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Préface

1

Passíonnéd'origamídepuistréslongtemps,j'almedécouvrírle travail de nouveauxcréateursetdénicherdesstylesetdesapprochesoriginaux.JesuiscommeafFaméálavued'unenouvellecréationtréssímpleouaucontrairetréscomplexeetc'estpourquoijemeretrouve parfois a passerun nombre incalculable d'heures a écumer les galeries des si!esInternetetautresforumssurl'origami.J'aieuaussilachancedeparticiperadesconventionsd'origami dans de nombreuxpayset les tables d'expositions de modélesprésentésla-basonttoujoursexercésurmoiunea!tractionmagnétique.

Aucoursdecesrecherchesincessantes,l"undessitesrecevantmes visites réguliéresest le forum du Vietnam Origami Group ht!p:/fforum.orígami.vn! qui est une ressource richeennouveautés.Ceforumestlefondementdecelivrequiprésen!eletravaíldesmeilleurscréateursVíetnamiensae!uels.Cesjeunesartistesontétéprompts a trouver leurs propress!yles, et leurtravail est déja facilement reconnaissable. Habituellement, un créa!eur metplusíeursannées pourémergeretfaireévoluersonstyle, desorte que les!ravaux présentésicisontremarquablespouravoirtrouverleuríndividualitéaussitot.

1 Ces jeunes eréateurs présentent un éventail de style tres ímpressíonnant. Vousdecouvrirez ainsi les oeuvres minimaíistes de Pham Huy-Dieu, Nguyen Vo Hien Chuong ouencore Tuan Nguyen Tu. A I'autre extreme, les amateurs de pliages complexes apprécierontles modeles de Nguyen Hung Cuong, Tuan Le, Dao Cuong Quyet et bien d'autres. Lesartistes eux-memes ont dessiné tous les diagrammes de ee livre Maís ne croyez pas queseulslespliagescomplexessontundéfi:reproduirelesplissubtilsetsuggestifsdesmodélesminimalistes vietnamiens nécessite une autre forme de compétence. Au final, sensibilíte,précisionetunimportantrespectdupapiersontlesoutilsdontvousaurezbesoinpourobtenirlemeilleurdecespages.

Lecaractere modestede Giang Dinh setenanttranquillementder riéreíesautresainsique son influence son! visibles dans le travail de ses protégés. Cet expatrié Vietnamien,vivant désormais aux Etats-Unis, est reconnu parbeaucoup de ses pairs eomme I"undes plusgrands maftres de I'origamide ee 21éme siécle, admiré poursa vísionetsoninterprétationminimalistedesessujets.

Je suis fier de présenter ee livre, qui a été rendu possible par Nicolas Terry, unpromoteurdésintéressédel'artdel'origamie!desesartistes.C'estgráceá luique vous étesenmesuredeprofiterdeeettenouvelleanthologie.

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Dave Srillwww.brílliantorigami.com

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In.tl"'odu.ctiol'\.

Aprés plusieurs années de préparation, le "Vietnam Origami Group"(VOG) esl heureux de publierson premiar livre de diagrammes.

Crééen2004,leVOGs'estdéveloppéjusqu'adeveniraujourd'hu¡ungroupe composéde plus de 1000 membres,unis par I'amitié et lavolanté de promouvoir I'origami Vietnamien á travers le monde. Nousnousíntéressonsa I'origami non pascommeunobjectifdevieoucomme le but ultime de I'étre, mais plutót comme un outil avec lequelnous construisons des ponts entre les cultures, des liensentre leVietnametlemonde.

En raison de cetespritd'unité, I'origami es! un merveilleux moyen decultiver la compassion el la sagesse. La plupart des artistas enorigami créent des modeles avec un sujet a I'esprit. Vous devezdisposerd'unthemeetc'estcetintérétpourunethématiquequirendles plieurs aussi attachés a la nature, du plus minuscule insectejusqu'au plus grand mammifére terrestre. Cela développe aínsi lacompassionquinourritlasagesse.Nouspensonsquelacompassionetlasagessesontlesdeuxqualitéslesplusessentiellespourl'étrehumain

Les relations entre les gens sont plus importantes que I'origami lui"meme; I'origamiseuln'estriens'iln'yapasd'interaction humaineNousespéronsvraimentquelesjeunessaisirontcetesprit.

La proliferation de I'origami est comme les ondes radio ou detélévisionquisemultipiientdansl'espacesansquel'onnepuisselesvoirMaisunefoisquenousnousbranchonssuruneprised'origami,de nombreuses personnes deviennent immédiatement liees. Ceuxd'enlrenousquipartagenlcettepassionetcetterecherched'unitésetrouventenquelquesorteetseconnectentLachoselapiusimportanteestl'amour,celuiquenouspartageonspourl'origamietlepliagedepapier

Au nom du VOG,je tiens á remercierM. Nicolas Terry. En présentantle VOG sur son site Internet, il nous a permis d'elre connuinternationalement. Jetienségalementaremercierlesassociationsd'origamiainsi quedes arnisdu monde entierpourleursoutien, enparticulier Mr Oinh T Giang, qui a été le lien entre le VOG el nos amisinternationaux. Des remerciements spéciaux vont aussi a Ho QuocBao, Nguyen Xuan Tung, Nguyen Tu Tuan, Le Nhat Anh, NguyenHung Cuong, et Hoang Trung Thanh ... dont certains furent lespremiers mernbres el qui ont beaucoup contribué au progres duVOG. Je regrette de ne pouvoir énumérer les noms de tous lesautres,merciatousi

Nous sommes également tres reconnaissants envers Maitre AkiraYoshizawa, qui a revitalisé I'art ancien de I'origami. 11 vivraéterneliementdansnoscceurs.

TheSeekerMernbrefondateurduVOG

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Trlín Trung HiéuBorn in 1984 in Ho Chi Minh City, Vietnam, Currently I arn a high school ..chemistryteacher, I startedfoldingwhen I was 4 years old and becameamemberofthe Vietnam Origami Group in2006. Icreated myfirstdesign whenI joined the VOG. I like to design models as realislically as possible withplentiful detail. Thal is why most of my designs are very complex, I amespecially fond ofdinosaurs and fiowers, which are my main subjec\s indesigning

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~,Néen 1984 é Ho Chi Min/¡, Vietnam. Je suis acluellemenl professeur deehimieaulyGée.J'aicommencé¿plierquandj'avais4:>nsetjesuisdevenumembre du "Vietnam Origami Group'" en 2006. J'ai créé mon premiermodeielorsquej'airejoinlcegroope, J'almeconcevoírdesmodélesaussiréaiístesquepossible avec des détails abondants. C'estpourquoi le plupa rt de mescréations$onttréscompiexes, Jewisparticlillerementfrlanddesd inosal.1fesefdesfleurs,quisontmessuietsprincipauxd'inspiration

,

!Ngó DÚ"c Húng

~Bornin 1981,lam apllYsiciancurrentlyworkingatBachMai Hospital in Hanoiandteachingal Hanoi Medieal University.llearned origamiwhen Iwas 12yearsoldandstarledcreatingmyownmodelsal17.lhsveslwaysconsideredfolding a gOQdway to release stress from working al the hospital, Myworks arevery diverse and simple, there is no tixed styte. I am i~terested in foldingrectangularpaper,especiallytheVielnamdongbanknolesbecauseoftheir1:2ratio.ltisdifficulttofoldmoneybecauseofitssmallsize.

,

,

Néen 1981. Je suis médecin e/je Iravaiile aclueilemenl él'Hópital Bach MaíéHanofefj'enseigneéJ'UniversítédemédecJnedeHanoi,J'aiepprisl'origamlquandj'avais 12anse/j'aicommencéa créermespropresmodéle$é 17ans.J'alloujoursconsidérélepliagecommeunbonmoyend'évacuerle&lressdotrnva¡iél'hópilaJ.MesaJuvressonlfresdiversesetsimples.Jen'sJpasunslyledéflnl,JesuislntéressédansJepliagedepapierreclanguiaire.spécíaiamentJesbilletsdebanqueVielnamiensquipossedentunratI01:2.Maisilesldifficiiedepiiercesbílletsdufaítdeleurtrespetitetaille.

,

,

Ph{lm Di;¡'uHuy¡

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Born in 1978. Currentlyresiding andworking in Hai Ph"ng, Ifolded paperwhen Iwas lilllebut stopped when 1was 12 untilllesrned about the VOG - mypassionfororigsm;hasreturnedsinc8.llikeallkindsofmodels,trom simple tocomplex,iflheyarebeautifulandexpressive,YouGanseetheinfluenceofNeilElias insomeofmywork, Inormallycreatemodel by improvisation,

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Ne en 1978,je réside et travaJJJe acfuellemel1t á Hai Phong. J'ai commencé ápiierdupapJerdepuisquejesuispelilmaisjemesu/salTéléal'agede12ans

i"/lisqu'á ce que ¡"appren"e i'existence du "Vietnam Origami Group", Ma

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pass/on pour J'origam¡ esl revenue depws. J'alme loutes sortes de modéles,

I~ du simple au complexe, du moment o'; ils SOl1tbeaux el expr-esslf$. Vouspouvez voir I'lnfluence de Ne¡1 Eilas dans certalns de mes travauxHablfuellemenl.jecréeunmodeleparimprovisalion.

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IDao ClI'O'l"IgQuyél

Born in 1988. I am sludy;ng atlhe MililaryAcademy Institute, and work as an

@origami instructor at lhe Vlelnam-Australla Internationsl SchoolIstarted fOldingatthe age of 10, became a Vietnam Origaml Gmup memberin2005,andcrealedmyflrstdesignthatyear, Mostofmydes;gnsareofin~ectsandfanlasyfigures...MystyleisinfluencedbyartistslikeManuelSirgoand

~EricJoisel.ln all mymodels, Ilocusonsculptural shaping oncelhe basic ,structureisestablished. \

Né en 1988, je suís étudi:>nt é i'Académíe miJilaJre, el je lravaiile cOmmeprofesseurd'origami¿I'"Austmlia Infemalionai School". J'aicommencé épiierá 10 ans pulsje su/s devenu membre du "Vietnam Origami Group" en 2005.J':>icréécelfeannéei¿monpromiermodéle, Lapiupartdemescréatio n$sontdesinseclesetdescréature$mntastiques Monstyleestil1l1uencépar desartdes tels que Manuei Sirgo ef Eric Jolsel, Dans lous mes modeles, je meconcenlresurlemodelageunefoJsqueJastructuredebaseeslélablie,

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Born in 1987, I curlently live in Hanoiandworkatthe MCllecularBiotechnalClgyLaboratory at Hanoi UniversityolScienceandTechnology. In2007 ,aflerseeingan exhibition by VOG members, Iwas ver.¡ impressed and knewthall would likelo study the art 01 origami. In the summer 01 2008, I slarted leaming andexperimentingwith box pleating techniques and made mylirstdesign. Ilikedesigning insects and humanoid ligures - la~tasy characters a~d charactersfromeümputergames oranimation movies

Né en 1987, je vis actuellement á Hanoí' el je travaiJ/e au laboralaire debiotechnologiemoléculairedel'Universilé de Sciencesetde TechnologledeHenoi'. En 2007, apres avoir vu une exposilion des membres du "VietnamOdgamiGroup",j'aiétélresimpressionné elje savais queje voulaísétudierl'artdel'origemi.Aucoursdel'été2008,j'aicommencéaapprel1dreelexpérimenterles teclmiques du « box pleating » et j'ai réallsé mon premier modé/e. J'aimecréerdesínsectesetdesllgureslwmanoiaeslelsquedespersonnagesdejeuxvidéosetdefilmsd'animation,

I am a cllemical engineer, 38 years old, married with two sons. I currently live inSaigon, Vietnam. Istarted lolding at the age of 5 or 8, when my lather gave mesome simple airplanes as well as the traditional crane and taught me how to toldIhem. Since that day, origami has been my hobby. I became a member 01theVietnam Origami Group in 2006 and crealed my first design in March 2008, IreallyiikethespiritinlhemodelsofMasterAkiraYoshizawaandBerniePeyton.Dinh Tmémg Giang's wet folding lechnique and symbolized models are alsoamong mylavorites. Ialways Iryto make my models with as lew lolds as possiblebecause Ilike simplicity and symbolizalion, Ialso frequentlywet fold my modelstoco~veymyleeli~gs

Marlé el pére de deux fíls,j'aI38 al1$ etje $UI$íngéníeurchlmiste. Je visactuellemenl á Sai'gon a" Vieinam. J'ai commencé a plier J J'Jge de 5 o" 6 ans,Un jour mon pére m'a donné quelques avíon$ $Imple$ aínsí que la grueIraditionnelleeim'aapprisalesplior.Depuiscejour,l'origamlesi devenumapasslon. Jesulsdevenu un membre du "Vlelnem Orígaml Group", en 2006elj'aícréé mon premier modele en mars 2008, J'aime vraimeni I'esprilque I'on irouvedans les modeles de MeitreAklra Yoshízawa el Bemle Peyton. La techl1íque enpliage humide de Dinh TnJ'&ng Giang ainsi que les modéles slylisés sonl parmimeslavorís.J'essaletoujoursderéallsermesmodéiesavecaussípeude pllsque possible car/aime la simplicilé etla symbolisalion, J'utilise souvenllatechniquedupliagel)umidepourdonneruneameamesmodéles

BorI1in 1966,Hue,VietnamUnderlying philosophy: Less is morePrelersimple, abslract, 3da~d elegantworks,

Néen 1966,Hué,auVietnamPhilosophlesous-jacel1te : "Le molnsfaitleplus".J'alme les reuvres simples, abslraiies, éléganleseien3D,

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23/01/20JO

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SumoWrestlerSumo

LevellNiveau: **TimetofoldlPliage: 30minPapersizelTailledupapier: 25x25cm

Thisdesignwasinspiredbyafriend'spresentThescaleofthebodyisalittlestylized.Youcanfoldstep16inadifferentwaysothatthelegswillnotchangacolar. Butldidit1hatwaytolocklhelegs,andsothattheSumocanstandonhisfeet.

Je me $uis inspiré, po(1rce modé/e, d'(1ncadeau d'un ami Lesproportions du corps son!un pelJ stylisées- Vous po(Jvezplíerl'éfape 16d'une maniére différente pourque lesjambes nechangentpasde l;ouI8(1(.Me/sra! chola/de verrouillerlesjambespourpermettre au Sumodesetenirdebout

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Nguyen Nguyen Thong

02/01/2008

LevellNiveeu: ***Time tofold IPlíage: 1.5hPapersizelTallledupepier: 30x30cm

This is oneofmyfirstdesigns. Forbetterresults, use Ihin paper, 25-40cmsquare. Youcanalsotrytowet-foldit.

Ce modéle esl rune de mes prem/éres créatlons. Pour de meílleurs résultats, ulil/sez dupapierfin, de 25á 40cmde colé. Vouspouvez égelemenlessayerla lechníque du pliage humlde.

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Ngo Duc Hung

03/01/2010

Orchids are a beautiful flower specias, especially the Oncidium - Dancing lady.Once Ivisited a flower garden where Isaw very gorgeous "dancinglady"orchids. So Iwasinspiredloexpressthatínorigami.Thisísoneofmyfirstdesignsfromasquarepaper.

L'orchidée est une f/eur magnifique. sur10ut /'Oncídium - Dancing lady. En visitantunjardín de fIeurs. j'aí vu ces magnifíques orchidées, etral décidé de la créeren origami.C'es! un de mes premiersmodéles réalisé ¿ partird'un papiercarré.

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12/05/2008

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Ilike this design very much because my 2008 swan and this model are the first of all mydesigns. I designad the $wan firsl and saw the possibility forother models. This duck was createdwithonlysomechangesinratiofromlheswandesign.

This modal is easy tofalá. Using curved folds in sieps 11, 12, and 24 will make it morebeautiful.WetfoldingusingCansonpaperisalsoagoodchoice.

J'aime beaucoup ea modé/e parce qu'avec mon cygne de 2008, ea fut ma toutapremiérecréation J'ai creé le cygne en premier etj'y al vu la posslbílíté de réalíser d'autres modé/es. Cecanardaétécrééenmodifiantsauiemantiesproportionsducygne.

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15/10/2008

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LevellNiveau: ***TimetofoldlPliage.60minPapersizelTailledupapier: 20x20cm

In Vietnam, 2008 is The Year ofthe Mouse. Just like my friends, I also tried lo design one ofmy own. The idea 01 a fal mouse carne about, which I thought could be different from mas! origamimica al the time. I was very happy because creating the head was easier than I thought, as was Ihebody-especiallytheforelegs,whicheameoutcasuallymakingitmorebeautifuL

You should lestfold first with normal peparto understand Ihe structure ofthe model. Irecommend wetfolding using Cansan paperand trylo minimiza unnecessary creases.

Au Vietnam, 2008 esl I'année de la SQ(1ris-Toul comme mes amis, j'ai aussi essayé d'enconcevoiruneenorígamiL'idéed'unesourisgrossouíllettem'estvenuepourlarendredifféreníedetoutesíesautressourísdéjácrééesál'époque.J'aíététrésheureuxenm'apercevantquelatéte,lecorpsetsurtouliespattesantérleuresétaientplusfacileáfairequejene lepensais. Enparliculier,cesdemiéresressorlentavecdésinvolturoetrendentlemodéleplusbeau.

Je vous conseílle de plierce modéle d'abord avec papierclassique pourblen comprendre lastructure du modéle. Puis je recommande un pliage en wet-foldlng avec un papier Canson enessayantde minimiser/esp/is inuliles.

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\This is a design resulted from improvisation in 2009. I carne up with a base unexpectedly

when trying lo fold Nguyen Hung Cuong's water buffalo (included in this book). Seeing two bigcomers on the base I immediately thought of a rabbit wi1hbig ears.The other detailsalso Gamebyimprovisation,andluckilytheycapturefeaturesofanoldrabbit.

Atfirst I triad tolold a ribbon ratherthart8 tie but itwas unsuccessful-you can tryforyourself. This modelwas foldedfrom a 21x21cm square Canson paperof160gsmthickness.

Cemodéleestlerésultatd'uneímprovisationréalisée en 2009. J'aleneffetobtenlJ, demanlere Inatlendue, une base en essayant de pller le buffle d'eau de Nguyen Hung ClJong (inciudans ee ilvre), En vayantces deuxgrands volets soltanl de la base,lal immediatementpensé á unlapin aux grandes areilles, LesautresdétailssonteuxalJssiimprovisésetparchance, lapersonnalitéd'unvieux/aplnestapparu,

,Audébu(j'alessayédepllerunnreudpapillonplutótqu'unecravate maisce/an'apasmarché.Essayez vous aussl! Ce modéie a élé plié dans un papler Cansan de 160glm' de 21x21cm.

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LevellNiveau: **Time tofold IPliage: 45minPapersizeITailledupapier: 20x20cm

This model was designed in August 2011, far the Pig base cantes! of the VOGforum. I designed it from 2 pieces of the same size square paper. 1Iis simple bu! it mayprovequitedifficulttoachieveagoodfinalmodelbecauseoftheshapíngneeded.lhadsome problems when folding the arms. For better results, try wet-folding. Have funl

Ce modele a été créé en aoú! 2011,Iors d'un concours propasé $¡;rle forumvaoú íI fa/lait realiser un modéle a partir de la base du cochon. Je /'eí con<;u ¿ partir de deuxmorceaux canes de méme taille. 1/est simple a plier. En revanche, la misa en valeur dumodéle par le modelage final peut se révéler plus difficlle. J'ai eu quelques problémeslors du pllage d'un des bras. Pour de meilleurs résultats, pliez le avec la technlque dupliage humide. Amusez-vous!

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Dao Cuong Quyet

05/09/2009

LevellNiveau: ***TimelofoldlPlíage: 2hPapersizeITailledupapier: 50x50cm

Idesigned this model in 2009 farlhe "Spectaded BearWar" competilion organizedby Orígami Columbia lo raise awareness about Ihis endangered specíes- In arder tocapture Ihe dislinctive beige-colored marking across its face, this model is folded fromduo paper. Notes: start with a square of alleast50 cm side length so you can work on smalldelailsoflheface.

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Tran Trung Hieu

09/2009

LevelI Niveau: ****TimetofoldlPliage: 4hPapersizeITai/ledupapier: 35x35cm

From ¡he first time I folded origami, I wanted lo fold dragons. I dreamed of designing adragon with toes, wings and horns from one sheet 01 paper. I tried mal1Y times to fold this but Ifailad Fortunately, Isucceededinfoldingadragonwhichhasacolor-changedheadandwings.Forthismodellusedboxpleatingand22.5degreediagonals.We1-foldingorMethylcelluloseisneededtofoldthisdragon.

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Des que Faí commencé I'origami,Fa!voulupllerdes dragons. J'ei souhaité concevoir undragon avec des doigts, des ailes el des Gomes ¿ partird'une seula feuille de papier. J'ai essayép/usieurs {ois de plier cela, mals j'a! échoué. Heureusemenl, j'a! finalement réussl á plier undragon avee un ehangement de eou/eur pour le té/e el les ailes. Pour ee modele j'a! ullllséI'approche box-p/eating eombinée ¿ des bases avec des angies de 22,5 degrés. Le technlque dupliege humlde ou leméthyleel/u/ose sontnécessairespourplierce dragon.

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Nguyen Hung Cuong

]2/03/2009

The idea ofthis design is a 3D standing owl. I used many curve$ and clealllines toform thefal body- The head was inspired by the Great Horned Owl, which has tufted feathers near its eyesthatlooklikehorns.

Note: The sharper you pre-crease this model, the easier il will be fold. And be aware tha!fromstep25themodelwillnotlieflat.

L'idée derriére ce modete etaílde plierun hibou debouteten 3D. J'ai utilísé de nombreusescourbes avec des lignes épurées pour former le ventre rebondi. La tete m'a é/é inspirée par leGrand Due, quiposséde de longues aigrettes talles des comes a proximité des yeux

Note: Plus vatre pré-pliagesera marqué, plusie pliage en sera facilité.Attention, ¿ partirdei'étape25,lepliageesten3D

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****2CLevellNiveau:Time tofold IP/iage:PapersizeITailledupapier: 35x35cm

Nguyen Hung Cuong

xxj03j2008

I designed this model lo celebrate The Yearofthe Rat Itwas inspired by a characterfromthe movie Ratatouílle. The Rat and his ha! are folded from one uncut square: and (he spoon isfromanotherpieceofpaper,Youcanmodifythehatintoanykindofhatyoulike,Havefun!

Note: Pleasedo the pre-creasestepsprecisely, asthiswillhelpyougetthrough somemore difficultsteps afterward.

J'ai con<;u ee modéle pour célébrer l'Année du Rat. Je me suis inspiré du héros du filmRata/ouille. Le rat el sa toque sonlpliés á partir d'un seu/carrénon coupé, ella cuillére eslréalisée avec un au/re morceau de papier Vouspouvez modífiarla toque en créanttous les typesdechapeauquevousvoulez.Amusez-vous!

Remaraue: Suivez les étapes de pré pliaga trés précisément. Cela vous aidera ¿ passerquelquesélapesdélicafes.

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AfricanElephantEléphantd'Afrique

Level! Niveeu, ** **Time tofold IPllage: 2hPapersizelTailledupapier: 35x35cm

Nguyen Hung Cuong

22/07/2008

Theelephantisoneofmyfavoritesubjectsinorigami Beforethisdesign,lhadcreatedtwoversions, one where (he tuskswere too shortand one where1he tuskswere toa long (I modified thisversion in10a mammolh). I'm quite satisfied with (he resul! ofthis new design: it has a strong body,firmlegs,nicelyformedearsandthetusksarelongenough.

Note:Use70 gsm or heavierpaperforyour modeL And be careful in steps 44-45, which donothavereferencepoints.

L'éléphantestun de mes suje/sde prédilection enorigami.Avanl ce/u/ présentéici,j'aicréédeux versions: /'une avec des défens8s lrop courtes el une aulre avec des défens8s lrop longuesU'aimodifié cette versionpour en faireun mammouth). Pourcel éléphant,je suis tres salistaitdurésuitat.ilaun corpsimposant,despattessolides,de belleselgrandesoreilleseldesdétensessuffisammenllongues.

Remaraue : Utilísez un papier de 70 g/m>ou plus el attenlíon aux Mapes 44-45 qui sontréaliséessanspointsderéférence.

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Nguyen Hung Cuong

30/08/2009

The biggest challenge for me when I designed this model was lo creale the color-changed area around the eyes. After many Iries, I carne up with a base from which manytypes of spectacled bearcould be developed. This model is one ofthem.

Notes: The face involves many falds without reference points. So you shouldexperimentafewlimesuntilyouachieveasalisfactoryresult.

Qvand Fa;conqu ee modéle, le plus grand défi pourmoifut de eréerle changementde couleur autour des yeux. Aprés plusíeurs 88sa/s, j'aí trouvé une base a partir de¡aquelle de nombreux types d'ours ¿ lunettespeuventétre crées. Ce modéle est /'un d'eux.

Notes: la téte est formée avec de nombreux plis sans polnts de référence; vousdevrez peut-étre réaliser plusieurs essais pour obtenir un résultat satisfaisan/.

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Thewerewolfwas myfirstdesign afterstudying the box pleating technique. The head wasinfluencedbyDaoCuongQuyet's"wolfhead"base.

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