22
Week Two (Music & Matter) Page Electives Week of April 20th to April 26th Core Classes Mrs. Krohn: 7th Grade ELA CCSS.ELA-LITERACY.W.7.1.B Writing: Support a Claim with Logical Reasoning Pages 5 Choice Book: 20 minutes a day (100 min/week) M T W T F Mr. Harner: Construction Building a Deck Pages 1 8 & 1 9 Quiz Page 2 0 Mrs. Dayton: 7th Grade Science PS1.A: Structure and properties of matter Read Matter & It’s Interactions: What is Matter page 6 Essential Questions & Create a list of descriptive words page 1 1 Ms. Peters: Choir Class Listening & Critical Response to Music Page 1 5 __________ /25 Mr. Brewton: World History C2.6-8. 2 Distinguish the structure...government Civics Review: 50 questions pages 8 & 9 How many were you able to complete?_________________ / 50 Ms. Weaver: Art Class Stitched Agamograph pages 2 1 & 2 2 Mrs. Falla: 7th Grade Math 6.RP.A.3 Application Task: Using Ratios to Solve Real World Problems pages 1 2 & 1 3 Choice Math: 20 minutes a day (100 min/week) M T W T F Mrs. Folkers: Leadership Have a Great Week! Ms. Pumphrey: Health & Mr. Pelan: PE The Circulatory System pages 1 6 & 1 7 Daily Workout: Dynamic, Cardio and Cross Fit page 2 0 M T W T F Mr. White: Band Classes Mozart & More Page 1 4 M T W T F Check in daily with your homeroom teacher. Your teachers have put together a learning opportunity for you. Read the provided Music and Matter texts and then complete each of the tasks shared by your teachers. If you have a paper copy, you can write answers in the packet, but if you are seeing this electronically put all answers in a journal. Questions? Teachers can be e-mailed for help and feedback.

W k Ail Ail C Cla Elciv...Choice Math: 20 minutes a day (100 min/week) M T W T F Mrs. Folkers: Leadership Have a Great Week! Ms. Pumphrey: Health & Mr. Pelan: PE The Circulatory System

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  • Week Two (Music & Matter) Page

    Electives Week of April 20th to April 26th Core Classes Mrs. Krohn: 7th Grade ELA CCSS.ELA-LITERACY.W.7.1.B

    Writing: Support a Claim with Logical Reasoning Pages 5

    Choice Book: 20 minutes a day (100 min/week) M T W T F

    Mr. Harner: Construction

    Building a Deck Pages 1 8 & 1 9 Quiz Page 2 0

    Mrs. Dayton: 7th Grade Science PS1.A: Structure and properties of matter

    Read Matter & It’s Interactions: What is Matter page 6

    Essential Questions & Create a list of descriptive words page 1 1

    Ms. Peters: Choir Class

    Listening & Critical Response to Music Page 1 5 __________ /25

    Mr. Brewton: World History C2.6-8. 2 Distinguish the structure...government

    Civics Review: 50 questions pages 8 & 9

    How many were you able to complete?_________________ / 50

    Ms. Weaver: Art Class

    Stitched Agamograph pages 2 1 & 2 2

    Mrs. Falla: 7th Grade Math 6.RP.A.3

    Application Task: Using Ratios to Solve Real World Problems pages 1 2 & 1 3

    Choice Math: 20 minutes a day (100 min/week) M T W T F

    Mrs. Folkers: Leadership

    Have a Great Week!

    Ms. Pumphrey: Health & Mr. Pelan: PE

    The Circulatory System pages 1 6 & 1 7

    Daily Workout: Dynamic, Cardio and Cross Fit page 2 0 M T W T F

    Mr. White: Band Classes

    Mozart & More Page 1 4

    M T W T F

    Check in daily

    with your

    homeroom

    teacher.

    Your teachers have put together a learning opportunity for you. Read the provided

    Music and Matter texts and then complete each of the tasks shared by your

    teachers. If you have a paper copy, you can write answers in the packet, but if you

    are seeing this electronically put all answers in a journal.

    Questions? Teachers can be e-mailed for help and feedback.

    mailto:[email protected]?subject=Week%20One%20mailto:[email protected]?subject=Week%20Onemailto:[email protected]?subject=Week%20Onemailto:[email protected]?subject=Week%20Onemailto:[email protected]?subject=Week%20Onemailto:[email protected]?subject=Week%20Onemailto:[email protected]?subject=Week%20Onemailto:[email protected]?subject=Week%20Onemailto:[email protected]?subject=Week%20Onemailto:[email protected]?subject=Week%20Onemailto:[email protected]?subject=Week%20One

  • Week Two (Music & Matter) Page 2

    Music Is a Potent Source of Meaning Pacific Standard

    (Photo: Jose Oller/Flickr)

    The source of music's power has long been debated, with

    many psychologists concluding its primary benefit is emo-

    tional regulation (that is, stress reduction or relaxation). For

    many of us, that has always seemed awfully

    reductive—Beethoven would no doubt respond with some

    dissonant, dissenting chords—and recently published

    research suggests we may be right.

    An exploratory study finds emotion regulation may

    be "a secondary outcome of music listening," write

    psychologists Jenny Groarke and Michael Hogan of the

    National University of Ireland in Galway. Rather, the

    "fundamental drivers" of our thirst for music appear to be

    the intense emotions a given melody produces, the way it

    facilitates reminiscing, and—as we age—its ability to

    produce transcendent experiences.

    OLDER PEOPLE ARE MORE INTERESTED IN MUSIC AS AN IN-

    TENSE, INNER EXPERIENCE, WHILE YOUNGER ONES VIEW IT

    AS A WAY OF ESCAPING BAD MOODS AND CONNECTING

    TOM JACOBS

    UPDATED: JUN 14, 2017 ORIGINAL: AUG 20, 2015 BUT NEW RESEARCH FINDS YOUNGER AND OLDER PEOPLE

    LARGELY LISTEN FOR DIFFERENT REASONS.

    Music," wrote Ludwig van Beethoven, "is a higher revelation

    than all wisdom and philosophy." Granted, as a composer,

    Beethoven wasn't exactly an objective observer. But for

    most of us, music is still the art form we turn to most fre-

    quently, and the one that gives us the greatest satisfaction.

    https://hoquiamschoolwa.springboardonline.org/ebook/

  • Week Two (Music & Matter) Page 3

    Music Is a Potent Source of Meaning PACIFIC STANDARD

    WITH FRIENDS.

    In the journal Psychology of Music, Groarke and Hogan

    report older and younger people tend to express different

    ideas when asked why they listen to music. While the

    responses of four groups of participants—two featuring

    people under 30, and two composed of those over 60—

    were predictably wide-ranging, the researchers found

    some distinct patterns.

    For younger adults, social connection is a strong compo-

    nent of music listening; you bond with your peers over

    your choice in tunes. By one measure, this consideration

    placed second only to "mood improvement." (This finding

    aligns nicely with the theory that music originally devel-

    oped as a source of social cohesion.)

    But that aspect of listening was far less important to older

    adults, who largely looked at music as therapeutic—a

    source of meaning and personal growth. While some

    younger participants did refer to music's ability to provide

    them with a private "personal space," the bulk of the re-

    sponses suggest older people are more interested in mu-

    sic as an intense, inner experience, while younger ones

    view it as a way of escaping bad moods and connecting

    with friends.

    Using advertisements, Groarke and Hogan recruited vol-

    unteers to participate in four discussion groups, two of

    which featured music lovers between the age of 18 and

    30 (24 in total), while the other two consisted of seniors

    ages 60 to 85 (19 in total).

    The sessions began with the question "Why do you listen

    to music?," which was followed by a period of reflection, a

    detailed discussion of the ideas it generated, and a voting

    process in which participants selected five benefits of mu-

    sic listening that "they believed were most significant for

    enhancing well-being." The winners were then analyzed

    by a computer program that determined how they related

    to one another, and clarified the responses by folding

    them into a structural model.

    Not surprisingly, the researchers found "affect regula-

    tion"—that is, relaxation or stress reduction—was "a com-

    mon and highly endorsed function of music listening by

    both older and younger adults." However, rather than a

    primary reason for turning on that CD player or streaming

  • Week Two (Music & Matter) Page 4

    Music Is a Potent Source of Meaning PACIFIC STANDARD

    service, affect regulation was largely seen as a side benefit

    that was "enhanced by other music listening functions."

    "A greater proportion of younger adults considered social

    connection through music listening as significant for their

    well-being," the researchers write. "Younger adults consid-

    ered social connection an important antecedent of

    (emotion) regulation and mood improvement."

    THE IDEA THAT MUSIC CAN INSPIRE PERSONAL GROWTH

    OR BE OTHERWISE THERAPEUTIC WAS ENDORSED FAR

    MORE AMONG THE STUDY'S OLDER PARTICIPANTS.

    "Paradoxically, younger adults also endorsed the use of

    music to avoid social connection, highlighting how music

    can be used to create a private space," they add. "It may be

    that young adults are using music to counteract the stress-

    es of their more active social lives, while older adults are

    using music to compensate for and regulate feelings of so-

    cial isolation."

    Both groups felt the power of music to evoke reminiscing

    was important, but for somewhat different reasons. Younger

    adults saw it as a double-edged sword, distinguishing be-

    tween "spontaneous, purposeful, positive, and less-

    adaptive reminiscing, such as reliving painful memories by

    listening to 'break-up' songs." Older adults, in contrast,

    viewed music-inspired reminiscing as a positive influencer

    on personal growth.

    Indeed, the idea that music can inspire personal growth or

    be otherwise therapeutic was endorsed far more among

    the study's older participants. Many also spoke of music in

    terms of transcendence, and as meditative—ideas that did

    not reach the younger participants' radar screens.

    This all suggests music retains its importance as we move

    through life, but the benefits it provides shift somewhat as

    we age. To again quote Beethoven, "Music is the mediator

    between the spiritual and the sensual life"—the sensual life

    of the young, and the spiritual concerns of those who are

    facing the fact that their days are limited.

    Findings is a daily column by Pacific Standard staff writer Tom Jacobs, who scours the psychological-research journals to discover new in-sights into human behavior, ranging from the origins of our political beliefs to the cultivation of creativity.

  • Week Two (Music & Matter) Page 5

    (use additional paper to complete writing)

    M r s . K r o h n ’ s E L A C l a s s

    Writing Prompt Tom Jacobs writes that “music retains its importance

    as we move through life, but the benefits it provides shift somewhat as we age”

    (paragraph 16, “This all suggests…). What does the author say about the importance of music to young people? What role or roles does it play? Do you agree? Take a stance on whether or not you agree with Jacobs’ argument about the way young people use music. Use sound reasoning to support your opinion.

    J K r o h n @ h o q u i a m . n e t

    F o r F e e d b a c k - P h o t o o r T y p e

    Music Is a Potent Source of Meaning

    According to the article, what is the primary difference between the reasons that older and younger adults listen to music? Neither group had specific reasons for their listening habits.

    Both groups listen to music for the same reasons but experience it

    differently.

    Older adults see music as a reminder of youth, while young adults

    use music to rebel.

    Young adults use music to connect socially, while older adults use

    music to reminisce.

    The term “affect regulation” refers to how a person can use music to seek transcendence.

    the way music can influence emotions.

    why older adults listened to music in order to boost their mood.

    a way to connect with the community through shared musical

    experiences.

    With which statement would the author most likely agree? [For your prediction, write down several of the author's key arguments. This will help you identify an answer choice that fits within the author's viewpoint.] The versatility of music’s power proves its universal importance.

    The way young people interact with music affects their spiritual

    growth.

    Our fundamental drive toward music stems from a desire to be-

    long.

    Music loses its power as people age and become

    more introspective.

  • Week Two (Music & Matter) Page 6

  • Week Two (Music & Matter) Page 7

    Read: “What is Matter?”

    Matter:

    Substances that make up the universe.

    All matter has mass and volume.

    M r s . D a y t o n ’ s P h y s i c a l S c i e n c e C l a s s N D a y t o n @ h o q u i a m . n e t

    Look around you and think about what you see.

    Think about the objects you touch and the air you

    breathe. Did you ever stop to think, what is all that

    stuff made of?

    Essential Question: What do you know about matter?

    (use additional paper to complete writing)

    Matter exists commonly in a liquid, a solid or a gas

    state. Temperature causes matter to change from one

    state to another.

    Create a list of words that describe matter in all its forms.

    Use words like colors, shapes, weight (heavy) and density.

  • Week Two (Music & Matter) Page 8

    M r . B r e w t o n ’ s H i s t o r y C l a s s

    Wri

    te t

    he c

    orre

    ct

    an

    swer

    on

    th

    e l

    ine p

    rovid

    ed

    to t

    he r

    igh

    t of

    the q

    uest

    ion

    .

    Last

    na

    mes

    of

    peop

    le a

    re a

    cce

    pta

    ble

    . S

    pell

    ing d

    oes

    not

    cou

    nt.

    1. H

    ow

    man

    y a

    men

    dm

    en

    ts d

    oes

    the C

    on

    stit

    uti

    on

    have?_____

    2. W

    e e

    lect

    a U

    .S. S

    en

    ato

    r f

    or h

    ow

    ma

    ny

    years?

    _____

    3. W

    e e

    lect

    a P

    resi

    den

    t fo

    r h

    ow

    man

    y y

    ears?

    _____

    4. W

    hat

    is t

    he m

    axim

    um

    am

    ou

    nt

    of

    years

    a p

    resi

    den

    t can

    serve?_____

    5. W

    hat

    is t

    he n

    am

    e o

    f th

    e P

    resi

    den

    t of

    the U

    nit

    ed

    Sta

    tes

    now

    ?________________________

    6. W

    ho w

    as

    the f

    irst

    Presi

    den

    t u

    nd

    er t

    he C

    on

    stit

    uti

    on

    ?_____________________

    _________

    7. W

    hat

    date

    did

    th

    e W

    orld

    Tra

    de C

    en

    ter g

    et

    att

    ack

    ed

    ?____________________

    __________

    8. W

    ho w

    as

    the P

    resi

    den

    t w

    hen

    th

    e W

    orld

    Tra

    de C

    en

    ter w

    as

    att

    ack

    ed

    ?______

    ___________

    9. W

    hat

    is c

    urren

    t p

    osi

    tion

    held

    by

    Mik

    e P

    en

    ce?_____________________________________

    10. If

    th

    e P

    resi

    den

    t can

    no l

    on

    ger s

    erve, w

    ho b

    ecom

    es

    Presi

    den

    t?____________

    ___________

    11. W

    hat

    do w

    e c

    all

    th

    e f

    irst

    ten

    am

    en

    dm

    en

    ts t

    o t

    he C

    on

    stit

    uti

    on

    ?___________

    ___________

    12. W

    hat

    was

    on

    part

    of

    the F

    irst

    Am

    en

    dm

    en

    t?___________________________

    __________

    13. W

    hat

    was

    the p

    urp

    ose

    of

    the D

    ecla

    rati

    on

    of

    Ind

    ep

    en

    den

    ce?______________

    __________

    14. W

    hat

    is o

    ne p

    urp

    ose

    of

    the U

    .S. C

    on

    stit

    uti

    on

    ?__________________________

    _________

    15. N

    am

    e o

    ne s

    tate

    th

    at

    bord

    ers

    Can

    ad

    a___________________________________________

    16. N

    am

    e o

    ne s

    tate

    th

    at

    bord

    ers

    Mexic

    o____________________________________________

    17. W

    hat

    is t

    he c

    ap

    ital

    of

    the U

    nit

    ed

    Sta

    tes?

    ________________________________________

    18. W

    hat

    is t

    he n

    am

    e o

    f th

    e n

    ati

    on

    al

    an

    them

    ?_____________________________

    __________

    19. W

    hen

    do w

    e c

    ele

    brate

    In

    dep

    en

    den

    ce D

    ay

    ?______________________________________

    20. H

    ow

    man

    y s

    tars

    does

    the f

    lag h

    ave?

    _____

    21. W

    here i

    s th

    e S

    tatu

    e o

    f L

    iberty

    ?________________________________________________

    22. W

    ho w

    as

    Presi

    den

    t d

    urin

    g t

    he C

    ivil

    War?_______________________________________

    23. W

    hen

    was

    the C

    on

    stit

    uti

    on

    writ

    ten

    ?____________________________________________

    24. W

    hen

    was

    the D

    ecl

    arati

    on

    of

    Ind

    ep

    en

    den

    ce a

    dop

    ted

    ?___________________

    __________

    J B r e w t o n @ h o q u i a m . n e t

  • Week Two (Music & Matter) Page 9

    M r . B r e w t o n ’ s H i s t o r y C l a s s

    25. W

    ho w

    rote

    th

    e D

    ecla

    rati

    on

    of

    Ind

    ep

    en

    den

    ce?__________________________

    __________

    26. W

    hen

    mu

    st a

    ll m

    en

    regis

    ter f

    or t

    he S

    ele

    cti

    ve S

    ervic

    e?_____

    27. H

    ow

    old

    do c

    itiz

    en

    s h

    ave t

    o b

    e t

    o v

    ote

    for P

    resi

    den

    t?_____

    28. N

    am

    e o

    ne s

    tate

    th

    at

    bord

    ers

    the P

    aci

    fic O

    cean

    ___________________________________

    29. W

    hat

    Ocean

    is

    on

    th

    e E

    ast

    Coast

    of

    the U

    nit

    ed

    Sta

    tes?

    __________________

    __________

    30. H

    ow

    man

    y U

    .S. S

    en

    ato

    rs

    are t

    here?_____

    31. W

    e e

    lect

    a U

    .S. R

    ep

    rese

    nta

    tive f

    or h

    ow

    ma

    ny

    years?

    _____

    32. In

    wh

    at

    mon

    th d

    o w

    e v

    ote

    for P

    resi

    den

    t?_____________________________

    ___________

    33. O

    n w

    hat

    day

    do w

    e a

    lway

    s vote

    for P

    resi

    den

    t?___________________________________

    34. W

    hat

    is t

    he s

    yst

    em

    of

    Presi

    den

    tial

    Ele

    cti

    on

    call

    ed

    ?________________________________

    35. W

    hat

    is t

    he h

    igh

    est

    cou

    rt

    in t

    he U

    nit

    ed

    Sta

    tes?

    _________________________

    __________

    36. H

    ow

    man

    y j

    ust

    ices

    are o

    n t

    he S

    up

    rem

    e C

    ou

    rt?

    ________________________

    ___________

    37. H

    ow

    man

    y P

    resi

    den

    ts h

    ave b

    een

    im

    pea

    ch

    ed

    ?_____

    38. H

    ow

    man

    y p

    resi

    den

    ts h

    ave t

    here b

    een

    ?_____

    39. W

    hat

    are t

    he t

    wo m

    ajo

    r p

    oli

    tical

    pa

    rti

    es

    in t

    he U

    nit

    ed

    Sta

    tes?

    ____________

    __________

    40. N

    am

    e o

    ne o

    ther p

    oli

    tical

    party

    in

    th

    e U

    nit

    ed

    Sta

    tes_

    ____________________

    __________

    41. A

    presi

    den

    t is

    nom

    inate

    d b

    y i

    ts p

    arty

    in

    th

    e p

    arty

    ’s_______________________________

    42. W

    hat

    nu

    mb

    er a

    men

    dm

    en

    t gave w

    om

    en

    th

    e r

    igh

    t to

    vote

    ?__________________________

    43. W

    hat

    year w

    as

    the C

    hic

    ago W

    orld

    ’s F

    air

    ?_____

    44. W

    hat

    is t

    he a

    cti

    on

    a p

    resi

    den

    t can

    ta

    ke t

    o o

    verru

    le c

    on

    gress

    ?____________

    ___________

    45. W

    hat

    cou

    ntr

    y w

    as

    the U

    nit

    ed

    Sta

    tes

    prim

    aril

    y a

    gain

    st i

    n W

    WII

    ?_________

    __________

    46. W

    hat

    is a

    noth

    er n

    am

    e f

    or J

    un

    e 6

    , 1944?________________________________________

    47. W

    ho r

    an

    again

    st B

    arack

    Ob

    am

    a i

    n t

    he 2

    012 E

    lecti

    on

    ?____________________________

    48. W

    ho i

    s th

    e e

    lecte

    d l

    ead

    er o

    f a s

    tate

    legis

    latu

    re?___________________________________

    49. W

    hat

    is t

    he n

    am

    e o

    f th

    e P

    resi

    den

    t’s

    ad

    vis

    ors?

    __________________________

    __________

    50. W

    hat

    is t

    he n

    am

    e o

    f th

    e f

    igh

    tin

    g f

    orce t

    hat

    use

    s sh

    ips?

    __________________

    __________

    J B r e w t o n @ h o q u i a m . n e t

  • Week Two (Music & Matter) Page 10

    Understanding the

    Mathematics of a Piano

    Two notes sound good together if their

    sound waves arrive at the ear at the

    same time, creating simple harmonic

    patterns. For example, high C and middle

    C sound good together because they

    form an octave pattern, with every sec-

    ond high C wave arriving at the ear at

    the same time as one middle C wave.

    Therefore, an octave pattern forms a fre-

    quency ratio of 2 : 1.

    In contrast, two notes sound bad togeth-

    er if most of their sound waves do not ar-

    rive at the ear at the same time, forming

    complicated dissonant patterns. For in-

    stance, every tenth high C wave arrives

    at the ear at the same time as every

    ninth B wave, so they form a more com-

    plex frequency ratio of 10 : 9.

    C o u r t e s y o f V i b r a t i o n D a t a

    https://youtu.be/BmIVJ-u7iDUhttp://www.vibrationdata.com/tutorials2/piano.pdf

  • Week Two (Music & Matter) Page 11

    Understanding the Mathematics of a Piano

  • Week Two (Music & Matter) Page 12

    [email protected] M r s . F a l l a ’ s M a t h C l a s s

    11

  • Week Two (Music & Matter) Page 13

    M r s . F a l l a ’ s M a t h C l a s s

    Explain It! Explain how you used proportional

    relationships to solve a real-world problem of finding notes that sound good together when played on a piano.

    Make sure to include what information you need to tell if the proportional relationships between notes will make them sound good together?

  • Week Two (Music & Matter) Page 14

    M

    r. W

    hit

    e:

    We

    ek

    Tw

    o 7

    th G

    rad

    e B

    an

    d A

    cti

    vit

    ies

    Ap

    ril 2

    0.

    Kee

    p p

    layin

    g w

    hile

    aw

    ay f

    rom

    scho

    ol kid

    dos!

    .

    Cho

    ose

    thin

    gs fro

    m t

    he

    bo

    ok a

    nd w

    eb

    site

    belo

    w t

    o p

    lay a

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  • Week Two (Music & Matter) Page 15

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  • Week Two (Music & Matter) Page 16

    Term Meaning

    Circulatory

    system The body system responsible for carrying blood, nutrients, and waste throughout the body

    Cardiac Related to the heart

    Pulmonary Related to the lungs

    Artery Blood vessel that moves blood away from the heart

    Vein Blood vessel that moves blood toward the heart

    Aorta Major artery that carries blood to the systemic circulatory system

    Capillary Small blood vessel that allows nutrient ex-change

    Atrium Upper chamber of the heart

    Ventricle Lower chamber of the heart

    Diagram showing the flow of blood from the heart to the rest of the human body.

    Image credit: Blood flow from the heart by OpenStax, CC BY 4.0

    Diagram labeling the major arteries (red) and veins (blue) in the human body

    Image credit: Arteries and veins of the body by OpenStax, CC BY 4.0

    The main artery of the systemic circuit is the aorta which branches out into other

    arteries, carrying blood to different parts of the body.

    https://cnx.org/contents/[email protected]:xuaYcQPd@3/Circulatory-and-Respiratory-Syhttp://creativecommons.org/licenses/by/4.0/https://cnx.org/contents/[email protected]:xuaYcQPd@3/Circulatory-and-Respiratory-Syhttp://creativecommons.org/licenses/by/4.0/

  • Week Two (Music & Matter) Page 17

    (use additional paper to complete writing)

    M s . P u m p h r e y ’ s H e a l t h C l a s s

    Writing Prompt Make a story using 5 of the 9 key terms. Use the

    information from the reading to help you. This will replace any poor grades or missing grades in

    skyward (Circulatory and heart (4 assignments in skyward)- coloring’s and HW’s)

    M P u m p h r e y @ h o q u i a m . n e t

    The Circulatory System

    The circulatory system The circulatory system is a network consisting of blood, blood vessels, and the heart. This network supplies tissues in the body with oxygen and other nutrients, transports hormones, and removes unnecessary waste products.

    The heart The heart is made of specialized cardiac muscle tissue that allows it to act as a pump within the circulatory system. The human heart is divided into four chambers. There are one atrium and one ventricle on each side of the heart. The atria receive blood and the ventricles pump blood. The human circulatory system consists of several circuits:

    The pulmonary circuit provides blood flow between the heart and lungs.

    The systemic circuit allows blood to flow to and from the rest of the body.

    The coronary circuit strictly provides blood to the heart (not pictured in the figure on page 16).

    Blood and blood vessels Blood from the heart is pumped throughout the body using blood vessels. Arteries carry blood away from the heart and into capillaries, providing oxygen (and other nutrients) to tissue and cells. Once oxygen is removed, the blood travels back to the lungs, where it is re-oxygenated and returned by veins to the heart.

    Common mistakes and misconceptions Arteries usually carry oxygenated blood and veins usually carry de-oxygenated blood. This is true most of the time. However, the pulmo-nary arteries and veins are an exception to this rule. Pulmonary veins car-ry oxygenated blood towards the heart and the pulmonary arteries carry deoxygenated blood away from the heart. Blood is always red. Veins can appear blue as we see them through our skin, leading some people to believe that deoxygenated blood is blue. However, this is not the case! Blood only appears blue because of the way tissues absorb light and our eyes see color. Although oxygen does have an effect on the brightness of the blood (more oxygen makes a brighter red, less makes it darker), blood is never actually blue.

  • Week Two (Music & Matter) Page 18

    M r . H a r n e r ’ s C o n s t r u c t i o n M a t h C l a s s D H a r n e r @ h o q u i a m . n e t

    Overview Earlier this year, the 1st year students built their own scale model decks by drawing a blueprint and using it as an instruction sheet to complete their project. At the same time, the advanced students were starting their scale model homes, (you built your decks last year). For this assignment, we are all going to read about building an actual deck and learn about the terms and materials needed to do the project. We are going to look at how to make a lumber list by measuring the length, width and height of the deck so we will know how much and what types of lumber we will need and where it will go on the project. I will also include a price chart to figure out your costs so we can see how much you would need to save up to do your project. Throughout this process, I will have some illustrations to help you see what the deck will look like and how/where the pieces fit.

    Assignment Part One Read about the deck and all of its terms. Understand how and where these terms will apply. At the end of this assignment, answer the questions using this paper. Next week’s lesson will be on the deck size, the type and cost of the lumber to use, how much weight your deck will hold and how to sketch it out and build it.

    The Deck Enjoying your deck on a beautiful summer day is the perfect way to entertain guests outside or just unwind and relax. And while it’s important to have a deck that’s aes-thetically pleasing to you, the most vital part about your deck is making sure it’s struc-turally sound. That includes knowing the difference between a joist and a rim joist and what purpose they serve to your deck and its functionality and safety. One of the single biggest problems within deck building starts at the beginning of the process. Many do-it-yourselfers think they can throw up a few boards and call it a deck without consider-ing local building codes, weight loads, proper joist framing, planking, support, footings and railings. A deck needs to be safe and must support the weight of the people and furniture on it. This requires a deck design custom-configured to the space where the deck will be. The design must meet with local building code requirements to avoid pen-alties and fines. Always get a deck-building permit to ensure compliance with local laws.

    What Is a Joist? Joists are the repeated structural members that are used to build a deck frame. The minimum size joist to be used in deck construction depends on the number of footings and beams that will be installed.

    What Is a Rim Joist? A rim joist is the main load-bearing element for the structural soundness of your deck’s roof. It’s not only responsible for supporting the weight of the joists, but other building elements, as well. It is attached perpendicular, (two lines that intersect at a right angle or 90 degrees to each other), to the other joists, and provides lateral support for the ends of the joists while capping off the end of the floor or deck system

    Deck Joist Spacing A lot of questions revolve around joists when it comes to building a deck. What is the proper placement? How far apart are deck joists placed? How do I keep them even? In general terms, joists are at a measured space of 16 inches on center to comply with most building codes for weight displacement.

    Footings Footings are a very important component of deck construction because they provide the solid foundation that will support your deck. Your deck’s design will determine how live and dead loads are transferred from different sections of the deck to con-centrated points of contact with the ground. The more footings your deck has to dis-tribute the total load, the less weight each footing will need to carry. Footings also have to be installed lower than the frost line to prevent the deck from moving when the soil freezes in the winter. A pier is often used as an upright support to connect the buried footing pad to the structural post above grade. The soil conditions and the climate will determine the size and depth of your footings.

    Frost Line A frost line, also known as frost depth or freezing depth, is most commonly the depth to which the groundwater in soil is expected to freeze. The frost depth depends on the climatic conditions of an area, the heat transfer properties of the soil and adja-cent materials, and on nearby heat sources. For our county, which includes Hoquiam, the frost line depth is between 12 to 18 inches.

    Weight Loads The load that is placed on your deck is expressed in pounds per square foot (psf) and the total load or more appropriately, the design load, is comprised of the dead load and the live load. Dead load is basically the load created by the weight of the deck itself. This is usually about 50 psf. The live load is the external force applied to a deck due to the activities of its use. People, furniture and any other movable, physical ob-jects on the deck are covered under live load.

    Deck Boards These are the boards that make up the surface of a deck. The decking boards are se-cured to the joists.

    Local Building Codes Building codes are defined as: A set of regulations written by city or county officials with the help of construction professionals that governs the design, construction and modification of commercial buildings, homes and other structures in the jurisdiction. Violating these regulations can result in fines and/or penalties and work stoppage of the entire project until corrections are made. You may ask, “Why do we need to know about building codes?” Currently, there are approximately 40 million decks in the United States, and only half of those are code-compliant.

  • Week Two (Music & Matter) Page 19

    M r . H a r n e r ’ s C o n s t r u c t i o n M a t h C l a s s B u i l d A F u l l s i z e D e c k

    Deck safety is a real problem. Every year we hear about decks that collapse un-der the weight of people or snow load. Improperly built decks can be danger-ous. Local codes were created to keep us safe, and many existing decks do not meet current safety codes.

    What is a free standing deck? For a deck to be free standing it really must be unattached to any other struc-ture like a house. It can be within 3/4" to 1" from the siding or exterior of the house and appear like it is connected to an untrained eye but it is truly freely standing from the house. There are plenty of very good reasons that a home-owner would like to have a free standing deck. A few of the best reasons are so you don’t trap dirt, moisture and other debris against your house, (which will cause rotting). Also by not attaching it to the house, you will not be adding any extra load bearing weight to the house structure which could require extra structural supports. One of the single biggest problems within deck building starts at the beginning of the process. Many do-it-yourselfers think they can throw up a few boards and call it a deck without considering local building codes, weight loads, proper joist framing, planking, support, footings and rail-ings. A deck needs to be safe and must support the weight of the people and furniture on it. This requires a deck design custom-configured to the space where the deck will be. The design must meet with local building code require-ments to avoid penalties and fines. Always get a deck-building permit to ensure compliance with local laws.

    Framing lumber, unlike money, does grow on trees, so there's always the chance it will have some natural defect, such as a large knot or a long split, that can reduce its overall strength. But not all defects are obvious. That's why every stick of lumber coming out of a sawmill is appraised by trained inspectors and given a grade stamp. This cryptic tattoo indicates that a piece of wood meets established standards for strength and stiffness, and it also offers useful infor-mation about the type of wood and how much moisture it contains. Follow along as we decode the stamp and show you how to get the most lumber for your money.

    1. Species 2. Grade 3. Moisture content 4. Certification mark 5. Mill

    1. Species Denotes the wood's species or a group of species with similar strengths. While all spe-cies are graded at the same four levels of strength and appearance, they are not equally strong. A joist made of Douglas fir, for instance, will cover a greater span than a hem-lock joist of the same size and grade. But using bigger joists of a cheaper species might save you money without loss of strength. The abbreviations for framing-grade soft-woods, from strongest to weakest, are as follows:

    Doug Fir, D Fir- L: Douglas fir (L=western larch) SYP: Southern pine Hem, Hem-fir, H-F: Hemlock or fir S-P-F: Spruce, pine, or fir

    2. Grade Establishes lumber quality based on a grader's visual inspection. The ranking goes from "Select Structural" (highest strength, best appearance) to No. 1, No. 2, and No. 3 (lowest strength, not pretty). As the numbers go up, quality and price go down. "Stud" is a fifth designation, meaning it's good for a load-bearing wall. This Old House general contrac-tor Tom Silva usually buys stacks of No. 2 lumber, which provides good strength at a reasonable price. Those stacks also include some No. 1s and Selects, to boot. For de-manding applications, such as interior load-bearing walls, he'll pay extra for these stronger grades.

    3. Moisture Content "Green" unseasoned lumber fresh from the mill is labeled either air-dried (AD) or sur-face-green (S-GRN). Its moisture content of 19 percent or more makes it inexpensive, but it can move unpredictably as it shrinks and dries. You'll get less movement with kiln-dried (KD) or surface-dry (S-DRY) lumber, which has a moisture content between 16 and 19 percent. (KD-HT means the wood was also heat treated to kill pests, a requirement for imported lumber.) Tom saves money by ordering S-GRN wood when framing a new house, figuring that all the wood will air dry at the same pace. But in an existing house where the framing is already dry, he'll use more stable, and more costly, KD lumber, or even MC-15 lumber, which has a moisture content of 15 percent or less. The two re-maining designations enable grading agencies to enforce their standards.

    4. Certification Mark Identifies the accredited agency or association that oversees grading accuracy, in this case the National Lumber Grades Authority.

    5. Mill Gives the trademark or number of the mill of origin.

  • Week Two (Music & Matter) Page 20

    M r . P e l a n ’ s P E C l a s s

    Dynamic Workout Mon Tue Thur Beauty Queen Stretch 20 seconds

    each leg

    Butterfly Stretch 20 seconds

    10 Sit-ups

    10 Push ups

    Mountain Climbers 20 seconds

    V-Ups 10 each leg

    10 Burpees

    10 Dips

    Front Plank 40 seconds

    Left-side Plank 30 seconds

    Right-side Plank 30 seconds

    Cardio Wednesday

    1 mile walk/run

    Cross Fit (Repeat 6 times) Friday

    10 Jumping Squats

    10 Sit-ups

    10 Burpees

    10 Triceps Dips

    10 Jumping Lunges

    10 Push ups

    M r . H a r n e r ’ s C o n s t r u c t i o n M a t h

    T P e l a n @ h o q u i a m . n e t

    1. What is the most vital part about your deck?

    2. What do many do-it-yourselfers think they can do?

    3. Which repeated structural members are used to build a deck frame?

    4. Which board is attached perpendicular to the other boards?

    5. How many inches apart should joists be?

    6. What makes the solid foundation that will support your deck?

    7. Footings have to be installed below what?

    8. What is the frost line depth in Hoquiam?

    9. The weight load on your deck is expressed in what format?

    10. What makes up the live load of a deck?

    11. What part of the deck are the decking boards are secured to?

    12. What are building codes?

    13. Why do we need to know about building codes?

    14. Currently, roughly how many decks in the United State are code-compliant?

    15. How close to a structure can a free standing deck be?

    16. Give 3 reasons to have a free standing deck.

    17. Under Reading a Lumber Stamp: Using the identification numbers 1-5 with the picture, tell me what species of wood, the Grade, the Moisture content, the Certification mark and the Mill mark mean.

  • Week Two (Music & Matter) Page 21

    Instructions

    1. Choose which A,C,E… overlay strip Earth Day images you will use.

    (The recycle symbol or the date)

    2. Color this and the B,D,F... one (the earth) in as regular pictures.

    3. Cut out each image and then cut it into vertical strips. (each will

    end up with 8 strips)

    4. Glue the cut out strips onto the appropriate blank background.

    You will glue them in alphabetical order A through P.

    5. Cut out the completed glued agamorgraph, including cutting off

    the letters at the bottom.

    Folding

    Starting from the left, fold the first strip behind, the second in front,

    and the third behind, alternating until you have finished.

    You now have completed your agamorgraph!

    To get the best viewing of the two images you will need to aim to

    have each fold at 90°. It needs to be mounted upright with each fold

    at this angle.

    To view one image the viewer will need to look at the art piece from

    the left, and to view the other image they will need to move around

    and look from the right.

  • Week Two (Music & Matter) Page 22

    M s . W e a v e r ’ s A r t C l a s s V W e a v e r @ h o q u i a m . n e t