Transcript
Page 1: The Blind Assassin :  as a Whole

Fiction and The Female Community

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QuestionsWho writes the novel within the novel? Who are the “writers” in the novel?How is writing related to life and the living?

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OutlineWriting: The Purposes and “Left-Hand”

WritersWriting and living

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Purposes of Writing 1. Laura’s Writing: A. The notebook –p. 500

(The golden lock) – 1. Latin – to absolve Iris 2. History – to commemorate her experience

with Alex 3. Geography – the “two” rivers—” the Jogues

and the Louveteau” – p. 49 4. French – Alex’s language 5. Mathematics - (a guide to truth)

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Revelation of Truth: Richard and Laura Interest shown: p. 376; 381Rejection in Avilion(236-237 “you’ll have to

let him touch you.”), Sunnyside, Xanadu (Laura intimidated 331), Queen Mary (ashtray –p. 378),

Sacrifice starts in Water Nixie (p. 391 -92) Toronto: a frequent matter ; Laura changed

(Kitten p. 429)

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Purposes of Writing A. Writing as a Passive Act – Iris being written

on (371); the hand severed from her (373) B. Iris –first novel – (pp. 512-13) – Fantasy,

escape and Memorial A memorial for herself, Laura and for Alex; Alex is in another dimension of space for Laura The four endings of “BA” – “Be Rage” “Yellow

curtain” “telegram” “destruction of Sakiel-Norn”

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Purposes of Writing Iris –first novel – (pp. 512-13)

Not wanting to be in spotlight; “cowardice” “ The real author was neither one of us: a fist is

more than the sum of its fingers.”“left-handed book” – the invisible or forgotten

hand, the hand severed and set loose

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Writing and the LivingIris—2nd novel

To heal her wounds and to confess guilt of being blind (318) (history as pain 56 -- And nightmares: beginnings of Xanadu (329: “a man”); of The man with his head on fire (380 Laura

“Where’s mine?”); of The chestnut tree (395 a man outside the

window, and Richard behind) To present “truth” (284, 512-13): e.g. women’s

positions 328

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Writing and the LivingIris—2nd novel : Writing: Construction of a

Community of Female Writers To reach out and make connections: Iris’s “audience”

first to the critics and curious readers (287) and then

to Myra (“Water Nixie” “The baby—that’s you, Myra” 388, 504), Sabrina (288, 512-13)

A general “you” – The beginning of Xanadu “not much of a nightmare”(329), of Cubicle (417); of “Gloves” -- “still talking to you” (473)

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Laura’s Writing in Iris’s booksThe first book -- The endings of “The Blind

Assassin” –p. 468The 2nd book – Iris’s invoking dead women

beginning of golden lock (497)Laura’s being the “wolf” – her power to break

things (441 Betty’s Luncheonnette)

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The Invisible Hands; Severed Relations Richard

– p. 479 (Home Fires– a sort of large rodent)-- in W’s eyes – 511 ; W for Richard – the one

who propped him up socially 331 Iris in Winifred’s eyes – 511; Iris in Aimee’s life –

Takes her out of her comfortable life Fails to give comfort when possible

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Writing and the Living To Sabrina –disconnected, with a father who

origin is unknow “You are free to reinvent yourself at will.” (513 Heap of rubble)

To the living world – Iris’s appreciation of nature and life (e.g. 473 beginning of Gloves)

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Those on the Margins Distanced but appreciated

The award recipient -- “Everyone is everywhere nowadays” (40)

The Portuguese 386 The darkish girl 482