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City branding: from theory to practice Case histories of cities succeeding in creating a new logo: Bologna Eurocities Working Group on City Branding and Attractiveness Genova 10–11 April 2014 Bologna City Branding Roberto Grandi

Bologna City Branding: How to Create a Generative Logo

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  • City branding: from theory to practice

    Case histories of cities succeeding in creating a new logo:

    Bologna

    Eurocities Working Group on City Branding and Attractiveness

    Genova1011 April 2014

    Bologna City Branding Roberto Grandi

  • 1A briefing for the city brand

  • 1Identification of the most significant features of the identity of the city of Bologna

    2Definition of the repositioning of the city

    3Identification of narrative structures to tell the new positioning of the city

    A briefing for the city brand

    The aims of the project

    Bologna City Branding 3/80

  • A briefing for the city brand

    The BCBP devoted the first five months to extensive research aimed at analysing perception of the current international (national) brand image of Bologna and at identifying the traits that characterise its desired identity.

    The international (national) image of Bologna was analysed by:1Giving a questionnaire to a sample of foreign/italian citizens who have visited and or stayed in Bologna in recent years (questionnaires completed 405, of which 250 in English and 155 in Italian) (October 2012 February 2013)

    2Recovering data resulting from research carried out previously on the perception by residents

    3Reputational/Sentiment analysis of the presence of Bologna on the net, which examined 20.000 texts (during the period December 2012 February 2013): posts and comments made available on the internet (forums, blogs, social networks, etc.).

    The International and National Perception of the Image of the city of Bologna

    Bologna City Branding 4/80

  • The desired identity (Aspirational brand identity) via:

    1Seven Focus Groups, which saw the participation of around 90 significant witnesses from the city, representing the economical, cultural, social and institutional world. (January and February 2013)2#Caroamicotiinvito an online contest to gather stories about the city in the words and pictures of its citizens. (March 2013) 3The results of the Metropolitan Strategic Plan.

    The desired identity

    A briefing for the city brandBologna City Branding 5/80

  • We want to guide the visitor to discover Bologna in the most natural and instinctive way possible. Regardless of his inclinations and cultural interests, he/she must be given the opportunity to be his/her own guide. We want to suggest random immersion, not a prearranged itinerary, and not even a priority choice. We do not want to be the ones to tell him/her what is important for us; we want him to discover the details that are of interest to him/her. We do not want to tell him/her about Bologna, but rather it must be he who offers us his/her personal story.

    We can offer a city with a contemporary, vital, experimental image, not just history and museums.

    A briefing for the city brand

    A briefing for the city brand 6/80Bologna City Branding

  • The invitation to wander and lose oneself in Bologna, a city where both human and sensorial relationships are inseparable. Walking through Bolognas porticoes is the experiential key that we can offer the visitor: a unique and multifaceted perspective of the past and the present. We want people from all over the world to be tempted to come to Bologna because this is an open city, innovative and welcoming, where you can enjoy authentic experiences and emotions in keeping with your own inspirations.

    Bologna as an open code which give to everybody the possibility to write his/her own history.

    A briefing for the city brand

    A briefing for the city brand 7/80Bologna City Branding

  • Among the over 500 proposals received, the jury has selected the winner: the group of authors Matteo Bartoli and Michele Pastore (Trieste)

    The project proposes a dynamic and open system of identity able to set going processes with the participation of all the population of Bologna, and visitors and institutions. The system, proposing an open code, places at the center of communication, as the principal player, the citizen, and envisions the city of Bologna not only as architecture and physical space, but as the result of a summation of individuals, businesses, vicissitudes, ideas and visions. The project is not limited to proposing an identity system visible through a single graphic proposal but proposes complete development of all artefacts, online and offline. Despite the complexity of the concept, the project shows easy access, and is usable by anybody, of any age, gender or culture.

    International competition to create a logo and a payoff for the city of Bologna (JulyOctober 2013)

    A briefing for the city brand 8/80Bologna City Branding

  • The problem to be addressed, in studying a possible visual identity for the city, it was therefore twofold:

    first, to live together in a brand the multiple facets and infinite perceptions of the city-that constitute what is Bologna. on the other hand, provide the system of sufficient strength and visual coherence to be perceived as such, and thus be an effective tool of connection and tangible enhancement of all these qualities.

    Brand New (on line magazine)

    A briefing for the city brand 9/80Bologna City Branding

  • 2What is Bologna?

  • The identity of Bologna

    is given by a set of unique

    tangible elements

  • Colli

    Torre degli Asinelli

    Piazza Maggiore Archiginnasio

    Basilica di Santo Stefano San Michele

    Montagnola Salaborsa Palazzo Grassi

    Palazzo dAccursio Palazzo dei Notai

    Basilica di San Petronio Arena del Sole

    Palazzo dei Banchi Fiera Mambo Teatro

    Santuario della Madonna di San Luca

    Fontana di Nettuno Stadio DallAra

    Reno Colle di Barbiano

    Portici

    What is Bologna? 12/80Bologna City Branding

  • but the identity of the city is characterized

    also from a multitude ofintangible and subjective

    elements

  • Passeggiare

    Tortellini Tagliatelle Rag

    Piazza Maggiore Pupi Avati Arte

    Pier Paolo Pasolini Guglielmo Marconi

    Cultura Zuppa Inglese Cesare Cremonini

    Lucio Dalla Fortitudo Virtus Lasagna

    Mozart Pazienza Universit Friggione

    Cardinal Mezzofanti Alberto Tomba

    Giorgio Morandi Certosino

    Panone Crescentine

    Festival

    What is Bologna? 14/80Bologna City Branding

  • The identity of a modern city

    is the result of the union

    of all these elements

  • Colli

    Torre degli Asinelli

    Piazza Maggiore Archiginnasio

    Basilica di Santo Stefano San Michele

    Montagnola Salaborsa Palazzo Grassi

    Palazzo dAccursio Palazzo dei Notai

    Basilica di San Petronio Arena del Sole

    Palazzo dei Banchi Fiera Mambo Teatro

    Santuario della Madonna di San Luca

    Fontana di Nettuno Stadio DallAra

    Reno Colle di Barbiano

    Portici

    Passeggiare

    Tortellini Tagliatelle Rag

    Piazza Maggiore Pupi Avati Arte

    Pier Paolo Pasolini Guglielmo Marconi

    Cultura Zuppa Inglese Cesare Cremonini

    Lucio Dalla Fortitudo Virtus Lasagna

    Mozart Pazienza Universit Friggione

    Cardinal Mezzofanti Alberto Tomba

    Giorgio Morandi Certosino

    Panone Crescentine

    Festival

    What is Bologna? 16/80Bologna City Branding

  • the project sought to create a visual translation

    for this multiplicity building an open and inclusive

    graphic system

  • The graphic design proposed has sought an appropriate translation of this visual narrative, building a graphics system that would give the widest range of stakeholders the ability to contribute without specific expertise to the construction of the visual identity of the city of Bologna. To tell this plurality of meanings and references has been designed a writing system that replaces the graphemes of the Latin alphabet, the abstract signs characteristic.

    It was thus designed an alphabet of geometric signs, due to an imaginary town typically Ita-lian: the forms freely take up again some figurative archetypes of the Italian city of Bologna, and more specifically (such as walls, brick mosaic, the lily and the heraldic banner of the cross citizen, etc.).

    What is Bologna? 18/80

    Brand New (on line magazine)

    Bologna City Branding

  • 3The image of the city

  • we designed some abstract geometric shapes

    that reflect some figurative archetypes of the city of Bologna

  • For each shape we associate a letter of the alphabet.

    For every concept that involves Bologna is corresponding a symbol

    generated by the forms

  • The image of the city 27/80Bologna City Branding

  • 4Writing method

  • The shapes are positioned concentrically,

    overlapping according to fixed proportions,

    creating composite figures

  • Writing method 30/80Bologna City Branding

  • Writing method 31/80Bologna City Branding

  • Writing method 32/80Bologna City Branding

  • Writing method 33/76Bologna City Branding

  • Writing method 34/80Bologna City Branding

  • Writing method 35/80Bologna City Branding

  • Writing method 36/80Bologna City Branding

  • Writing method 37/80Bologna City Branding

  • 5The visual identity

  • The coloring of the logos follows a rule that requires the use of two colors that through the use of a given

    transparency blend together

  • The visual identity 40/80Bologna City Branding

  • The visual identity 41/80Bologna City Branding

  • The visual identity 42/80Bologna City Branding

  • The visual identity 43/80Bologna City Branding

  • The visual identity 44/80

    http://www.youtube.com/watch?v=Qq8i5l86IWw

    Bologna City Branding

  • 6Applications

  • The system thus conceived becomes a coordination tool

    for the communication of the institutions and organizations

    involved in the project

  • Applications 47/80Bologna City Branding

  • Applications 48/80Bologna City Branding

  • Applications 49/80Bologna City Branding

  • Applications 50/80Bologna City Branding

  • Applications 51/80Bologna City Branding

  • Applications 52/80Bologna City Branding

  • Applications 53/80Bologna City Branding

  • Applications 54/80Bologna City Branding

  • Applications 56/80Bologna City Branding

  • Applications 57/80Bologna City Branding

  • Applications 58/80Bologna City Branding

  • Applications 59/80Bologna City Branding

  • Applications 60/80Bologna City Branding

  • Applications 61/80Bologna City Branding

  • Applications 62/80Bologna City Branding

  • StazioneAutostradeTangenzialeAereoporto

    Tangenziale

    San Lazzaro

    Stadio DallAra

    Torre degli Asinellipiazza di Porto Ravegnana,40126 Bologna, Italia 051 647 2113 www.bologna.it4.5 37 recensioni

    indicazioni cerca nelle vicinanze

    Applications 63/80Bologna City Branding

  • To allow the construction of shared identity creating logos is open and available

    through the website (beta) ebologna.it

  • Applications 65/80Bologna City Branding

  • Applications 66/80Bologna City Branding

  • Applications 67/80Bologna City Branding

  • Applications 68/80Bologna City Branding

  • 7Reviews

  • This is a difficult one to judge. There are aspects of it that I like and others that irk me. (Im not even going to go into the merits or demerits of this being the result of a contest the contest happened and this came out, end of story).

    The underlying concept is quite solid: a flexible, participatory identity based on geometric shapes you might see around the city of Bologna as stained glass, wall or door decorations, medieval inscriptions or drawings, etc. Even if they are not shapes directly pulled from specific sources, the aesthetics are there. Typing in a word in the microsite for the new identity lets you see the concept in action and yields you your own Bologna logo where your word and the wordmark make a new logo, i.e., Ponies is Bologna

    Reviews 71/80

    Brand New (on line magazine)

    Bologna City Branding

  • The generated logos are interesting and intriguing as visual doodads but as identifiers of a city, I am not 100% convinced.

    The transparency/overlaid effect, to me (and its hard to pinpoint exactly why), is what takes it from a serious proposition of city branding to just a cool graphic exercise.

    The applications are attractive, though, and I can see the potential in it it is particularly and surprisingly convincing when used small as shown in the event materials.

    Overall, its a curious solution that perhaps could have gone through one more layer of refinement in how the icons are rendered and its still not clear when or how the city of Bologna will use it but as fodder for us, its molto bene.

    Reviews 72/80

    Brand New (on line magazine)

    Bologna City Branding

  • 8City of Food

  • City Of Food is a project created to coordinate all initiatives on food that take place in the

    metropolitan area of Bologna

  • City of Food 75/80Bologna City Branding

  • The goal is to promote Bologna as an international city of food.

    The visual identity of this project was created thanks to the potential of the generative logo of Bologna.

  • City of Food 78/80

    http://www.youtube.com/watch?v=QXgVEPXXaQY

    Bologna City Branding

  • Thank you!

  • Bolognais part of the

    Bologna City Branding Project

    promoted by

    photo credits: Cineteca di Bologna, Biblioteca Comunale dellArchiginnasio Bologna2014 Comitato Urban Center