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Visual Analysis Part II Never mistake the message— for the messenger. Source: Understanding comics The Invisible Art Scott McClou

Visual Analysis Part II

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Visual Analysis Part II. Never mistake the message—for the messenger . Source: Understanding comics The Invisible Art Scott McClou. Panel to Panel Transitions. Moment-to-moment: easy to attain closure Action-to-Action: single subject - PowerPoint PPT Presentation

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Page 1: Visual  Analysis Part II

Visual AnalysisPart II

Never mistake the message—for the messenger.

Source: Understanding comics The Invisible Art Scott McClou

Page 2: Visual  Analysis Part II

Moment-to-moment: easy to attain closure Action-to-Action: single subject Subject-to-Subject: while staying within a scene or

idea—requires reader involvement to be successful. Scene-to-Scene: Deductive Reasoning needed to

transport the reader across significant distances of time and space.

Aspect-to-Aspect: bypasses time for the most part and sets a wandering eye on different aspects of place, idea or mood.

Non-Sequitur: no logical relationships between panels.

Panel to Panel Transitions

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Moment to Moment

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Action to Action

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Subject to Subject

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Deductive Reasoning

Scene to Scene

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Aspect to AspectBypasses time for the most part and sets a wandering eye on different aspects of a place, idea, or mood.

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Non-sequitur which offers no logical relationship between

panels

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Figure Ground Relationships and Negative Space

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How we all began telling

stories

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We assume as readers that we will know what

order to read panels in but the business of arranging those panels is actually quite complex.

Some artists are deliberately ambiguous. Closure can be a powerful force within panels

as well as between them, when artists choose to show only a small piece of the picture.

Closure

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Whatever the mysteries within each panel, it’s

the power of closure between panels that I find the most interesting.

There’s something strange and wonderful that happens in the blank ribbon of paper.

We already know that comics as the mind to work as a sort of in-betweener—filling in the gaps between panels as an animator might—but I believe there’s till more to it than that.

Closure

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Time Frames

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Transitions and Time

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Polyptych: time and space

merge

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The idea that a picture

can evoke an emotional or sensual response in the viewer is vital to the art of comics.

Can Emotion Be Made Visible?

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By far the most widely-used most complex

and most versatile of comics many synaesthetic icons is the ever-present, ever-popular word balloon.

Over the years comics creators have struggled with dozens of variations in their desperate attempts to depict sound in a strictly visual medium.

Variations in balloon shape and the symbols that go inside the balloon are constantly being invented or appropriated.

Word Balloon

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When Bleeds are used (picture running of the page) the effect of timelessness is strengthened

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Establishing shotLong ShotMedium shot