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WESTERN MORNING NEWS SATURDAY SEPTEMBER 7 2013 WESTCOUNTRY LIFE 13 WMN-E01-S3 12 WESTCOUNTRY LIFE SATURDAY SEPTEMBER 7 2013 WESTERN MORNING NEWS WMN-E01-S3 Books Food, crime, poetry, biography, polit- ics and fictional tales are all on the menu in the literary strand of this year’s Splash festival in Falmouth, which runs from September 13 to 21. Top names taking part include Sir Andrew Motion (see interview, right), Rick Stein, Ann Widdecombe, Helen Dunmore, Stuart Maconie and Emily Barr in an eclectic line-up to suit all palates, with events happening at The Poly or in Dolly’s Tea Room and Wine Bar, above the Falmouth Bookseller. It begins with a supper party hosted by Lucas Hollweg, former Sunday Times cookery writer and winner of the 2012 Guild of Food Writers Cook- ery Columnist of the Year award. Then young cooks aged 12 and under will compete in The Great Junior British Bake-Off , with a trio of cake-eating connoisseurs judging. St Ives writer Debby Fowler will discuss her Felicity Paradise crime novels with her publisher, Ivan Corbett of Truran. Falmouth author Robin Harris will be talking about his biography Not For Turning: The Life of Margaret Thatcher which is based on the many years he worked as her speech writer and close adviser. Ann Widdecombe, former shadow home secretary and star of Strictly Come Dancing, will be talk about her bestselling autobiography, Strictly Ann. Emily Barr, whose latest novel The Sleeper is set on the night train from Cornwall to London, will be in conversation with two fellow crime writers, and Veronica Henry and Lucy Diamond will chat about their best-selling chick-lit novels in the fun-filled A Girl’s Night In. Author and teacher Charlie Carroll will be discussing the very personal journey that led to his book No Fixed Abode: A Journey Through Home- lessness from Cornwall to London. Writer Helen Dunmore and illus- trator Rebecca Cobb will be discuss- ing Cornwall as an influence in their work, including latest collaboration The Lonely Sea Dragon, and Radio 2’s Stuart Maconie will introduce The People’s Songs in which he tells the story of modern Britain through the records that we love. Who wants to write a song with Charlatans’ Tim? A last-minute addition to the bill is Charlatans frontman Tim Burgess, who is inviting Falmouth’s children to help him write a song at Ex- pressini. He will then read from his autobiography, Telling Stories, at Fal- mouth Bookseller ahead of his even- ing show at the Princess Pavilion on Wednesday, September 18. IN NEXT SATURDAY’S WMN: Read our interview with Rick Stein (pictured) , who will be discussing his autobiography Under a Mackerel Sky: A Memoir at Falmouth’s Poly on September 14. Here are the authors who will be making a Splash! The poetry in Motion is stirred by his own father’s experiences of the war Sir Andrew Motion has won awards for his poetry and prose writing with an acclaimed biography of Philip Larkin, the novella The Invention of Dr Cake, a memoir In the Blood and a sequel to Treasure Island, Silver. He was Poet Laureate for ten years and knighted in 2009 for his services to literature. It is a glittering career which makes it all the more surprising to learn that Andrew had a very ordinary upbring- ing. “My childhood was very unbook- ish,” he says. “My mum and dad were country people doing country things which did not include reading. They weren’t interested in cultural or in- tellectual matters at all. “That life was really given to me by my English teacher at school when he started teaching me at A-level. “Day one it walked in to my head and turned the lights on and it has never wavered.” Having discovered his passion during his schooldays, Andrew, 61, is an enthusiastic advocate for inspiring young people. Next week he comes to Falmouth to take part in the Splash festival where he will talk about his new book of poems, The Customs House, but also become involved in a competition to find the Young Poet Laureate of Falmouth. He credits his school teacher for being responsible for introducing him to great writers. “There were very interesting things that he gave me to read, in- cluding a lot of poets that have re- mained favourites ever since. Hardy, Thomas, Larkin and, memorably as he has recently died, Seamus Heaney. I met him in 1970 and I had my book inscribed by him. That was 43 years ago. “And I was off... off to university, the first of my family to go. I was reading English and a lot of other people were writing much better poems than me. It was a great reality check. “For me, it hadn’t been a quantum leap from reading to writing. There were issues of confidence, of course. But I always say to students now, just do a bit. There’s no better way to un- derstand other people’s poems than to have a go at it. “I published my first book quite young. I was 23 when it came out and I had gone to teach English at Hull because of Philip Larkin. He doesn’t travel and he hates everybody so I thought, if I want to meet him I’m going to have to go there. And we became great friends.” In the search for Falmouth’s young Poet Laureate, Andrew and two other judges will hear ten contestants per- form their poem with any aid what- soever – their dog, cat, budgie, power- point or fancy dress – in front of an audience at The Poly on Saturday at 11am. Last year’s writing event for young people involved lots of dogs and il- lustrators in Dog Tales. It may prove to be a tough act to follow, but Andrew’s zeal for passing on his own love of words spurs him on. “With the greatest respect to teach- ers today, they often find themselves in the grip of a curriculum which doesn’t let them speak,” he says. “The curriculum is designed in a way to make people think that what matters is the subject. The most thought-provoking poems are the ones that hit their subject pretty ob- liquely. “There’s a tendency for people to think about poetry too precisely. “They are about sound and music and imagery and should not feel too high bound. You don’t have to under- stand a poem. That’s not getting across to children. “We need to make room for thinking about different kinds of poetry. But wonderful things are happening. I don’t want to sound like an old grouch.” After the search for future poets, the spotlight will shift in the afternoon to Andrew’s own work and his new col- lection of poems, The Customs House. The book is in three sections, and opens with a sequence of war poems, Laurels and Donkeys, which draws on soldiers’ experiences from the First and Second World Wars, through to the recent conflicts in Iraq and Afgh- anistan. The Customs House was, in part, inspired by his own father’s experiences. Andrew acknowledges that his father, like many men of his generation, shied away from talking about what happened. “My dad was better at talking to my children than to me,” he says. “As a child I thought he didn’t talk much about the war because nothing much happened. “It was because he didn’t want the shittiness to fall into my life.” One of the poems in the book is about Harry Patch, the Somerset First World War veteran who died at 111, the last survivor of the Western Trenches. It is just 20 lines and it makes me cry. “It’s supposed to,” says Andrew. “The subject is death and it’s an elegy. All of my poems are elegies for me. “I picked up a lot of things when I talked to Harry Patch. I wanted to write the poem in a way that took account of what he’d done but at the same time make it emotional. “The collection does follow a his- toric trajectory, but the geography changes.” At the Falmouth event Andrew will also read from The Cinder Path, short- listed for the Ted Hughes Award for New Work in Poetry, and Silver, the sequel to Treasure Island, before questions about his writing and a book signing. He’s looking forward to what he says is a “wonderful” festival. “The more the merrier of these things as far as I’m concerned. It’s a wonderful celebration of reading and all things cultural and educational while still being entertainment. “It’s wonderful for the community in these self-knowing times and for people to be able to say – ‘we care about this’.” For Splash festival details visit falmouth.co.uk. Su Carroll talks to former Poet Laureate Sir Andrew Motion about his inspiration ‘A lot of other people were writing much better poems than me. It was a great reality check’ Sir Andrew Motion A stitch in time as countryside scenes are preserved by a sewing tradition BY SU CARROLL Traditional crafts have found a new place in our hearts with programmes like The Great British Bake Off and Sewing Bee reviving a passion for baking and sewing. It’s perfect timing, then, for Jo Col- will to release her first book – Cush- ions and Quilts; Quilting Projects to Decorate Your Home. Jo set up Cowslip Workshops on the family farm on the outskirts Laun- ceston to share her craft skills with classes on patchwork, quilting and rag rug making. She will be at the Splash Festival in Falmouth to talk about the book and hold a workshop to teach people how to make a small embroidered wall hanging. Her lovely book is packed with great ideas and lots of detail about making a number of projects – quilts and cushions all reflecting Jo’s love of the countryside and animals. “It’s the kind of thing people learned from their granny and it seems to be of interest to both young and old people,” says Jo. “I’m very honoured to be asked to do this for the Splash festival. I re- member I went to Falmouth when I was five and it rained all the time so I made a cross-stitch tablecloth and learned how to do a lazy daisy stitch. We went into a lovely shop which sold embroidery threads. “I’ve always really loved sewing... sewing and animals. I’d wanted to be a vet, but at the age of 16 I decided that life was a bit more important than studying. “I’m completely self-taught and started sewing to be able to keep horses. Sewing has always been a pleasure for me. I used to work in a riding school and made all the cos- tumes when we took part in the car- nival. I loved making something out of nothing. “I started off making clothes and competing with the Young Farmers’ Clubs.” Like many of her generation, when Jo married over 30 years ago she started making soft furnishings curtains, quilts and cushions. She joined the fabric shop Inscape, where she learned about “colour and texture and design”. The projects in the book show a real understanding of the skills needed to mix different fabrics and Jo likes to include recycled fabrics in projects. It’s often a great way of retaining memories. “I started Cowslip Workshops 25 years ago and we get visitors from all around the world,” she says, adding that the old tradition – particularly in America – of people working together to create an heirloom quilt is catch- ing on. “It’s very friendly. People help each other and they have little parties to create special presents for a wedding, or perhaps if someone is having a baby. “They are modern heirlooms and hark back to the old make do and mend era. It’s almost as if we have come full circle.” Jo hopes her book will take some of the fear out of such work. “People do get very scared, but this book is about building up confidence. They can start with a vintage button cushion project – we even sell the packs of fabric – before building up to quilts, or maybe the advent calender. Jo Colwill will be at Dolly’s Tea Room and Wine Bar on Thursday, September 19, from 10am-12 noon. Tickets are £25 which include a copy of her new book, Cushions and Quilts: Quilting Projects to Decorate Your Home (published by David and Charles, £16.99) a kit of materials to make a wall hanging and Dolly’s delicious tea and cake. Tickets available from Falmouth Bookseller 01326 312873 Jo likes to capture country scenes in her cushions and quilts – above and left – made at her Cowslip Workshops near Launceston Jo Colwill, left, turns little scraps of material into quilting and cushioning art Top: Sir Andrew Motion and, above, last year’s Dog Tales at the Splash literary festival in Falmouth, which involved young writers, illustrators and a variety of dogs

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Page 1: WESTERN MORNING NEWS SATURDAY …...12 WESTCOUNTRY LIFE SATURDAY SEPTEMBER 72013 WESTERN MORNING NEWS WMN-E01-S3 WMN-E01-S3 WESTERN MORNING NEWS SATURDAY SEPTEMBER 72013 WESTCOUNTRY

WESTERN MORNING NEWS SATURDAY SEPTEMBER 7 2013 WESTCOUNTRY LIFE 13WMN-E01-S312 WESTCOUNTRY LIFE SATURDAY SEPTEMBER 7 2013 WESTERN MORNING NEWS WMN-E01-S3

BooksFood, crime, poetry, biography, polit-ics and fictional tales are all on themenu in the literary strand of thisye a r ’s Splash festival in Falmouth,which runs from September 13 to 21.

Top names taking part include SirAndrew Motion (see interview, right),Rick Stein, Ann Widdecombe, HelenDunmore, Stuart Maconie and EmilyBarr in an eclectic line-up to suit allpalates, with events happening at ThePoly or in Dolly’s Tea Room and WineBar, above the Falmouth Bookseller.

It begins with a supper party hostedby Lucas Hollweg, former S u n d ayTimes cookery writer and winner ofthe 2012 Guild of Food Writers Cook-ery Columnist of the Year award. Thenyoung cooks aged 12 and under willcompete in The Great Junior BritishBake-Off , with a trio of cake-eatingconnoisseurs judging.

St Ives writer Debby Fowler willdiscuss her Felicity Paradise crimenovels with her publisher, IvanCorbett of Truran. Falmouth authorRobin Harris will be talking about hisbiography Not For Turning: The Lifeof Margaret Thatcher which is basedon the many years he worked as herspeech writer and close adviser.

Ann Widdecombe, former shadowhome secretary and star of Strictl yCome Dancing, will be talk about herbestselling autobiography, Strictl yAnn. Emily Barr, whose latest novelThe Sleeper is set on the night trainfrom Cornwall to London, will be inconversation with two fellow crimewriters, and Veronica Henry andLucy Diamond will chat about theirbest-selling chick-lit novels in thefun-filled A Girl’s Night In.

Author and teacher Charlie Carrollwill be discussing the very personaljourney that led to his book No FixedAbode: A Journey Through Home-lessness from Cornwall to London.

Writer Helen Dunmore and illus-trator Rebecca Cobb will be discuss-ing Cornwall as an influence in theirwork, including latest collaborationThe Lonely Sea Dragon, and Radio 2’sStuart Maconie will introduce Th ePe o p l e ’s Songs in which he tells thestory of modern Britain through therecords that we love.

Who wants to write a songwith Charlatans’ Tim?A last-minute addition to the bill isCharlatans frontman Tim Burgess,who is inviting Falmouth’s childrento help him write a song at Ex-pressini. He will then read from hisautobiography, Telling Stories, at Fal-mouth Bookseller ahead of his even-ing show at the Princess Pavilion onWednesday, September 18.

IN NEXT SATURDAY’S WMN:

Read our interview with Rick Stein( p i c t u re d ) , who will be discussing hisautobiography Under a Mackerel Sky:A Memoir at Falmouth’s Poly onSeptember 14.

Here are the authors whowill be making a Splash! The poetry in Motion is stirred by his

own father’s experiences of the war

Sir Andrew Motion has won awardsfor his poetry and prose writing withan acclaimed biography of PhilipLarkin, the novella The Invention ofDr Cake, a memoir In the Blood and asequel to Treasure Island, Silv er. Hewas Poet Laureate for ten years andknighted in 2009 for his services tol i t e r at u re.

It is a glittering career which makesit all the more surprising to learn thatAndrew had a very ordinary upbring-ing.

“My childhood was very unbook-ish,” he says. “My mum and dad werecountry people doing country thingswhich did not include reading. Theywe re n’t interested in cultural or in-tellectual matters at all.

“That life was really given to me bymy English teacher at school when hestarted teaching me at A-level.

“Day one it walked in to my headand turned the lights on and it hasnever wavered.”

Having discovered his passionduring his schooldays, Andrew, 61, isan enthusiastic advocate for inspiringyoung people. Next week he comes toFalmouth to take part in the Splashfestival where he will talk about hisnew book of poems, The Customs

House, but also become involved in acompetition to find the Young PoetLaureate of Falmouth.

He credits his school teacher forbeing responsible for introducinghim to great writers.

“There were very interestingthings that he gave me to read, in-cluding a lot of poets that have re-mained favourites ever since. Hardy,Thomas, Larkin and, memorably ashe has recently died, Seamus Heaney.I met him in 1970 and I had my bookinscribed by him. That was 43 yearsa go.

“And I was off... off to university, thefirst of my family to go. I was readingEnglish and a lot of other people werewriting much better poems than me.It was a great reality check.

“For me, it hadn’t been a quantumleap from reading to writing. Therewere issues of confidence, of course.But I always say to students now, justdo a bit. There’s no better way to un-derstand other people’s poems than tohave a go at it.

“I published my first book quiteyoung. I was 23 when it came out andI had gone to teach English at Hullbecause of Philip Larkin. He doesn’ttravel and he hates everybody so Ithought, if I want to meet him I’m

going to have to go there. And webecame great friends.”

In the search for Falmouth’s youngPoet Laureate, Andrew and two otherjudges will hear ten contestants per-form their poem with any aid what-soever – their dog, cat, budgie, power-point or fancy dress – in front of anaudience at The Poly on Saturday at11am.

Last year’s writing event for youngpeople involved lots of dogs and il-lustrators in Dog Tales. It may proveto be a tough act to follow, butA n d rew ’s zeal for passing on his ownlove of words spurs him on.

“With the greatest respect to teach-ers today, they often find themselvesin the grip of a curriculum whichd o e s n’t let them speak,” he says.

“The curriculum is designed in away to make people think that whatmatters is the subject. The mostthought-provoking poems are the

ones that hit their subject pretty ob-l i q u e ly.

“T here’s a tendency for people tothink about poetry too precisely.

“They are about sound and musicand imagery and should not feel toohigh bound. You don’t have to under-stand a poem. That’s not gettingacross to children.

“We need to make room for thinkingabout different kinds of poetry. Butwonderful things are happening. Id o n’t want to sound like an oldg rouch.”

After the search for future poets, thespotlight will shift in the afternoon toA n d rew ’s own work and his new col-lection of poems, The Customs House.

The book is in three sections, andopens with a sequence of war poems,Laurels and Donkeys, which draws onsoldiers’ experiences from the Firstand Second World Wars, through tothe recent conflicts in Iraq and Afgh-

anistan. The Customs House was, inpart, inspired by his own father’sexperiences. Andrew acknowledgesthat his father, like many men of hisgeneration, shied away from talkingabout what happened.

“My dad was better at talking to mychildren than to me,” he says. “As achild I thought he didn’t talk muchabout the war because nothing muchh ap p e n e d .

“It was because he didn’t want theshittiness to fall into my life.”

One of the poems in the book isabout Harry Patch, the SomersetFirst World War veteran who died at111, the last survivor of the WesternTrenches. It is just 20 lines and itmakes me cry.

“It’s supposed to,” says Andrew.“The subject is death and it’s an elegy.All of my poems are elegies for me.

“I picked up a lot of things when Italked to Harry Patch. I wanted towrite the poem in a way that tookaccount of what he’d done but at thesame time make it emotional.

“The collection does follow a his-toric trajectory, but the geographychang es.”

At the Falmouth event Andrew willalso read from The Cinder Path, short-listed for the Ted Hughes Award forNew Work in Poetry, and Silv er, thesequel to Treasure Island, beforequestions about his writing and abook signing.

He’s looking forward to what hesays is a “wo n d e r f u l ” f e s t iva l .

“The more the merrier of thesethings as far as I’m concerned. It’s awonderful celebration of reading andall things cultural and educationalwhile still being entertainment.

“It’s wonderful for the communityin these self-knowing times and forpeople to be able to say – ‘we careabout this’.”

For Splash festival details visit falmouth.co.uk.

Su Carroll talks toformer Poet LaureateSir Andrew Motionabout his inspiration

‘A lot of other peoplewere writing much betterpoems than me. It was agreat reality check’

Sir Andrew Motion

A stitch in time ascountryside scenesare preserved by asewing traditionBY SU CARROLL

Traditional crafts have found a newplace in our hearts with programmeslike The Great British Bake Off andSewing Bee reviving a passion forbaking and sewing.

It’s perfect timing, then, for Jo Col-will to release her first book – C u s h-ions and Quilts; Quilting Projects toDecorate Your Home.

Jo set up Cowslip Workshops on thefamily farm on the outskirts Laun-ceston to share her craft skills withclasses on patchwork, quilting andrag rug making.

She will be at the Splash Festival inFalmouth to talk about the book andhold a workshop to teach people howto make a small embroidered wallhanging.

Her lovely book is packed withgreat ideas and lots of detail aboutmaking a number of projects – quiltsand cushions all reflecting Jo’s love ofthe countryside and animals.

“It’s the kind of thing peoplelearned from their granny and itseems to be of interest to both youngand old people,” says Jo.

“I’m very honoured to be asked todo this for the Splash festival. I re-member I went to Falmouth when Iwas five and it rained all the time soI made a cross-stitch tablecloth andlearned how to do a lazy daisy stitch.We went into a lovely shop which soldembroidery threads.

“I’ve always really loved sewing...sewing and animals. I’d wanted to bea vet, but at the age of 16 I decided thatlife was a bit more important thans t u dy i n g .

“I’m completely self-taught andstarted sewing to be able to keephorses. Sewing has always been apleasure for me. I used to work in ariding school and made all the cos-tumes when we took part in the car-nival. I loved making something outof nothing.

“I started off making clothes andcompeting with the Young Farmers’C l u b s. ”

Like many of her generation, whenJo married over 30 years ago shestarted making soft furnishings –curtains, quilts and cushions.

She joined the fabric shop Inscape,where she learned about “colour andtexture and design”.

The projects in the book show a realunderstanding of the skills needed tomix different fabrics and Jo likes toinclude recycled fabrics in projects.It’s often a great way of retainingm e m o r i e s.

“I started Cowslip Workshops 25years ago and we get visitors from allaround the world,” she says, addingthat the old tradition – particularly inAmerica – of people working togetherto create an heirloom quilt is catch-ing on.

“It’s very friendly. People help eachother and they have little parties tocreate special presents for a wedding,or perhaps if someone is having ab aby.

“They are modern heirlooms andhark back to the old make do and

mend era. It’s almost as if we havecome full circle.”

Jo hopes her book will take some ofthe fear out of such work.

“People do get very scared, but thisbook is about building up confidence.They can start with a vintage buttoncushion project – we even sell thepacks of fabric – before building up toquilts, or maybe the advent calender.

Jo Colwill will be at Dolly’s Tea Room and Wine Bar onThursday, September 19, from 10am-12 noon. Tickets are£25 which include a copy of her new book, Cushions and

Quilts: Quilting Projectsto Decorate YourHome (published byDavid and Charles,£16.99) a kit ofmaterials to make awall hanging andDolly’s delicious teaand cake. Ticketsavailable fromFalmouth Bookseller01326 312873

Jo likes to capture country scenes in her cushions and quilts – above and left – made at her Cowslip Workshops near Launceston

Jo Colwill, left, turns little scraps of material into quilting and cushioning art

Top: Sir Andrew Motion and, above, last year’s Dog Tales at the Splash literary festival inFalmouth, which involved young writers, illustrators and a variety of dogs