-
q = 120
arr. Brenda C. Kayne
Vocal Exercises For All Singers
LaMa
Compliments of SongsForAll.com
1. WAKE-UP CALL
mp
lame
--
lami
--
lamo
--
la,mu,
--
slight cresc.
lama
lame
--
lami
--
lamo
--
la,mu,
-- ma
lamela
--
mila
--
mola
--
mu.la.
FREE
--
h = 60 q = 150
q = 130 Ma"V"
2. WAKE-UP CALL. CONNECTION FROM TONE TO TONE.mp
me
- ma
- - me
ma
- me
- ma.
- - - -
-
Ding
3. WAKE-UP CALL. TOP EDGE OF TONE.
mf detachedding
ding
Ma
4.FLEXIBILITY. LEGATO WITH SKIPS.
mf
me
- mi
- mo
- mu.
-
q = 130 q = 86
Ma
5. FLEXIBILITY AND LEGATO.
mf
me
- mi
- mo
- mu.
-
Ma
mf
6. ENERGIZER! ARTICULATION.
me
- mi
- mo
- mu.
-
q = 120 q = 84Ma
7. FLEXIBILITY. LEGATO SKIPS.
mf
me
- mi
- mo
- mu.
-
HungaZingReMi
mf
8. CLARITY
hungazingrene
----
hungazingrami
----
zingrone
hunga----
ru.mine.
zing.hunga.
--
-
q = 120
q = 120
Ma
mf
9. CLARITY WITH LEAPS. INTONATION. CONNECTION OF TONES.
me
- mi
- mo
- mu.
-
O
10. EVEN TONE (CHEWING EXERCISE)
mp
i- o
dim. - i- o
- i- o
- i- o.
-
-
q = 90
q = 120 q = 110
U
11. PURITY OF VOWEL RANGE.
mf 3
o
-
3
u.
-
12. FLEXIBILITY, EVENNESS AND CONNECTION OF TONE. ENERGIZER!
Mi
mf
mi- ma
- ma- mi
-
13. CLARITY. PRECISION. EFFICIENCY.
To
mp
ti- to
- ti- to
- ti- to
- ti-
q = 100 q = 130 q = 130
uoiea
14. STACCATO. COORDINATION. PURITY OF TONE. RANGE..
mf
uoiea
-----
uoiea
3
-----
uoiea
-----
uoiea
-----
uoiea
3
-----
uoiea
-----
uoiea
mf
uoiea
15. SAME AS 14.
-----
uoiea
-----
uoiea
-----
uoiea
-----
uoiea
-----
uoiea
-----
uoiea
-----
uoiea
-----
uoiea
mf
16. SAME AS 14.
uoiea
-----
uoiea
-----
uoiea
-----
uoiea
-----
uoiea
-----
uoiea
-----
uoiea
-----
uoiea
-----
uoiea
-----
uoiea
-----
uoiea
-----
uoiea
-----
q = 100
q = 100 q = 92
YaYo
17. POWER EXERCISE. BRILLIANCE. WARMTH AND FULLNESS OF TONE.
mfyayo
--
yayo
--
yau
mp
--
I
18. WARMTH AND FULL TONE. LEGATO.
mflove
thee
so.
ie
19. EVEN TONE. LEGATO PHRASING
mf
ao
--
ie
--
ao
--
ie
--
ao
--
ie
--
ao
--
ie
mp --
q = 92 q = 132
e
20. FLOATING THE TONE. LEGATO.
mf
o- e
- o- e
- o- e
- o- a
mf -
21. ENERGIZER! FOR RANGE "THROW-AWAY EXERCISE."
mi
mf
mi- mi
3
- o
-
3
q. = 90 q = 100 q = 120
mi
22. COORDINATION.INVIGORATING THE TONE.BRILLIANCE. WARMTH.
mf
mi- mi- o
cresc.
- o- o-
f
o
-
mi
23. FREEING THE TONE. FLOATING THE TONE.
mp
mi- mi
3
- o
-
mi
24. FLOATING THE TONE. LEGATO.mf
mi
- a- e
- i
- o
-
u
-
2
-
q = 110
q = 96
mi
mf
25. FLOATING THE TONE. LEGATO.
mi- mi
3
- a
- e
- i
- o
-
u
-
amimi
mf
26. FLEXIBILITY. COLORATURA.
mimi
--
mimi
3
--
ao
--
uu
- - -- - -
q = 150 q = 92
o
27. CONNECTION AND EVENNESS OF TONE.mf
i- o
- i- o
- i- o
- i- o
- i
- o-
eio
mf
oai
28. RANGE, FLEXIBILITY, CONNECTION AND EVENNESS OF TONE.
---
eio
---
oai
---
eio
---
oai
---
eio
---
oai
---
eio
---
oai
---
eio
---
oai
---
eio
---
oai
---
eio
---
oai
---
eio
---
q. = 100i
29. RANGE. FLEXIBILITY. LOOSENESS OF JAW. ARTICULATION.
mp
a
- i
- a
- i
-
cresc.
a
- i
- a
-
mfi a
-
-
q = 80 i- a
- i
- a
- i
- a
-
mf30. LOOSENESS OF JAW. INTONATION. EVENNESS OF TONE.
i a
- i- a
- i- a
- i- a
- i- a
- i- a
- i- a
-
q = 70 q = 106
za
mf
31. LIGHTNESS AND EVENNESS OF TONE. CLARITY.
za- za- za- zi
- zi- zi- zi- za
- e o
a
mf
32. COLORATURA. "ROSSINI EXERCISE."
q = 132 How
mf
33. SINGING WITH TEXT. PURITY OF VOWEL.
are
you
to
day?
-
I'm
ver y- well,
how are
you?
CRISPNESS OF CONSONANT. LEGATO. WARM-UP.
Do
you
think
it will rain?
No,
II
think
not to day.
-
3
