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dsf \",tq Car.,il5 itruStr" 3."d:iHP:;"* *r*/ ,ch, .oo-dfuotc -dc'ffi: \e"qFh = 2enin cks o.nd 33 ftrdt Gsu"""*) \ oco.Uvs,", = f66ests8 - e"F ta O'est - s'etrkn gnsK - t -€sb hc*sh h,B- St.rlk sf,ob :rrrhe6[q] lq n<route . -^ . P\ot= , \-t:\ aeEs \-"n^c*sJ !s h,,i,r,5t. Pos-K r stq\1.66 . h\, 1^ sckrol + "3h6;,\-ocrtn,,,. c\^osacLers= -etr-."# ", nE arr f orr --r"th6- Sh"ls = - tra.cts;qshc6 -OUC- Ure - shoo6a Snot 4 extneo6ra c\oSe_ ws " 's gofq to b< Pnr Le3r.,,s( {h,<- "e €tc, - \.G.dh\d ("rre'Ure head"g L \,t''u b',tt,* d; {')s- {.t b.r{E ",qs=a(B.u*) .tSE 2.f="*S GROUP BRAINSTORM INITIAL RESPONSES TO BRIEF IDEAS FOR.....

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dsf\",tq

Car.,il5 itruStr"3."d:iHP:;"*

*r*/,ch,

.oo-dfuotc -dc'ffi:

\e"qFh = 2enin cks o.nd 33 ftrdtGsu"""*)

\ oco.Uvs,", = f66ests8

- e"F ta O'est

- s'etrkn gnsK

- t -€sb hc*sh h,B-St.rlk sf,ob:rrrhe6[q] lq

n<route .

-^ . P\ot=, \-t:\ aeEs \-"n^c*sJ

!s h,,i,r,5t.Pos-K r stq\1.66 .

h\, 1^ sckrol

+ "3h6;,\-ocrtn,,,.

c\^osacLers= -etr-."# ", nE

arr f orr --r"th6-

Sh"ls =

- tra.cts;qshc6

-OUC- Ure - shoo6a Snot4 extneo6ra c\oSe_ ws "

's gofq to b< Pnr Le3r.,,s(

{h,<- "e

€tc,- \.G.dh\d ("rre'Ure head"g

L \,t''u b',tt,* d; {')s-

{.t b.r{E ",qs=a(B.u*) .tSE2.f="*S

GROUP BRAINSTORMINITIAL RESPONSES TO BRIEFIDEAS FOR.....

Page 2: Scanned images

PLANNING YOUR (OPENING) SEQUENCE

Please describe or explain the following:

1. The action: identify the event your idea is based around; whatactuallyhappens (discovery of a body, an illicit meeting, a witness seeing a crimebeing committed, a criminal act taking place, a telephone call, a chase, ashort journey etc)?

\sdiscnisftJ G6n gbool .

beres or shaft cub \Jia R.eptao Po."-- Sh s€r3e5 soccre Sts,rlcrcre \^6'.- A^ h tl+ af ^,-^^, {= ,

'J- fln athacc ocur:'-.Ar:nbjluo"{ e.o?"qThe thefrEft), WHat should tP make the audience think about or feet, what'issues'will it raise (revenge, sexuality, voyeurism, stalking, obsession,greed etc)

3arrFnl ntcl -fntsrrsE,osses$d -*:: ",kh, !Cr\ -o*.:kuossd

- A cff-t

- Sl;

2.

a Hi\\ Drtt.n c\"orr-chsro H?11 bPt l{ Ch"'(tsr

ctLnnosphoe

o:f %,*.e.\eeisgoing ta E< q. t ',tr U;:;artir-e,l h* co.qsicv ot J^..r,re ar,cl (oro,-o,s,tluij ;llq u:ha.n wtll k5L=1

t" vt 't ;"su3';H;.d;tle sefirnq ano cnotce or locatton: wneFe tS tt Set:

r,;[ ffi i,$ ;nxpf'h9;ffi,"hn ?Le

"**h#;)b ;;ffi jmmf"m,tub, r Ei i,i'%'tr 9o' s! b<-rnn P.*1eclh4 HararLrnot.)

biffi"ffitH#*t"bi r5rb (

3. The narrative: how is it structured - classic narrative pattern or break withconvention, real time or different time zones, flashbacks/forwards, dreamsetc. Will there be dialogue? What about diegetic/ non-diegetic sound?

1**^..t,1E,"gue L- 2"*,-i,-, choraders. c.. o( *ohich c,:il.l b

Ctqssfc c\ocrG5Le^ F-kLerc\ -Cccluq)tfcnel @}L CTFFC h*^So-."leofos shor "f

"h;;..

Kffi,e:Ti :sHs? f;s,x'7/sk\--resce O+ .. Uoa.-- ,,The character(s): who are ini:y)identify their roles, what are theircharacteristics, including gender, appeamnce etc?

4.

t/Gn\fs,lcrocferf-'

5. The setting anlft-.-.:i t\ rc\og$\l be- SeL ier .. C."aL€nur'ccfiryert,Tr,,6,

Y"fT*15 s-:94'se' ..ond h-*. €-'reryo.,t, L-f,e e)? I)

lookGr

LT-E\\[ours - do.rK4eenc , Shada4;t/ k-'+{:6^g sc}6tst esb.q\t

ffi ffi ikt'q, e h.-rmf'ffi.' o<.r ri

Page 3: Scanned images

7. The camera work: the style you are aiming fordeose c;{rcn\5 U" ooftso=hcrrot- khmuq\\ aor cs-ffila qrrK'qs ut\\ as kl.< Stanjine .

- \\6s'd h€\a - "rrl,&?l.J s'5nga-H-se ^:Pf} €*^hq1''t-'-6U< heo.d - Csea,fs =Oe*r*?

;..'d ioksdtre d}skdrer+<""' U"errf .

B. The editing: edited as a continuous sequence, use of cross cutting, use ofmontage, or combination?

C.*= C{ftq=q - q S' h:ctiensCrc,b,c'o-ti d -2 si hl<utros

Has your idea been 'tested'against the key criteria (the B questions)?

y.., & o,r €xc('t 6 qs uie- & fft- \^a-ue qduo'c6'd

ii+f="g €Aufgc'c,e.'k a-od qs itlsin q. Secttdci G^<St.

ticere fnGt ooL b- *5 \ a'c.nPesb

10. Group responses?\\ r \ ife U"e dd't c 0 scf St tr'\ ho.rrer3er t

Otlo'CdcofiiCe-.]Ee rt Q'S'.t the6ttor., Lt e erbrqct. rrSure uX doo Lt

"G'a i t hord

11. Teacher responses?

d C ql. I VS StsrtEv '

" "aJ. c-k,oo< 't'otn=nb

9.

i*jont kpqrldtrc

TfqK€

Page 4: Scanned images

DETAILED TREATMENT FORM

Group: N

PROJECT:

Working Title:

Name , R.: t- k ho.n, Pase No:

Sub genret !{o."ar C',\*

Soundtrack breakdownV/O, dialogue,instruments(line by Iine)

Camera workframing, angle,perspective,movement)

Action(who/ whaU how)

lconography(Location, backdrops,key signifiers etc)

Titles\ graphics Visualstyle(Lighting, colours,sfx, transitions)

Schcot bctts c8'!cs<1..'e Sqgl+e. or,g

I

Fc^<t1o5o€ €-16rP- |

(Elk_.,rb

!-e- Qrcrsts". aCpc$toqFrst Lrqt(r.tUiq o*Snprk- GJCbqcr hccn€,

bdroretic sand a€

s..; iedei*43c-rl,\st t-r-:qtth13 :

scrOn-di€opsc i'61^,rr'C

o € O ra.r"l"ojJ C crv.,,gt

clh<r d.attcs- sh+.x.

"igh.o..ra c sosc'o€

CtiiiA''en eicr15r5'U

\3on af {c"lJprj }egeAi6.S arrd .

BIqnL JCTGS6

u{{6 o hcnaheryoQrr[ {'O CiesS .J+k-acrin\ ShE't c

$.t wafr.^,ro6-coe5h G,.st.

'{*C*r'c Shob oea,"\ u:o.\tin{ha\n€,

bC\oqeueoCSE.4\re, b& tc.".e Cioge'Pcf r-PeePcrr '

S.A\aoa. Shots .d+ 41.

i\ &r€o 9\or1rn5b

€xhf€+,cre Cl4Sc.€ot 3)T.:t\6+b rq*,E Scr€grz' atar <- -kcPcr*o

FGO e"crs \^<r

€quiPevrecqa reor8 sdnot

Uggo'tFS hstE, r.rlq

^ GreSUfir&€

-. *L iodsUnct6otS*3rg7 \efS.*-oci

{Dcrsrecrks pcss

5,S,bq.rEg: iS Seeo \

ordree,cc*

Gnt rd,.intss She O*a* ,.|..;+.s'r fs h.rt*Eofr* se6 ch;\d(6rgur5tso(, t

6ft ',t ,rdierrdL

\.b,rerrer; \ns< CbBb

e-..""* d\rekict

!.Vrr<6 q.nx'o6'

srDc'ti seres s(e'\E,rri Un rSCo5rn '

bSCrac-ser9 Csrnentlbe- hcosd"

SroSSrrcor. anu'*s.\6srt -"+st €rxJrrEncfFt'

e..h*'€ ,6 s6,r6(rc"u,q:iUnind,trCcrSin *e ta,ccar6,'d.t. Gtss &.+ c{s.-

U' til.s ond6txh6 ioscl*

Sb"*"rLdtog ,.r:cc1orGor! be:6q$ eks€e.

ksq\K- ,aCt+tdro Platog \n tjn'€' h5k'5

Res.o6 -SC:ne

? e'Fa'cs€'

o.JCq

a

tone o-sd &-tea*- ogesis5

5atr.^e onddatec"u. tioe-erdio1.

5'

B-$'btg irt lo '

classr@cnlJ

QfrisG^ q-EcrtrEehtG(

.-a ds ilt te.

6t st" Gor*ootcata-s/ t iabUoq)

.,-- to".= .-F 5dU"aftd ac€t,.\s

(gticr q. dar,-to eefl)lin Gese,

*NoArsql setUn5tnc\udeS _f CLA

{ ",*,}".-

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Page 5: Scanned images

DETAILED STORYBOARD PRoJEcr: Operi.,5 6S Ftfitrr Gh".Pug" ruo,

Shot No/duration

Visuals

P*o*Camera Sound Titles Visual

style/transition.o) i&"tiercr

Notes

No:

2Bcrg r"oith aaui-pc<r€rt' <rr tS€ Qob

Pactsioq *!''< ha<

ceaC15 ti u. d'is-rnis.rd d tpt^\c>crt ,

Hcllrd he6Q ' ro toJ=icn! o€ \80"o€ fjne$icl'

DtQSSe So.sd ol

Sc\ncoi bett(ei3n'Aes e"d oF

tj-€ 61666)evric

: -Tf"..< oeG(&13 onbo{.tOr-, rt'c$rthG"d sToe

q,rso dete'

Screeoappe3,-\ Si ts upFacrcs L,p bao..srd l6qugr6Ofy\ .

No:

+

fpod {-$i-thk-rcadPha=gs .

Larqshoe

e"-- G.cYaS

th< rocd

t)tqpue S*r.dA€ t-t e. c.ntslC tlrr%tc-l \s t)Sts,]c5bo on Feriecd.

NONC

CaS.rq11oudq.lgr d.:{\-@r-agn€r pc,rpr

io S[<rL-

No:

1S.r"ei bag66\

Cra-ne sho&

B i.,Js RseVi€!.)

d)KOrrt-ffid

Shot'

p;q.uc SarrdoC&o'tstsFan Cn-nCh13

ko*-sfuoru€

Shce errfr.)a.bouC - Fc{AiclS'c5a:q1

o.S S Le ."rqt '

a-CrcEs,

No:

27Kt\< hoUi"gcl d€furrcLrlgLl-KG€a\

€.g Koi(&

C \oSe ,rp aud

&yrn iotg€,(b\e$ce (tog

.-rg oF trfog.o,', erngh<3)Sh41tr e)emei

t\l,n*di€aGticrn rrsi e of tornr&.-rre bo creslean oj*-rosph,etA Lerroc,oF

N)cq\<k;ll<r fidueinGr,t af

<(iJTtg''tq -

=/q a4Scccr: