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http://www.mantraaonline.com/ 2 | P a g e
�� ������ ��
Check List
1. Altar, Deity (statue/photo),
2. Two big brass lamps (with wicks, oil/ghee)
3. Matchbox, Agarbatti
4. Karpoor, Gandha Powder, Kumkum, gopichandan, haldi
5. Sri Mudra (for Sandhyaavandan), Vessel for Tirtha, Yajnopaviita
6. Puujaa Conch, Bell, One aaratii (for Karpoor), Two Aaratiis with wicks
7. Flowers, Akshata (in a container), tulsi leaves
8. Decorated Copper or Silver Kalasha, Two pieces of cloth (new),
9. Coconut, 1/2 kg. Rice, Bananas 6, gold coin, gold chain
10. Extra Kalasha, 3 trays, 3 vessels for Abhisheka
11. Betel nuts 6, Betel nut Leaves 12, Banana Leaves 2, Mango Leaves 5-25
12. Dry Fruits, 5 bananas, 1 coconut - all for naivedya
13. Panchaamrita - Milk, Curd, Honey, Ghee, Sugar, Tender Coconut Water
14. Puja Book
15. Red flowers and red flower malas.
This puja falls on the Friday earlier and nearest to fullmoon in
the month of shraavan
1 At the regular altar
�� ������ �� �� ��� | �� ������ ������ ��� | �� ������ ��� ������ ��� || ��� ��� ���� �!�"#��$% | &�� '(����$% | )*+ ��,-. /01��,-. �$2��3.# ,��. �,45 || 6�$789 � ��:; ||
At the ,� �<1=>� altar -------------------------------------------------------------
2 ?@��� (Sip one spoon of water after each
mantra.
Take a little water from the vessel for
worship with an offering spoon onto the
palm and sip it. This is called achaman..
Just as bathing causes external
purification, partaking water in this way is
responsible for internal purification. This
act is repeated thrice. Thus physical,
psychological and spiritual, internal
purification is brought about.)
�A���@�
�� ��B��C D��<�. �� 3.��C�.C D��<�. �� �EF��C D��<�. �� ��B��C D��<�. �� 3.��C�.C D��<�. �� �EF��C D��<�.
(Now we chant the 21 names of the Devi,
in order to concentrate on the Devi)
�� GHI��.C ��� . �� I*J�� ��� . �� �F$�KL3.C ��� . �� M�I/N�EC ���. �� ���3.C ��� . �� ONF��C ��� . �� �PQR��'�C ��� . �� 2L�3.��C ��� . �� �.SL��C ��� . �� ��/�T�.C ��� . �� ���$����C ��� . �� 2�L$�E#C ��� . �� 6 � �.U C ��� . �� 2V� WX 4%�EC ��� . �� 6YZ[78C ��� . �� 3.�\]�<C ��� . �� 6@$-.C ��� . �� 73.�3.C ��� . �� _ a��.� C ��� . �� ��bc ��� . ON /PW�J C ��� || -------------------------------------------------------------
3 ��� �.CE�� (Due to pranayam, the rajas component
decreases
and the sattva component increases.)
�� 2��,� 2����� dQ]� . 2��E-.� ��,-. .
�efg G�Ch� i�L� . ��� �.CEjk I l� ||
�� �m� . �� ��,� . �� ��� . �� ��� . �� 7�� . �� 42� . �� �4� . �� �m� n,� ��� | �� 44oI45������ ��Hp ��,� Yq�:r YAl l �� 2�sHLCEt ||
2V���@�� (Repeat Achamana 2 - given above)
�� ?�X 7uM �DX �P4� ���� �m� n,�$o,�H� || (Apply water to eyes and understand that
you are of
the nature of Brahman)
-------------------------------------------------------------
4 ��/1v� (Holding unbroken consecrated rice
(akshata) and an offering spoon (pali) with
water in the cup of one’s hand one
should chant the mantra with the resolve,
‘I of the .....lineage (gotra), ..... am
performing the .... ritual to obtain the
benefit according to the Shrutis, Smrutis
and Purans in order to acquire .... result
and then should offer the water from the
hand into the circular, shelving metal dish
(tamhan). Offering the water into the
circular, shelving dish signifies the
completion of an act.)
��� ��,-. ��� �w3. (Stand and hold a fruit in hand during
sankalpa)
�� ON�Ex �<�.YA24bc ��� . ON �� �� ��� . ON ����-ef ��� . ON ���.C ��� . ON ��L2V� W�C ��� . )*+��,-.�� ��� | (Prostrations to your favorite deity)
/01��,-.�� ��� | (Prostrations to your family deity)
D�w � ��,-.�� ��� | (Prostrations to the deity of this house)
G�N ���,-.�� ��� | (Prostrations to the deity of this place)
���$% ��,-.�� ��� | (Prostrations to the deity of all the
materials we have collected)
Bz2V��L����� ��� | (Prostrations to the Indra and shachii)
_�E�:{B������ ��� | (Prostrations to Shiva and pArvati)
1=>�3.��C�.��� ��� |
(Prostrations to the Lords who protect us -
LakShmi and NArAyaNa)
�E-. ]4P��� ��� | (Prostrations to our parents)
������ ������ �S ��� | (Prostrations to all the Gods)
������ ��� ������ �S ��� | (Prostrations to all Brahamanas - those
who are in the religious path)
|4L}�� 2�Y.� ��,-.�� �S ��� | (Prostrations to Goddess devi, the main
deity if this puja)
|| 6I"#��$% || �$��~B� |/L�4B� / ]1� 7/�J/� . 1��� L�B� I/�� I"#3.'( �.YA2� || FK����45�p�.F=� ��1@��Z� 78��� . �.�L'��-. 3.�E C� 2��t &N ��CEL ] || I�.���� I��:{ @ 2���'� �pjk 4�. . ��G�N jk ��/��sef, I"#� 4� � 78C-� || (Whoever chants or hears these 12 names
of Lord Ganesha will not have any
obstacles in any of their endeavours)
&��� ���F�� ��,� B�,�J� @45� n7� | 2���#,L�� Y.bct ��� I�#2'��4bc || �����1 �E�1� ��� �����w D�YA�� |
B��� 4������ ��g 3.��C�� �Sఽ�$% -� || (We completely surrender ourselves to that
Goddess who embodies auspiciousness,
who is full of auspicious-ness and who
brings auspicousness to us)
����. ��� ����*5 3.\]% -�W�� 6��1� | bcW�� �P�ADXw ���x ��1EC43� ��!� || (When Lord Hari, who brings
auspiciousness is situated in our hearts,
then there will be no more
inauspiciousness in any of our
undertakings)
4��, 1#� �$�A�� 4��, -.���1� @�L��1� 4��, . I�.�1� �ef,�1� 4��, 1=>�2-�� -���;�ఽC�� ����� ||
(What is the best time to worship the
Lord? When our hearts are at the feet of
Lord Narayana, then the strength of the
stars, the moon, the strength of knowledge
and all the Gods will combine and make it
the most auspicious time and day to
worship the Lord)
1E�\a%W�� 7C\a%W�� /04\a% W�� 2��7C� . bcW�� )��A,�'�S �PLCDXw 73.��� ||
(When the Lord is situated in a person s heart, he will always have profit in his
work and victory in all that he takes up
and there is no question of defeat
for such a person)
I3.C/� �� � ���$� ��<�I*5J �:{B���x | ����h� 2���E�� ��� �����w \]LUbc || (To achieve success in our work and to
find fulfillment we should first offer our
prayers to Lord Vinayaka and then to our
teacher, then to the Sun God and to the
holy trinity of Brahma, ViShNu and Shiva)
ON�� �,-� �<2V� *� IWXJ ��79CE 2�,�%�E�� 6L ������ �A�hC 2����U I*5J 2�� ON '��4,��� /1�v ��f,��4 ����4�� --------------- ��'�, '������ B�� ,�%�E3� ,,<�!�� ------------ 3.� ��,4o�� ---------------- ?C�� --------------d-� ------------------ �E\a -------------- 2=� ----- M�� ----- �[-�� ----- ����� ��� N:{*5 C�. ��� D�w � \]w-�*5 �45o |,� ��I'�Qa� I�W�+ CE� &�2V�M�� �� ?4�� &N M��PM 2V����/% �1��� 2�w� �� �/0����� =�� \��w � ?C����H @45�!�F 2V� W��w \]F�w� 6�G /P4 ON
,� �<1=>� ,�-.�-��� �����A4 D��N�� ON ,� �<1=>� R�4�w� C�. B��% � C�. ��-. _2s.� L���f� ON �K/% 2V����/% ��-ef¡B� Y.� ?���3.�A WX ¢'(2s.�� ON ,� �<1=>� `R�4�% £� 2¤7�� 4�. ,�-�/% /�. BN,�� @ /�!Qa || )L� �1� �CE ��I D�w `]4� 2V�4�%, | -�� jk �$�1E�� ]% ¥ ���t 7�� 7�� || (keep fruits in front of the Goddess)
-------------------------------------------------------------
5. *¢� 3.� (Purifying the body)
-------------------------------------------------------------
5.(1) *¢� 3.� (Purifying hands and various parts of the
body )
�� <¦� | 6��W�§ ��CE� ��� | �PLCEC
��� || (touch the thumbs)
�� :r¦� | 4�©��� ��� | ��\a D��<� || (touch both fore fingers)
�� �ª¦ � | �F�E��� ��� | �~Eb«¬ ,* ||
(touch middle fingers)
�� :®¯° � | 63.������ ��� | /,s.C �ª� ||
(touch ring fingers)
�� ��¦ � | / Q]§ ����� ��� | 3�4�4�CEC
�±* || (touch little fingers)
�� �¦� | /�41/�2PW�§ ��� ��� | 6D�% ² C
�|| (touch palms and over sleeve of hands)
-------------------------------------------------------------
5.(2) �A³�F� ( show mudras)
�� �<�Ebc )M �A³�F� | (snap fingers, circle head clockwise and
clap hands)
�A'( ��.#� ||
(shut off all directions i.e. distractions so
that we can concentrate on the Goddess)
-------------------------------------------------------------
6 �2M 2¤78 (To prevent any obstacle from disrupting
an auspicious
occasion, it is begun with the worship of
Lord Ganapati.)
?�� �!�"#-. \]F�w� �< �2M 2¤7�� /�!Qa . �� �.3.� -.� '´��µ P4o��Z �2M�h �2-.���3� I l� ||
(pour water)
�� �.3.� -.� �2M� ����:{ /I� /g3.��2� BN,�%�� | 7�*§ ��7 �����.� ������v4 ? �� BP���K#M¶� \RLD�L�� || �m� �2M� ?���CE� .
��,� �2M� ?���CE� .
��� �2M� ?���CE� .
�� �m� n,��� D��� �2�!���� D�C�F� �B�·%/� �<�2M� ?���CE� |
(O great Ganapati come along with
Riddhi, Buddhi,
your entire family, all your weapons and
might’)
�� �m� n,��� �<�24bc ��� Y.CE�.
Y.�� ���vCE� |
�� �<�24bc ���. ?����� ���vCE�|
�� �<�24bc ���. ?��� ���vCE� |
�� �<�24bc ���. ��L� ���vCE� |
�� �<�24bc ���. 6��� ���vCE� |
�� �<�24bc ���. ?@�©C� ���vCE� |
�� �<�24bc ���. D�#�� ���vCE� |
�� �<�24bc ���. ,�% ¡� ���vCE� |
�� �<�24bc ���. C7u9 2g4� ���vCE� |
�� �<�24bc ���. @�L�� ���vCE� |
�� �<�24bc ���. 2�!�1 L�,� ���vCE� |
�� �<�24bc ���. 2VW�v�� ���vCE� |
�� �<�24bc ���. FK2� ���vCE� |
�� �<�24bc ���. �q2� ���vCE� |
�� �<�24bc ���. 3�f��L� ���vCE� |
�� �<�24bc ���. -.��m1� ���vCE�|
�� �<�24bc ���. �1� ���vCE� |
�� �<�24bc ���. L=¹�.� ���vCE� |
�� �<�24bc ���. ?�!%/� ���vCE� |
�� �m� n,��� �<�24bc ���. ��4�2V*v� ���vCE� |
�� �m� n,��� �<�24bc ��� | 2�L=¹�. ��D�}��x ���vCE� |
�� �m� n,��� �<�24bc ���. i4�� ���vCE� |
�� �<�24bc ���. s.��� ���vCE� |
�� �<�24bc ���. G 4� ���vCE� |
�� �<�24bc ���. �P4� ���vCE� |
�� �<�24bc ���. ��L� ���vCE� |
�� �<�24bc ���. ��� ��7u2s.��x ���vCE�||
|| 6º ��� �w3. || �� ,/N45�¢ �<��C �µ�»�K� ��2�� . �!�"#� /0� jk ��, ��� ����*5 ����. || �� �m� n,��� �<�24bc ���. ��� �w3.� ���vCE�|
6�CE 2¤7CE I"#���% �<�2M� R�C-.�||
(Offering of flowers - May Shri
Mahaganapati, the vanquisher
of all obstacles be appeased with this
worship of mine’, chanting thus water
should be released.)
-------------------------------------------------------------
7 �q2 D�w 23.
6º ����f ��� ��G� �q2 D�w 2�� /�!Qa | 6G!#��#G!#� ��F-� /I�p ¼�2M� �� �,��t ½���� || (light the lamps)
-------------------------------------------------------------
8 �m� ��� �w3. (open palms and touch the ground.
first the earth (ground) on the right hand
side (since the host performing the
religious ceremony is facing the east, the
hand touching the ground is in the
southern direction) and then the earth on
the left hand side, in front of oneself (that
is the northern direction) should be
touched. Energies from the south are
distressing. To prevent them from causing
distress, one offers obeisance to them by
touching the earth. The energies from the
north are however saluted as they are
pleasant.)
�:rY�� 2P�Ag@� )�� C79� ��[-.� `]2�-.3�# �� �¶� || -------------------------------------------------------------
9 Y.� ���
�� ¾*Y.C ��,L�-� DX jk� ����79 . C\�f� /P��M ��� ����w� ��7x ���CE�\] || (Touch the grains/rice/wheat)
-------------------------------------------------------------
10 /1B D�w 23. (Two small heaps of rice should be made
on the ground
amidst chanting mantras. Later, chanting
the mantra two pots
of either gold, silver, copper or unbroken
earthen pots
should be placed on these two heaps.)
�� ? /1'�*5 Y.,M 2I-�� 2�!\]�@-�
_�¿À%�7�9*5 ,�U-� || (keep kalasha on top of rice pile)
�� )�� jk �G� C��3� ����h &45�A� DX% �� �@-. 2� W�J � . 6\]/#� �� L�PY� I4�%CE� ¨�Ábc &N ��< �$WX �CE || (fill kalasha with water)
�� �F�.���� L$��F��T � 42VW�+ � /� Q]�Â� . ÃB�� � ����m-.3.� -.��Ä 2��bc�NC� || (sprinkle in/apply ga.ndha to kalasha)
�� CE ��©�� 6�1E 62VW�vCEB� 2VQ]v�Â� . �P��vM 2�DX -.D�w 3� ��@4�� � �� || (put betel nut in kalasha)
�� �:;�-.# �.&*5�$��M �I-. �� . 4���� Å4�Æ�:{ || (put jewels / washed coin in kalasha)
�� :;���Ç2� :;�� ���A�G�v�# ��-�o�L$ :;�� ,�J� . :;��CEt 2�!l3��!#*�. :;���. LL4w �x ��\�f� || (put gold / daxina in kalasha)
�� ���È.t ���È.t 2��H��h 2� *� 2� *� 2�! |��3� LK��� 2�4�$ ��\a�� B-�� @ || (put duurva / karika )
�� 6B�-�w�É BL�� 2�!J�É ,�MB}P4 . GH ��7 )M}1E �ºC4o �,º 2¤� *� ||
(put five leaves in kalasha)
�� C����$���� 2� g-.G�t � _'�NCEx �,M 78C�E�� . 4� Yq���� ��,C� _�#C�M D���ZU � D���ZU � ��D� ��,C�4�|| (tie cloth for kalasha)
�� 2¤��J L�!� 2��24 �$2¤��J 2V���24 . ,\a# , I�ÁN�.,� )*�m�� B4/N-� || (copper plate and ashhTadala with
kuMkuM)
)M /1B� 2�MW�§ 2CE� ||
�/1 2¤78��w 6[-.x ���vCE� ||
-------------------------------------------------------------
11 ,� � 2¤7� (On the second kalasha)
4-.�CE� &�� '��X � ,� � M�*5+ Ê /1'� ,� �.���3� I l� ||
�� 4-.�CE� �����. ,�L�E��%�. '�\a% C7�E3� �I�!n� . ?:{1�E3� ,� �� �� F$� B� ��E� ?C�� 2�SQ]� �� �m� n,���� ,� �.C ��� .@�L�� ���vCE� ||
(add to kalasha)
�� �m� n,���� . ,� �.C ��� . 6[-.x ���vCE�||
(add to kalasha)
�� �m� n,���� . ,� �.C ��� . ��!�.� /0�/0�� ���vCE� ||
�� �m� n,���� . ,� �.C ���. FK2� ���vCE� ||
�� �m� n,���� . ,� �.C ���. �q2� ���vCE� ||
�� �m� n,���� . ,� �.C ���. 3�f��L� ���vCE� ||
�� �m� n,���� . ,� �.C ��� . �/1 ��7u2s.����w 6[-.x ���vCE� ||
6,-� :{ËÌ ,� � �S¶�!, C7�9¶� �:{ �I�!n�. [C� ������ �$�2�s�-. ��7x 3�3.�\] �BNº� /P-. || ,� �.C ��� . ��4� 2V*v� ���vCE� ||
2�L=¹�. ��D�}��x ���vCE� ||
6�CE 2¤7CE ���x ON �< ,� � R�C-.�|| �/1 2¤78��w 6[-.x ���vCE� ||
-------------------------------------------------------------
12 /1B 2¤7� (continue with second kalasha)
/1B� ��~� I*5J � /��� � L�� ��E�N4� . �m1� 44� \]w-� ��<� �Y� �E4P�.� ��P-.� || /0=Í45 D���� ���� �2% �q��� ,�$�F��� . dG���Zº C½���L� D�����Z�º���� || 6�G¿�B� �:;-.� ���� /1B�45 ��E�N-.� . 64� G�Ch� D�Ih� '��M 2VQ]+/� 4�. ||
?CE�45 ��, 2¤78�w� 6¶Qa���w \]LUbc || �� \]-.\]-� ��!-� C4� ���� 4-.� 2V� -.DX �A,��4v4�M . bc ��f4��� I��7�M Yq��\a% 73.DX 6�P44% Î� �7�M || (Those who want to attain immortality take
a dip in the confluence of the Ganges,
yamuna and sarasvati rivers at the prayag.
Let the water in this kalasha become like
the water from the holy rivers)
|| /1B� ��� �w3.� || /1B� �Á�!%�EC�*� 2�789 � jkY.� �NC� �1� | l-.� ��2< � @ 2V�� ,P�AU � @ D�Fbct ||
(Let this kalasha increase our life span,
presence of mind, intellect,wealth, strength
and status, destroy our sins and increase
our merits or puNya)
��� h�w�l CD��t ��� ��,�l C4� . 64� ��! ]�lఽ\] 4�� 2¤�J/0��� �Sఽ�$% -� || (All the holy waters, and all the Gods are
now present in this kalasha. Our
prostrations to this puurNakumbha which
is hence dear to Lord Hari)
/1B��,-.�� ��� . �/1 2¤78��w 6[-.x ���vCE� ||
|| ���.� || (Show mudras as you chant )
� �QR /��.��w -.¥[ ���.� . (to remove poison)
6�Ph /��.��w Y��$ ���.� . (to provide nectar - amrit)
2Ih� /��.��w B�~ ���.� . (to make auspicious)
���[�.��w @/N ���.� . (to protect) I2V1�ECE /��.��w jk� ���.� . (to remove mAyA)
-------------------------------------------------------------
13 B�~ 2¤7� (pour water from kalasha to shaNkha
add ga.ndha flower)
B�~� @��.� �} �ef,4� �Y� ,� � ��,-.� | 2PQa§ 2�782M� I��.� 6G�N �G� ����h� || 4�� 2V�� D��H4v3�# I*5J 3. IFP4� /�� | ��4� ��� ����fB� ���@7� �Sఽ�$% -� || (This shaNkha has now become like the
pAnchajanya, which has come out of the
ocean and which is the hands of Lord
MahaviShNu. Our prostrations to the
pAnchajanya)
���@73.C IL�:{ . ��,�E3.C Yq�:; . 43�# B�~� 2�sHLCEt || B�~EC ��� . �/1 2¤78��w 6[-.x ���vCE� ||
-------------------------------------------------------------
14 "�����3. (Pour drops of water from sha◌ÐNkha on top of the bell apply ga.ndha flower)
?�E�w�45 ����3.� �3.�w�45 ��[D�� | /0��� "����,� 44� ��,-.<� 1[�� || 789 ��Zఽ789 �-���`] ���� "���x ���Lbct | ��[D�3.� ]'�@3.� 4��^'� ,�M�n��t | 4D��t ��� 2�C-�#� "���3.L� 2����bct ||
(When the bell is rung, knowingly or
unknowingly, all the good spirits are
summoned and all the evil
spirits are driven away)
"�� ��,-.�� ��� | �/1 2¤78��w 6[-.x ���vCE� ||
(Ring the gha.nTA)
-------------------------------------------------------------
15 ?4�&�AU ( Sprinkle water from sha◌ÐNkha on puja items and devotees)
62I4�� 2I-�� �� ����,D�w �-�ఽ ] �� | C� ����t ,� �< 1=¿Ñ�� �� ��<��4�� &Å�|| -------------------------------------------------------------
16 * ��4� 2¤78 ( put tulasi leaves or axatAs in empty
vessels)
��C�� 6��� | 3�fd-� ��L� | Ã'�3� ?@�©C� | ?G�#bc �F$2�}� | 2¤��� D�#©C� |
2��jk 2V���@��� | -------------------------------------------------------------
17 2�s.�P4 2¤78 ( put tulasi leaves or axataas in vessels.
Panchamrit is nectar of five ingredients -
a mixture of milk, curds, clarified butter
(ghee), honey and sugar.)
=>�� 1=¿Ñ�� ��� | (keep milk in the centre) LYA ,� �< 1=¿Ñ�� ��� | (curd facing east)
"P-� ��Ò,��~¿Ó ��� | (Ghee to the south)
�F$ ��Eb«¬ ��� | ( Honey to west ) B�}��CE� I*5J 2-ef#� ��� | ( Sugar to north)
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18 �.����1/ 2¤78
2¤���.��� �.���N b«¬ ��� | Y.-�� ���| IY.-�� ���| L=¹��.��� �.���N b«¬ ��� | @�È.C ��� | 2�@�È.C ��� | 2����.��� �.���N b«¬ ��� | 7CEC ��� | I7CEC ��� |
_4%��.��� �.���N b«¬ ��� | �G�b«¬ ��� | C��3.b«¬ ��� |
�� ON ,� �< 1=¿Ñ�� ��� �.����1/ 2¤78� ���vCE� ||
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19 `RÔ 2¤78
RÔ� 6YZ��G� ?Y.�B�¿À%� ��� || ?�A/Õ���C ��� || 6��-.C ��� | ,��<C ��� || ���J���A��b«¬ ��� || �4#��¢��C ��� || \]�<�3.C ��� || 4��Y� ,� �< 1=¿Ñ�� ��� | RÔ 2¤78� ���vCE� ||
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20 �AG�v1/ 2¤78 (start from east of kalasha or deity)
)��.� C ���, 6#bc ���,
C�EC ���, 3�fd4bc ���, ,� �.C ���, ��C�� ���, /0����C ���, Ã'�3.C ���,
)M �AG�v1/ 2¤78� ���vCE�
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21 �, �Z�� D�w 2�� (one new red thread with 12 knots to be placed on the altar
and puja to be done for the same)
=��� �,� �<��, /0��}�E/%� �$�Z�/� �.�LB N�M���/%� _2/1v 2�2¤74 -------------------------------------------------------------
22 ��� � 2�MW�§ (hold flowers/axata in hand)
Y.bct �4� ��.h4� ��4�C �� �4� 1�/3.º� M�1���B� �Í�$% ������ ��!� | ©1,�J� R4���� ON,4o2L�mQ]4� GH/01E��L� ��<�Yef�`] 2¤Ö4� ||
�� 6� ON ��� � 2�MW�§ 2� �< ��4�� ��<� I*5J �:{B��� d*C� | d½� D��Eº����� i��.�\] |
�/174oPQ]+\]wM ��<����!� ��� �B�·%� 2�� ��,-. | ?� ×7� | :r¦� B�·%� | �ÍN � �Á1/� | 6D�� �m�Í% ��� � 2�MW�§ 23� I l� ||
|| /�3.�� ||
?� 6��W�§ ��� ��� || :r¦� 4�©��� ��� || �ÍN � �F�E��� ��� || ?� 63.������ ��� || :r¦� / Q]§ ����� ��� ||
�ÍN � /�41/�2PW�§ ��� ��� ||
|| 6� 3.�� ||
?� �PLCEC ��� || :r¦� ��\a D��<� || �ÍN � �~Eb«¬ ,* || ?� /,s.C �ª� || :r¦� 3�4�4�CEC �±* || �ÍN � 6D�% ² C � || �m� n,���H� )M �A³�F� ||
?� :r¦� �ÍN � �ÍN � :r¦� ?� | C � 1 , B * � � |
�� 6�� �� DX ఽ�� DX ఽ�� 6�� �� ||
6D�� �m��% ��� �� M*§ �45� . 6D�� �m��% Ò,� M*§ �45 | 6D�� �m��% ������A�CE�� ���% Ît @Ø� '(N 4� Ö<� "E� �Ùf� ������� ��L��l2D�w ��� � 6��� ��� _�.� ��E� 6-.� 4 �$~�� Å�� M*§ �45 D��<� |
6�$©-� 2V��D���$ @Ø,� 2V�� ��� ��:r3� ��:;��� 7u[ =�� �K���@���4� 6�$�-� �P¢CE� ��\]% 6�P4� ��f ��� �. 6�P4�E2� ��� �.3�, C�. D�w �� _2��bct ||
D���x ��� 73.�-� CE,4Úv78,D��/� -.,4�� `R�M����� Û���\]�x /1'�\]�x 2�M�ECE� � #YA� /0� || )M ��� �� 2�MW�§ 2CE� ||
�/1 2¤78��w 6[-.x ���vCE� ||
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23 Y.��
�� ON ,� �< 1=¿Ñ�� ��� ( repeat 9 times)
2�.��3� 2L�/�� ���1��¿�/2¤Ö-�| 3.��C� ]�bc ��I �$`R�-. �, ����.|| �� ON ,� �< 1=¿Ñ�� ��� | Y.3.t Y.�� ���vCE�
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24 ?����� ( hold flowers in hand)
��� ��Ü �E�1� I*5J ,[�w1E1bc | ?���CE� ��g -.��, �$ R�-. �, ����. ||
:;��,��J � ��!�� �$,�J�74��78� | @��.� � :;���b� 1=>�� 784���Z � ?,� ||
�� ON ,� �< 1=¿Ñ�� ��� ?����� ���vCE� ||
(offer flowers to Goddess).
?��:;-� �, | D�w ]-� �, | � #:;-� �, | � #� �ZU �, | 6,/0��!-� �, | �$ R�-� �, | �$2��3�# �, | �$��~u �, | ,��Z �, | 2�\RL 2�\RL || (show mudras to Goddess)
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25 ?��� -.� � ?,� 784���Z 1=>���2G��©� | CD�� :;��� I���C� G��B�� 2V� W����||
�K��C�4 �� �Kv��%, �$v�L�4# I�mQ]4� | ���.��� )L� ��I, \RwC-.� �$� 2¤Ö-� ||
�� ON ,� �< 1=¿Ñ�� ��� ?��� ���vCE� ||
(offer flowers/axathaas)
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26 ��L� (offer water)
6B�2¤���� �º�Y.� �\]%3.L2�S�A©� | �NC� ��g��2��bc ON��� ��g ½*-.� || �$��\]4� 71� ��� ��� h�w ���Ln,� | ��L� N<� ��g 4�� ��� ��, ���}P-� || �� ON ,� �< 1=¿Ñ�� ��� | ��L� ���vCE� ||
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27 6��� (offer water)
���DX \]� -.� :;����� �����E��^¼ � 7�1�h� 4P��% � 4�vC�h� | 2���\]w-.� 2L�,��J � -.��Ä 2��bc �NC� ||
&�ZU L/� ��4��w� �F 2VW�v�A ��N4� | 6�� �.D��-� ��I, P<� �$�2¤Ö-� ||
�� ON ,� �< 1=¿Ñ�� ��� | 6��� ���vCE� ||
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28 ?@�©C� (offer water or axathaa/ leave/flower)
@��.� � 2���D�� CBD� 7�1�h� �NC� 1��� ��g ½W�+ ���.��� | -.� 2�A�©Æ� B����� 2�2��ఽ1=>���� �B-.� -.�� ,P�� ||
�$,�J /1'�©4� @�L3.�� ���/%� | N<�.@��� ��g �CEL4%� &�2��� || �� ON ,� �< 1=¿Ñ�� ��� | ?@�©C� ���vCE� ||
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29 D�#�� ?�A4,��J 42DX ఽYA78-� ,��vM�%, ,P=�ఽº Û1�� | 4� �1E 42D��$L�45�ECE�4��CEB� ��< 61=>�� ||
���.�·3.� ��E©-ef :{�E���� � ��\]-ef� | D�#�� /0� *� ����� ��1ÞfB� �$�YA¶� ||
�� ON ,� �< 1=¿Ñ�� ��� | �1E2/�ß D�#�� ���vCE� ||
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30 a 2�s.�P4 D�#��
30 a.1 2C� D�#��
�� ?��C �� �jk45-� IB�4� DX �,P*J �� �����7� ���� || �$����$% ���4v�#�, ����3.� ] L$���� 2l LY.� �����, D�#3.�w� 2�MP�-.� �� ON ,� �< 1=¿Ñ�� ��� | 2C� D�#�� ���vCE�.
2C� D�#3.��4�� &�ZU L/D�#�� ���vCE�.||
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30.a.2 LYA D�#��
�� LYA��N �ÉJ 6���!*� ÖWXJ �B�� ��Ö�� | �$�¶3� ��~E/�t ��� � ?C��Q] -.�!*t|| @�L� ��¢1 ��E}B�, ��� ��, ]�C� :; Ct, LYA L�.� �����, D�#3.�w� 2�M P�-.�
�� ON ,� �< 1=¿Ñ�� ��� | LYA D�#�� ���vCE�.
LYA D�#3.��4�� &�ZU L/D�#�� ���vCE�. ||
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30.a.3 "P4 D�#��
�� "P4� ��=� "P4�� l �P-� �N-� "P4���Y.�
6�$*�F�E,� �ELC�� D��</P4� ,P*� ,=¹�,� || ?7� �$���.� ?<�� ?7� C7�9 2�MQ]+4� ?7� 2I4�� 2��� D�#3.�w� 2�MP�-.� �� ON ,� �< 1=¿Ñ�� ��� | "P4 D�#�� ���vCE�.
"P4 D�#3.��4�� &�ZU L/D�#�� ���vCE�.||
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30.a.4 �F$ D�#��
�� �F$��4 d-.C-� �F$[��M \]�F,� �EYA��� ��-�*�Yq� �F$���% ��-�*DX �F$�t ���!w,� �7� �F$����$% �� ]-. �F$�E3�# ,��vM¥ �F$�EÐ 6�$% �K�� �EYq���p �É �,�45 �� || ��Í�*YA���4v�#� RC�*�LPB� �F$, D�#3.�w� �CE L4%� P<� 2�jkB�� �� ON ,� �< 1=¿Ñ�� ��� | �F$ D�#�� ���vCE�.
�F$ D�#3.��4�� &�ZU L/D�#�� ���vCE�.||
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30.a.5 B�}�� D�#��
�� D��F$� 2,� �A��C 7��3� D��L$�!��.� C �$�g45 3.jk# D��L$�!�-.� C ,� �.C ��C�� �P��v4bc �F$�EÐ 6�.�� || )Ø L�È.t ���4v3.#, ��\]#U4�� &�� B�}��C� �CE L-.% , D�#3.�%� 2�MP�-.�
�� ON ,� �< 1=¿Ñ�� ��� | B�}�� D�#�� ���vCE�.
B�}�� D�#3.��4�� &�ZU L/D�#�� ���vCE�.
||
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30. b). �YZL/D�#�� (Sandalwood water bath)
�� �F�.���� L$��F��T � 42VW�+ � /� Q]�Â� | ÃB�� � ��� �m-.3.� -.� �Ä 2 ,àbc�NC� || ��!@�L� ���m4� ��! R�-�B� GÍ���t | �$�¶ ]�C GÍ4Æ �F� D�#3.C P�-.� || �� ON ,� �< 1=¿Ñ�� ��� | �YZL/D�#�� ���vCE�
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30.c) 6�� D�#�� (Perfumed Oil bath)
�� / /NL7�$B� 2���� ��� )C�A���@��!-�, 3.,� | �$��1B� B/03� ���\] �E-.� ��ÅL¶��I'��� IL4 || 6��G��w �$�L� ��g -ef1� 2VW�v�A ���,� | �$�F L�, ���BN� ��P<� 73.�-� ||
�� ON ,� �< 1=¿Ñ�� ���, 6�� D�#�� ���vCE�.
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30.d) 6�GHL��%�/� (To clean the body)
6�GHL��%�/� ��g /�K% ���A I��N4� | 1�23.�w� P<��L� ��!�.� /0�/0j� 4� ||
�� ON ,� �< 1=¿Ñ�� ���, 6�GHL��%�/� ���vCE�.
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30.e) âWXJ L/ D�#�� (Hot water bath)
3.3. h��w �.�P4� @ -�C��*J� �CE/P4� | D�#3.�w� @ 2�Cs.ã� \R�/0� B� LCE /� ||
�� ON ,� �< 1=¿Ñ�� ���| âWXJ L/ D�#�� ���vCE�.
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30.f) &�ZU L/ D�#�� (Pure water bath) sprinkle water all around
�� ?�X :;W�+ �l ��,� | -. � â��¨ LY.4� | �:{��.C @[\a | l ,� �,4S ��� 4���7C-� � �� | _Bh�!, �E4�� | 4D�� 6���E��É | C� [CEC Ö��º | ?�X 7�C�. @ �� || �� ON ,� �< 1=¿Ñ�� ��� | &�ZU L/ D�#�� ���vCE� ||
(after sprinkling water around throw one
tulsi leaf to the north)
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31 �< 6¶Qa/� (Sound the bell pour water from kalasha)
ON �K/%
:;��,��J � ��!�� �$,�J�74��78� | @��.� � :;���b� 1=>�� 784���Z ��E,� ||1||
-.� � ?,� 784���Z 1=>���2G��©� |
CD�� :;��� I���C� G��B�� 2V� W���� || 2 ||
6B�2¤���� �º�Y.� �\]%3.L2�S�A©� | �NC� ��g��2��bc ON��� ��g ½*-.� || 3 ||
���DX \]� -.� :;����� �����E��^¼ � 7�1�h� 4P��% � 4�vC�h� | 2���\]w-.� 2L�,��J � -.��Ä 2��bc �NC� || 4||
@��.� � 2���D�� CBD� 7�1�h� �NC� 1��� ��,½W�+ ���.��� | -.� 2�A�©Æ� B����� 2�2��ఽ1=>���� �B-.� -.�� ,P�� || 5 ||
?�A4,��J 42DX ఽYA78-� ,��vM�%, ,P=�ఽº Û1�� | 4� �1E 42D��$L�45�ECE�4��CEB� ��< 61=>�� || 6 ||
_ �f45 �E� ��,�~� �Á�!%B� ���3. �� |
��� L$�Çn-�ఽ\]� ��Qa+ ²\]�©}�!%�P�AU� L�.45 jk || 7 ||
ØMv��D��1E� 7�W�§ �1=>�� 3.BCE��� | 6�mM���P�AU � @ ����� � J Ljk P<t || 8||
�F�.���� L$��F��T � 42VW�+ � /� Q]�Â� | ÃB�� � ����m-.3.� -.��Ä 2��bc �NC�||9 ||
���� ����E/ÕM� ��@� �4�O�:; | 2ä3.� �Ç2��#� �b ON� BNC-.� CB�||10||
/�jk� 2�78�m-.�b ���,/�� |
�NC� ���C jk /01� �E4�� 2L��E�©�||11||
?2� �P7�45 \]#G�U Å�Á�4,�jk P:{ | @��g� �E4�� �NC� ���C jk /01� || 12||
?��^¼ � 2V*}�!�Â� 2VQ]+� �$,��J � :{��E�©� | �K��� :;���bÝ� 1=>�� 784���Z �
?,�||13||
?��^¼ � C�/�!�Â� CQ]+� ]�1E� 2L��E�©� | @��.� � :;���bÝ� 1=>�� 784���Z � ?,�||14||
-.� � ?,� 784���Z 1=>���2G��©� | CD�� :;��� 2��m4� G��É�.DX '�� ����C� 2V� W���� || 15 ||
C� &Å� 2�C-� �m-.� ½�ªCE�.7�����|
�K/%� 2�@LB��� @ ON���� �44� 7 at || 16||
2�.��3� 2L� â�Ç 2�.�=> 2L������ | 43���7\] 2�.�=> bc� Då~� 1����� || 17||
6B��.bÝ GH�.bÝ F��.bÝ �<F3� | F�� jk ½*-.� ��I ������E�B� ��:; jk||18||
2�.��3� 2L�I2L�2-�� 2L� ]�bc 2L�L1EC-.=¹| IB�`]�bc IB��3��$/Õ1� 4�-.vL2L�� �b
�� F4oΠ|| 19 ||
2V4��å4�� F�� Y.�� ��% �'���A���º� | 2�783.� �,\] �E-. ?C�*��4� /�H45 jk||20||
F��G!#�U�� ��C��U�� �K�H F�� ,�$� | F����Z� �P��vM��� �� F���$% -� || 21 ||
��f�-�C DX �� ]� DX �� ]�45 ,P4�< |
DX �� F�� DX �3� ��� L�.45 DX ���||23||
�� ON ,� �< 1=¿Ñ�� ��� | ON �K/% D�#�� ���vCE� ||
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32 2�MW�§ 23.
�� ON ,� �< 1=¿Ñ�� ��� | (repeat 12 times)
�� 4L$�$% �-.� ,� �. 4LG�# B�l�����L� �$% B�% � | 6O�:; G�F��4 2�MW�§ � �S �A�� �P�-� D�F3.C||
�� P<��f 2�MW�§ �K/%� 4t 2�MQ]+4 4�CE ��s.| B� �%,� 4D��LL`]LK� ), 2äx 1�-� | N<3���f 3.3.Ö�BM P<:; 2ä3.� 2�MW�§ 2�MW�§ ||
�� ON ,� �< 1=¿Ñ�� ��� | �$2�M*§��$% || -------------------------------------------------------------
33 ,�% ¡ (offer two pieces of cloth for the Goddess)
_ �f45 �E� ��,�~� �Á�!%B� ���3. �� |
��� L$�Çn-� �$�Qa+ ²\]�©}�!%� ,P�AU� L�.45 jk ||
42% ����� ����B� `R-.���� )L� ��� ��P<� 73.�-� ,� �< 1=¿Ñ�� �Sఽ�$% -� �� ON ,� �< 1=¿Ñ�� ��� | ,�% ¡C��� ���vCE� ||
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34 C7u9 �2g4
ØMv��D��1E� 7�W�§ �1=>�� 3.BCE��� | 6�mM���P�AU � @ ����� � J Ljk P<t || 42% :{�/P4� �K4�� ��/% Y.� I�m�-.� | _2g4� )L� ��I P<�4� &� 2��� ||
�� ON ,� �< 1=¿Ñ�� ��� | C7u9 �2g4� ���vCE� ||
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35 �F
�F�.���� L$��F��T � 42VW�+ � /� Q]�Â� | ÃB�� � ����m-.3.� -.��Ä 2��bc �NC� ||
/0�/0�E� /�K% �! /�Çv�� @�L�� 4�. | 45�� �.D�� ,� 1=>� \R�/0� M�2V� �$�L�! ||
�� ON ,� �< 1=¿Ñ�� ��� | �F� ���vCE� ||
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36. ��%�m*�
�� ON ,� �< 1=¿Ñ�� ��� | ��%�m*�� ���vCE� ||
-------------------------------------------------------------
37 3.3. 2�!�1 L�,
3.3. �$�YA/� L�,� @K�!J/P4 2�C4#4� | L�.� -� ���$% ��, R�4�%� 2�MP�-.� ||
�� ON ,� �< 1=¿Ñ�� ��� | 3.3. 2�!�1 L�,� ���vCE� ||
-------------------------------------------------------------
38 6[4
���� ����E/ÕM� ��@� �4�O�:; | 2ä3.� �Ç2��#� �b ON� BNC-.� CB� || '��4 4�¢æ1 ��C���% x /0�/0jk� I��Ö-.x | 6[-.x P�-.� ��I 3.��C�� �Sఽ�$% -� ||
�� ON ,� �< 1=¿Ñ�� ���| 6[-.x ���vCE�||
-------------------------------------------------------------
39 2V*v
�E1E�q �$�Yq , �E1-.�q ��f 2��� �CE �P-. 2¤78�w�, 2VW�v�� 2�MP�-.� 451\R /0�L ���.�, 78Ò 2V3.# @�2�¿�� /L�� /�g�¿�B� /0�$jk B424��¿��
71E���7¿f�!³1�2-ef ¡B��2�¿� ,�1Æ� &��� 2¤7b'���� ���% � ��p P<� 73.�©
451\R /0�L���.� ���!78���7¿f� -.� ,��E1E� 2��.D�� P<� 7�qB��
�� ON ,� �< 1=¿Ñ�� ��� | 24� 2VW�v�� ,��E1E� @ ���vCE� ||
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40 3.3. 61����
/�» �K-.��ç bc@ /0�¢1� ��/0Ô� 4�. | ,��E1E� �Í�$% �� @ P<� �$1�@ || �� ON ,� �< 1=¿Ñ�� ��� | 3.3. 61�����x ���vCE� ||
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41 6º 6�2¤78
�� ON ,� �< 1=¿Ñ�� ��� | ���� 2¤7CE�||
�� ��Ò,1�@3.b«¬ ��� | �1èé 2¤7CE� ||
�� ��Eb«¬ ��� | 78�$© 2¤7CE� ||
�� ,�2��.b«¬ ��� | 7�G� 2¤7CE� ||
�� IB��Ç��b«¬ ��� | â�Çx 2¤7CE� ||
�� /���/ +3�f ��� | ��� 2¤7CE�
�� IB��m�%b«¬ ��� | 7"�� 2¤7CE� ||
�� I*5J ,1���b«¬ ��� | /�»� 2¤7CE� ||
�� 2��EM���b«¬ ��� | _L�� 2¤7CE� ||
�� �Nb«¬ ��� | �PLC� 2¤7CE� ||
�� 1�/7�3�f ��� | 3.¶� 2¤7CE� ||
�� M�I/N�Eb«¬ ��� | �w3± 2¤7CE� ||
�� /�1 �D�% b«¬ ��� | ,[�w1� 2¤7CE�||
�� &N M�$% -.b«¬ ��� | ���ª� 2¤7CE� ||
�� )��A��b«¬ ��� | �Då% 2¤7CE� ||
�� ?�A B�¿À%� ��� | /�Ô� 2¤7CE� ||
�� 2�.�b«¬ ��� | Ö��� 2¤7CE� ||
�� LCE D��¿� ��� | ��~� 2¤7CE� |
�� ����.b3�f ��� | 3�-�� 2¤7CE� ||
�� ��1 ��,-.b«¬ ��� | /�ÍJ 2¤7CE� ||
�� F�$�U��b«¬ ��� | 11E�� 2¤7CE� ||
�� �ECEb«¬ ��� | ��� 2¤7CE� ||
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44 Katha
�� ON ,� �< 1=¿Ñ�� ��� | �� ON ,� �< 1=¿Ñ�� ��� | �� ON ,� �< 1=¿Ñ�� ��� |
Suta Puranika addresses Shaunaka and
other rishis thus: \"Let me tell you a story
about a Vrita which gives all the benefits
and pleasure of this world to women.
This Vrita was once narrated by Lord
Parameshwara to Parvathi\".
One day Parvati Devi approaches Lord
Parameshwara who is seated in a golden
throne studded with jewels. She
prostrates and asks him thus: \"Lord, is
there any way by which women in
Bhuloka can attain wealth, property,
progeny and be happy. Please tell me by
worshipping whom, by what Vrita and also
if that Vrita was performed by anybody in
the past\". Parameshwar replies:
\"Manohari, yes there is a Varalaxmi Vrita
which should be performed by women in
Shravana Masa on the Friday before the
full moon day of shukla paksha\". He
further narrates the details of Shri
Varalaxmi Vrita.
In Kundina city of Magadha Desha, there
lived a pativrita saadvi by name
Charumati. Everyday she woke up early in
the morning, worshipped her husband with
devotion, served her in-laws with respect
and she remained pleasant in her
manners all thru the day. One night in
her dream, Charumati saw Goddess Laxmi
who said \"I m Varalaxmi Devi and I ve appeared before you as I m extremely pleased with you. If you worship me on
the Friday before Shravana Shukla
Poornima, I ll grant all your wishes\". In her dream itself, Charumati praised
Varalaxmi Devi thru various stotras and
says, \"O Jagajjanani, only with your
blessings people can become scholars,
affluent and contented. It is my poorva janma sukrita to have you appear in my dream . Pleased by Charumati s humility, Laxmi showered boons on her and
disappeared.
Charumati immediately woke up and
explained her dream to her husband, in-
laws and companions and all of them
encouraged her to perform the pooja as
told by the Goddess. All of them eagerly
waited for the day. On that Friday, they
woke up early in the morning, took bath
and wore silk sarees and then cleaned
the whole house with gomaya , decorated the altar, placed the kalasham on the
newly harvested rice, invited Goddess
Varalaxmi and performed the pooja with
all shraddha and bhakti. They tied the
holy thread with 9 knots around their right
wrist, offered various food items to the
Goddess and did pradakshina namaskaras . By the time they did 3 pradakshina
namaskaras, by Laxmi s blessings, they were decked with jewels like anklets,
bangles and such other ornaments
studded with nine precious stones. Their
houses turned gold and they possessed
horses, elephants and chariots. Charumati
and her companions honoured brahmins
with dakshina tambula , received their blessings and ate the prasadam with
reverence. Ever since, Charumati and
other ladies performed this Vrita regularly
and lived happily.
Lord Parameshwar concludes saying, Parvati, this supreme Vrita can be
performed by anybody (without the barrier
of the varnas) and the performer will get
all their wishes fulfilled. One who reads
this story and one who listens to this
story will attain success and benevolence
with the blessings of Shri
Varamahalaxmi\".
�� ON ,� �< 1=¿Ñ�� ��� | �� ON ,� �< 1=¿Ñ�� ��� | �� ON ,� �< 1=¿Ñ�� ��� | -------------------------------------------------------------
45 6WX+ 4% � 2¤78 (chant dhyAna shloka )
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47 �q2�
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48 3�f��L� ( dip finger in water and write a square
and shrii mark inside the square. Place naivedya on shrii . remove lid and sprinkle water around the vessel; place in
each food item one washed leaf or flower
or akshata )
�� ,� �< 1=¿Ñ��@ IL�:{ I*5J 2h#�� Yq�:; 43�# 1=>� 2�sHLCEt �� ON ,� �< 1=¿Ñ�� ��� | (show mudras) ;
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(Touch naivedya and chant 9 times) �� �� �4�4,��%� 2�!Q]�s.�
(sprinkle water around the naivedya)
���! ��g ��73.�w� ?s.ã�A I789 2 | (request Goddess to come for dinner)
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�� ON ,� �< 1=¿Ñ�� ��� | _4%���X *�� ���vCE� ||
(let flow water from shankha)
-------------------------------------------------------------
49 �< �1� (put tulsi / axathaa on a big fruit)
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50 /�HL��%�
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59 ��4� 2V*v
C� &Å� 2�C-� �m-.� ½�ªCE�.7�����| �K/%� 2�@LB��� @ ON���� �44� 7 at ||
I�. ���AU F3�B�� 2V4� �å-.� �A ��2L� | 2VW�v�7� 2��.3�� ��:;jk Ã`]o4� ,�� ||
�� ��\]% D��E� 7� ��7� D����7� ��f��7� ���jkW�§ � ��7� �<��7�EYA24�C� ���4 2��bÝ D�t D����ó�� D����C�* ?�-.�. 2����U t 2P�A��f ���L�2��-.CE |/��ôM 4L a*� '(� �µఽ¶G -� ��Ç4� 2�!��W�+ �H �� 4D� ,�x N:{ ?g=¹4� ��� a��!�'������ ����L )M ||
�� ON ,� �< 1=¿Ñ�� ��� | ��4�2V*v� ���vCE� ||
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60 B�~ ���� (make three rounds of shankha with water like arati and pour
down; chant �� 9 times and show mudras)
)�E� ?2�,4� )�� ���� ��*7� | )�E� ��*+ ²� ,�!U )�E� ��*+ ² ��-��4 || -------------------------------------------------------------
61 h�w ��� B� 6��1 �P45 ���� ��� ��YA ����� | ��� ��2 _2B��� ON 1=>� ���ZL/� &�� || -------------------------------------------------------------
62 _��C� �.��
��� ��� �$<\] 2¤78 (wash feet wipe offer gandha, kumkum,
flowers, fruits and gifts and make
obeisances)
)*+ ���E�w 2�C�/% ��õ ?@�!4 ON ,� �<
1=>� ,�4 ��2¤�J �1 ��2�w� ON ,� �< 1=>� ���Ç��C �$<\]3�f ��C� �.�� /�!Qa ..
ON ,� �< 1=>� ���Ç��C �$<\]3�f ?���� 2¤��/ ?��� �F 6[4 FK2 �q���A �/1E��F3�f ���!�4�
3.��C� 2�MP<#45 3.��C� ��f L�.M @ 3.��C� -.��µ��� 3.��C�.b«¬ �S ���
��,� -.� �I45� 2����ఽ��3���³�ª��� 2¤WXJ �D�% ��� ö 6G�#\a%7D� �K�B� 6��\a�L��� )��A�bc3.¶��s.� öö �1EC �Nb«¬ CB \a�#�.C ON ,� �< 1=¿Ñ�� ��� ö ��C��.�� 2�MP<J 45 ÷2�MP<J I1EM 2�M,@��ø -------------------------------------------------------------
63 I��� 2¤78
?��YA-.3.� ��g� 2V�� 2¤78� /�!Qa || �� ON ,� �< 1=¿Ñ�� ��� |
2¤78�-� i4�� ���vCE� |
s.��� ���vCE� |
�P4� ���vCE� |
G 4� ���vCE� |
��L� ���vCE� |
?��Z�/ ?�H��� ���vCE� |
6'���H��� ���vCE� |
78�H��� ���vCE� |
�� ON ,� �< 1=¿Ñ�� ��� | ���% ��7u2s.� ���É2s.� B/0% �2s.� �/0% �2s.� 2¤78� ���vCE�||
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64 ?4� ���v�
C� ��P-. @ 3.S#��% � 42� 2¤78 �·NCE�A*5| �K�� ��2¤�J-.� CEM ��Z ,��� 4� 6@$4�|| 63�� �CE /P-��, ON ,� �< 1=>� ,�-�� ON ,� �< 1=>� �$ R�-. �$2��3.# ,��. �,45|| �Y� ��4� 4�4� ��� ,�J �K3.M�!/% 1�2 �Z* ��� C��-.% �w� ��I 3.�4�C �<��4� 72� /�!Qa || �� ��Eb«¬ ��� �� 1=¿Ñ�� ��� �� ,� �<
1=¿Ñ�� ��� �� ��Eb«¬ ��� �� 1=¿Ñ�� ��� �� ,� �<
1=¿Ñ�� ��� �� ��Eb«¬ ��� �� 1=¿Ñ�� ��� �� ,� �<
1=¿Ñ�� ��� ��4�:r��, �·NCE:r��, ��·%:r�� 73.� | Ct 2¤Ö4� �CE ��I 2�!2¤�J� 4L�$% jk || ��bc� ��s. ��\a��A�b«¬��� ���.U �4�3. �� 2�/PM ������t | /�H� CLt �/1� 2�\�f� 3.��C� )M ���vCE� ||
���}�H� | ON ,� �< 1=>� 2�D�L� ��D� P<J � ||
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65 [�E2��
62��F ��D�� �� �·NC�-� 6��!#B� �CE | -. ������ jk ��I [��� 2�jkB��! ||
CE�45 ��, �.� ���� 2¤78� ?�.C ���!wg� | )*+ ���E�w \]LU ��w� 2V����3.C @ || (shake the kalasha)
------------------------------------------------------------- Puja Text – Sri S.A.Bhandarkar Transliterated by Sowmya Ramkumar Send corrections to (somsram[at]gitaaonline.com) Last updated on Jul 21, 2012 (C) http://www.mantraaonline.com/