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NOBEL PRIZE FOR MARIO VARGAS LLOSA
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The great Peruvian writer Mario Vargas Llosa (pronounced as (MAH'-ree-oh VAHR'-gahs YOH'-
suh) has finally won the 2010 Nobel prize for Literature. The Swedish Academy which manages
the Nobel Prize stated that the award goes to him for "his cartography of structures of power
and his trenchant images of the individual's resistance, revolt and defeat." For many years, he
had been sidelined by the academy for political reasons. He is a worthy successor to Gabriel
Garcia Marquez, the Columbian author and the last novelist to win a Nobel Prize from Latin
America (famous for masterpiece, One Hundred of Solitude. He won Nobel Prize in 1981). My
joy doubles as I am a huge fan of Latin American Literature . The academys perennial neglect
of great Latin American writers like Jorge Luis Borges, Julio Cortazar, Roberto Bolano and Juan
Rulfo-all who died without winning the Nobel- is notorious. I pray that one day the living
Mexican writer Carlos Fuentes too wins this prize.
Non-literary readers may still recall Mario Vargas as the Peruvian presidential candidate who
contested against Albert Fujimoro in 1990 and lost it. His Cuban friend and writer Guillermo
Cabrera Infante had at that time characterized his defeat as a gain for literature. As Infante
said, Literature is eternity, politics mere history," Throughout his storied career, Peruvian writerMario Vargas Llosa has been regarded as one of the most influential writers in South America..
Mario Vargas Llosa is very popular among literary readers for his astonishingly great works like
Green Hose, Aunt Julia and the script writer" and "War of the end of the World.
Aunt Julia and the script writer is a novel that walks on the thin line of fact and fiction. It is a
novel that I discuss every time I encounter a fan of his works. "Aunt Julia" is perfection in
craft and thematic integrity. Mario, a 19-year old Law-student working in a radio station, falls
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in love with his aunt-in-law, Julia Urquidi. She thinks Mario is a child and calls him 'Varguitas'
but soon he proves to her he's a young man already, with great ambitions of becoming a
novelist in Paris. They end up in love, and issues arise when relatives become aware of this.
They flee to an unknown town intending to be married. Meanwhile, Mario finds a friend in
Pedro Camacho, a soap opera radio writer who, after achieving great success, has begun to
lose control over his characters (they die in one episode to reappear the next) and runs of therisk of being fired since the audience is getting confused. The boiling imagination of Camacho's
scripts and the riotous life of Varguitas is interwoven in the novel. This is the most fascinating
aspect of this novel. Varguitas confronts his family claiming that he will provide a good life to
Julia. She encourages him to pursue his dream of going to Paris and the script writer Camacho
loses his mind and is sent to a mental hospital.
The starting passage his chaotic epic novel "War of the end of the World" is one of the great
literary passages in Latin American literature. The emergence of the hero at the beginning of
this novel is an example of riveting characterization. The novel presents a detailed
representation of Latin American history and epic storytelling. It is a fictionalized history of Canudos, a community in the dry interior of Brazil that was utterly wiped out by the Brazilian
army in 1897. Llosa has a singular tenderness for this novel, asserting it in many interviews as
his best book, and I cannot agree more on this.
In praise of stepmother is another very short novel that I thoroughly enjoyed reading,
especially for the intellectually and erotically stimulating content. I would say it tastes exactly
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like Bloody Mary. Wickedly witty and fun, this is a strange and beautiful little gem and a truly
masterful and original piece of erotic storytelling. The book is primarily around 3 characters -
Don Rigoberto, his son Alfonso and second wife Lucrecia. I would recommend this to a casual
reader who wants to taste his works. Another novel that hugely explores his arsenal of humor is
Captain Pantoja and the Special Service
Most of his novels combine scathing political commentary with complex literary style that
engrosses the reader. His first novel, The Time of the Hero is a thinly veiled account of the
corruption Vargas Llosa himself experienced at a military Academy. Clubs explores the brutal
rite of passage from adolescence to adulthood by telling the story of a boy emasculated by a
dog. Another noted work, Story Teller, weaves together the lives of a Peruvian man who
goes to live with an ancient tribe in the Amazon and a college friend who is haunted by the
thought of the tribes. It alternates between sections of the writer`s life and the stories told
deep in the rainforest. The Real Life of Alejandro Mayta is about a failed revolution of the
1960's that was perpetrated by a high school classmate of a writer in contemporary Peru.
Death in the Andes is structurally a mystery story in which two soldiers assigned to a barrenoutpost, investigate the disappearance of three men in the remote mining communities of the
Andes.
Lastly, I would cite one non-fiction book, Letters to a Young Novelist (modeled on Rilkes
Letters to a Young Poet) which has been hailed as the cheapest resource on how to write a
novel. He has condensed his lifetime of writing, reading, and thought into an essential manual
for aspiring writers. I would gladly recommend this to all budding writers. It is written in a lucid
style with a plethora of illustrations drawn from many literary works of high repute.
Mario Vargas Llosa is a highly committed litterateur. In his Paris Review Interview (that appears
in the book Latin American Writers at Work) he says, You could say that to write is necessaryand to live is unnecessary. Literature has been important to me ever since I was a child.
Literature is more than a modus vivendi : I believe the choice a writer makes to give himself
entirely to his work , to put everything at the service of literature instead of subsuming it to
other considerations is absolutely critical. Some people think of it as a kind of complementary or
decorative activity in a life devoted to other things or even as a way of acquiring prestige and
power. In those cases, there is a block, its literature avenging itself, not allowing you to write
with any freedom, audacity or originality. Thats why I think its important to make an
absolutely total commitment to literature.
At another place he says, My greatest quality is my perseverance. I am capable of workingextremely hard and getting more out of myself than I thought was possible. My greatest fault, I
think, is my lack of confidence, which torments me enormously. It takes me three or four years
to write a novel and I spend a good part of that time doubting myself. I write because I am
unhappy. I write because it is a way of fighting unhappiness. While this can be rated as the
mere modesty of this great writer, the Nobel Prize should surely skyrocket his self-confidence.
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Reading Vargas Llosa is a treasured experience in life that no fiction fans should ever miss. If
any of you think that it is not worth it, I can cite a passage from Human Province by Elias
Canetti: While the hemlock was being prepared, Socrates was learning a melody on the flute.
What use wlll that do to you?, he was asked. At least I will learn that melody before I die
By bestowing the Nobel Prize on Vargas Llosa, the academy has truly recognized the grandeurand legacy of legitimate literature as the finest expression of humanity.