across
the meaning effectively so that all the learners are able to comprehend
and apply the target language;
f) It is no need to have a lot of preparation or materials using the TPR. In
this regard, as long as you are competent of what you want to practise (a
rehearsal beforehand can help), it will not take a lot of time to get ready;
g) It is very effective with teenagers and young learners; and
h) It involves both left and right-brained learning;
In addition to such advantages, TPR has disadvantages. Among them
are:
Students who are not used to such things might find it embarrassing. This can be
the case initially that if the teacher is prepared to perform the actions, the students
feel happier about copying. In addition, the students are in a group and do not
have to perform for the whole class. This pleasure is reserved for the teacher; It is
3
only really suitable for beginner levels. Whilst, it is clear that it is far more useful
at lower levels because the target language lends itself to such activities even
though it can successfully be applied at Intermediate and Advanced levels. In this
respect, it is essential to adapt the language, accordingly. For example, when
teaching 'ways of walking' (stumble, stagger, and tiptoe) to an advanced class and
cooking verbs to intermediate students (whisk, stir, and grate), TPR can be
employed; It is not flexibly used to teach everything, and if used a lot, it would
become repetitive. This method is a fun way of changing the dynamics and pace
of a lesson used in conjunction with other methods and techniques. To sum up,
TPR should best be combined with others since it needs much energy so that
learners do not feel tired of learning language; and Although the use of TPR in the
classroom has often been effective, it does have its flaws. One of this method
flaws is that when a teacher uses TPR in their lesson, they will have trouble
teaching abstract vocabulary or expressions. As a remedy, the teacher can write
the word on cards with a picture if applicable. Another flaw is that TPR can be
ineffective if the teacher uses it for a long period of time without switching it with
other activities that help teach the target language. Since TPR is made up of
mainly of commands, it tends to neglect narrative, descriptions, and conversation
forms of language.
1.5. The application of TPR In The Classroom
TPR can be used to teach and practise such many things as: vocabulary
connected with actions (smile, chop, headache, wriggle); grammatival items,
including tenses past/present/future and continuous aspects (Every morning I
clean my teeth, I make my bed, I eat breakfast); classroom language (Open your
books); imperatives/Instructions (Stand up, close you eyes); and Story-telling
There is generally no basic text in a Total Physical Response course. Materials
and realia have a demanding role, yet in forthcoming learning stages. In this case,
the teacher's voice, actions, gestures, and common classroom objects, such as
books, pens, cups, and so on are great importance in the learning-teaching process
using TPR. The teacher may be required to use pictures, realia, slides, and word
4
charts to set an interactive activity. According to Muhren (2003), the basic
technique of TPR is simple. Learners act out commands given by the teacher or
their fellow pupils (at a later stage). These commands, or series of commands, are
simple at the beginning (stand up, sit down) but after some time they may become
more complex (I want the boys to stand in a circle please). A TPR sequence can
be a chain of actions relating to a compound task (take pen and paper, sit down,
begin at the top of your paper, write down: Dear ...) or even contain a story-line.
Most importantly, a teacher helps learners to be totally involved in TPR activities
so that they can act out what they have heard. There is no pressure on them to
speak the foreign language. Before any learner can commence to speak out a
foreign language spontaneously as well as creatively, she must feel the inner
readiness to do so. When learners are ready, they feel that the words of the
language-sound and meaning integrated and combined into larger utterances -
spring from within themselves. This inner readiness will develop gradually but
inevitably with prolonged exposure to the sound of understood language and an
active involvement in its meaning. Here are sample material used in TPR:
Sample Materials :
Context : Teaching Vocabulary 1
New words : blue, yellow, green, orange, brown, grey, purple, black, white, card,
to pick up
Preparation : A number of small coloured cards, one of more cards on every
pupil's desk, a set of cards on a central desk.
Procedures :
a) The teacher picks up cards one by one and says what colour they are (A blue
card, an orange card, a yellow card, a red card, abrown card,a grey card, a
purple card, a black card, a white card, a green card, red, blue and purple)
b) The teacher gives commands to the class.
Who's got a red card? Show it to me.
5
Who's got a blue card? Show it to me.
Who's got a yellow card? Show it to me.
c) The teacher invites individual pupils to come out to the central desk.
Devi, pick up a purple card and show it to the class.
Show the class a black card.
Show the class a green card.
Show the class a grey card.
B. SUGGESTOPEDIA
Suggestopedia is a teaching method, which focuses on how to deal with
the relationship between mental potential and learning efficacy and it is very
appropriate to use in teaching speaking for young language learners (Xue, 2005).
This method was introduced by a Bulgarian psychologist and educator, George
Lazanov in 1975. Maleki (2005) believed that we are capable of learning much
more than we think, provided we use our brain power and inner capacities.
Suggestopedia is an effective comprehensible input based method with a
combination of desuggestion and suggestion to achieve superlearning. The most
important objective of Suggestopedia is to motivate more of students’ mental
potential to learn and which obtained by suggestion. Desuggestion means
unloading the memory banks, or reserves, of unwanted or blocking memories.
Suggestion then means loading the memory banks with desired and facilitating
memories.
1.1. The main features
a) The use of music to relax learners.
b) The furniture, decoration and the arrangement of the classroom.
c) Teacher’s authority. The teacher plays a central role and he/she is the
source of all information
6
1.2. The Role Of The Teacher
The teacher is the motor of this machine called Suggestopedia, depending on
his behavior the suggestive effect in the students will be right or wrong. Verbal
and non verbal elements in the classroom, the voice intonation, corporal
movements, the guidance and the creation of dinamic games play an important
role in this learning process creating possitive encouragement between the
students.
1.3. The Teaching Techniques
a) Classroom set-up, that is, the teacher provides as relaxed and comfortable
an environment as possible. The classroom is provided with dim lights,
soft music, cushioned armchairs, and walls decorated with scenes from a
country where the target language is spoken.
b) Peripheral learning, that is, it is much more in the environment.
c) Positive suggestion, that is, the teacher has responsibility to orchestrate the
suggestive factors in a learning situation, thereby helping students to break
down the barriers in learning they bring with them.
d) Visualization, that is, students are asked to close their eyes and to
concentrate on their breathing and the teacher speaks in a quiet voice,
describing a scene or event. The description is detailed so students feel
they are really there.
e) Choose a new identity, that is, the students choose a target language name
and a new occupation.
f) Role-play, that is, students are asked to pretend temporally that they are
someone else and to perform in the target language as if they were that
person.
g) First concert, that is, the music is played while the teacher reads the
dialogue and the students are asked to find out some grammatical points.
h) Second concert, that is, the students simply close their eyes and listen as
the teacher 2reads the dialogue at a normal rate of speed with musical
accompaniment.
7
i) Primary activation, that is, students playfully reread the target language
dialogue out loud as individuals or in groups. Each group reads the
dialogue in particular manner.
j) Secondary activation, that is, students are engaged in various activities
which include singing, dancing, dramatizations, and games.
1.4. Advantages and Disadvantages of Suggestopedia
a) Advantages. There are some benefits in utilizing suggestopedia:
Through Suggetopedia we learn to trust the power of the mind.
We also learn that delibrately induced states of relaxation can be valuable
at times in the classroom.
We can also benefit from the use of music to get students sit back and
relax.
Authority concept. Students remember best and are most influenced by
information coming from an authoritative source, teachers.
Peripheral learning. Suggestopedia encourages the students to apply
language more independently, take more personal responsibility for their
own learning and get more confidence. Peripheral information can also
help encourage students to be more experimental, and look to sources
other than the teacher for language input. For example, the students can
make some sentences using the grammatical structure placed on the
classroom’s wall, describe a particular place in an English speaking
country by looking at the poster on the wall, etc. When the students are
successful in doing such self-activities, they will be more confident.
b) Disadvantages. The main disadvantages of suggestopedia are as follow:
Environment limitation. Most schools in developing countries have large
classes. Each class consists of 30 to 40 students. One of the problems
faced in utilizing this method is the number of students in the class. There
should be 12 students in the class (Adamson, 1997).
It is not a practical method as teachers face the problem of the availability
of music and comfortable chairs.
8
Lozanov refers in a number of occasions to the importance of
memorization, excluding any reference to comprehension and creative
problem solving. In fact language is not only about the power of the mind
to memeorize. It’s about understanding, interacting and producing novel
utterences in different unpredictable situations.
1.6. The application of Suggestopedia In The Classroom
a) Presentation
Presentation is the basis of conducting Suggestopedia in class successfully.
The main aim in this stage is to help students relaxed and move into a
positive frame of mind, with the feeling that the learning is going to be
easy and funny. Desuggestion and suggestion happen at this stage at the
same time.
b) Concert
First Concert.
This involves the active presentation of the material to be learnt. The
original form of Suggestopedia presented by Lozanov consisted of the use
of extended dialogues, often several pages in length, accompanied by
vocabulary lists and observations on grammatical points.
Second Concert
The students are now guided to relax and listen to some Baroque music.
The best choice of music according to Lozanov, with the text being
studied very quietly in the background. During both types of reading, the
learners will sit in comfortable seats, armchairs rather than classroom
chairs, in a comfortable environment. After the readings of these long
dialogues to the accompaniment of music, the teacher will then make use
of the dialogues for more conventional language work. The music brings
the students into the optimum mental state for the effortless acquisition of
the material. The students, then, make and practice dialogue after they
memorize the content of the materials.
c) Practice
9
The use of a range of role-plays, games, puzzles, etc. to review and
consolidate the learning. Here is an example of teaching speaking using
role play:
The teacher greets the students with either English or their native
language and tells them that they will have a new and exciting
experience in language learning.
The teacher asks the students to close their eyes and tell them that
they will go to an English speaking country. For example, they are
in an airport. “Now, you are in an airport of America, listen to the
people around you. They are talking with immigration officials”,
said the teacher. The teacher asks them to open their eyes and bring
their awareness to the class. She says,”Welcome to English!”.
Then, the teacher tells them that they will have new names and
identities by showing a poster showing English names. The
students will pronounce the names by repeating the teacher. The
teacher helps them by doing pantomime to help them understand
about their new identities such as doctor, nurse, police, etc.
The teacher greets each student using his name and ask some
questions in English about his occupation. Through her action, the
students understand the meaning and they reply ‘yes’ and ‘no’.
The teacher teaches them a short dialogue about greeting in
English. After that, the students will practice. The teacher tells the
students that they are having a party and they have to introduce one
another by their new names and identities.
Next, the teacher announces that the class is over and they will
have another exciting activity tomorrow and they do not have
homework.
10