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The rise of popular music in Israel through festivals and the participation in the Eurovision contests allows up to try mapping this multi-cultural soundscape in its multiple dimensions. More at http://musicinisrael.wordpress.com
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mapping popular music in israel
Week 11: From Sanremo to Tel Aviv (via Woodstock): Pop, Mediterranean Culture, and America
Francesco Spagnolo | Music in Israel | UC Berkeley Fall 2013
globalization of Music in Israel
“Pop music” in the early days of the State (1950s)
Music festivals in Israel
Israeli participation in Eurovision song contests
globalization of Music in Israel
Sanremo popular song festival (“Festival della Canzone Italiana, RAI, 1951)
Festival of Israeli Song (festival ha-zemer ha-yisraeli, by Israel Broadcasting Authority, 1960)
Eurovision Song Contest (Concours Eurovision de la chanson, European Broadcasting Union, Lugano 1956
Israeli participation in Eurovision: since 1978
popular Song: Key elements
Melodic line
Refrain (chorus)
Rhythm
Vocal Style
Instrumentation/Arrangement
popular songs in Israel: Cultural provenance
Jewish musical traditions
SLI (songs of the land of Israel)
East European popular music
Western (globalized) popular music: French chanson, British/American rock, etc.
Music from the lands of Islam
Exotic (globalized) popular music: Afro-Cuban, Tango, Greek, Indian, etc.
permutational property of (popular) music in Israelof (popular) music in Israel
Melodic line
Refrain (chorus)
Rhythm
Vocal Style
Instrumentation/Arrangement
Jewish musical traditions
SLI (songs of the land of Israel)
East European popular music
Western (globalized) popular music: French chanson, British/American rock, etc.
Music from the lands of Islam
Exotic (globalized) popular music: Afro-Cuban, Tango, Greek, Indian, etc.
permutative property of (popular) music in Israelof (popular) music in Israel
Melodic line
Refrain (chorus)
Rhythm
Vocal Style
Instrumentation/Arrangement
Jewish musical traditions
SLI (songs of the land of Israel)
East European popular music
Western (globalized) popular music: French chanson, British/American rock, etc.
Music from the lands of Islam
Exotic (globalized) popular music: Afro-Cuban, Tango, Greek, Indian, etc.
permutational property of (popular) music in Israelof (popular) music in Israel
Melodic line
Refrain (chorus)
Rhythm
Vocal Style
Instrumentation/Arrangement
Jewish musical traditions
SLI (songs of the land of Israel)
East European popular music
Western (globalized) popular music: French chanson, British/American rock, etc.
Music from the lands of Islam
Exotic (globalized) popular music: Afro-Cuban, Tango, Greek, Indian, etc.
permutational property of (popular) music in Israelof (popular) music in Israel
Melodic line
Refrain (chorus)
Rhythm
Vocal Style
Instrumentation/Arrangement
Jewish musical traditions
SLI (songs of the land of Israel)
East European popular music
Western (globalized) popular music: French chanson, British/American rock, etc.
Music from the lands of Islam
Exotic (globalized) popular music: Afro-Cuban, Tango, Greek, Indian, etc.
can this complexity be “mapped”?
TRHEE TYPES OF LABYRINTH
1. Unicursal: from A to B (with Minotaur)
2. Broken paths: “tree of knowledge”
3. Network: all node can connect with all other nodes (impossible to map)
labyrinth one: Knossos
From A to B: a line
labyrinth two: broken paths
The “tree of knowledge”
labyrinth two: broken paths
The “tree of knowledge”
labyrinth three: the web
MIT Technology Review: Mapping the Internethttp://www.technologyreview.com/news/408104/mapping-the-internet/