Wf'

IcHcarejieH CCCP iCTCpcTBa Kyjibxypbi CCCP

Hneapb 1975 rofla

B HOMepe

AeGioTbi

CneKTaKJiH

K 30-JieTHio no6eAbi

K HauiHM HHTareJiHM! 3

O T pe^aKUHH 4 FoBopHT neflarorn FHTHCa: A. OepasuoBa, r . XaiiqeHKo, T. IlposopoBa, B. JIIO6HMOB . . 6 HuKUTa KaAauTUH. JleBaJibBauHH HCKyccTsa . . 13 npo6jieMbi ApaMaTypPHH. Hropb IIlafiTaHOB. Zlse nbecbi 0 aepesHe 17 CueHorpa<{)Hfl. HarajiHa BopncoBa. yBHfteHHoe cnoBo 22 FlpcMbepa. THHaTHH >,AHflpoHHKamBHJiH. Ksap-KBape 34 nopTpexhi. JIwflMHJia Ba>KeH0Ba. AHapefl Mnpo-

HOB * E.neHa JlesHKOBa. BJiaaHMHp POXHH 38

K. BepeauH. Mepa MacrepcTBa 50 0. Ka&daAOBa. J^HSHb TpaflHiinft . . . . 57

roft 1941-ii 61

HcTopHH H. Cuupnoe. A. B. JlynaqapcKHH H M X A T . . 67 5. rianepHbiu. «5I nanHuiy i!To-HH6yflb cTpamioe* 73

OMepK BA. XpQMoe. HecKOflbKO flHeii c ApKaflaeM Pa'ii-

.KHHblM 84

Tajiepesi TeaTpajibHWx nopTpexoB . . . . 96

PaMna H XHSHb 97

3a pyGexoM flBaa.uaTb nnrb Jier Pecny6jinKe HHAHH M. KoToecKOM. HoBoe speMH — HOBuft rearp 113 AA. FepuiKoewi. BeHrepcKHe racipojiH . . . '17 A. HayMBHKO. «B03BbICHTb flO KeMlyjKHHbl TBO-peHHfl» 120

TearpajibHasi AABKcandp lUTe&H. BTopoii ampaKT. (OparMCH-nposa TW H3 Syftymeii KHHrn) 124

ribecH BAaduMup Kapacee. FlaaTbe AJIH BbixoflHoro HHH. Obeca B flsyx >jacTsx 136 He FcHdoH. TpH MaprapiiTW. Flbeca B xpex aKxax, MCXbipex KapxHHax. nepesoa c (})panuy3CKoro , O. <l>JiopHti 163

Contents

Debutes To our readers! 3 From the editors 4 GITIS teachers speaking: A. Obraztsova, G. Kha-ichenko, T. Prozorova, B. Lyubimov . . . 6 Devaluation of art. Nikita Kalaitan . . . . 13 Problems of dramaturgy. Two plays about count­ry life. Igor Shaitanov 17 Scenography. A seen word. Natalya Borisova 22 First night. Kvarkvare. Tinatin Andronikashvili 34 Portraits. Andrei Mironov. Lyudmila Bazhenova * Vladimir Rozhin. Helena Levikova . . . 38

Productions

Thirty years of Victory

History

Essay

Abroad

Theatre prose

Plays

Measure of mastery. K. Berezin . . . . 50 Life of traditions. 0. Kaidaloua 57

Year 1941 61 V ,

Lunacharsky and Moscow Art Theatre. /. Smir-nov 67 "I'll write something strange". Z. Paperny . 73

Several days with Arkady Raikin. VI. Khramov 84

Gallery of theatre portraits 96

Footlights and life 97

25 years of the Republic of India New years — new theatre. M. Kotovskaya . . 113 Hungary tour. At. Gershkovich 117 "To praise to the wonder of creation". A. Nau-menko 120

The second interval. Alexander Stein. (Frag­ments from a new book) 124

A Day-Off Dress. Wladimir Karasev. A play in two parts 136 Three Marguarettes. Yves Gendon. A play in thee acts, four scenes. Translated from French by F. Florig . 163

«TeaTp>, 1975

•

bFAOiHSJEOOW

;'f OpraH . ^ X CoK)3a nHcarejieM CCCP j H MHHHcrepcTBa Kyjibrypbi CCCP

.cou «e ^ ':

<l>eB|iajib 1975 rofla

.'1

•5." ^ H

.J fTt

1

B HOMepe

n. M. Baroe. BbipasHreJib naMsxH HapoflHoii CjiaBHoii flare nocBnmaexcjr... rpHropHii BaKJia-HOB, ra./iHHa BojmcK, PocxHCJias ropaeB, PeHHa-flHH SpHCX, BjiaflHMHp ApKHH . . . .

K 30-jieTHK) rioSeAbi

OfioapeHHC

CncKxaKjiH

Tofl 1942-fi

riopxpexbi

Ha nepenpecxKe HCKyCCXB

B. M. KanaJioB 1875—1975

KHHrH

3a py6eHiOM

TeaxpajibHan

nposa

ribecw

A. JleMudoB. BojibiuaH nporyjiKa . . . .

M. UlebLdKou. KaK paccKasaxb o Boftne? M. UIuAoea. ...ixofibi HflXH snepeA . . . . K). FoAoeaiueHKo. «3cxoHHa» — xeaxp Hmymnii Mapuna BoponeHKO. KoMesHS-fiajiex

K). Pbi6aKoe. O BjiaaHMHpe OeflopoBHie IlHMe-

HOBe. (K 70-JiexHK> co jxan poHmeHHa) . .

JI. TuxBUHCKaa. Jlapuca naiuKOBa . . . •

K). KazapAunKuu. OanxacxHKa, cueaa, SKpan .

Fa^nepen xeaxpajibHWX nopxpexoB . . . •

Paiana H WHSHb

IOMOP

HpaKAuu AndpoHUKoe. BAOXHOBeHHHfl; apxHcx B. UJeepy6oeuH. Kaqa.noB Hrpaex uapa OeAopa riHCbMa B. H. KaiajioBa C. M. SapyAHOMy . .

K. JIoMyHoe. BosBpameHne K 4exoBy . . M. AuaeHdepe. AepxaBa PepHxa A. Andpeee. HccJieAOsaHHe xeaxpajibHoft ycJioB

HOCXH

H. AACKceee. TpH HeaeJiH B F A ? HAbu PyT6epa. ^ S U K wecxa . . . • A. 06pa3v,OBa. «3Be3Abi» H KOMMepuHH .

AABKcandp UlTeuH. BxopoH anxpaKx. (RpoAOJi

jKeHHe)

^KOB CezeAb. 3 BcerAa y;iu6aK)Cb!.. Hbeca B

AByx HacxHX Jleomd Jlem. TpyAHufi cxapHK. KoMeAHS B OA-

HOM AeftCXBHH

Contents

Interpreter of peoples' memory. P. I. Batov . 3 In memory of glorious date.. Grigory Baklanov, Galina Volchek, Rostislav Goryayev, Gennady Ernst, Vladimir Arkin 6

Thirty years of Victory

Review

Productions

Year 1942

Portraits

At the crossroads of arts

V. 1. Kachalov 1875—1975

Books

Abroad

Theatre prose

Plays

A long walk. A. Demidov . . . . . .

How to tell about war? M. Shwydkoy ... to go forward. /. Shilova "Estonia" — a looking-for-theatre. Yu. Golova-shenko Both — comedy and ballet. Marina Voronenko

About Vladimir Feodorovich Pimenov (To 70th birthday). Yu. Rybakov

Larisa Pashkova. L. Tikhvinskaya

Science fiction, theatre, film. Yu. Kagarliisky

Gallery of theatre portraits

Footlights and life

Humour

Inspired artist. Irakly Andronikov Kachalov — Tsar Feodor. V. Shverubovich V. I. Kachalov's letters to S. M. Zarudny

Coming back to Chekhov. K. Lomunov A state of Rerikh. M. Aisenberg . Study of stage convention. A. Andreyev

Three weeks at DDR. A'. Alexeyev . "Stars" and commerce. A. Obrastsova . Language of mime. Ilya Rutberg

The second interval. Alexander Stein (Continu ed)

9

15

37 43

51 57

63

66

72

80

81

97

101 103 105

114 118 120

123 129 137

144

I'm Allways Smiling! Yakov Segel. A play in two parts 162 A Difficult Old Man. Leonid Lench. A comedy in one act 186

© «Teaxp», 1.075 r.

^^x^'

OpraH Coiosa nHcarejiefi CCCP H MHHHcrepcTBa Kyjibrypu CCCP

9 1 ST6i R ^ l

Mapx 1975 rOAa

B HOMepe

TeaTpa;ibHuii AHeBHBK

K 30-jieTHio no6eAbi riopTpeTw

npoSjieMu ApaMaxyprHH

McTOpHH

3a pyeexoM

TeaTpa,nbHafl nposa

Dbeca

HaraAUA yoKBuii. MOH coBpeMeHHHua . . . 3

T. AdaKyMOBCKaa. «BpaTa 6eccMepxHfl» * B. Moc-

Toeaa. «npOBHHUHaJibHbie aaeKAOTM* * H. BOHT-

KeeuH. «BoAKH H OBU,H» * B. <t>edopOBa. Teaxp

craBHx KOMeAHK)... * A. MHHXUH. «JIexysaH

MUHib* * H. VepHoea. «MopcKafl AeBa» . . . 6

HHHO BuuiHeecKaa. PaaMbimjieHHH nocne io6HJ!ea 23 AAAa PoManeHKO. Bepa B lejiOBexa . . . . 31

FoA 1943-it 35

A. JXemudoB. IOJIHH BopacoBa 41

E. TyjiuHiiee. HnHOKeHXHii CMOKxyHOBCKHft . . 57

00T03XK)AbI BjiaAHMHpa BAHOXa . . . . 66

E. KaAMOHOecKuU. Hxo paccKaauBaioT KyKJiH 74

XyAOXHHK B rearpe xyKOJi 80

PaMna H XHSHb : . . . 81

IOMOP 97

A. AHUKCT. AjieKceft KapnosHi ,II,»HBeAeroB . . 99 M. CoKOAbCKuH. «roBopHxb TOJibKO npaBAy...* H 2 H. EaACToea. HcKaHHH IlepBoft cxyAHH . . . 122

C. rpuw,eHK0. «H3UK HxaAHH 3AaxoH...» . • 128 HauiH HHxepBbio. FoBopax AeaxejiH HxaAbancKoro xeaxpa 137 Ha cueHax Mupa: r. MaKapoBa. JICCKHS HauHOHaJibHwii reaxp B CCCP * E. noAHKoaa. TeaxpajibHbie HCAeJiH By-Aanemxa * E. FpumuHa. AKxepu HS 0A6aHH B UeHxpajibHOM AexcKOM . 141

AABKcandp UlTeuH. Bxopoii anxpaKX. (FIpoAOJi-xeHBe) ' 55

HjupaH KacyMOB. lUnpe Kpyr. Flbeca B xpex aKxax 176

Contents

My contemporary. Natalia Uzhvy

Theatre diary

Thirty years of Victory

Portraits

"Gates To Immortality". T. Abakumovskaya * "Provincial Jokes". V. Mostovaya * "Wolves and Sheep". A . Voitkevich * Staging a comedy... V. Fedorova * "Die Fliedermaus". A. Jnyakhin * "Mermaid". N. Chernova 6

Meditations after a jubilee. Inna Vishnevskaya 23 Faith in man. Alia Romanenko 31

Year 1943 35

Yulia Borisova. A. Demidov tfl Innokenty Smoktunovsky. B. Tulintsev . . . 57

Foto-studies by Vladimir Bliokh 66

Problems of dramaturgy

What the puppets tell about. E. Kalmanovsky 74

History

Abroad

Theatre prose -

Puppet-theatre-artist 80

Footlights and life 81

Humour 97

Alexei Karpovich Dzhivilegov. A. Anikst . . 99 "Truth, and nothing but the truth". M. Sokolsky 112 First studio's experiments and quests. N. Bala-tova 122

"The language of golden Italy..". S. Grishchenko 128 Our interview. Italian theatre figures speaking up 137 On world stages: Yassa National theatre visits the USSR. G. Ma-karova * Budapest theatre weeks. E. Polyako-va * Actors from Olbany at the Central Children Theatre. E. Grishina 141

S

The second interval. Alexander Stein. (Continued) 155

Play Widen the Circle. Imran Kasumov. A play in three acts 176

«TeaTp>, 1975 r.

i 'il

i , OpraH ^ CoK)3a nHcaTCJieii CCCP

% H MHHHcrepcTBa KyjibTypw CCCP

Anpejib 1975 roAa

B HOMepe

CneKxaKAH

K 30-jieTHio noScAbi

Bonpocbi AHa

CUM. JFpe&den. «... noceuiaex ApaMaxH'iecKHii xeaxp PefturapAxa* 5

HuKOAau CaauiiKud. HepeiyiH'iKa . . . . 16 5 . ByepoB. PaAocxb nocxHxeHHa . . . . 21 BAaduMup MapanifMan. Kxo OH 6HJI na caMOM APJie? - 32 H. KyanKUHa. HeHcxpe6HMocxb HeJioBeiHocxH . 39 B. JlbBoe-AnoxuH. OTTOieHHHii AO CHMBOJia... 44 10. CMBAKOB. O peHCHccepcKofi Boae H aKxepcKHx yAaqax 50

FoA 1944-H 55

E. <J>uAunnoB. Mysu na (JjpoHxe 61

CaMo6uxHOcxb cxHjia 65

/ / . MuxauAOBa. CejibcKHe racxpoAH: H3 roAa B roA 68

A. BoAb/pcoH. PasMuiiiAaa o cyAbSax waHpa . 72

Ha KOHuepXHOii cuene

3 a pySexoM

TeaxpaAbnaa nposa

ITbecbi

AAeKcandp KOHHUKOB, OAee MUARBCKUO.. KaK ABH-

raxb poajib? (ZlHaJior o K0H(i)epaHce) 3anHCb r . LlHXpHHHKa 76

Pawna H XHSHb 81

K 30-aexHio BeurepcKOH HapoAHOfl PecnyfiAHKH Tajnaui KOATOU. HoBaa BenrepcKaa Apana . . 97 H. MeeuH. FaBana — 3cKaM6paii . . . . 102 M. CKOPHAKOBU. SAyapAO Zle Onjiiinno npoAaex xeaxp • . . 1 1 6

AAeKcandp UlTeiiH. BxopoS anxpaKx. (OKOHqaHHe) 118 HaraAua HAbuna. CxpaHHUH HS ceMeiiHoro aAb-6oMa 123 C. Fuau,UHTOBa. 0 6 aKxpace KopHaKOBoii . . 143

BacuAuu VuHKOB. HeoKOHieHHHH AHa.nor. JXpaua B AByx >jacxax 144 JJeB ycTuHOB. IIocAeAHHH 6eAHaK. CKasKa B AByx AeflcxBHax 172

\

Contents

"...attends Reinhardt's Drama Theatre". Sim. Dreiden . . . 5

Productions Roll-call. Nickolaj Savicki 16 Joy of apprehension. B. Bugrov 21 Who was really The Man? Vladimir Maranzman 32 Ineradicability of humanity. A . Kuzjakina . . 39 As perfect as a symbol. B. Lvov-Anokhin . . 44 On director's will and on actor's luck. Y. Smel-kov 50

Thirty years Year 1944 55 of Victory Muses at the front. B. Filippov 61

Style's originality 65

Problems of to-day

On Concert Scene

Country tours: from year to year. /. Mikhajlova 68 Meditating about genre's future. A. Volfson . . 72

How to move the grand piano (Dialog about concert directing). Alexander Konnikov, Oleg MUyavski with reporter G. Litrinjak . . . . 76

Footlights and life 81

Abroad The thirtieth anniversary of the Hungarian Peoples Republic New. Hungarian drama. Koltai Tamasz . . . 97 Habana — Escambray. A . Zhegin 102 Eduardo De Filippo sells his theatre. M. Skor-njakova 116

Theatre prose

Plays

The second interval. Alexander Stein (The end) 118 Pages from the family album. Natalya Ilyina . 123 About (the actress named Cornakova. S. Gia-tsintova 143

An unfinished dialog. Vasilij Chichkov. Drama in two parts 144 The last poor-man. Lev Ustinov. A tale in two acts 172

.w^m •»4

i-jrff«!

!#kf5-.*

i

ppmH ?'''%/L ... -:;MS75

«?|i^

• •

1 i

OpraH .'^. Coio3a nHcarejiett CCCP

H MHHHCTepcTsa KyjibTypu CCCP

HlOHb 1975 roAa

'•hi

^ -H,

B HOMepe

TsopHecKaa

npaKXHKa

n o p x p e x b i

"KHHrH

HCTOHHHK XBOpUeCKOrO BAOXHOBeHHfl . . . 3

Jl. PoMaduHoea. BosBpameHiie K SKcnepuMeHry 8

AnaTOAuCi CMBAUHCKUU. HasnaMeuHe . . . 12

Jl. MyKOBa. TpH cncKxaKJia BO BjiaflHBOcxoKe 19

TearpajibHbifii C. BocKo6ouHUKoea. «BaHKa» H «MaBpa» *

AHCBHHK -M. MuxauAOBU. «E ine He Be iep* •* E. BAaduMup-

CKuii. «06BHHHxejibHoe 3aK.nioqeHHe» * T. KAUH-

HUHd. «4yAecHaa 6amMaHHHii,a» * E. KazapAui^-

Kud. «Kox B c a n o r a x » * E. FopcpyHKcAb. « H H U , H -

AeHT» 23

C. BacuAbeaa, 0. Bauc6eun. H a penexHunax

AnaTOJiHa 3(jjpoca 35

TaTbfLHU BAOTHUKOBO. EsreHHii JIe6eAeB . . 44

Mocucp ToAHOHOB. EBreHHii CHMOHOB . . . 51

A. CoAodoBHUKOB. YpoKH MapKOBa . . • . . 54

JluHa FapoH. H a u i coBpeMeHHHK BjiaAHMHp H s a -

HOBHH HeMHpOBHH-ilaHileHKO 58

H. BamundxaeHH. B ceroAHaiUHeM no.nbCKOM xeax-

pe 60

M. lUBbidKOu. HcxopHHecKHH xeaxp OepAiinaHAa

BpyKHepa ' . . . . 62

CueHorpa^JHH B. BepesKun. B r p a n H u a x oAHqii lUKOJibi 65

JicxopHfl Huna BeAexoea. P a s r o B o p u c OxJionKOBbiiw . , 72

PaMna H >KH3Hb 81

I O M O P 10J>

B. FoHHap, 10. Kazan. CncxeMHWH noAXOA B

ynpaBJieHHH xeaxpoM M

H. FlaeAoea. AHxn(j)au]HCxcKHe nbecH MapxHHa '1

Baj ibsepa 109

H a c u e n a x MHpa:

K. CanuHa. lOnouiecKaa nbeca <l)pHApHxa SHrejib-

ca * 5 . MaKapoea. Ilaxbift cMoxp eoflrapcKofi

ApaMu * F. VepHoeopcKuH. BHKXop X a p a — ncBeu

H cojiAax * M. MmKoaa. Ka(j)e-xeaTp, ^xo sxo

xaKoe? •* A. BapTomeeui. IlepHKJi c Tpa t j j aab rap -

CKoii HAOiuaAH * IF. FyzKaeaa. J I H E B H . H a cneK-

xaKJiax 5lKy6a U l a A p a y n Hfi

'BocnoMHHaHHH AAeKceii <t>au.KO. SanncKH cxaporo TeaTpa.nb-

iUHKa 135

Xlbecbi AAeKceO, Ap6y30B. CxapoMOAHaa KOMeAHa. HpeA-

CTasJieHHe a AByx nacxax 14^

Uesapb CoAodapb. «TBoii MHJJMH o6pa3.. .» UpaMa

B AByx Macxax 16(

S o n p o c b i AHa

.'Sa pySewoM

Contents

Theatre diary

Theatre routine

Portraits

Books

Scenography

History

Current events

Abroad

Memoirs

Play

The'Source of creatibe power 3

Back to experiment. D. Romadinova . . . . 8 Appointment. Anaioly Smelyansky . . . . 12 Three performances in Vladivostok. L. Zhukova 19

"Fox" and "Mavra" S. Voskoboinikova * "It isn't Evening Yet". M. Mikhailova * "The Ver­dict". B. Vladimirsky * "The Clever Shoemaker". T. Klinchina * "Puss in Boots". B. Kagarlitsky * "An Incident". E. Gorjunkel 23

Anatoly Efros's Rehearsals. S. Vasilyeva, 0. Vais-bein 3»

Evgeny Lebedev. Tatyana Zlotnikova . . . 44 Evgeny Simonov. Joseph Tolchanov . . . 51

Markov and his lessons. A. Solodovnikov . 54 V. I. Nemirovich-Danchenko, our contemporary. Lana Garon 58 Polish theatre today. A'. Bashindzhagyan . . 60 Ferdinand Bruckner's history plays. M. Shvydkoy 62

Within the limits of one school. V. Beryezkin 65

Talks with Okhlopkov. Nina Velekhova . . . 72 . Footlights and life 81

Humour 10ft

The system of theatre management. V. Gonchar, Yu. Kogan 102

The anti-fascist plays by Martin Walzer, A'. Pav­lova 109>

On world stages: A play Friedrich Engels wrote in his youth. K. Sanina * At the 5th fe­stival of Bulgarian drama. A'. Makarova * Victor Hara — a singer and soldier, G, Chernogorsky * Cafe-theatre — what is it like? /. Myagkova * Pericles from Trafalgar Square. A. Bartoshevich * Lebanon. The theatre of Jacub Shadraui. /. Gugkayeva 116

Notes by an old theatre-goer. Alexey Faiko . 13-1

An Old-fashioned Comedy, in two parts. Ale­xey Arbuzov 144 "Your dear image..." Tsezar Solodar. A drama in two parts 166.

'^^n.,'

B «TeaTp», 1975 r.