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Xi’an Narrative WorkshopFriday July 30th + Sunday Aug 1st
Overview
• Friday, July 30– Morning(i) General Introduction ---of ‘Narrative Methods’ in
Cross-Cultural Research---and of EACH OTHER(ii) Honing in on Small
Stories– Afternoon(i) The Davie Hogan story
(work with transcripts)(ii) Betty tells her story (work
with transcripts)
• Sunday, August 1– Morning(i) Introduction to ‘Small
Stories’(ii) 10-year-olds on “why girls
are disgusting”(iii) 13-year-olds on “why it is
okay to tease girls”– AfternoonWork with Participants’ stories(i) Introductions (self presentations)(ii) Collected transitions from
childhood to adulthood
General Introductionthis morning
Introductions Brief stories of who
we are -- in English (presentations of our selves in terms of ‘who I am’)
Introducing ‘Narrative Methods’ - for the purpose of doing Cross-Cultural Research
• Leading up to SMALL STORIES– What are small stories?
– How are they differrent from LIFE STORIES and LIFE-EVENT Stories
– Different Approaches in ‘NARRATIVE RESEARCH/METHODS’
– Merits of ‘Small Stories’ for Cross-Cultural Psychology
• INTRODUCTIONS I• Brief: name, country,
institution, what I’m doing
• Example: my self:
Michael Bamberg
-teach Psychology @ Clark University, US
-used to do research on children’s story-telling development
-now doing research on adolescents
• INTRODUCTIONS II– We tell my neighbor
who we are• a SHORT life story
– My neighbor takes notes (or records)
– Then we switchWe’ll use these notes
later <Sunday afternoon>
---DON’T WORRY!!!---NO TEST!!!
Narrative Research/Methodsand their use for Cross-Cultural Psychology
• What ARE narrative Methods?– People’s stories as ‘windows’ into their understanding
of ‘who they are’ <<self-understanding>>
– People’s stories as joint co-productions of ‘who they are’ <<self-understanding in contexts>>
– People’s stories as reflections of ‘cultural themes’ <<socio-historical “master narratives” -- “dominant discourses”>>
• How can we employ them for CCP?– Tyler’s article– Culture as components of our behavioral + cognitive
repertoires <culture as ‘conceptual’>– Culture as our interactive habits <culture as ‘doings’>
Analyzing the meaning of lived lives--in context--
• My First Kiss– what it meant to me “back then”
– refracted through what ‘kissing’ means - as a cultural schema/script
– refracted through my personal + social history (the here-and-now of my life-course + the telling situation)
• It’s not THE EVENT itself but its meaning– In the form of a STORY told in context
• to one’s peers
• to a teacher <in class>//parent over dinner table conversation
• to a researcher <one-on-one>
• to a researcher <in a focus group interaction> – same versus mixed gendered group
So what needs to be analyzed is not just THE STORY, but THE TELLING of the story IN CONTEXT
Why?
Because we’re not trying to find out about ‘kisses’, but how participants MAKE SENSE of ‘kissing’
Therafter we can begin to compare how the significance of ‘kissing’ changes - across age groups, different genders, and different cultures
Leading up to SMALL STORIES What ARE Small Stories?
Short Conversationally Embedded + Negotiated
• before• during• after
Fine tuned positioning strategies– fine-tuned vis-à-vis the audience– fine-tuned vis-à-vis dominant + counter narratives– multiple moral stances (testing out and experimenting with
identity projections) Low in tellability, linearity, temporality + causality
Two Small StoriesKimberly Speers -------- Yesterday’s Events
QuickTime™ and aDV/DVCPRO - NTSC decompressor
are needed to see this picture.
QuickTime™ and aDV/DVCPRO - NTSC decompressor
are needed to see this picture.
Three Kinds of Narrative Approaches to the
Study of Self and Identity
• Life-Story Approaches• Life-Event Approaches• Small Stories
– short narrative accounts
– highly embedded in every-day interactions
– unnoticed as ‘stories’ by the participants
– unnoticed as ‘narratives’ by researchers
but highly relevant for identity formation processes
Life-Stories Life-Events– Dan McAdams (1985; 1993)
– Gabi Rosenthal (1998)
– Chamberlain (2002)
– Hollway & Jefferson (2000)
– Wengraf (2001)
– Hermans (1992)
– Holstein & Gubrium (2000)
– Miller 2000)
– Mishler (1986; 1999)
INTERVIEW TECHNIQUE:
unfocused, open-ended, in depth, detailed accounting, psychoanalytic, user-focused, ‘empowerment’
• Episodic interviews– Most narrative research– Particular Life-Events
• Chronic pain• My first kiss• My best friend• Growing up in the sixties• Falling in love• My divorce
INTERVIEW TECHNIQUE:
detailed accounts of particular experiences/events; ranging between open-ended and more focused interviews
Merits of Life-Story & Life-Event Approaches
• tap into constructions of the ‘who am I’-question• bring out aspects of LIVED EXPERIENCE• accentuate the CONTINUITY of experience• force participants to focus on the meaning of
particular events/experiences in THEIR lives• underscore a unified sense of personal (cultural)
identity
Narratives as tools // heuristics for the analysis of subjective sense-making
Open Questions------where small stories become worthwhile
• How does this unified sense of self come to existence (issue of development + acculturation)?– how does the person in his/her particular culture and
socio-historical context learn to “sort out” what is called life - and what makes life “worth living” (- a ‘good’ life)
• Overemphasis of stories about ‘the self’– underplaying stories we tell about others
• Overemphasis of ‘long stories’– cutting out everyday, small stories
Questions&
Discussion
WARNING:
• Narrative Elicitation– Interviewing Techniques
• Narrative Transcriptions
NARRATIVE ANALYSIS
• Publication of Narrative Research