8
TWENTY ELEVEN ENDSLATE EIGHT SHORT FILMS BY QUT FILM GRADUATES

TWENTY ELEVEN ENDSLATE · 2018-05-18 · Grip: David Butcherine Clapper Loader: Jessika Herling 3"' Assistant Camera: Tim Jordin When Life's a Musical follows the journey of town

  • Upload
    others

  • View
    6

  • Download
    0

Embed Size (px)

Citation preview

Page 1: TWENTY ELEVEN ENDSLATE · 2018-05-18 · Grip: David Butcherine Clapper Loader: Jessika Herling 3"' Assistant Camera: Tim Jordin When Life's a Musical follows the journey of town

TWENTY ELEVEN

ENDSLATE EIGHT SHORT FILMS BY QUT FILM GRADUATES

Page 2: TWENTY ELEVEN ENDSLATE · 2018-05-18 · Grip: David Butcherine Clapper Loader: Jessika Herling 3"' Assistant Camera: Tim Jordin When Life's a Musical follows the journey of town

WELCOME TO THIS SPECIAL SCREENING OF OUR GRADUATING STUDENTS' WORK

Each film you see tonight is a team effort. Driven by a passion to tell stories and to become masters of

their craft, each member of the team has made a valuable contribution towards the final result you see on

the screen. Enthusiasm, commitment and a respect for each other are just a few of the qualities that they

have had to draw upon to bring these projects to life.

At OUT we value the unique and distinctive voice of each student and hope they will continue to bring a

freshness of vision and approach to all their work in the future.

Please feel free to stay and talk with the students at the end of this screening.

Associate Professor Geoff Portmann

Discipline Leader, Film & 1V

Portfolio 1 - Creative Writing, Drama, Film & 1V, Creative Industries Faculty

FILMS

ACHE

Ben, a projectionist, struggles to recover from the break up of his former girlfriend, Sophie. After escaping

the pain in a relationship with 'Cherry', a prostitute, Ben is forced to confront his emotional flaws, giving him

one last chance to reconnect with Sophie.

Writer/Director: Alexander Brinkworth

Script editor/Camera operator: Rhys Watkins

Producer: Jessica Middleton

Associate Producer: Peter Crane

1 ~ Assistant Director: Kara Moolman

Continuity Supervisors: Heidi Hendersen, Jennifer Barker

Art Department Assistant (on set): Rachel Williams

Director of Photography/Gaffer: Timothy Jardin

COMPOSURE

Focus Puller: Daniel Shelton

2"" AC/Clapper Loader: Jack Higgins

Sound Recordist: Mitchell Reid

Sound Editor: Ryan Mark

Assistant Sound Editor: David Butcherine

Vision Editor: Matthew Sawyer

Grips: Jessika Herling, Nicholas Moore, David Butcherine

Upon the death of his father, Gabriel Papillon , a down and out musical composer, is left with a mysterious

quill pen and a commission to write music on explorer John Oxley's final voyage.

Writer/Director: Daniel Klocek

Producer: Jayce Attewell

1st Assistant Director: Jessika Herling

Continuity Supervisor: Rachel Williams

Art Director: Madiison Ledger

Director of Photography: Sophie Tighe

Camera Operator: Jay Palmer

Sound Recordist: Tyrone Evans

Sound Editor: Marek Ransome

Vision Editor: Jesse Huggett

Focus Puller: Timothy Jardin

Gaffer: Will iam Pitt-Thacker

Best Girl: Laura Allen

Page 3: TWENTY ELEVEN ENDSLATE · 2018-05-18 · Grip: David Butcherine Clapper Loader: Jessika Herling 3"' Assistant Camera: Tim Jordin When Life's a Musical follows the journey of town

GRACE After Grace's father is brutally murdered when she was little, we are left questioning who is the killer, and

what will happen to Grace at the hands of her controlling caretaker Ms Campbell?

Producers: Hannah Alkoby, Breanna Roe

Writer/Director: Jessica Middleton

1" Assistant Director: David Butcherine

200 Assistant Director: Brittany McCarthy

Continuity Supervisor: Rachel Williams

Director of Photography: Jessika Herling

Camera Operator: William Pitt-Thacker

Sound Recordist: Bianca Cox

INAMORATA

Sound Editor: Stephanie Dower

Vision Editor: Jay Palmer

VFX Editor: Jesse Huggett

Focus Puller: Alexander Brinksworth

Gaffer: Timothy Jordin

Grip: Matthew Sawyer

Camera Assistant: Anthony Walsh

INAMORATA tells the story of an immortal police officer, Oscar who vows to find the person responsible

for the death of his wife. When his search leads him right into the hands of the city's biggest crime lord,

who will survive the ultimate showdown?

Writer/Director: Clay English

Producer: Brittany McCarthy

Co-Producer: Madiison Ledger

1" Assistant Director: Marek Ransome

Director of Photography: Tyrone Evans

METHOD ACTING

Camera Operator: William Pitt-Thacker

Sound Editor: Clay English

Gaffer: Jessika Herling

Grip: David Butcherine

Vision Editor/Focus Puller: Jennifer Barker

Aspiring actor Kieran's latest 'gig' challenges him to rethink: working at his Father's family-run Fish and

Chip-0, his narcissistic new 'acting agent' Eduardo, and pigeons.

Writer/Director: Mitchell Reid

Producer: Rachel Wi ll iams

1" Assistant Director: Anthony Walsh

200 Assistant Director: Sophie Tighe

Continuity Supervisor: Jack Higgins

Director of Photography: Andrew Cox

Camera Operator: David Butcherine

Sound Recordist: Ryan Mark

Sound Editor: Rhys Watkins

Vision/VFX Editor: Jack Higgins

Focus Puller: Danny Camara

Gaffer: Jessika Herling , Nick Moore, Rhys Watkins,

Alexander Brinkworth

Best Boy: Matthew Sawyer

Grip: Jay Palmer

Camera Assistant: Hannah Alkoby

Page 4: TWENTY ELEVEN ENDSLATE · 2018-05-18 · Grip: David Butcherine Clapper Loader: Jessika Herling 3"' Assistant Camera: Tim Jordin When Life's a Musical follows the journey of town

DON'T FEAR THE REAPER Don't Fear the Reaper is a supernatural black comedy crime fi lm recounting the final mistake of one naive

grim reaper, his veteran partner in death and an addict journalist who may have just discovered his big

break.

Writer/Director: Anthony Walsh

Producer: Heidi Henderson

Associate Producer: Peter Crane

1" Assistant Director: David Butcherine

2"d Assistant Director: Laura Allen

Continuity Supervisors: Rachel Williams, Jack Higgins

Director of Photography: Nicholas Moore

Camera Operator: Daniel Shelton

VICTORIA

Sound Recordist: Andrew Cox

Sound Editor: Kara Moolman

Vision Editor: Jack Higgins

VFX Editor: Matthew Sawyer

Focus Puller: Jay Palmer

Gaffer: Rhys Watkins

Camera Assistant: Mitchell Reid

The film follows the story of Nick Fellini, a down and out Private Detective. Nick is hired by God Himself to

find a fallen Angel, Victoria, who has succumbed to the charm of Satan. On the quest of restoring Victoria's

fai th in humankind Nick finds a little faith in himself.

Writer/Director: Danny Camara

Producer: Laura Allen

1" Assistant Director: Rhys Watkins

200 Assistant Director: Madiison Ledger

Continuity Supervisor: Jennifer Barker

Production Designers: Sophie Tighe, Hannah Alkoby

Director of Photography: Daniel Shelton

Camera Operator: Nicholas Moore

Sound Recordist: Kara Moolman

WHEN LIFE'S A MUSICAL

Sound Editor: Jesse Huggett

Vision Editor: Matthew Sawyer

VFX Editor: Jesse Huggett

Focus Puller: William Pitt-Thacker

Gaffer: Alexander Brinkworth

Best Boy: Tyrone Evans

Grip: David Butcherine

Clapper Loader: Jessika Herling

3"' Assistant Camera: Tim Jordin

When Life's a Musical follows the journey of town outcast Kallan, in his quest to win the heart of the evil

Town Mayor's daughter, Maemi , in their all singing, dancing world.

Writer/ Director: Sophie Tighe

Producers: Hannah Alkoby, Jayce Attewell

1" Assistant Director: Laura Allen

200 Assistant Director: Brittany McCarthy

Continuity Supervisor: Heidi Henderson

Art Director: Breanna Roe

Director of Photography: Daniel Klocek

Camera Operator A: Timothy Jordin

Camera Operator B: Nick Moore

Sound Recordist: Bianca Cox

Sound Editor: David Butcherine

Vision Editor: Stephanie Dower

VFX Editor: Jesse Huggett

Focus Puller A: Alexander Brinkworth

Focus Puller B: Mitchell Reid

Gaffer: Jessika Herling

Grips: Tyrone Evans, William Pitt-Thacker

Camera Assistant: Daniel Shelton

Page 5: TWENTY ELEVEN ENDSLATE · 2018-05-18 · Grip: David Butcherine Clapper Loader: Jessika Herling 3"' Assistant Camera: Tim Jordin When Life's a Musical follows the journey of town

Hannah Alkoby Specialty: Producing

[email protected]

Jennifer Barker Specialties: Camera operator, Editor

jennifercbarker@gmail .com

Daniel Camara Specialty: Directing

danny _camara [email protected]

Peter Crane

Laura Allen Specialties: Producing, AD laura-131 [email protected]

Alexander Brinkworth Specialties: Writing, Directing alexbrinkworth@gmail .com

Andrew Cox Specialties: DOP, Camera Operator, Directing

andrew_cox@hotmail .com

Stephanie Dower Specialty: Vision editing clubsj_ 11 @hotmail.com

Jayce Attewell Specialty: Producing

[email protected]

David Butcherine Specialties: Sound design/editing, AD, Camera

[email protected]

Bianca Cox Specialty: Sound recording [email protected]

Clay English Specialty: Writing Directing, Cinematography

[email protected]

Page 6: TWENTY ELEVEN ENDSLATE · 2018-05-18 · Grip: David Butcherine Clapper Loader: Jessika Herling 3"' Assistant Camera: Tim Jordin When Life's a Musical follows the journey of town

Tyrone Evans [email protected]

Jack Higgins Specialty: Edit ing

mr j [email protected]

Daniel Klocek Specialties: Directing, Camera

[email protected]

Brittany McCarthy Specialty: Producing

britt_ 13_05@hotmail. com

Heidi Henderson Specialty: Producing

[email protected]

Jesse Huggett Specialties: Vision Editing, Visual FX, Sound

jesse.kjz@gmail .com

Madiison Ledger Specialties: Art DepartmenV Production Design

madii [email protected]

Jessica Middleton Specialt ies: Producing, Directing, Writing

[email protected]

Jessika Herling Specialties: Directing, Camera. Lighting

jkherling@gmail .com

Timothy Jardin Specialty: Cinematography

timjordin@gmail .com

Ryan Mark Specialty: Sound

ryan-mark@hotmail. com

Kara Moolman Specialty: Sound

[email protected]

Page 7: TWENTY ELEVEN ENDSLATE · 2018-05-18 · Grip: David Butcherine Clapper Loader: Jessika Herling 3"' Assistant Camera: Tim Jordin When Life's a Musical follows the journey of town

Nicholas Moore Specialties: DOP, Camera/Steadicam

[email protected]

Marek Ransome Specialties: Cinematography, Post Sound/Music

marek_91 @hotmail.com

Matthew Sawyer Specialties: Editing, Visual Effects

[email protected]

Anthony Walsh Specialties: Writing, Directing, Producing

[email protected]

Jay Palmer Specialty: Camera

[email protected]

Mitchell Reid Specialties: Directing, Camera, Sound

[email protected]

Daniel Shelton Specialty: Cinematography

[email protected]

Rhys Watkins Specialties: 1st AD, Sound editing, Camera, Gaffer

turnloose@gmail .com

Will iam Pitt-Thacker Specialty: Camera Operator

will iampt87@hotmail .com

Breanna Roe Specialties: Writer, Directing

[email protected]

Sophie Tighe Specialty: Directing

sophie.t [email protected]

Rachel Will iams Specialties: Producing. Continuitity, M Dept.

[email protected]

Page 8: TWENTY ELEVEN ENDSLATE · 2018-05-18 · Grip: David Butcherine Clapper Loader: Jessika Herling 3"' Assistant Camera: Tim Jordin When Life's a Musical follows the journey of town

OUT CREATIVE INDUSTRIES STAFF

PORTFOLIO DIRECTOR Paul Makeham

UNIT Jeanette McGown Geoff Fortmann Jon Silver Wayne Taylor John Willsteed

DISCIPLINE Christopher Cosgrove Elizabeth Ellison Katrina Graham Sascha Heredia Cody Jarrett Nicola Jordan Joanne Kenny Susan Macgillicuddy Sean Maher

~ Gardens Theatre

GARDENS THEATRE

2 George Street

Alan McKee TimMilfull Kate O'Sullivan Merv Partridge Mark Ryan Peter Schembri Adrian Thomas Jason Tolsher Tess Vanhemert Rebecca Wolgast Helen Yeates Oksana Zelenko

TECHNICAL SERVICES & PROFESSIONAL Ian Beckman Jacquelyn Brooks Colleen Brydges Carine Chai Nicole Kielly-Coleman

Sue Dance James Debenham Dana Gherman Mitch Haggman Sofie Haig-Smith Sally Hooke Eloise Koger Davinia Lagarde Marta Larzabal Robert Matthews Kerrie Miller Daniel Nel Beth Pinel James Paramor Gabriel Russ Jill Standfield Sarah Stephan Sue Westbrook WadeZmugg CIF Computing

BRISBANE OLD Australia 4000

Ph. (07) 3138 4455 or [email protected]

www.gardenstheatre.qut.edu.au

l'J facebook.com/OUTGardens Theatre

t twitter.com/GardensTheatre

PATRONS PLEASE NOTE

To ensure that all patrons enjoy the performance Management asks you to note:

• Camera, tape recorders and paging devices should not be used inside the auditorium.

• Switch off alarms and mobile phones prior to the performance.

• A single cough measures approximately 65 decibels of sound. • Management reserves the right to refuse admission , also to make any alterations in the program which may be

rendered necessary by illness or other unavoidable causes.

EVACUATION

PATRONS are advised that GARDENS THEATRE has an EMERGENCY EVACUATION PROCEDURE, a FIRE ALARM

system and EXIT escape signs. In the case of an alert, patrons should remain calm, look for the closest EXIT sign in

GREEN, listen to and comply with the directions given by theatre staff, and move in an orderly manner to the open

spaces outside GARDENS THEATRE.

CAICOS No. 00213J

© OUT 2011 Produced by OUT Precincts