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Writing Lessons for Personal Narrative - Spanish 2 nd Grade, CRM 4, Arcs 5-8 (4 Weeks of Lessons) Resources Needed for this Unit: The following books are great mentor texts for organization of a personal narrative. “Dogzilla” by Dave Pilkey “Daisy Comes Home” by Jan Brett Alexander y el día terrible, horrible, espantoso, horrorosoby Judith Viorst (also could pick one small piece of story and elaborate on for personal narrative) “Junie B. Jones no es una ladrona” by Barbara Parks “Brave Margaret” by Robert De San Souci “Me llamo Celia” by Monica Brown “It’s All About You: Writing Your Own Journalby Nancy Loewen The following are great personal narrative examples: “When I Was Young in the Mountain” by Cynthia Rylant “Amelia Bedelia” by Peggy Parish “Me llamo Gabriela” by Monica Brown Fireflies!By Julie Brinckloe Madelineby Ludwig Bemelmans “Shortcut” by Donald Crews Las aventuras de maxi el perro taxistaby Sal Barracca Un sillón para mi mamáby Vera B. William The Snowy Dayby Ezra Jack Keats Guillermo Jorge Manuel Joseby Mem Fox

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Writing Lessons for Personal Narrative - Spanish 2nd Grade, CRM 4, Arcs 5-8

(4 Weeks of Lessons)

Resources Needed for this Unit:

The following books are great mentor texts for organization of a personal

narrative.

“Dogzilla” by Dave Pilkey

“Daisy Comes Home” by Jan Brett

“Alexander y el día terrible, horrible, espantoso, horroroso” by Judith

Viorst (also could pick one small piece of story and elaborate on for

personal narrative)

“Junie B. Jones no es una ladrona” by Barbara Parks

“Brave Margaret” by Robert De San Souci

“Me llamo Celia” by Monica Brown

“It’s All About You: Writing Your Own Journal” by Nancy Loewen

The following are great personal narrative examples:

“When I Was Young in the Mountain” by Cynthia Rylant

“Amelia Bedelia” by Peggy Parish

“Me llamo Gabriela” by Monica Brown

“Fireflies!” By Julie Brinckloe

“Madeline” by Ludwig Bemelmans

“Shortcut” by Donald Crews

“Las aventuras de maxi el perro taxista” by Sal Barracca

“Un sillón para mi mamá” by Vera B. William

“The Snowy Day” by Ezra Jack Keats

“Guillermo Jorge Manuel Jose” by Mem Fox

Additional Resources:

Small Moments: Personal Narrative Writing by Lucy Calkins and Abby

Oxenhorn

The Conferring Handbook by Lucy Calkins

Texas Fuente de Escritura, pp. 58-85

Teaching Notes:

Teacher will guide students through the writing process for a personal narrative.

Remember to pace and revisit lessons based on class needs.

Keep mini-lessons focused and concise. Mini-lessons should be no longer than

10-15 minutes. Students should write independently for twenty to twenty-five

minutes daily.

Writing is a recursive process. The sample lessons below are not meant to be a

lock-step process. Writers must be allowed to move back and forth in the process

as they move toward publication. Writing experiences should encompass

assigned and self-selected writing in a variety of genres and content areas.

Targeted instruction should be provided to whole group, small group and

individuals.

Note: This unit contains 20 lessons. Teachers should choose the lessons that are

most appropriate for your students based on their writing needs at this time of

year. Lessons can be combined or eliminated if appropriate for your students. Or

you may choose to teach all 20 lessons.

Teachers may consider bringing in a photo as a guide for a

personal narrative. Highlight writing about the small moment the

photo captures. Include feelings, thoughts, and actions.

Day 1: Introduction to a Personal Narrative (Prewrite)

The following 5 lessons are prewriting lessons for the personal narrative and can be combined, if

appropriate for your students. Teacher should pace lessons according to the class’ needs.

1. Tell students that writers start the writing process by thinking about their writing ideas and

planning how they will write about these ideas. This thinking step is called Prewriting.

Refer back to your Writing Process anchor chart that you created at the beginning of the

school year.

2. Discuss the ways they have engaged in prewriting in previous writing units, such as they

drew a picture, made a topic list, made a topic web, etc.

3. Tell writers that today they will continue to do the work of real authors by using the writing

process to prewrite. They will be writing a personal narrative, a personal story that has

special meaning to them.

4. Look back through your writer’s notebooks and think about the stories that you listed or

wrote about briefly in previous prewriting lessons. Which stories did you choose not to take

through the writing process in the past, and you can write about them now? Do these stories

spark an idea for a new story you could write? Mark these possible stories with a Post-it

Note.

5. Choose some students to share with the whole group the writing ideas they marked in their

writer’s notebooks.

Mini-Lesson:

Independent Writing:

Share / Reflect:

El Proceso de la Escritura

Prepararse: “¡Puedo Pensar!”

Borrador: “¡Puedo Escribir!”

Revisar: “¡Puedo hacerlo mejor! (Como suena mi escritura)

Corregir: “¡Puedo asegurarme que otros lo puedan leer!” (¿Cómo se

ve mi escritura?)

Conferencia: “¡Puedo reunirme con mis maestros o compañeros para

mejorarlo!”

Publicar: “¡Puedo compartir mi mejor trabajo!”

Day 2: Introduction to Personal Narrative (Prewrite)

1. Remind students about how writers think and plan before they write. This is called

prewriting.

2. Model choosing one small moment to write about as opposed to a broad topic. Model making

a topic web which includes several different topic ideas for your personal narrative.

3. Over the next few days, teacher should read aloud different mentor texts, pointing out how the

author focused on one small moment rather than a broad topic.

4. Refer back to the Personal Narrative criteria chart you made earlier this year, defining, “What

is a personal narrative?” Ask children to add any additional elements of a personal narrative

they have learned this year.

5. Have students talk with a partner about what is a personal narrative.

6. Allow time for students to write independently and make their own personal narrative topic

webs.

7. Choose some students to share their writing with the whole group. Model appropriate

feedback to students after they share.

Mini- Lesson:

Independent Writing:

Share / Reflect:

Una narrativa personal…

o Es una historia acerca de ti.

o Puede ser acerca de algo positivo o negativo

o Está escrita en primera persona (Yo)

o Se trata de un solo evento

Day 3: Mentor Texts (Prewrite)

1. Continue to read aloud mentor texts of personal narratives.

2. Refer back to the criteria chart and continue to add defining characteristics of a personal

narrative. This chart will serve as a guide for students as they begin writing their own personal

narratives.

3. Model beginning your Personal Narrative, thinking aloud as you write about adding details

that are on topic.

4. Create space to store personal narrative mentor texts for students to refer back to.

5. Have students talk with a partner about the personal narrative they are thinking about writing.

Writers should think aloud about how they will begin their stories.

6. Allow time for students to write independently.

7. Choose some students to share their writing with the whole group. Model appropriate

feedback after students share.

Mini-Lesson:

Independent Writing:

Peer Sharing:

Writing Conventions: Complete Sentences, Capitalization, Punctuation

Teacher should provide explicit instruction and modeling of the writing conventions during

modeled and shared writing. In addition, teacher should keep anecdotal notes to guide

further instruction in small group and individually.

Day 4: Choosing an Idea (Prewrite)

1. Model choosing an idea for a small moment story.

2. Purposefully choose a big event (i.e. trip to grandparent’s house, birthday party).

3. Think aloud that this moment may be too big.

4. List all the small moments within that one big topic.

5. Choose one of those small moments to be your story and model sketching that small moment.

6. Refer back to the criteria chart to see if your chosen moment meets the personal narrative

criteria.

7. Have students talk with a partner about a big moment and the small moments within.

8. Have students choose 3-4 possible small moment ideas and choose with a partner.

9. Allow time for students to write independently.

10. Choose some students to share their writing with the whole group. Model appropriate

feedback after students share.

Mini-Lesson:

Independent Writing:

Peer Sharing:

Teachers may consider bringing in a photo as a guide for a personal

narrative. Highlight writing about the small moment the photo captures.

Include feelings, thoughts, and actions.

Una narrativa personal…

o Es una historia acerca de ti.

o Puede ser acerca de algo positivo o negativo

o Está escrita en primera persona (Yo)

o Se trata de un solo evento

Day 5: Using a Graphic Organizer to Develop your Ideas (Prewrite)

1. Refer back to the idea you chose yesterday.

2. Introduce a story board graphic organizer. See Freeology.com Storyboard

3. Model illustrating the sequence of your story including details about feelings, setting, and

events. Do not write the words to go with each scene at this time. You will do this in the

lesson for Day 6.

4. Provide graphic organizers for students.

5. Allow them time to illustrate their graphic organizers.

6. Use this time to conference with students. Ask them to describe what is happening in their

stories.

7. Choose some students to share their storyboards with the class.

Mini- Lesson:

Independent Writing:

Share /Reflect:

During share time, teacher demonstrates to students how to give feedback. Consider

using a system such as “Stars and Wishes” or “Onions and orchids.” Students should

provide positive feedback (stars, orchids) as well as ways to improve work (wishes,

onions). You may want to create a Peer Conferencing Anchor Chart, and add to it as

needed.

Conferencias de pares

1. Siéntese hombro a hombro con su pareja.

2. Decida quién va a leer primero.

3. El lector lee, mientras que el oyente escucha.

4. El oyente...

a. Le da un cumplido

b. Hace una pregunta

c. Hace una sugerencia

5. El lector hace al menos un cambio.

6. Cambien los papeles y repitan.

Day 6: Ensuring a Story Shape (Drafting)

1. Students will continue to work on their small moment story with the goal of taking a personal

narrative through the writing process.

2. Introduce the concept of drafting to students. Tell students that when writers write the best

they can and keep writing, it is called drafting. Point this out on the Writing Process anchor

chart from the beginning of the year. Discuss the ways they have engaged in drafting

throughout this year.

3. Review the small moment and storyboard you modeled for the class.

4. Model looking at each illustration and thinking of the words to describe each picture.

5. Have students tell a partner their story while looking at each illustration on their storyboard.

(As you proceed through this process it is important to remember that students will be at

varying stages of the process.)

6. Allow time for students to plan a story in a booklet or continue with their prewriting.

7. Allow students to share how they are changing their personal narrative from illustrations to

words.

Mini- Lesson:

Independent Writing:

Share / Reflect:

Writing Conventions: Complete Sentences, Capitalization, Punctuation

Teacher should provide explicit instruction and modeling of the writing

conventions during modeled and shared writing. In addition, teacher should

keep anecdotal notes to guide further instruction in small group and

individually.

Day 7: Telling story to Partner (Drafting)

Continue to read aloud mentor texts and encourage students to refer back to these texts as they

develop their own personal narrative. The Personal Narrative criteria chart should be posted for

student reference.

1. Teach children how to tell their stories to a partner.

2. Remind students they have two jobs: to be a good storyteller as well as a good listener.

3. Model for students the difference between summarizing their story and telling their story

When they are telling their story, they should include as many details as possible. They

should ‘show, not tell’.

4. Allow students time to tell their story to a partner, including all the details they can think

of.

5. Allow students time to write independently. Remind them to include all the details they

just described to their partner.

6. Have students share their stories and encourage classmates to listen for missing details.

7. Model using a peer response sheet (see Texas Fuente de Escritura, Usar una hoja de

comentario, p. 19). Show the Peer Conferencing Chart and allow students to add to it, if

needed.

Mini- Lesson:

Peer Sharing:

Independent Writing:

Conferencias de pares

1. Siéntese hombro a hombro con su pareja.

2. Decida quién va a leer primero.

3. El lector lee, mientras que el oyente escucha.

4. El oyente...

a. Le da un cumplido

b. Hace una pregunta

c. Hace una sugerencia

5. El lector hace al menos un cambio.

6. Cambien los papeles y repitan.

Day 8: Spelling Difficult Words to Add Words to My Story (Drafting)

1. Remind students that in writing workshop this year we have been planning, drawing, and

writing our ideas.

2. Explain that writers add difficult words to their writing even if they don’t know how to spell

them. Show “When I Don’t Know How to Spell a Word, I Can…” anchor chart.

3. Choose one page of a small moment story from your life.

4. Demonstrate saying a difficult (multisyllable) word and exaggerating the sounds.

5. Demonstrate breaking the word into chunks (word parts or syllables) and writing the sounds

for each chunk.

6. Reread the chunk and repeat the process to spell the entire word.

7. Bilingual partners may practice writing words on white boards.

8. Students use this strategy as they write independently.

9. Have a writer share a word they wrote by breaking the word into chunks (word parts or

syllables) and writing the sounds for each chunk.

Mini- Lesson:

Independent Writing:

Share /Reflect:

Cuando no sé cómo deletrear una palabra, yo puedo...

Escribir los sonidos que escucho

Ver la pared de palabras

Consultar con un amigo

Buscarla en un libro

Leer alrededor del salón

Tratar de escribirla de otra manera

Encerrar la palabra en un círculo y seguir adelante

Separar la palabra en trozos y escribir los sonidos de

cada trozo

Days 9-10: Drafting My Story 1. Continue to read aloud mentor texts and encourage students to refer back to these texts as

they develop their own personal narrative.

2. Point out different techniques the authors use to:

Comenzar y terminar la historia (la entradilla y conclusión)

Describir los detalles de algún evento (demostrar, no contar)

Hacer que los personajes hablen (añadir diálogo)

Describir cómo se siente algún personaje

3. Tell writers that you expect them to include these techniques in their drafts as they continue

writing.

4. For today and tomorrow, students should continue to plan, sketch, and add words to their

personal narrative.

5. When students finish one story, they may begin another, each time adding the techniques you

teach them through the read aloud mini-lessons.

6. Teacher should conference with students to assess needs and assist writers. See possible

conference questions below.

7. Provide time for peers to share their writing with a group. Listeners should give feedback:

a compliment, a question, and a suggestion. Writers choose which parts of their own writing

they want to change.

Mini-Lesson:

Independent Writing:

Peer Sharing:

Preguntas que los maestros pueden plantear durante las conferencias:

¿Cuál es la historia en esta imagen (o en tu mente)?

Toca cada parte de tu guion gráfico y declara lo que vas a escribir.

¿Cuáles técnicas de escritura has estado intentando?

¿Puedes describir esta parte en mayor detalle? Describe la imagen que tienes en mente.

¿Qué estaban diciendo los personajes en esta parte de la historia?

¿Cómo te sentiste en esta parte de la historia?

Day 11: Introduce Revising 1. Tell students that when writers fix up their draft, they are Revising. Point out ‘Revising’ on

the Writing Process anchor chart. When we revise, we listen to and think about how our

writing sounds. Discuss how young writers are reluctant to revise. They think their writing

is finished, but now that they have been writing for all of second grade, they are ready to

make their writing better.

2. Ask children to help you fix up, or revise, a story you’ve written about an event the class

knows well.

3. Show writers that sometimes we add to a story, sometimes we delete parts that don’t make

sense or don’t belong, and sometimes we change or move our ideas to different parts of the

story.

4. Create an anchor chart with your students: ‘Ways to Revise a Story’.

5. Let the students know that they can begin revising their own writing today. They should

work on the piece they previously selected to publish.

6. Select some pieces of student writing to share with the class. Share student writing that

shows good examples of student revising.

Share / Reflect:

Mini-Lesson:

Independent Writing:

Maneras de revisar una historia: Agregar más detalles

Agregar partes que olvidamos

Borrar partes que no tienen sentido

Borrar partes que no corresponden

Cambiar palabras con el fin de escribir mejores palabras

Mover ideas a un lugar diferente en la historia

Day 12: Revising to Add More 1. Explain to students that you have been reading their small moment stories with a focus on

adding more details.

2. Let them know that one way to revise your work is to add more. When we add words, we

use a mark called a carat to show where to put the new words.

3. Show students how to add to a story by writing between the lines (if they skipped lines while

drafting), writing in the margin and drawing an arrow to the place where the sentence should

be added, or adding a Post-it Note to the place where the new information should be added.

4. Model for students how to add more details that enhance their writing. Be sure to clarify

what is appropriate to add and what is not. See Texas Fuente de Escritura, Revising Personal

Narrative, pp. 70-77.

5. Provide another small moment story that is lacking details. Have students discuss details that

could be added or missing information with partners.

6. Share and add the details students suggest as a shared writing.

7. Provide time for students to revise their personal narrative by adding details.

8. Have students share with the whole group places where they added more details to their

writing.

Mini-Lesson:

Mini-Lesson:

Share/Reflect:

Day 13: Revising to Delete or Move Information

1. Remind writers that they are revising their work to make it better.

2. Tell them that today they will continue to revise their work by deleting or moving

information. Discuss why good writers need to do this.

3. Have students help you revise a piece of your writing by deleting unnecessary information or

moving sentences or words.

4. Explain that the hard part about revising is knowing which parts to revise. Show the

following anchor chart to help them with how to revise:

5. Have students revise their small moment story with a partner by adding, deleting or moving

text.

6. Encourage students to use the anchor chart to guide their work.

7. Have students share with the whole group how they revised their personal narrative today.

Mini-Lesson:

Cómo los escritores revisan un escrito

Repasa tu escrito con mucha atención.

Pregunta, “¿Esto tiene sentido? ¿Cómo puedo arreglarlo?”

Pregunta, “¿Qué puedo agregar?” o “¿Qué necesito borrar o mover a otro lugar?”

Haz los cambios y vuelve a leer el escrito con atención.

Independent Writing:

Share /Reflect:

Day 14: Introducing Editing

1. Remind students of the writing process, and let them know they will begin editing their

writing today.

2. Tell students that when we edit our writing, we check to make sure people can read and

understand it. Point out ‘Editing’ on the Writing Process anchor chart.

3. Edit your own writing in front of your students. Slow down your demonstration so the

students can see the kinds of strategies you use.

4. Model rereading your piece using your finger and stopping to fix a misspelled word. Write

the correct word above the misspelled word instead of erasing. (Establish this expectation

for fixing misspelled words.) Model using the word wall, dictionary, trying multiple ways to

spell it, etc.

5. Model rereading your piece again, this time focusing on fixing capital letters. Stop at a few

words to ask yourself, “¿Esta palabra debe llevar mayúscula? ¿Es el nombre de alguna

persona, lugar o cosa? ¿Aparece al principio de una oración?”

6. Reread your piece in front of your students again, focusing on end punctuation and commas.

Use exaggerated pauses to indicate where you have included end punctuation, smaller pauses

for commas, and no pause where you have missed a comma or period. Make all corrections

using editing symbols.

7. Have your students edit their own work in the same way that you modeled.

8. They should read their piece the first time to concentrate on whether words are spelled

correctly. They should reread the piece again, this time focusing on capital letters. And they

reread their piece one more time, focusing on end punctuation and commas.

9. Select some pieces of student writing to share with the class. The pieces should demonstrate

good examples of student editing.

Mini-Lesson:

Independent Writing:

Mini-Lesson:

Marcas Editoriales de Corrección

Escribir con Mayúscula

Borrar

Agregar punto

Day 15: Revising with Partners

1. Explain that during the last few days you have been asking for their help with revising and

editing your writing. Authors usually work on their own pieces first, and then they ask for

help from other writers.

2. Today you will show them how to revise with a partner.

3. Ask a student to help you illustrate this process to the class. Sit side-by-side with the writer.

Have the writer read his/her piece aloud while you follow along, looking at his/her paper. Do

not interrupt the writer during the first reading.

4. After the first reading, give the writer a compliment. Be specific about what you like,

pointing to the place in the story that you like.

5. Ask a clarifying question about the writing, perhaps something that is unclear or doesn’t

make sense.

6. Make a suggestion to the writer about one way he/she could improve the writing. Be specific

with your suggestion. (‘Add more details’ is not specific. ‘Describe how the party looked

when you first arrived’ is specific.)

7. Explain that writers will work together in the same way that you just modeled.

8. When one writer is finished reading and revising, the other writer will read and revise his

piece.

9. Remind writers that only the writer marks on his/her own paper. The listening partner may

point to the area where he is giving feedback, but the writer is the only person who marks on

his own paper.

10. Remind writers to be kind with their words when giving compliments, questions, and

suggestions, just as you have modeled for them all year.

11. Ask students to share with the whole group how the partner revising went today. Did they

get good feedback? Did they have any problems? Remind writers that they have an

important job as a listener and an adviser too. They are becoming writing experts and

writing experts help each other to make their writing the best possible writing.

Mini-Lesson:

Partner Writing:

Share/Reflect:

Day 16: Editing with Partners

1. Tell students that we also edit our work with partners. Editing with partners works almost

the same as revising with partners.

2. Ask a student to help you illustrate this process to the class. Sit side-by-side with the writer.

Have the writer read his/her piece aloud while you follow along, looking at his/her paper. Do

not interrupt the writer during the first reading.

3. Ask the writer to reread his/her piece aloud slowly, so you can concentrate on whether the

words are spelled correctly. If you notice a word that is spelled incorrectly, point to the word

and say, ‘I think we should look at this word again. It doesn’t look right to me. Let’s

try…(spelling the chunks, looking at the Word Wall, etc.)” Continue reading and checking

the way words are spelled for the rest of the writing.

4. Ask the writer to reread his/her piece again, and this time you will focus on capital letters.

Stop the writer at a few places to ask, “¿Esta palabra debe llevar mayúscula? ¿Es el nombre

de alguna persona, lugar o cosa?” Continue reading and checking for capital letters through

the rest of the writing.

5. Ask the writer to reread his/her piece one more time, so you can focus on end punctuation

and commas. Ask the writer to read with exaggerated pauses for end punctuation, a smaller

pause for a comma and no pause if there is no punctuation. Stop the writer when you see a

place to correct end punctuation or commas. Use editing symbols.

6. Writers will work together in the same way that you just modeled. When one writer is

finished reading and editing, the other writer will read and edit his piece.

7. Remind writers that only the writer marks on his/her own paper. The listening partner may

point to the area where he is giving feedback, but the writer is the only person who marks on

his own paper.

8. Remind writers to be kind with their words when pointing out corrections, just as you have

modeled for them all year.

9. Choose students to share how they worked with their partner to edit and improve their

writing.

Partner Writing:

Share/Reflect:

Mini-Lesson:

Day 17: Using Mentor Texts to Publish

1. Let students know that they are getting their pieces ready for an audience.

2. Demonstrate publishing your own writing by going back to rewrite your draft with all

mistakes fixed. Model going very slowly through your draft and think aloud about fixing

your writing on your final draft.

3. Have a few examples of beautiful published books on display for writers to view. Tell the

students that today they are going to look at what published books contain to make sure they

include the same elements in their books.

4. Engage the students in a picture walk of the books noticing various elements and drawing

attention to them.

5. Create a chart “Los libros publicados tienen….” Elicit responses from students to add to the

chart (e.g. cubierta, título, nombre del autor e ilustrador, ilustraciones detalladas, la mejor

escritura).

6. Have students think of how they will add illustrations and color and share their plan with a

buddy before they write.

7. Send students off to publish their work. Encourage students to include and emulate elements

of a mentor text. Consider providing special paper or booklets for their published stories.

8. Engage students in a gallery walk. Say, “Escritores, hoy vamos a exhibir nuestros trabajos en

las mesas y vamos a circular entre las mesas y admirar las maneras en que embellecimos

nuestros trabajos.”

Mini- Lesson:

Independent Writing:

Peer Sharing:

Writing Conventions: Prepositions, Capitalization, Punctuation

Teacher should provide explicit instruction and modeling of the writing conventions

during modeled and shared writing. In addition, teacher should keep anecdotal notes to

guide further instruction in small group and individually.

Days 18-19: Continue Publishing

1. Introduce other examples of published texts with creative, original elements.

2. Share with students how illustrators use various elements such as colors, pictures, real life

objects, and photographs to create illustrations.

3. Share with students various publishing tools now available to them. (i.e. old magazines,

markers, colored pencils, different kinds of paper)

4. Create expectations for use of the materials.

5. Teacher may want to teach students about other elements of published books, such as the

dedication page, cover page , and ‘About the Author’ section.

6. Have students continue to work independently on publishing their completed book.

7. Teacher should continue conferring with students even while they are publishing. Possible

conference topics include:

“Esta parte es confusa para mi”

“Que mas pudieras tu intentar que el autor hace?”

“Los escritores famosos usan puntos para decirles a los lectores donde parar.”

(From The Conferring Handbook, by Lucy Calkins)

8. Allow students to share the work they created.

Mini- Lesson:

Independent Writing:

Peer Sharing:

Day 20: Preparing for Author’s Celebration/Reflection

Author’s Celebration!

During this time, students celebrate their hard work to complete their first

published piece. Guests (parents, other classrooms, school librarian, reading

buddies) are invited to attend and may either read the student work independently

or have it read to them by students.

Provide small cards of paper for guests to write feedback to the students. Allow

time at the end of the celebration for students to read through the feedback cards.

Possible celebration ideas include:

o Tea party

o Book club setting

o Library/Book store

After the celebration, be sure to make one copy of the student writing for students

to take home. Consider placing another copy in the school or classroom library for

check out and further reading.