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10 life ursday, October 23, 2014 | [email protected] CHINA DAILY USA ASSOCIATED PRESS The final movie of The Hobbit trilogy, directed by Peter Jackson, is scheduled to be released in December. A daring stunt-double duo takes on dual roles as directors. C had Stahelski and David Leitch speak in shorthand when it comes to shooting sprees. Also mixed martial arts throw-downs, crazy car crashes and escaping explosions. After 20 years performing, choreo- graphing, coordinating and directing movie stunts together — not to men- tion setting up their own stunt com- pany — Stahelski and Leitch have become experts at big-screen action. Starting as stunt doubles for Keanu Reeves and Brad Pitt, they’ve grown to oversee stunt action on blockbuster fare such as The Wolverine, Teenage Mutant Ninja Turtles and The Hunger Games franchise. For the last few years, they’ve been ready to take the next step: finding a film of their own to direct. Reeves helped make that happen when he introduced them to John Wick, an action-saturated thrill ride. “When I got the script ... I immedi- ately thought of Chad and Dave for the action design, but I was secretly hop- ing they’d want to direct it,” Reeves says. “I knew that they would love the genre and I knew that they would love John Wick. And I thought the worlds that get created — the real world and then this underworld — would be attractive to them, and it was.” Reeves stars as the titular character, a retired killer-for-hire who’s drawn back into the underworld, seeking revenge after thugs steal his car and kill the dog given to him by his dead wife. Willem Dafoe also stars. After reading the script, Stahelski and Leitch, both martial arts experts and Bruce Lee fans, told Reeves they wanted to tell the story of John Wick with a graphic-novel twist, creating a stylized, heightened reality where the suit-clad killer could systematically shoot 84 people in a nightclub with- out batting an eye or wrinkling his clothes. They also wanted to craft a charac- ter whose outsized motivations would make sense to audiences. And they wanted to prove to themselves that, after 20 years in the movie business, they could tell a story from top to bot- tom as filmmakers. “It was the challenge — and the ego of ourselves — to prove that we could do something different,” says Stahel- ski, a tall, lean man in his mid-40s with an authoritative demeanor that belies his easy smile. He’s been friends with Reeves since working as his stunt double in The Matrix movies. Reeves supported the pair’s pitch to producers, and the veteran stuntmen had their first directing gig. Stahelski and Leitch, who was Pitt’s stunt double in Fight Club and Mr. and Mrs. Smith, formed their stunt com- pany, 87Eleven Action Design, in 2004. Their facility, tucked inside an industrial complex near Los Angeles International Airport, is a hub of mus- cle, flexibility and creativity, with a team of 16 choreographers on staff. One section of the warehouse space holds weight machines and gymnas- tics mats; another has a springboard floor where lithe athlete-actors prac- tice artful falls into stacks of empty cardboard boxes. Various swords, bat- tle axes and medieval weapons stand in the corner beside a wood-and-met- al rig that can be adjusted for parkour or high falls. Posters of the movies the company has worked on line the walls. Reeves spent three months working with half a dozen 87Eleven athletes to prepare to become John Wick, learn- ing judo, jiujitsu and other fighting styles, plus mastering firing and reloading an assortment of high-pow- ered weapons. Stahelski and Leitch typically take on several big projects a year as stunt coordinators and second-unit direct- ors, creating and shooting action sequences for other directors’ big- budget projects. But they stepped away from those opportunities to spend 18 months making John Wick. “Stunt coordinating is a good train- ing ground for directing, because you have exposure to all the departments in film,” Leitch says. “There’s a lot of directing within the stunt coordina- tor’s job.” ASSOCIATED PRESS NOT JUST A STUNT CASEY CURRY / ASSOCIATED PRESS Chad Stahelski (left) and David Leitch (second from right), co-directors of John Wick, demonstrate holding techniques at 87Eleven Action Design in Inglewood, California. Stahelski and Leitch have become experts at big-screen thrills, after two decades performing, choreographing, coordinating and directing movie stunts. Epic price tag attached to Hobbit trilogy By ASSOCIATED PRESS in Wellington The movie trilogy The Hobbit has so far cost nearly three-quarters of a billion dollars to make as the epic continues to set new bench- marks for studio spending. Financial documents filed this month in New Zealand, where the three movies have been made, show production costs through March had reached $745 million. The figures include film- ing and digital effects com- pleted over several years but not the final eight months of production costs leading up to the scheduled December release of the final movie. It’s not clear from the docu- ments whether worldwide marketing and distribution costs are included. Warner Bros, which is making the movies, on Tues- day declined to answer ques- tions about the costs. “We don’t comment on produc- tion budgets,” writes Candice McDonough, a senior vice- president at New Line Cine- ma and Warner Bros Entertainment, in an e-mail. The cost eclipses previous records for film productions. On a per-film basis, however, the movies are not the most expensive ever made. At least not yet. Box Office Mojo and Guin- ness World Records estimate that record goes to Pirates of the Caribbean: At World’s End, which cost about $300 million to make. Box Office Mojo estimates the first two Hobbit movies took in a combined $1.98 bil- lion at the box office. Typically, studios provide only vague estimates and have been accused of both underestimating and overes- timating costs as it suits them for publicity purposes. But in New Zealand, Warner Bros set up a wholly owned company to handle the trilogy, which has filed regular financial reports that are publicly available. The latest documents show the production received $122 million from New Zealand taxpayers through an incentive scheme designed to attract big bud- get movies to the country. Such schemes are common in US states and countries that compete for movies. Trilogy director Peter Jack- son has been promoting the anticipated release of The Hobbit: The Battle of the Five Armies on social media, put- ting up movie posters on his Facebook page. “We’re getting closer now,” he wrote in a post last month. chengdu report By FU CHAO [email protected] With two overseas banks setting up new branches in Chengdu in May, the capital of Sichuan province has made another step towards its goal to be the nancial hub of western China. By the end of July, the city had 16 overseas banks including Standard Chartered, Citibank and JP Morgan Chase. The city’s local corporate nancial institutions are also growing rapidly with a variety of prod- ucts hitting the market. According to data from the municipal government, the city generated 484.3 billion yuan ($79.1 billion) in GDP in the first half of 2014, with the nancial sector generating 10.3 percent of the total. Gross profits in the financial sector reached 49.8 billion yuan, up 13.8 percent. e Chengdu city govern- ment released a plan in May to develop a service-centered city with the objective of becoming “the most robust and innova- tive financial hub”. By 2015, prots in the nancial sector will account for 20 percent of the service sector, said the plan. More overseas banks In May, ANZ Bank and Hang Seng Bank opened branches in the city. Michael Smith, CEO of ANZ Bank, told Xinhuanews that Chengdu plays a significant role in the economic growth of western China, a region ANZ has targeted as a key market. Xu Bin, director of Hang Seng Bank’s Chengdu branch, told People’s Daily in July that the bank has set up opera- tions in many Chinese cities, but Chengdu impressed him the most with so many big real estate companies from Hong Kong. “Almost all of real estate big names are here, and also many Hong Kong companies. We feel we have to come here too,” said Xu. Chengdu has formulated a range of policy measures that add appeal for overseas nan- cial institutions including cross- border renminbi settlement and mobile e-commerce services. The city government also has policy support for overseas financial institutions that are developing innovative new ser- vices like e-commerce. The city now has the most overseas nancial institutions of any central or western city, said experts. Its 16 overseas banks have total assets of about 34 billion yuan, a small number com- pared with the city’s total bank assets of some 5 trillion yuan. Yet an official from the city’s nancial administration oce said the overseas institutions have a substantial impact on Chengdu’s economy. The official said the banks are from dierent regions and countries and specialize in var- ious businesses that can sup- port local businesses in a more comprehensive way. With deep experience and good traditions, the overseas nancial institutions also trig- ger reforms at local banks in the city, said the ocial. Local institutions The city government also stresses nurturing local cor- porate nancial institutions to provide services in economic and social development. e government has helped set up a range of new local cor- porate nancial institutions in the recent years. e Bank of Chengdu and Chengdu Agri- cultural & Commerce Bank are also growing rapidly. Sichuan Jincheng Consumer Finance is one of four consum- er nance companies approved by the China Banking Regula- tory Committee and the only in the central and western regions. e company’s general man- ager Huang Qili said that the major businesses of the com- pany include installment pay- ments and loans for consumer goods like mobile phones and home renovation, and for ser- vices like weddings, travel and education. Chengdu Tianfutong Finan- cial Services Co is working on a third-party electronic payment system. The company’s latest product, the Tianfutong card, allows users in the city to pay for public transport and water, gas and electricity with just a swipe. Zhou Jun, a staff member in the company’s marketing department, said that more than 10 million Tianfutong cards have been issued and every day the cards average 3.8 million transactions. People can also use the card for mov- ies, shopping at supermarkets, dinning and even travel at the city’s major tourism spots. e card now covers subur- ban areas around the city. e company has been working on expanding its service area to cover cities near Chengdu. More overseas banks as Chengdu becomes financial hub WEI XIAOCHEN / FOR CHINA DAILY Chengdu International Financial Square is a symbol of the city’s growing financial might. The Chinese characters for Chengdu composed of the logos of the Fortune 500 companies that have operations in the city.

ursday, October 23, 2014 | [email protected] ... · 10 life ursday, October 23, 2014 | [email protected] CHINA DAILY USA ASSOCIATED PRESS The final movie of The Hobbittrilogy,

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Page 1: ursday, October 23, 2014 | readers@chinadailyusa.com ... · 10 life ursday, October 23, 2014 | readers@chinadailyusa.com CHINA DAILY USA ASSOCIATED PRESS The final movie of The Hobbittrilogy,

10 life � ursday, October 23, 2014 | [email protected] C H I N A D A I L Y U S A

ASSOCIATED PRESS

The final movie of The Hobbit trilogy, directed by PeterJackson, is scheduled to be released in December.

A daring stunt-double duo takes on dual roles as directors.

C had Stahelski and DavidLeitch speak in shorthandwhen it comes to shootingsprees. Also mixed martialarts throw-downs, crazy

car crashes and escaping explosions.After 20 years performing, choreo-

graphing, coordinating and directingmovie stunts together — not to men-tion setting up their own stunt com-pany — Stahelski and Leitch havebecome experts at big-screen action.Starting as stunt doubles for Keanu

Reeves and Brad Pitt, they’ve grownto oversee stunt action on blockbusterfare such as The Wolverine, TeenageMutant Ninja Turtles and The HungerGames franchise. For the last fewyears, they’ve been ready to take thenext step: finding a film of their ownto direct.Reeves helped make that happen

when he introduced them to JohnWick, an action-saturated thrill ride.“When I got the script ... I immedi-

ately thought of Chad andDave for theaction design, but I was secretly hop-ing they’d want to direct it,” Reevessays. “I knew that they would love thegenre and I knew that they would loveJohn Wick. And I thought the worldsthat get created — the real world andthen this underworld — would beattractive to them, and it was.”Reeves stars as the titular character,

a retired killer-for-hire who’s drawnback into the underworld, seekingrevenge after thugs steal his car andkill the dog given to him by his deadwife. Willem Dafoe also stars.After reading the script, Stahelski

and Leitch, both martial arts expertsand Bruce Lee fans, told Reeves theywanted to tell the story of John Wickwith a graphic-novel twist, creating astylized, heightened reality where thesuit-clad killer could systematicallyshoot 84 people in a nightclub with-out batting an eye or wrinkling hisclothes.They also wanted to craft a charac-

ter whose outsizedmotivationswouldmake sense to audiences. And theywanted to prove to themselves that,after 20 years in the movie business,they could tell a story from top to bot-tom as filmmakers.“It was the challenge — and the ego

of ourselves — to prove that we coulddo something different,” says Stahel-ski, a tall, lean man in his mid-40swith an authoritative demeanor thatbelies his easy smile. He’s been friendswith Reeves since working as hisstunt double in TheMatrixmovies.Reeves supported the pair’s pitch to

producers, and the veteran stuntmenhad their first directing gig.Stahelski and Leitch, who was Pitt’s

stunt double inFightClubandMr.andMrs. Smith, formed their stunt com-pany, 87Eleven Action Design, in2004. Their facility, tucked inside anindustrial complex near Los AngelesInternational Airport, is a hub ofmus-cle, flexibility and creativity, with a

team of 16 choreographers on staff.One section of the warehouse space

holds weight machines and gymnas-tics mats; another has a springboardfloor where lithe athlete-actors prac-tice artful falls into stacks of emptycardboard boxes. Various swords, bat-tle axes and medieval weapons standin the corner beside a wood-and-met-al rig that can be adjusted for parkouror high falls. Posters of themovies thecompany has worked on line thewalls.Reeves spent threemonthsworking

with half a dozen 87Eleven athletes toprepare to become John Wick, learn-ing judo, jiujitsu and other fightingstyles, plus mastering firing and

reloading an assortment of high-pow-ered weapons.Stahelski and Leitch typically take

on several big projects a year as stuntcoordinators and second-unit direct-ors, creating and shooting actionsequences for other directors’ big-budget projects. But they steppedaway from those opportunities tospend 18months making JohnWick.“Stunt coordinating is a good train-

ing ground for directing, because youhave exposure to all the departmentsin film,” Leitch says. “There’s a lot ofdirecting within the stunt coordina-tor’s job.”

ASSOCIATED PRESS

NOT JUST A STUNT

CASEY CURRY / ASSOCIATED PRESS

Chad Stahelski (left) and David Leitch (second from right), co-directors of John Wick, demonstrate holding techniques at87Eleven Action Design in Inglewood, California. Stahelski and Leitch have become experts at big-screen thrills, after twodecades performing, choreographing, coordinating and directing movie stunts.

Epic price tag attachedtoHobbit trilogyBy ASSOCIATED PRESSinWellington

The movie trilogy TheHobbit has so far cost nearlythree-quarters of a billiondollars to make as the epiccontinues to set new bench-marks for studio spending.Financial documents filed

this month in New Zealand,where the three movies havebeenmade, showproductioncosts through March hadreached $745million.The figures include film-

ing and digital effects com-pleted over several years butnot the final eight months ofproduction costs leading upto the scheduled Decemberrelease of the finalmovie. It’snot clear from the docu-ments whether worldwidemarketing and distributioncosts are included.Warner Bros, which is

making the movies, on Tues-day declined to answer ques-tions about the costs. “Wedon’t comment on produc-tionbudgets,”writesCandiceMcDonough, a senior vice-president at New Line Cine-ma and Warner BrosEntertainment, in an e-mail.The cost eclipses previous

records for film productions.On a per-film basis, however,the movies are not the mostexpensiveevermade.At leastnot yet.

Box OfficeMojo andGuin-nessWorld Records estimatethat record goes to Pirates ofthe Caribbean: At World’sEnd, which cost about $300million tomake.Box Office Mojo estimates

the first two Hobbit moviestook in a combined $1.98 bil-lion at the box office.Typically, studios provide

only vague estimates andhave been accused of bothunderestimating and overes-timating costs as it suitsthem for publicity purposes.But in New Zealand,

Warner Bros set up a whollyowned company to handlethe trilogy, which has filedregular financial reports thatare publicly available.The latest documents

show the productionreceived $122 million fromNew Zealand taxpayersthroughan incentive schemedesigned to attract big bud-get movies to the country.Such schemes are commonin US states and countriesthat compete formovies.TrilogydirectorPeter Jack-

son has been promoting theanticipated release of TheHobbit: The Battle of the FiveArmies on social media, put-ting up movie posters on hisFacebook page.“We’re getting closer now,”

he wrote in a post lastmonth.

chengdureport

By FU [email protected]

With two overseas banks setting up new branches in Chengdu in May, the capital of Sichuan province has made another step towards its goal to be the � nancial hub of western China.

By the end of July, the city had 16 overseas banks including Standard Chartered, Citibank and JP Morgan Chase. The city’s local corporate � nancial institutions are also growing rapidly with a variety of prod-ucts hitting the market.

According to data from the municipal government, the city generated 484.3 billion yuan ($79.1 billion) in GDP in the first half of 2014, with the � nancial sector generating 10.3 percent of the total. Gross profits in the financial sector reached 49.8 billion yuan, up 13.8 percent.

4 e Chengdu city govern-ment released a plan in May to develop a service-centered city with the objective of becoming “the most robust and innova-tive financial hub”. By 2015, pro� ts in the � nancial sector will account for 20 percent of the service sector, said the plan.

More overseas banksIn May, ANZ Bank and Hang

Seng Bank opened branches in the city.

Michael Smith, CEO of ANZ Bank, told Xinhuanews that Chengdu plays a significant role in the economic growth of western China, a region ANZ has targeted as a key market.

Xu Bin, director of Hang Seng Bank’s Chengdu branch, told People’s Daily in July that the bank has set up opera-tions in many Chinese cities, but Chengdu impressed him the most with so many big real

estate companies from Hong Kong.

“Almost all of real estate big names are here, and also many Hong Kong companies. We feel we have to come here too,” said Xu.

Chengdu has formulated a range of policy measures that add appeal for overseas � nan-cial institutions including cross-border renminbi settlement and mobile e-commerce services.

The city government also has policy support for overseas financial institutions that are developing innovative new ser-vices like e-commerce.

The city now has the most overseas � nancial institutions of any central or western city, said experts.

Its 16 overseas banks have total assets of about 34 billion yuan, a small number com-pared with the city’s total bank assets of some 5 trillion yuan. Yet an official from the city’s

� nancial administration oC ce said the overseas institutions have a substantial impact on Chengdu’s economy.

The official said the banks are from diD erent regions and countries and specialize in var-ious businesses that can sup-port local businesses in a more comprehensive way.

With deep experience and good traditions, the overseas � nancial institutions also trig-ger reforms at local banks in the city, said the oC cial.

Local institutionsThe city government also

stresses nurturing local cor-porate � nancial institutions to provide services in economic and social development.

4 e government has helped set up a range of new local cor-porate � nancial institutions in the recent years. 4 e Bank of Chengdu and Chengdu Agri-cultural & Commerce Bank are also growing rapidly.

Sichuan Jincheng Consumer Finance is one of four consum-er � nance companies approved by the China Banking Regula-tory Committee and the only in the central and western regions.

4 e company’s general man-ager Huang Qili said that the major businesses of the com-pany include installment pay-ments and loans for consumer goods like mobile phones and home renovation, and for ser-vices like weddings, travel and education.

Chengdu Tianfutong Finan-cial Services Co is working on a third-party electronic payment system. The company’s latest product, the Tianfutong card, allows users in the city to pay for public transport and water, gas and electricity with just a swipe.

Zhou Jun, a staff member

in the company’s marketing department, said that more than 10 million Tianfutong cards have been issued and every day the cards average 3.8

million transactions. People can also use the card for mov-ies, shopping at supermarkets, dinning and even travel at the city’s major tourism spots.

4 e card now covers subur-ban areas around the city. 4 e company has been working on expanding its service area to cover cities near Chengdu.

More overseas banks as Chengdu becomes fi nancial hub

WEI XIAOCHEN / FOR CHINA DAILY

Chengdu International Financial Square is a symbol of the city’s growing fi nancial might.

The Chinese characters for Chengdu composed of the logos of the Fortune 500 companies that have operations in the city.