Wild Drums PROGRAM

Wild Drums is sponsored in part by a gift from John and Kris Stichman

I don’t like the title of this concert.That’s not really something I should admit, I know. It’s bad salesmanship, and besides: the titles of our concerts are entirely within my control. But while the idea for a concert of music for chorus and percussion has been rattling around in my gourd for a while now (see what I did there?), and while I had plenty of music that I wanted to program on such a concert, I just could not come up with a title that I liked. For a while I was calling it “Percussive Voices,” which is just stupid. Then, under pressure of deadline, I went with “Wild Drums.” I don’t like it much better. For one thing, it calls to mind a circle of soft, middle-aged suburban men on a weekend retreat in the woods (about a hundred yards from the parking lot, n o doubt), sitting around a campfire, howling and banging on bongos. Worse still, it doesn’t really describe the concert. The point of this program is to show off the infinite variety of colors and timbres that can be elicited from the myriad of instruments that live under the umbrella of “percussion.” There is actually very little banging of drums on this concert. So: apologies for the title.

But no apologies for the music. Gracious, no. What. Great. Stuff.

Dominick Argento's "I Hate and I Love" is one of my favorite contemporary choral pieces. In fact, Quintessence performed the entire work on my first concert as Artistic Director in 2010. We’re performing four of the eight movements on this program, just enough to give you a taste of the drama and beauty of it. These are settings of texts by Catullus, the Roman poet who had the misfortune to love Clodia, a woman who would not stay faithful to him. The songs are set for chorus and two percussionists, playing a wonderful variety of instruments. Sexual jealousy and percussion just fit together, somehow.

Dan Forrest’s spectacular “Three Nocturnes” are the newest pieces on the program. Composed in 2009, these are gorgeous settings of poems by Sara Teasdale, Emily Dickinson, and Walt Whitman, all having to do with stars. The chorus loves singing these, because the vocal writing is so winsome and satisfying. And I can’t imagine the pieces without the spectrum of colors provided by the percussion. See if you agree.

The British composer Tarik O’Regan wrote his masterful cantata Triptych to be performed with strings, not with percussion. The three movements of the piece include ten different bits of text, with verse by Milton, Wordsworth, Rumi and others, all about death, loss, and transformation. O’Regan has said that one of his complaints about contemporary choral music is that too much of it is slow and syrupy. He looks whenever possible to infuse his work with the kind of energy more often found in African music, or in Led Zeppelin. So, while this piece is poignant, it also dances, and rocks. (It’s probably also the reason that O’Regan enthusiastically accepted the American percussionist Dave Alcorn’s offer to arrange the piece for percussion ensemble.)

We’re also thrilled to presenting wonderful pieces by Vijay Singh (the composer, not the golfer), Glenn McClure and the late, great Stephen Paulus. Really, I think all of the singers love all of this music. (Maybe the Argento slightly less, but they haven’t told me that.)

I am tremendously grateful to my friend Alexis Corbin for her enthusiastic collaboration. She helped me choose the program, and made sure that all the pieces fit together. She also recruited our superb ensemble of wild drummers. It's a shame that she couldn't come up with a better title for the concert.

MATTHEW GREER

Matthew Greer

was appointed

Artistic Director

of Quintessence

in 2009. In 2012, he

was among the recipients of

Creative Albuquerque’s

Bravos! Awards, honoring

artistic innovation,

entrepreneurship, and

community impact. He has

recently served as a guest

conductor for the New Mexico

Philharmonic and for the

UNM Concert Choir. He also

serves as Director of Music and

Worship Arts at St John’s United

Methodist Church, where he

directs several choirs and

oversees a comprehensive music

program. In 2004 and 2007, he

was a Melodious Accord Fellow,

studying song-leading and score

analysis with Alice Parker. A

native of Kansas City, he has

degrees in music education

and theology from Trinity

University and Boston University.

He’s got a fever, and the

prescription is more cowbell.

About the Program

Quintessence: Choral Artists of the Southwest • Wild Drums • October 2015

Sanctus Vijay Singh from Mass, Op. 1 (b. 1966)

I Hate and I Love (1981) Dominick Argento (b. 1927) Let us live, my Clodia My woman says she will be no one’s Was it a lioness from the mountains of Libya You promise me, my dearest life

Three Nocturnes (2008) Dan Forrest (b. 1978) I. Stars II. Light Stepped a Yellow Star III. . . . Thou Motive of the Stars

INTERMISSION

Music for Pieces of Wood Steve Reich (b. 1936)

Kyrie Glenn McClure from Saint Francis in the Americas: A Caribbean Mass (b. 1950)

Triptych (2004) Tarik O’Regan (b. 1978) I. Threnody II. As We Remember Them III. From Heaven Distilled a Clemency

Checky Okun and Laurel Deming, soloists

Pilgrims’ Hymn Stephen Paulus from The Three Hermits (1949-2014)

❦

Cell phones that ring during the performance will be whacked with mallets. So too will their owners.

Program


I Hate and I Love (Dominick Argento)Poetry by Gaius Valerius Catullus (ca. 84-54 BCE)

II.

Let us live, my Clodia, and let us love,And let the censorious whispers of the oldBe to us as worthless as the gold of fools.Suns can set, then rise anew:But once our brief light has dimmedWe shall sleep an eternal night.

IV.

My woman says she will be no one’s but mine,Not even should Jupiter himself wish to seduce her.She says: but what woman says to lover –Write it on the wind, or swift-running water.

V.

Was it a lioness from the mountains of LibyaOr was it Scylla who barks from the depths of her groinWho gave birth to you with a heart so cold, so black,A heart that feels only contempt for the voice ofHim who pleads to you in vain?You: with a heart so fierce?

VI.

You promise me, my dearest life, that this our loveWill endure, will be joyous and never-ending.O great gods, make what she promises be trueAnd make it come from the bottom of her heart,So that all our lives we will be able to keepThis sacred vow of eternal love.

Three Nocturnes (Dan Forrest)

I.

Alone in the nightOn a dark hillWith pines around meSpicy and still,

And a heaven full of starsOver my head,White and topazAnd misty red;

Myriads with beatingHearts of fireThat aeonsCannot vex or tire;

Up the dome of heavenLike a great hill,I watch them marchingStately and still,And I know that IAm honored to beWitnessOf so much majesty.

- Sara Teasdale

II.

Lightly stepped a yellow starTo its lofty place—Loosed the Moon her silver hatFrom her lustral Face—All of Evening softly litAs an Astral Hall—Father, I observed to Heaven,You are punctual.

- Emily Dickinson

III.

O vast Rondure, swimming in space,Cover'd all over with visible power and beauty,Alternate light and day and the teeming spiritual darkness,Unspeakable high processions of sun and moon and countless stars above . . .O Thou transcendent,Nameless, the fibre and the breath,Light of the light, shedding forth universes, thou centre of them,Thou mightier centre of the true, the good, the loving,Thou moral, spiritual fountain — affection's source — thou reservoir . . .Thou pulse — thou motive of the stars, suns, systems,That, circling, move in order, safe, harmonious,Athwart the shapeless vastnesses of space.

- Walt Whitman

Texts


Tips

Quintessence: Choral Artists of the

SouthwestBoard of Directors

President: Elizabeth Drotning HartwellVice President: Dale L Lange

Secretary: Kris Stichman Treasurer: Jerry Spurlin

Appointed Members: Tom Crow, Allison Davis, and Daryl Lee

Choir President, Ex Officio: Martin Doviak

StaffArtistic Director: Matthew Greer

Executive Director: Denise Crouse

Special ThanksClaudia Giese

Chance PolstonBrett Reece

John Schwarting

Radio advertising:Tom & Vicki Crow / Crow Financial

Graphic design by Studio 9Website by The Web Angel,

Program printing by Printmart

This project is made possible in part by a gift from John & Kris Stichman.

Quintessence is supported byNew Mexico Arts, a division of the

Department of Cultural Affairs; and the Music Guild of New Mexico, Inc.

Quintessence Season SubscriptionsYou still have time to purchase a subscription package. Subscribers save on ticket prices, enjoy preferred seating, receive reminders of upcoming concerts, and never have to worry about getting to the show early to purchase individual tickets.

In addition, every subscriber will receive a gift of gratitude — a sampling of Elixir Boutique Chocolates, the official Quintessence chocolatier.

Our subscription package includes four shows: Wild Drums; Welcome, Yule!; Musica divina: Songs of Spiritual Devotion; and Songs of Nature.

Take advantage of the low subscription rate for the rest of the season, available today only to Wild Drums audience members.

Quintessence Endowment FundDirector’s Circle $1000 & AboveDr. & Mrs. Michael HopkinsRoy & Elizabeth Morgan

Benefactors $500 to $999Dr. and Mrs. Jerone N. Deverman*

Patrons $100 to $500In Loving Memory of Jean J. Sherlin*Tessa Mae ChavezMr. & Mrs. K.W. GephartIn Honor of the 100th birthdays of Martin, Tessie and Mary Doviak

The Quintessence Endowment Fund (est. 2000) was created to help ensure a future for Quintessence, and for fine choral arts everywhere.

*Foundational Contributors

Make sure that you see your name listed here or in our Donor Report. Please consider investing in the music of Quintessence by going to www.Quintessence-abq.com and clicking on the Donate Now button. We appreciate your support!

Quintessence Choral Artists of the Southwest, Inc., is a 501(c)(3) Non-Profit Organization and gratefully accepts gifts of cash, stocks, bonds, mutual fund shares, real estate or other tangible personal property.

Quintessence may also be named the beneficiary of a life insurance policy or charitable trust. All or part of your donation may be tax-deductible. Please contact Tom Crow at 505.243.2281 or [email protected] for further information.

Up Next: Mark Your CalendarsMessiah Sing

Saturday, November 28, 3 pmJoin your voices with ours, as we sing Handel’s masterwork with a

professional orchestra. Immanuel Presbyterian Church

Welcome, Yule!Sunday, December 6, 3 pm

Join Quintessence for our annual holiday concert, featuring carols and other songs of the season. St John’s United Methodist Church


SOPRANOAnita AmstutzBarbi Cappel

Susanna DerbyDanielle Frabutt

Liz HartwellJennifer Jones

Checky Okun *

ALTOChris Brady

Brianna BrubakerLaurel Deming

Amy GreerPauleta Hendrickson

Trish Henning *Julia Church Hoffman

Therese MacaliJayne Neal

Karen Schlue

TENORBryan Butler *

Tom CrowGarrett Keith

David McGuireDarryl StarkesSean Umstead

BASSDavid Cappel

Martin Doviak #

Dirk EdmondsAidan GrummerDaniel HohmanDwayne Moseley

Arnel OczonDavid Sherry

John SitlerWill Wheeler *

* Section Leader# Choir President

Anita Amstutz finds singing the sun, moon and stars with Whitman and Dickinson a tremendous inspiration as she morphs into her new identity as freelance writer. Chastised for singing at the table and taunted for "marching to the beat of different drummers" in childhood, Chris Brady is thrilled she passed "choral probation" to sing year two with Quintessence and the beat of wild drums. A recent transplant from Akron, Pennsylvania, Brianna Brubaker is a sign language interpreter and administrator with Community Outreach Program for the Deaf, and is pleased to be singing with Quintessence for the first time. Bryan Butler, tenor, is a staff astronomer at the Very Large Array, and while he has never been accused of being a drummer, he has often been accused of being a bit wild! David Cappel is a General Contractor and a lifelong musical hobbyist who hails from the home of “The Music Man,” plays trumpet and has a mean pool game (...we got trouble!). Barbi Cappel is a learning consultant and instructional designer who is wildly happy to be kicking of the Fall right by singing this beautiful set of music. Tom Crow is a recovering engineer, has been singing tenor with Quintessence whenever possible for the past 15 years, and owns and operates an independent investment advisory with his loving, patient and adorable wife. Not since crawling in the kitchen banging a kettle with a spoon, playing percussion in Jabberwocky or in marching band has Laurel Deming so enjoyed performing rhythmic contortions with great percussionists - especially since they are the physical contortionists this time! Susanna Derby is an active singer in her 2nd season in Quintessence, hailing from the East she teaches on a res the 5th grade level and in her spare time is a long-distance biker. Martin Doviak, a retired CNM instructor, has sung for six wonderful years with Quintessence, many more with the New Mexico Symphonic Chorus, and is always looking for opportunities to get wet, play tennis, ski, or run with unleashed dogs. Dirk Edmonds is still enjoying not singing tenor and hunting wild drums all over the savanna. Moonlighting as a 1st soprano, Danielle Frabutt is thrilled to be in her second season with Q, while the her day jobs have her galavanting around ABQ as a flute player, teaching artist with the Young Musician Initiative, teaching a large flute studio, and Artistic Coordinator with the New Mexico Philharmonic. Aidan Grummer is currently a grad student studying physics at UNM and is excited to be singing with Quintessence for the second year in a row. Liz Hartwell is a family law attorney, mama of Anna and Jacob, wife of Seth, and sister of Eric Drotning, a spectacularly talented percussionist to whose loving memory she dedicates this concert. Pauleta Hendrickson has memories of wild drums from her marching band years where she played

marimba on their award winning rendition of "The Muppet Show Theme" and is very grateful that Matt did not include kazoos on this concert. Trish Henning spends a lot of her time singing, and the rest of it as a professional astronomer, where she is witness of as much majesty as telescope time allocation committees will allow. Julia Church Hoffman loves being Mom to her boys, directing the UNM Music Prep School and singing with Quintessence. Dr. D.J. Hohman, recently retired from the Navy after 29 years, currently trains and treats Air Force personnel in Aerospace Medicine, though he is still trying to get back to his home in Pensacola, FL, should the right opportunity ever become available there. Jen Jones, former Austinite and current lover of extra-sharp Tillamook cheese and backyard storytelling, is excited to be singing her first season with Quintessence. Nothing can prepare you for your friendly neighborhood tenor, Garrett Keith. The casual casino fashion scene has called Therese Macali and her beautiful family from Youngstown, Ohio to teach with Young Musician Initiative, while the Wild Drums have called her to sing her first season with Quintessence. Choral singing as been an avocation of Dwayne Moseley including performances with UNM and Ohio State Univ. Choruses, Cincinnati Symphony Orchestra, Dallas Symphony Orchestra, the Los Angeles Gay Men’s chorus, now returning home and happily singing with Quintessence. David McGuire this year honors the life of his father, who taught him and many others that music can give you wings. Jayne Neal, a thankful alto who can't turn off the music in her head, is happy to be back singing with Quintessence after a twenty something hiatus of doing some other things. Baritone Arnel Oczon develops software at the labs and has a wife and a middle school kid and recently welcomed a new addition to their household - a loud four valve army band baritone nicknamed "moose call". Soprano Checky Okun shares her life with spouse Emerson Susan Corley, an accomplished jazz singer and aspiring drummer, who will love this concert and make sure that our granddaughter Gemma (now 19 months old) plays drums in the future. Leading a quiet life of retirement from teaching and administration at New Mexico Tech, Karen Schlue divides most of her singing time between Encantacion in Socorro and Quintessence in Albuquerque and spends a lot of the remaining time either planning for travel or recovering from same. David Sherry, a baritone who hails originally from the Philly area, has lived for over 14 years in Albuquerque, where he works in corporate communications for Sandia Labs. John Sitler got rhythm (usually), he got music, he got a great job teaching at Menaul School—who could ask for anything more?

Chorus

Chorus Continues ☛


Amy Greer is an active

performer, both as a soloist

and in collaboration with

singers and

instrumentalists. Recognized for her creative

approach to traditional piano lessons, she

has maintained successful piano studios in

New Mexico, Massachusetts, Texas, and

Missouri and regularly gives workshops that

focus on the psychology of learning through

a musician’s lens. A writer and frequent

contributor to music journals, she has been a

columnist forAmerican Music Teacher

magazine. She has performed with the New

Mexico Symphony Orchestra, the Santa Fe

Symphony, and the New Mexico

Philharmonic. She holds a Master of Music

in piano performance from the University of

Missouri-Kansas City, a Master of Arts in

educational psychology from the University

of New Mexico, and a MRS degree from

Trinity University. Amy keeps a house and

tends a garden for one man, two cats and

three feisty betta fish. Thrilled to be lumped

with the "cool kids" (i.e. the percussionists)

on this concert, she is a little bitter that Matt

didn't ask her to play the triangle.

Alexis Corbin received her

first drum set at the age of 8

— a gift from an uncle —

which was quickly placed in

storage. As it turns out, not all parents want

to hear their eight year old playing the

drums. Nevertheless, she persevered in her

percussion studies, and has gone on to

perform with folk, classical, musical theater,

and dance ensembles throughout the

southwest. Now the operations coordinator

of the New Mexico Philharmonic and the

founding program director of the Young

Musician Initiative, she can also be seen

performing with the Santa Fe Symphony,

Opera Southwest, and the steel pan

ensemble Sol Calypso. Alexis has a Bachelor

of Music from Arizona State University.

Percussionists Alexis Corbin

Hovey Corbin

Emily Cornelius

Scott Ney

Ken Dean

Abel Cuevas

Mike Anaya

Graig Stasicky

Instrumentalists

Música Antigua de Albuquerque

Join Us for Our 2015-2016 Season ofMusic from the Middle Ages & Renaissance

December 5, 13* & 19: "Novus Rex"March 6* & 12: "The Pursuit of Love & War"

May 14 & 15*: "The Royal Treatment"(* performances in Santa Fe)

Details at www.musica-antigua.org or call (505) 842-9613

Banging on wild drums and blowing in trumpets from an early age, Virginia tenor Darryl Starkes enjoys long walks on the bosque and sipping large cups of hot sake while looking at the sunset. Sean Umstead, a lover of all things creative and musical, teaches band at a local APS middle school and enjoys performing in various ensembles in and around the Albuquerque area. Will Wheeler is a University of North Texas graduate, blissful husband of 1 wife, Carolee, proud father to 5 amazing Homo sapiens, beaming Papa to 2 perfect grandchildren, and grateful keeper of the most wonderful canine, Bailey, the wonder pooch. ❧

Chorus Continued

Giving Voice to EnchantmentFounded in 1986, Quintessence: Choral Artists of the Southwest has

developed a reputation for entertaining and inspiring music lovers with a wide array of traditional and eclectic choral music. Through unique

programming and exceptional musicianship, Quintessence provides the Albuquerque area with opportunities to hear choral music delivered with

professionalism and a dose of quirkiness.

PO Box 51041Albuquerque, NM 87181

505-672-TUNE (8863)

www.quintessence-abq.com [email protected]

Quintessence is an ensemble-in-residence at

!!!!!!!!!!!!!!!!!!

!

!

!!"#$%&'(#)%

!

*+,-')..)-/)0%12(#"3%4#',.'.%(5%'2)%&(+'26).'%&'"55%%

"#$$%&'!()&&)*!+)$,-$,.!/,)&.$0)!!!!!+1),2!3&2#45*!67&.8$,9&!/,)&.$0)!!

*+,-')..)-/)%7("#8%(5%9,#)/'(#.%:)&-,5&4$;!62,<#=&$%!/)0$4,4>!?#)$'&22!!!!@,.&!:)&-,5&4$;!/'#A4&!BC!D4,)E!

F&.)&$#)A;!D),-$,4&!:8)),4>$04!!!!!G)&#-8)&);!H&))A!F18)2,4!I%0,)!:)&-,5&4$;!"#)$,4!/09,#E!

"&J=&)-;!G0J!I)0'*!+22,-04!/#9,-*!/#2&!B#4>&*!D),-$,4&!F$,.%J#4!!

!

!"#$%&'$'()*+$,-#.$/+"001213))#)$40-$311$35#)$6*-7"8"*5"$)+"001

93-1:$2"*1;"00;<$2"*1;-#= )$2"0-()<$,*3=0<$>(*73-<$'3-*?63<@(1*3$2"(-+"$A044?3=B$C*-#+70-

DEDFGHHFIIJK$$L$?().-#.M(=?F#;($L$?()*+.-#.F(=?F#;(

&:)/,"3%;2"-<.%'(%%B#8)&4!?005!#45!$%&!-$#KK!0K!D&22&)!?#22*!I2#85,#!(,&-&*!L)#4E!:,E&*!

C!!

()#1%,.!5&-,>4!=A!F$85,0!M*!'&=-,$&!=A!G%&!N&=!+4>&2*!1)0>)#J!1),4$,4>!=A!:),4$J#)$!!

O8,4$&--&4.&!,-!#4!64-&J=2&P,4P !

*+,-')..)-/)%=-8(6$)-'%!+-8%

>%?@AAA%B%4C(D);!/)C!Q!")-C!",.%#&2!?01E,4-*!R0A!Q!62,<#=&$%!"0)>#4!7)-)5"/'(#.%>%?EAA%'(%?FFF;!/)C!#45!")-C!H&)04&!SC!/&9&)J#4T!

G"'#(-.%>%?@AA%'(%?HEA;!U4!B09,4>!"&J0)A!0K!H&#4!HC!F%&)2,4T*!G&--#!"#&!I%#9&<*!")C!Q!")-C!DCNC!(&1%#)$!!

G%&!O8,4$&--&4.&!6450'J&4$!L845!V&-$#=2,-%&5!WXXXY!'#-!.)&#$&5!$0!%&21!&4-8)&!#!K8$8)&!K0)!O8,4$&--&4.&*!#45!K0)!K,4&!.%0)#2!#)$-!&9&)A'%&)&C!TL0845#$,04#2!I04$),=8$0)-!

!O8,4$&--&4.&!I%0)#2!+)$,-$-!0K!$%&!F08$%'&-$*!U4.C*!,-!#!ZX[V.YV\Y!S04P:)0K,$!])>#4,<#$,04!#45!>)#$&K822A!#..&1$-!>,K$-!0K!.#-%*!-$0.E-*!=045-*!J8$8#2!K845!-%#)&-*!)&#2!&-$#$&!0)!0$%&)!$#4>,=2&!1&)-04#2!1)01&)$AC!O8,4$&--&4.&!J#A!#2-0!=&!4#J&5!$%&!=&4&K,.,#)A!0K!#!2,K&!,4-8)#4.&!102,.A!0)!.%#),$#=2&!$)8-$C!+22!0)!1#)$!0K!A08)!504#$,04!J#A!=&!$#7P5&58.$,=2&C!:2&#-&!.04$#.$!G0J!I)0'!#$!ZXZCW^\CWW_[!0)!$0J`.)0'K#C.0J!K0)!K8)$%&)!,4K0)J#$,04C!

!

OCTOBER 2014 - SEPTEMBER 2015They are words that you hear often — and are worth repeating: “Thank you for your support!” A chorus of supporters throughout the Albuquerque area and beyond sustain the choral music that they love. And corporate sponsors, philanthropists and foundations play a key role too. If you would like to be part of the movement, visit our website to make your tax-deductible contribution, or drop your gift in a basket on your way out.

Director’s Circle: $1,000 + AnonymousTom & Vicki CrowElixir Boutique ChocolatesSean & Pauleta HendricksonHoward W HenryDale L Lange & Estella M Gahala-Lange

Larry McGoldrickJohn H & Kristine A Stichman

Benefactors: $500 - $999 AnonymousDavid M & Barbara L CappelJames C & Suzanne G DresslerMatthew & Amy Greer: In honor of the singers of Quintessence

Rita LeardMessiah Sing Donations Sponsors: $250 - $499 AnonymousSusan BrannanCarlton & Mary-Ellin BrooksWilliam BrownLinda H BuffettHugh W & Kathleen D Church

Martin J DoviakRobert FosnaughSeth & Elizabeth Drotning Hartwell

Daryl O & Anita C LeeLinda K LewisGlinda S LobdellVerne LooseBarry E Simon & Don D Moseley

Richard L & Susan PerryBeverly A RogoffJerry R & Marjorie L SpurlinJustin C & April A UelandLinda Wolcott

Patrons: $100 - $249 Permelia C & Gerald T "Jerry" Allgood

Carla R BeauchampJanet L BowersSteve & Renee C (Noëlle) Brodeur

Douglas L BrownSandra BrownJohn F & Bettina M CaffreyCarolyn CallawayBeth CameronWilliam D CoxRebecca R CraigWona A & Dr Jerome N Deverman

Carol S & Dan DolanWilliam & Christine DrotningPeter Eller ArtVirginia C ElyEdward FancovicLorraine B GordonGeorge T & Terri L GreenleeJohn W & Diane B HawleyPatricia A HenningPamela W Hodge-MillerThomas HoranAlf HoukomElizabeth Hurst-WaitzDwayne L & Beverly A KnirkSteve & Juilie KongsMartin K KroebelWalter J Polt & Cynthia Lashley

Thomas LocknerEmily D MooreLoreen A NashGeorge C & Mary NovotnyArnel M OczonKristine PurringtonMargaret A PutnamKaren & John SchluePriscilla ShuteJohn N Sitler D E & B G TooleyPeter TrasKarin L Urban

Julianna WestcottScott Wilkinson, Wilkinson Trust

Daniel L & Jane I Wright

Donors: $50 - $99 Karen BarkerM Susan BoswellVivian BowmanChris BradyJohn G CoeRalph A CoverSusanna DerbyJane F FaberBarbara FinnWilliam GranthamCarolyn I JohnsJulianne LittlefieldRay OrleySue PhelpsJoseph R StroudCarol Tucker TreleaseMargaret A WeinbarAnn Wood Friends: up to $49 Anita AmstutzAnonymousAnthony F & Norma J ArgoAnn C' De BacaR Robert & Nancy L Balthaser

Jadvyga T BiskisLaurie CadyCamille H CarstensNancy L & Alonzo F ClaytonR Maxine & Harold E CrowWilliam N Sullivan & Nance L Crow

Daniel P DavisM L & Peter DonohueJeffrey S & Edith E DownsFred DownumWilliam J & Betty L DrobnickGregory V & Louise DurfeeJadira Flamm

Susan L & Les GibsonJames H & Linda GoforthSusan B & Steven J Goldstein Ch Fd Goldstein

Suzanne GrahamAbby GreenwaldAidan GrummerPatricia P GutierrezJulia Church HoffmanLoren KellyJane Z & Kenneth N KlimaWilliam A & Marlene G Kline

Joyce LeavittAnita S LewisDarci LobdellDouglas MadisonCharles H & Gretchen McCurdy

David C McGuire, JrSonya L & Rory C McKeown

John McNeilJanet NordenKathleen O'HerronR Michael RiversPatricia Catlett & Karen K Schmiege

Barry SimonKathryn B SmockSusan SpavenS E StaleyDaryl StarkesKristine I SuscoJohn VitalAndrea Fellows WaltersDiane D WebbConnie P & Lawrence R Wittig

Janet K Robertson & Frances J Wright

❦

Thank

Documents

Wild Drums PROGRAM