45
EARLY MODERNISM Ar. Hena Tiwari GCAD, Jan-July 2017 L E C T U R E II EARLY MODERNISM

Lecture 2 hoa

Embed Size (px)

Citation preview

Page 1: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

IIEARLY

MODERNISM

Page 2: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

Before modern architecture came in to being the

styles that were popular in the 19th century were the

traditional neoclassical architecture in Italy and Beaux-

Arts styles in Paris.

Modern architecture is a term applied to a group of

styles of architecture which emerged in the first half of

the 20th century and became dominant after World War

II.

Page 3: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

It was based upon new technologies of construction,

particularly the use of glass, steel and reinforced

concrete.

It was dominant architectural style for institutional and

corporate buildings until 1980s, when it was challenged

by Postmodernism, and then by Neo-modernism and other

schools which gradually supplanted it.

Page 4: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

It was manifested as a series of innovative cultural

movements in the following fields :

Applied arts ,literature, arts, architecture etc.

It was suddenly realized that way to future was not

through past.

Architecture was expressing a command to adapt to the

machine age

MODERNISM CHAMPION HAD THE FOLLOWING IDEAS IN

THEIR MIND :

Mechanization

Adulation of the machine

Standardization

Mass production

Page 5: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

Notable architects important to the history and

development of the modernist movement

included Frank Lloyd Wright,

Ludwig Mies van der Rohe,

Le Corbusier,

Walter Gropius,

Konstantin Melnikov,

Erich Mendelsohn,

Joseph Eichler,

Richard Neutra,

Louis Sullivan,

Gerrit Rietveld,

Bruno Taut,

Gunnar Asplund,

Arne Jacobsen,

Oscar Niemeyer

Alvar Aalto.

Page 6: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

Evolution of Modern Architecture

• Radical shift in art, literature and philosophy.

• It rejected and challenged anything traditional.

• Searched for new ways to communicate about the

modern world.

• History came to an end.

• Many modernists believed art had replaced

religion as the guiding force to make sense of the

world & others felt that artists must reject the past

and create one’s own sense of logics.

Page 7: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

INFLUENCES

One can apply the label “early modern” to the

following avant-garde movements: Bauhaus,

Constructivism, Dada, De Stijl, Expressionism, Futurism

etc

Members of these groups traveled throughout Europe

and influenced each other.

Many taught at the Bauhaus.

The common thread between all of these movements

was experimentation, dissatisfaction with the past, a

need for radical change in society.

Page 8: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

AVANT-GARDE

The avant-garde (from French, "advance guard" or

"vanguard", literally "fore-guard")are people or

works that are experimental, radical, or

unorthodox, with respect to art, culture,

and society.

Page 9: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

It may be characterized by nontraditional, aesthetic

innovation and initial unacceptability, and it may

offer a critique of the relationship between

producer and consumer.

The avant-garde is considered by some to be a

hallmark of modernism, as distinct

from postmodernism.

Page 10: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

AVANT GARDE MOVEMENT

CUBISM

PURISM

DADA

EXPRESSIONISM

FUTURISM

DE- STIJLE

FRANCE

HOLLANDSignificant and strong effect on architecture

Inspired the architects to explore the domain of abstract

Evolution of architecture of early 20th century

Page 11: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

CUBISM (1908-1914)

first abstract art style

multiple view points

angular planes and facets

overlapping and interpenetrating surfaces

CHARACTERISTICS

The style emphasized

the flat surfaces

rejecting the traditional techniques of perspective

foreshortening and modeling

Page 12: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

Pioneers

PICASSO and BRAQUE invented cubism.

Picasso (1881-1973)was a Spanish painter and

sculptor.

He took sculpture approach which lead to creation of

cubism.

Braque (1882-1963) was a French painter.

He saw solid reality of objects.

Page 13: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II Girl with a Mandolin, oil oncanvas, 100.3 x 73.6 cm,Museum of Modern Art NewYork

Le Grand Nu, oil on canvas,140 × 100 cm, Musée Nationald'Art Moderne, CentrePompidou, Paris

Page 14: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

FUTURISM (1909-1914)

• Began in Italy in 1909.

• INSPIRED BY :- the speed, technology, cities and

latent violence of the world around them.

CHARACTERISTICS

• Futurist artwork used TYPOGRAPHY AND WRITING as

its own expressive means.

• Futurist use different styles, sizes, weights and

colors around the page.

• They gloried in the beauty of letterforms as a work

of visual art.

Page 15: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

Dynamic Hieroglyphicof the Bal Tabarin,Museum of Modern Art,New York

Page 16: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

PURISM(1918-1925)

• Purism was another movement interested in a kind

of utopian vision of art and the modern world Purism

was comprised of only two artists:

•AMÉDÊE OZENFANT and

• LE CORBUSIER.

•Moreover, they believed that fantasy and

individuality had no place in modern art .

• The machine became the artist’s reference, the

exemplary symbol of their age Architectonic form

most defines their paintings.

Page 17: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

Le Corbusier ,1920, Nature morte (StillLife), oil on canvas, 80.9 cm × 99.7 cm(31.9 in × 39.3 in), Museum of ModernArt, New York

Portrait by Le Corbusier

Page 18: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

DADA (1916-1920)

Dada or Dadaism was an art movement of the

European avant-garde in the early 20th century.

Its activities included public gatherings,

demonstrations, and publication of art/literary

journals; passionate coverage of art, politics, and

culture were topics often discussed in a variety of

media.

It was an informal international movement, with

participants in Europe and North America. The

beginnings of Dada correspond to the outbreak of World

War I.

Page 19: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

CHARACTERISTICS

Dada had only one rule: Never follow any known rule.

It was intended to provoke an emotional reaction from

the viewer (typically shock or outrage).

Abstraction and Expressionism had main influence on

Dada.

The movement primarily involved :

- visual arts

- literature—poetry

- art manifestoes

- art theory—theatre, and graphic design

Page 20: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

Cover of the first editionof thepublication Dada by Tristan Tzara; Zürich, 1917

Page 21: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

De Stijl (1917-1931) - HOLLAND

De Stijl, a Dutch term meaning “the style” Also

known as Neoplasticism

An artistic movement founded in 1917, shortly

before the Bauhaus movement, by a group of

several Dutch artists.

Sought to express a new utopian ideal of spiritual

harmony and order.

Page 22: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

They advocated pure abstraction and

universality by a reduction to the essentials of

form and color

They simplified visual compositions to the

vertical and horizontal directions, and used only

primary colors along with black and white.

Page 23: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

Aubette is a historicalbuilding on PlaceKléber in Strasbourg, France. It was built by Jacques-François Blondel in 1765–1772

The Rietveld SchröderHouse (also known asthe Schröder House)in Utrecht was built in 1924by Dutch architect GerritRietveld for Mrs. TruusSchröder-Schräder and herthree children.

Page 24: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

Architectural Philosophies

Desert Modernism

Internationalism

Formalism

Minimalism

Bauhaus Movement

Organic Modernism

Structuralism

Functionalism

Constructivism

Brutalism

Expressionism

Page 25: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

BAUHAUS MOVEMENT

It started in Germany in 1919 by Walter Gropius.

It means house for a building

It rejected elements like cornices, eaves and

decorated details.

Building had cubical shaped flat roofs

The facades were smooth.

Floors were open and furniture was functional.

Page 26: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

Aim of teaching at Bauhaus was to bring modern

art and architecture which embraced every aspect

of life.

Page 27: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II Seagram Building, NewYork, Mein Van and PhilipJohnson

Gropius House at Lincoln, Massachusetts

Page 28: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

It was a modernist movement, initially

in poetry and painting, originating in Germany at

the beginning of the 20th century.

The artists sought to express the meaning of

emotional experience rather than physical reality.

Expressionism

Page 29: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

Characteristics

Distortion of form for an emotional effect.

Subordination of realism to symbolic or stylistic

expression of inner experience.

An underlying effort at achieving the new,

original, and visionary.

Themes of natural romantic phenomena, such as

caves, mountains, lightning, crystal and rock

formations.

Uses creative potential of artisan craftsmanship.

Page 30: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

The Sydney Opera House

Einstein

Tower in Potsdam near

Berlin, 1919-22

Page 31: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

Organic Architecture

Organic architecture is

a philosophy of architecture which promotes

harmony between human habitation and the natural

world.

TWA AIRPORT ,NEW

YORK,EERO

SAARINEN,1962

Page 32: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

FEATURES -Not linear nor rigid geometric forms.

Natural forms created wavy lines and curve shapes.

Forms play a defining role in expressionist

architecture.

Structures are harmonized with nature.

Page 33: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

Functionalism

Functionalism, in architecture, is the principle that

architects should design a building based on the

purpose of that building.

German school of design Bauhaus was the primary

force in developing functionalism

Page 34: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II Villa garches, paris, le corbusier.1959

Page 35: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II Yale center for British art, new haven, louis kahn,1974

Page 36: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

Features –utilitarian and interior program determine

the outer form.

Does not influence from tradition symmetry

decoration.

Purpose of the building function activates materials

are related.

It proposed designs without ornamentation and

attribute to pragmatism.

Page 37: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

Internationalism

Approach to functionalism, modern aesthetics and

minimalism brought international style.

Features –steel glass are used in building making

them glazy and flashy.

Space enclosed by thin plane rather than mass and

solidity.

Regularity as opposed to symmetry.

Pure geometrical cube forms.

Page 38: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

Glass house ,new

canaan,phlipjohnson,1949

Lever house ,New

York, skidmore,

owingd,merril 1952

Page 39: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

Brutalism

Rugged reinforced concrete construction led to

the term brutalism.

It flourished from 1950 to 1970

Features –massive sculptural and repetitive

pattern.

Exposed steel /concrete surface.

Rough unfinished surface.

Precast concrete elements.

Page 40: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

Brutalism

Rugged reinforced concrete construction led to

the term brutalism.

It flourished from 1950 to 1970

Features –massive sculptural and repetitive

pattern.

Exposed steel /concrete surface.

Rough unfinished surface.

Precast concrete elements.

Page 41: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

Minimalism

It is a trend in design and architecture toward

simplicity clean surfaces reduction minimizing

elements to line and planes

Term less is more by meis van advocate this style

Features –emphasis on outline frame of the structure

Building contain only the essential elements

Internal walls are eliminated

Use of lighting to effect the line and planes

Space around the structure are part of the design

Page 42: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

Minimalism

It is a trend in design and architecture toward

simplicity clean surfaces reduction minimizing

elements to line and planes

Term less is more by meis van advocate this style

Features –emphasis on outline frame of the structure

Building contain only the essential elements

Internal walls are eliminated

Use of lighting to effect the line and planes

Space around the structure are part of the design

Home and studio of luis barragan,maxico,1947

Page 43: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

Desert modernism

Mid 20thcentury modernism adopted to warm

climate led to the desert modernism international

style was varied and adopted to the region by

expensive glass and streamlined styling

Features –linear and rectangular forms

Open floor plans

Expensive glass wall roofline and window overhangs

Landscaping with raw desert elements and cactus

plants

Page 44: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

IIKauffman house in palm spring California 1946,richard neutr

Page 45: Lecture 2 hoa

EARLY MODERNISM

Ar. Hena TiwariGCAD, Jan-July 2017

LECTURE

II

MAJOR CONTRIBUTORS :

LE CORBUSIER

-MIES VAN DER ROHE

WALTER GROPIUS

BUILDINGS:

VILLA SAVOYE by Le Corbusier

BARCELONA PAVILION at the1929 Barcelona

International Exposition by Mies Van Der Rohe

Bauhaus by Walter Gropius