Atomos Range Brochure

1© 2016 Atomos Global | atomos.com

April 2016

2 3Atomos © 2016 Atomos Global | atomos.com

CONTENTS

03 Introduction04 What We Do – Rec / Play / Mon / Edit10 Field Monitor-Recorders

12 Inferno14 Flame Series16 Blade Series18 Ninja Recorders20 Power Station22 Calibration

23 HDMI Cables24 Broadcast & Pro AV

26 Shogun Studio28 Ronin30 Converters

32 Accessories / CFast / Warranty / Education34 Specifications

Credit: Abandon Visuals

HDRishere.We’redeterminedto open it up to everyone.

At Atomos we’re proud of our track record at breaking open cutting edge technology to filmmakers of all walks of life. Whether it was the changeover from MPEG to ProRes or the upgrade to 4K, we focus on helping creative professionals grasp the latest technology at a faster rate and at a lower cost. This lets you not only create more powerful stories but through greater efficiencies deliver more profit for your business. This year we’ve focused on ensuring the exciting breakthrough that is HDR becomes part of every filmmakers arsenal by making it easier to use and available at a range of price points. Read on to discover more & we look forward to seeing your creative visions come to life in 2016.

JeromyYoungCo-founder

Ian OverlieseCo-founder


Overcome the DSLR 30min Recording Limit

Recording externally to the camera means that the traditional 29m59s barrier imposed by many DSLR cameras does not apply.

More accurate 4:2:2 color

While every pixel’s luminance information is captured, color is sampled for smaller file sizes. With the 4:2:2 standard, Atomos have higher color sampling than conventional 4:2:0 for more accurate colors with increased color resolution.

Avoid lossy, MPEG camera compression

To limit file size some camera’s only capture frame to frame changes rather than every frame. All Atomos recorders capture full “I” frame information just like film, making manipulation in post production easier and higher quality.

High resolution & High bit rate

Recording resolution alone isn’t enough. Even 4K might be rejected in Post if the bit rate is too low. Internal camera 4K is typically recorded up to 100Mb/s, whereas with ProRes & DNxHR you can record up to 880Mb/s, maintaining the best possible quality.

Higher Resolution 10-bit Color

Recording to 8-bit only allows for a maximum of 256 gradations in chroma and luminance per channel of RGB. All Atomos monitor-recorders record to 10-bit (1024 gradations) for smoother color transitions.

Record longer & Reduce media costs

Cameras use low capacity, high price/GB media. Atomos uses high volume, high capacity computer SSD’s & HDD’s from the world’s most trusted media brands, allowing easy access anytime, anywhere in the world.

With a single connection, video professionals add recording direct from the camera sensor to Hollywood-ready formats like Apple ProRes and Avid DNxHR onto affordable & high capacity HDD/SSD media.

Along side professional recording, the calibrated touchscreen is an audio and video monitor with an array of shot setup scopes and a playback device with on-board controls for instant shot review, tagging and playout to larger monitors, making it a swiss army knife for Production, Post-production & Digital signage.

Professional Recording, Playback, Monitoring & Editing that will unleash the hidden potential of your camera from

DSLR to Cinema.

RECORDING WHAT WE DO

Everycamerarecords,howevertheinternalrecordingoftenisn’tsuitableinprofessionalapplications.Atomosovercomemanyofthelimitationsprofessionalsfacewiththeircamera.

AtomospartnerwithbrandslikeApple&AVIDtocreateprofessionaltouchscreensforleadingcamerabrandssuchasCanon,Sony,Panasonic,Nikon,Arri,JVC&Red.

Record to ProRes & DNxHR

On affordable media

High resolution, calibrated SuperAtom

monitor

Discover the full list of compatible cameras and media:

www.atomos.com/cameras www.atomos.com/media


MONITORING

AtomOS is our custom-built operating system designed specifically for filmmakers to keep the Atomos feature set a single touch away. Its incredibly fast, intuitive and evolving with regular

free updates for new features.

AtomHDR is a proprietary image processing technology, delivering the high brightness range of Post Production HDR in a field monitor. All you need is the Log output from your camera (Sony, Canon, Panasonic, Arri, JVC, Red) and to activate AtomHDR on the Inferno, Flame, Blade or Studio series to reveal the HDR magic. The Inferno & Flames also have 1500nit brightness panel and 10-bit color processing for HDR with a wider brightness range and

smoother color transitions.

AtomOS

Atomoscombineexternalrecordingwithaprofessionaltouchscreenmonitorthatisarmedwithscopesandtoolsforperfectshotsetup.

TOOLS & SCOPES HDR CONTROLS

Focus Assist LumaParade

Zebra Pattern VectorscopeZoom

2:1Zoom RGB Parade

1:1Zoom Vectorscope

False Color

Blue Only

Anamorphic

Safe Area

AtomHDRSelect camera log signal type & toggle viewing environment

LogtoVideoConvert Log to Rec709

NativeVideoSourceShoot native Rec709 or Log, up to a maximum of 1500nit brightness

CustomLooksFor SDR shooting upload your own .cube files for custom “Looks”


Works with all NLE’s Dock and drop files straight into the timeline of all major NLE’s on both Mac and PC.

PQ I/O for HDR EditingTake PQ out into larger HDR compatible larger screens or feed HDR from your NLE into the PQ input for HDR grading using your Atomos product.

Custom PlaylistCreate custom playlists using Favorite, entire clip or loop functions for reviewing compilation of dailies for clients or digital signage playout.

Review with confidenceUse the suite of monitoring tools to check color, focus, exposure on recorded or uploaded content.

Tag as you shoot or review Tag clips during recording or playback to create an FCPX project with tagged footage.

4K UHD to HD downscale 4K models can downscale to HD for output to lower resolution devices.

Playback controls Review footage on the product or out to a larger monitor. Scrub, slow and fast motion control for detailed edit and review (available with OS7.1)

PLAY BACK EDITING

Instantlyreviewandcollaborateonset. EditontheflyandfinalizeinpostusingyourNLEof choice.

“Thefootageplaysnativelywithoutanycodecissues and plays instantly withouthavingtodoany

transcoding”

Abandon Visuals


Credit: Cloakroom Media & Flying Dragon

Clarity, Detail, BrightnessWhen we began to setup the Shogun Flame, we powered up our video link and instantly we all were taken back from the image we were seeing. The image was so bright and clear; it was hard to believe it was real at first. It’s super impressive, I don’t think there is any monitor that displays such clarity, detail and brightness all in one, let alone function as a 4K recorder. Its a combination of the AtomHDR mode and the 1500 nit screen that work together to give you that awesome display.

SDI and HDMI FlexibilityWe shot the Tesla from a leading van on the track, which had a Shogun Flame tethered to the RED Dragon via HD SDI. From inside the vehicle we dialed up HDR mode & the beauty of this is that the finer detail in the image becomes more apparent. Our DP for this shoot Matt Wood was in awe! There is something about seeing a DP of Matt’s level getting excited like a little kid – it tends to rub off on the rest of the crew.

Long Battery LifeBoth Ninja Flame and Shogun Flame have dual battery plates so you can hot swap batteries whilst in use. We used the dual Sony L series batteries which lasted well over the entire 4-hour race track sequence even when recording the whole time. This brings me back to my experience with the Ninja Blade with continuous power which I still use with my C100mkII.

The New Monitoring StandardIn conclusion, for this Tesla shoot both the Shogun and Ninja Flames performed beyond our expectation. It can run all day without a hiccup and the monitoring in AtomHDR mode needs to be seen to be believed – It’s going to be very difficult to use any other screen besides the Flame now. I am confident that AtomHDR will be the new monitoring standard among productions of all scales, and I can not wait to get it on set again for my clients to take advantage of this new and innovative technology.

“AtomHDRmodeneedstobeseentobebelieved–It’sgoingtobevery

difficulttouseanyotherscreenbesidestheFlamenow”

CloakroomMedia

FIELD MONITOR RECORDERS

SHOGUN INFERNO SHOGUN FLAME NINJA FLAME SAMURAI BLADE NINJA BLADE NINJA 2 NINJA STAR

CASE STUDY: TESLA

Cloakroom Media & Flying Dragon Aerial teamed up on a TVC production for Tesla Motors Australia. We were given two production days to complete the filming and put together some cutting edge kit to film from the land and the skies (a pair of Freefly ALTA’s coupled with MoVI M15’s & Red Epic Dragons as well as a Freefly TERO). We were delighted to be invited to test out two pre release products labeled the Atomos Ninja Flame & Shogun Flame.


SHOGUN INFERNO

For Standard Dynamic Range (SDR) shooting ramp the brightness slider up to 1500 nit for hood-free outdoor monitoring.

Apply a custom look to SDR footage by uploading an applying “.cube” 3D LUT’s. View in full/half mode on screen, output it to a monitor or record into the footage.

AtomHDR lets you shoot with the high brightness range of your camera’s Log profile and preview the final, vibrant post production HDR result.

10-bit monitor processing increases the number of colors from 16.7 million for standard 8-bit panels to 1.07 billion, minimizing color banding on screen.

Record to visually lossless Apple ProRes or AVID DNxHD as an edit friendly, visually lossless industry benchmark independent of the camera brand used.

Take PQ out into larger HDR compatible larger screens or feed HDR from your NLE into the PQ input for HDR grading using your Atomos product.

MONITOR EDIT

Apart from 4K recording, high frame rate HD from 50p to 240p can be recorded from cameras that output these high frame rates.

Capture the RAW output from Sony FS5/FS7/FS700 and Canon C300MKII/C500 over SDI, recording to either ProRes, DNxHR or CDNG.

The Quad SDI inputs let you connect from cameras with multiple 1.5/3/6/12G SDI outputs without the need for converters.

Record and play out pristine ProRes/DNxHR in 4K resolution and 24/25/30/50/60p frame rates.

Create playlists easily, either entire clips or tagged parts of clips, for playback on the unit or out to a larger screen.

Our patent pending Continuous power system automatically swaps to the second battery when power is low for uninterrupted recording in the field.

RECORD PLAY

SHOGUN INFERNO

INFERNO SERIES CORE FEATURES

ShogunInfernocombines advanced HDR & High brightness monitor technologies with High frame rate & Raw recording capability along with playback & editing functionality that encourages on set collaboration. Simply put it is the most advanced field monitor & most advanced external recorder combined to make mastering a high resolution, high frame rate, high dynamic range workflow available to all filmmakers.

Where 4K increases the number of pixels, HDR increases the brightness range – displaying brighter and darker parts in a scene at the same time. In consumer terms it means scenes are more vivid and life-like while in filmmaking terms you no

longer clip highlights or sacrifice shadow detail. With AtomHDR shoot in Log from your camera and preview post production HDR on the monitor to judge exposure perfectly for final delivery in either HDR or SDR in Post.

Log AtomHDR

PERFECT FOR:

Music Video Multi cam HDR/4K from Quad SDI cameras

Sports High frame rate Broadcast ISO recordings

Cinema Latest HDR and 4K 60p technologies

Specifications correct at time of printing E&OE


NINJA FLAME

Apart from 4K recording, high frame rate HD up to and including 50/60/120p can be recorded from cameras that output these high frame rates.

Edit friendly Apple ProRes & AVID DNxHD in 422 for improved color accuracy & 10-bit for the extended color depth demanded in post production.

The SDI/HDMI Shogun Flame and HDMI only Ninja Flame can input from cameras, PC’s, game consoles etc and output for larger monitors and TV’s.

Record and play out pristine ProRes/DNxHR in 4K resolution and 24/25/30p frame rates.

For Standard Dynamic Range (SDR) shooting ramp the brightness slider up to 1500 nit for hood-free outdoor monitoring.

Apply a custom look to SDR footage by uploading an applying “.cube” 3D LUT’s. View in full/half mode on screen, output it to a monitor or record into the footage.


10-bit monitor processing increases the number of colors from 16.7 million for standard 8-bit panels to 1.07 billion, minimizing color banding on screen.

Create playlists easily, either entire clips or tagged parts of clips, for playback on the unit or out to a larger screen.



RECORD MONITORPLAY EDIT

The Flameseries will change the way you shoot with Log from the camera, combining 3 core monitor technologies - AtomHDR, a High Brightness 1500nit panel and 10-bit color processing - to get the brightness range of HDR Log but with bright, natural colors. This lets you monitor the way you see and record direct to 4K/HD 4:2:2 ProRes / DNxHR Log for HDR or SDR processing in post production.

NINJA FLAMESHOGUN FLAME

FLAME SERIES CORE FEATURES

MODEL COMPARISON

FLAME SERIES PERFECT FOR:

Corporate Outdoor/studio monitor, faster ProRes workflow

Indie As director’s monitor, on gimbals or with DSLR’s

Gaming 4K/HD from the console, live audio monitoring & tagging for edit

Underwater 3rd party housings that bring 4K HDR underwater

Wildlife Pre-roll cache recording, long record times

NINJA FLAME

Perfect for HDMI mirrorless/DSLR cameras

HDMI in/out

N/A

N/A

Line audio in / out

N/A

SHOGUN FLAME

Perfect for RAW and SDI cameras

1.5/3/6G SDI & HDMI in/out

Sony & Canon Raw recording

Bi-directional SDI/HDMI conversion

XLR in/out (cable included)

Genlock / LTC input




NINJA FLAME

Frame accurate timecode and start/stop triggers from the leading camera brands over SDI (Samurai) or HDMI (Ninja).


The SDI Samurai Blade and HDMI Ninja Blade have an input for connection with cameras, PC’s, game consoles etc and output for larger monitors and TV’s.

Mark content in recording or playback as Favorite/Reject and save as an XML file with your content for faster editing in FCPX.

The 5” SuperAtom IPS capacitivetouchscreen is 1280 x 720 with 325ppiand overlay to ensure you see yourimage crisply & cleanly as you monitor.

Suite of monitor tools including waveform, RGB parade, luma parade, vectorscope, focus peaking, false color & blue only.

AtomHDR brings post production HDR images to the field. The Blade series 8-bit, 400nit version previews HDR on screen whereas the full AtomHDR (10-bit 1500nit range) adds PQ in/out.

Colors you can trust with both out of the box and ongoing calibration (optional X-Rite unit) to SMPTE Rec.709 & D65 white point.

We support affordable HDD or SSD from the world’s leading media brands. HDD is the most affordable option, while SSD is suitable for vibration sensitive shoots.



Mark content in recording or playback using 10 different tags and save as an XML file with your content for faster editing in FCPX.


MODEL COMPARISON

NINJA BLADE

NINJA BLADE

Perfect for HDMI DSLR cameras

HDMI in/out

Canon & Nikon battery plates included

SAMURAI BLADE

Perfect for Proxy and SDI cameras

HD/SD SDI in/out

D-Tap adapter included

BLADE SERIES CORE FEATURES

BLADE SERIES

SAMURAI BLADE

PERFECT FOR:

Weddings Calibrated monitor, long recordings on affordable media

IndieFilms Proxy recorder & focus pulling monitor for Cinema cameras

Documentary Lightweight ProRes & Monitor add on to DSLR’s

The Blade series adds the professional video functionality missing in HDMI and SDI cameras.

Monitor on a larger 5” calibrated screen with waveform and focus assist tools, bypass the

internal lossy MPEG recording by capturing 10-bit 4:2:2 ProRes or DNxHD and even play back and start tagging footage immediately on set to

make post production more efficient.



NINJA RECORDERS

NINJA FLAME

Compatible with HD and SD video for recording and playout.


Record to visually lossless Apple ProRes as an edit friendly, visually lossless, camera independent industry benchmark. DNxHD available as well on the Ninja 2.

Frame accurate timecode and start/stop triggers from the leading camera brands.

Recorded footage can be played back and controlled on screen (Ninja2) or out to larger monitors for client viewing.

Our low power design means that longbattery life (5hrs+) is realized.

Extract 24P/30P from 60i & 25P from50i or pSF equivalents in real time.

The HDMI input and output allows you to connect and record from any HDMI device or loop out to larger monitors for client review.

Recording externally to the camera means that the traditional 29.59min barrier imposed on many DSLR cameras does not apply.

Ninja2 only; The 4.3” resistive touchscreen is 800 x 480 with 220ppi. Perfect to navigate menu options and as a comfort monitor on set.

Synchronize with the camera’s timecode via HDMI embedded for independent external recording.

Ninja Star only; The world’s smallest, lightest Apple ProRes recorder at only 130g (4.6oz) and 95mm wide (3.7”).

NINJA STAR

Perfect for Drones & recording with existing monitors

HDMI (micro) in/out

No monitor

95 x 60 x 25mm, 3.7 x 2.4 x 1.0”

Apple ProRes

CFast 2.0/1.0 media

NINJA 2

Perfect Recording Upgrade for DSLR’s

HDMI (Full) in/out

4.3” touchscreen

115 x 87 x 41mm, 4.5 x 3.4 x 1.6”

Apple ProRes & AVID DNxHD

2.5” SSD / HDD media

MODEL COMPARISON

NINJA STARNINJA 2

NINJA RECORDERS CORE FEATURES

These lightweightNinja models are the most affordable and compact way to record professional, visually lossless Apple ProRes direct from the sensor of your DSLR camera or any HDMI source. They also extend the record time beyond the 30min DSLR barrier and offer an affordable playout solution for reviewing with larger monitors on set.

PERFECT FOR:

Underwater Small footprint, low buoyancy ProRes recorder

Youtube ProRes HD recording & talent monitor combined

Education Add ProRes to older MPEG video cameras.


Perfect for Canon 5DMKIII


1 x Atomos Power Station

2 x NP-F960 7800mAh Batteries

1 x Soft Carry Case

1 x DC to DC Cable (for Shogun/Ninja Assassin)

1 x 15V 60W AC/DC Adapter

6 x Velcro Straps

5 x Battery Adapters

1 x Canon LP-EN6 battery adapter for 5D MKIII

1 x Sony NP-FW50 battery adapter for A7s

1 x Sony NP-F L series battery adapter for compatible Sony cameras

1 x Panasonic DMW-BLF19 battery adapter for GH4

1 x Nikon EN-EL15 battery adapter for D800/D810

INCLUDED ACCESSORIES

POWER STATION

POWER STATION CORE FEATURES

POWER STATIONEXTEND CAMERA RUNTIME. CHARGE 3x FASTER. CONTINUOUS POWER.

PowerInput

DC Input voltage 12V to 19V

D-tap input voltage (via adapter)

12V to 19V

Battery input voltage 7.4V System (8.4V Max), 2 slots

Compatible Batteries Sony NPF series mount.Nikon and Canon batteries via optional Atomos adapters

PowerOutput

On DC power 2 DC outputs at 8.4V, 4A Max Total

USB Charging 2 USB outputs at 5V, 3A Max Total

Max Total Output Power 32W

Operational Temperature 0°C - 40°C (32°F 104°F)

ContinuousPowerOur patented Continuous Power dual battery system allows batteries to be hot swapped ensuring you will

never be without power in the field.

3xFasterChargeThe DC input lets you connect to AC power to charge the provided batteries up to 3x the rate

of conventional chargers.

ExtendRunTimeExtend your camera run time beyond the

manufacturers own battery capacity.

USBQuickChargeA flexible dual USB power source allows you to charge 2 USB devices (up to 3A) eg. cameras,

tablets & smart phones.

LED ReadoutsThe independent left and right LED displays on the

front of Power Station give a quick 5 step visual guide on the power remaining for each battery from 100%

down to 5%.

DC Battery AdaptersDummy batteries available to power popular cameras such as the Sony A7s/A7RII, Panasonic GH4, Nikon

800/810, Canon 5D MKIII and Sony camcorders using NP-F L series.

Weight

Without batteries 143g / 5oz

With batteries 719g / 25.4oz

Dimensions (W x H x D mm) 160 x 55 x 35mm

Construction High quality lightweight ABS Polycarbonate for durability & portability

BatteryManagement

Battery Charging (on DC power only)

2 x 1.6A fast chargers (approx three hours to simultaneously charge a 2x NP-F570 batteries)

Battery Level Indicators Charge remaining indicators for both batteries

Continuous Power *Patent Pending

Primary-Secondary battery system. Change batteries without losing power. Loop bat-teries continuously. Falls back on battery power if mains power lost.



CALIBRATION

Everybrandofmonitorinthefieldandintheeditingsuitenaturallydriftsincolorovertime.AtomoshavepartneredwithcalibrationleaderX-Ritetoopenupprofessional monitorcalibrationtoallfilmmakers.

EnsureyourHDMIcablesaren’ttheweakestlink onset.Featuringhighqualityconnectors, highspeedHDMI2.0forthelatesthighframeraterecordingsandacoiledcableforneatercablemanagementontherig.ThesearetheonlyHDMIcablesspecificallydesignedforfilmmakers.

FIELD MONITORS

Make judgments on color and luminance in the field with the confidence of a calibrated monitor.

EDITING MONITORS

Final editing decisions need to be made on a calibrated screen. The same X-Rite model used in the field can also be used to calibrate monitors in the editing suite.

USB TO SERIAL

Use the same X-Rite i1Display Pro model already trusted by professionals around the world. There is no “special” model, simply purchase the Atomos USB to serial cable and get to work calibrating the monitors in your workflow.

FAST AND ACCURATE

The X-Rite i1Display Pro model is renowned for its speed and accuracy – a simple 3 step process is all it takes to ensure your Atomos monitor-recorders are always color accurate.

HDMI 2.0 READY

Passes the high speed tests laid out in HDMI 2.0. 4K 60p and HD 240p are fully supported.

HDR READY

Compatible with High Dynamic Range (HDR) product line up.

4K 60p READY

The perfect cable for Atomos Inferno and connecting other high frame rate 4K 60p infrastructure.

ATOMFLEX COILED CABLE

Coiled cable to give flexibility on the rig, extending & retracting as you need to minimize clutter.

HDMI CABLES

HDMI Cables

Partnumber Connector(Atomos) Connector(Camera) Cable type Length(cm) Length(inches)

ATOM4K60C1 HDMI Full HDMI Micro (die cast metal) Coiled 30cm coiled (60cm extended) 12” coiled (24” extended)

ATOM4K60C2 HDMI Full HDMI Micro (die cast metal) Coiled 40cm coiled (80cm extended) 16” coiled (32” extended)

ATOM4K60C3 HDMI Full HDMI Mini (die cast metal) Coiled 30cm coiled (60cm extended) 12” coiled (24” extended)

ATOM4K60C4 HDMI Full HDMI Mini (die cast metal) Coiled 40cm coiled (80cm extended) 16” coiled (32” extended)

ATOM4K60C5 HDMI Full HDMI Full (die cast metal) Coiled 30cm coiled (60cm extended) 12” coiled (24” extended)

ATOM4K60C6 HDMI Full HDMI Full (die cast metal) Coiled 40cm coiled (80cm extended) 16” coiled (32” extended)

INFERNO

STUDIO FLAMEBLADE

i1Display Pro supported on Atomos Inferno, Flame, Blade and Studio series


Client Demanded ProRes DeliveryThe client requested that the production was to be captured in 4K for archiving and a future 4K delivery. The specific requirement was 4K ProRes HQ, making the footage 10bit, low compressed and edit ready for Final Cut Pro. We set out to achieve the best possible image capture which required technologies that we would not usually use for a multi-cam recording.

Best of the Best in Multi-camThe camera of choice was the Sony PMW-F55 CineAlta, 20 of them to be exact. The large sensor, low light and 4K capabilities made this camera a no brainer. We also had two Phantom Flex 4K cameras and a few Arri Alexa’s for additional stylized shots. These cameras were paired with Fujinon and Canon cinema zoom lenses. To add to the list of toys we had 4x techno cranes, a Helicopter with a Cineflex stabilizer and 6x remotely operated hot heads, that, coupled with some of the best camera operators Australia has to offer.

Challenge; 4K Data WranglingWith all of these camera rigs equipped to capture amazing pictures, the next challenge was to get them feeding back to the OB compound. We ran fiber from each camera back to the OB into the Sony Baseband processors and then distributed the 4K signal into the final link of the chain, the Atomos Shogun Studio. In fact we used a combination of Shogun and Shogun studios just in case we decided to get some units mobilized.

Easy to use Rack-based Monitoring & RecordingThis rack set up was the most impressive in the production, it seemed to be a favorite for the producers and the client. Having such a vivid image displayed on these monitors with all of the tools just a touch away was instrumental in our success. The fact that this rack was our 4k Record seemed to be just a bonus.

Making the Complex, SimpleThe Shogun Studio integrated perfectly to our ecosystem, locking signal and timecode flawlessly. The simplicity of the Atomos system in such a complex environment makes it a breath of fresh air once that record button is tapped.The Shogun studio proved to be the perfect solution for recording 4k Multi-cam large scale events. We can now take on any 4K event knowing that we can confidently capture pristine footage that is immediately edit-ready.

“Theperfectsolutionforrecording4KMulti-camlargescaleevents”ChrisDavies,SeniorBroadcastEngineer,Gearhouse Broadcast

BROADCAST & PRO AV

SHOGUN INFERNOPAGE 12

SHOGUN STUDIO RONIN

Gearhouse Broadcast were commissioned to facilitate the 4K production of the Sydney leg of what proved to be one of the top grossing tours of 2015. To have an understanding of the scale of this event, the size of the production crew was 300 – and that was just the Recording/OB crew alone!

CASE STUDY: WORLD MUSIC TOUR

Credit: Gearhouse Broadcast

CONNECT-AC CONNECT



SHOGUNSTUDIO

SHOGUN STUDIO


Shogun Studio provide continuous4K/HD recording with the ability toautomatically record onto the 2nd drivewhen the first is full.

SDI & HDMI Rec Start / Stop triggers that can be cascaded across multiple devices as well as the ability to remotely control the Studio via 9pin RS422 Machine control or AMP over Ethernet.

Record camera ISO feeds directly from the sensor via HDMI or SDI turning any camera into a studio head. Increased quality 4:2:2 10-bit ProRes/DNxHR/HD with file naming & Metadata.

Shogun Studio has both HDMI and 12G SDI in/out (back compatible with 1.5/3/6G SDI). You can convert between HDMI and SDI (both ways) and downscale from 4K to HD on the outputs.

Spectacular 7.1” 1920x1200 over 320PPI SuperAtom IPS capacitive touch-screen & record indicators. Calibrated in the factory to Rec.709 & calibrate anytime using the optional X-Rite unit.

Monitor more than just the composition of the shot with wave form Luma, RGB parade and vector scope. Check exposure, focus and critical focus with 2:1 zoom.


Supports up to 12 tracks 24bit 48k Audio on SDI, 2 channels XLR in at mic or line level, 48V phantom and Audio Delay as well as 2 XLR outputs per Recorder.

In Playback mode customer playlistscan be created from Favorites (evenrespecting subclip i/o points), selectedclips or a combination of the two.

Record to visually lossless Apple ProRes or AVID DNxHR as an edit friendly, visually lossless industry benchmark independent of the camera brand used.

Shogun Studio benefits from redundantdual auto load balancing power suppliesand industry standard IEC connectorsmaking it easy to connect to your rack PDU or UPS.


SHOGUN STUDIO CORE FEATURES

Harnessing the latest 4K/HD recorder, monitor and playback technologies the Shogun Studio enhances existing HD workflows and provides an affordable rack mount solution for creating 4K Masters.

PERFECT FOR:

Event Playout 4K/HD playout with GenLock and Playlist

Sports Multi camera 4K ProRes record with Waveform

OB Vans 3RU all in one record/monitor/test/convert/playout



RONIN

RONIN


Dual Ronins provide continuousrecording for extra long shoots. Loopout to the second Ronin and startrecording as the first drive fills.

Ronin is compatible with HD and SD video for recording and playout.


SDI input for connection with cameras & broadcast infrastructure and output for larger monitors and TV’s.

Forget buttons & tape, move to touchscreens & HDD/SSD. Adjust audio channels on screen & monitor feeds with intuitive feedback.

A 5” resistive touchscreen (800 x 480)to navigate menu options and as acomfort monitor during recording.

2 channels of XLR balanced analog(48kHz 16-bit) in addition to the 12channels embedded in the SDI signal.

Synchronize with the camera’s timecode & record run, free run, time-of-day time codes for independent external recording.

We support affordable, readily available HDD or SSD. For mastering and archiving, they outperform DVD’s and Blu-ray significantly in size of cost.

Recorded footage can be played back and controlled on screen or out to larger monitors for client viewing.

AC power drives the Ronin withcontinuous battery backup foremergency situations.


RONIN CORE FEATURES

Designed for fixed facility studios and OB vans, Ronin lets you standardize ISO, Live and

Switched HD or SD recording feeds direct to Apple ProRes or Avid DNxHD ready immediately

for post production.

PERFECT FOR:

Concerts – High capacity, affordable media for long run times.

Broadcast – standardize iso, live and switched recordings

OB Vans - Continuous recording with dual Ronins test/convert/playout

Dual Ronin also available



The internal battery lasts 2 hours & with a fully charged battery mounted lasts 10 hours.

Weight&Dimensions 113g (without battery) / 213g (with battery) 45.0mm (w) x 76.5mm (l) x 34.0mm (h)

PowerConsumption 2W while converting

Batteries • Internal up to 1 hour • 2600mAh - 10hrs (included) • 5200mAh (NP Series, 7.4V - 16.8V) - 20hrs (optional) • 7800mAh - 30hrs (optional) • AC Power Supply 100-240V (included) • DTap Adapter (optional)

ContinuousPower Connect acts as a battery, feeding continuous power (Patent Pending) into your Ninja, Samurai, or another Connect.

Built-in 3:2 • 25PSF (50i)>25P • 30PSF (60i) >30P • 24p (3:2-60i) >24PPulldownRemoval

Test Pattern Generator SMPTE 75%, Color Bars 75 & 100%, SDI EQ/PLL Pathological, Audio Tone 1kHz @ -20dBfs

USB Interface Firmware Update Interface ONLY

Video Input H2S: HDMI x 1 S2H: 3G/HD/SD-SDI x1

Video Out H2S: 3G/HD/SD-SDI x 2 S2H: 3G/HD/SD-SDI x1 and HDMI x1

Audio (In/Out) Embedded Audio 2ch, 24, 20 or 16-bit

Timecode SDI: Sony, Canon, Panasonic, Arri, RED&RecTriggerExchange HDMI: Sony, Canon Timecode, Canon Start/Stop

SupportedFormats(In/Out) 1080p60, 1080p59.94, 1080p50, 1080i60, 1080i59.94, 1080i50, 1080p30, 1080p29.97,1080p25, 1080p24, 1080p23.98, 1080pSF30, 1080pSF29.97, 1080pSF25, 1080pSF24,1080pSF23.98, 720p60, 720p59.94, 720p50, 486i59.94, 480i59.94, 576i50

All specifications correct when published, subject to E&OE.

Rack MountableH2S S2H

There is an optional rack mount kit to hold up to 4 Connect AC converters.

Weight&Dimensions 115g (without battery) / 215g (with battery) 85.0mm (w) x 90.0mm (l) x 25.0mm (h)

ACPower 100-240VAC, 0.2A, 50-60Hz

PowerConsumption 2W while converting

2:2PulldownRemoval • 25PSF (50i)>25P • 30PSF (60i) >30P • 24PSF > 24P

Test Pattern Generator SMPTE 75%, Color Bars 75 & 100%, SDI EQ/PLL Pathological, Audio Tone 1kHz @ -20dBfs

USB Interface Firmware Update Interface ONLY

Video Input S2H: 3G/HD/SD-SDI x 1 H2S: HDMI x 1

Video Out S2H: 3G/HD/SD-SDI x 1 and HDMI x 1 H2S: 3G/HD/SD-SDI x 2

Audio (In/Out) Embedded Audio 2ch, 16, 20 or 24-bit

Timecode SDI: Sony, Canon, Panasonic, Arri, RED&RecTriggerExchange HDMI: Sony, Canon Timecode, Canon Start/Stop

SupportedFormats(In/Out) 1080p60, 1080p59.94, 1080p50, 1080i60, 1080i59.94, 1080i50, 1080p30, 1080p29.97,1080p25, 1080p24, 1080p23.98, 1080pSF30, 1080pSF29.97, 1080pSF25, 1080pSF24,1080pSF23.98, 720p60, 720p59.94, 720p50, 486i59.94, 480i59.94, 576i50

All specifications correct when published, subject to E&OE.

CONVERTERS

CONNECT H2S/S2H SPECS CONNECT-AC S2H / CONNECT-AC H2S SPECS

H2S S2H

10HRSBATTERY

CONNECT THE WORLD’S SMALLEST BATTERY POWERED VIDEO CONVERTER.

CONNECT-AC THE WORLD’S SMALLEST AC POWERED VIDEO CONVERTER.

Test Pattern & Audio Tone Generator A test pattern & audio tone generator is built in to use as a line testing tool. A time saver for system technicians & system integrators in the field or in the studio.

3:2&2:2PulldownExtract 24P/30P from 60i & 25P from 50i or pSF equivalents in real time.

FlashlightA built in LED torch so you can see what you’re connecting to in the dark.

Timecode&TriggerpassthroughAllow for pass through of timecode and start/stop trigger between devices.

Internal battery

ExternalBattery

D-Tap/AC Power

They are stackable too. With the AC power supply included, you can charge up to three

Connect units simultaneously.

CONNECT/CONNECT-AC CORE FEATURES


BATTERIES2600mAh 2 cell & 5200mAh 4 cell

battery

HDD/SSD CADDIES x 5For all Recorders

DOCKING STATIONDock SSD/HDD to Mac/PC

CANON & NIKON BATTERY ADAPTER

CFAST READER DOCKDock CFast to Mac/PC

POWER STATION BATTERY ADAPTERSPower Station battery adapters for Sony FW-50, Panasonic BLF19, Canon LP-E6, Sony NP-F570,

Nikon EN-EL15

AC POWER ADAPTERReplacement AC power for all

monitor-recorders

FAST BATTERY CHARGER Fast single battery charger

for Atomos and Sony NP style batteries

CONNECT-AC RACK KITFits four Connect-ACs

RONIN RACK KITFits two Ronins XLR BREAKOUT CABLE

Replacement breakout XLR cable for Shogun

25% EDUCATION D I S C O U N T

To make it easier for students to learn the right way, Atomos offer one of the most generous discounts in the industry to students. A 25% discount from the MSRP is available to students with proof of enrollment in media/film/photo studies or purchasing on behalf of a University/School. Available for Atomos products with MSRP greater than $500. Institution with more complex needs are welcome to contact their local Atomos office (atomos.com/contact) to design a customized Atomos bundle.

For more details visit: www.atomos.com/school

RegisteringyourAtomosproductiseasyandrewarding.You’ll be the first to know about new features and firmware and your warranty will be tripled from the standard 1 year to 3 years warranty (extended warranty applies to Atomos product greater than $500 MSRP on products registered within 1 year of purchase)

Learn more and register your product at: www.atomos.com/registration

ACCESSORIES

Specs ATOMCFT64 ATOMCFT128

Size 64GB* 128GB*

CFast version CFast 1.0

Write Speed 80MB/s

Read Speed 200MB/s

Operating temperature -25 to 45 degrees Celsius

-13 to 113 degrees Fahrenheit

* Some of the listed storage capacity is used for formatting and other purposes and is not available for data storage

CFast Media CFast speed & size, made affordable by Atomos

USB TO SERIAL CABLECalibration cable to connect with

optional X-Rite calibration unit

HARD CASEHard carry case and

replacements foams available

LCD PROTECTORMatte protector sheet for 7” models

TRAVEL CASESmaller footprint travel case for

Shogun, Ninja Assassin and Blade series

ARMOR BUMPERProtection from bumps and knock

on Shogun and Ninja Assassin

SUNHOODOptional sun hood available for Shogun,

Ninja Assassin, Samurai/Ninja Blade, Ninja 2. Replacement available for hoods included with Inferno and Flame models

DC TO D TAP COILED CABLEFor all 7” recorders

YEARW A R R A N T Y 3

R E G I S T E R E D P R O D U C T S


Weight

Withoutbatteries&media 709g / 25.0oz 650g / 22.9oz 620g / 21.9oz 345g / 12oz 311g / 11oz 300g / 11oz 130g / 4.6oz

Withbatteries&media 1153g / 40.7oz 1094g / 38.6oz 1064g / 37.5oz 696g / 25oz 662g / 23oz 651g / 23oz 249g / 8.8oz

Dimensions(WxHxDmm) 214 x 127 x 45mm, 8.4 x 5 x 1.8” 214 x 127 x 45mm, 8.4 x 5 x 1.8” 214 x 127 x 45mm, 8.4 x 5 x 1.8” 153 x 87 x 48mm, 6.0 x 3.4 x 1.9” 136 x 87 x 48mm, 5.4 x 3.4 x 1.9” 115 x 87 x 41mm, 4.5 x 3.4 x 1.6” 95 x 60 x 25mm, 3.7 x 2.4 x 1.0”

Construction High quality lightweight ABS Polycarbonate for durability & portability

High quality lightweight ABS Polycarbonate for durability & portability

High quality lightweight ABS Polycarbonate for durability & portability Aircraft-grade Aluminum for durability & portability Aircraft-grade Aluminum for durability & portability Aircraft-grade Aluminum for durability & portability Aircraft-grade Aluminum for durability & portability

Built-in armor protection Built-in armor protection Built-in armor protection

Power

Operatingpower(includingSSD) 10 - 27W 10 - 24W 10 - 24W 3.3W (monitoring only) / 6.8W (Rec, Mon, Play) 3.3W (monitoring only) / 6.8W (Rec, Mon, Play) 3.3W (monitoring only) / 6.0W (Rec, Mon, Play) 3.5W / 4.5W (Rec,Play)

Compatiblebatteries NP series and supporting accessories NP series and supporting accessories NP series and supporting accessories NP series, D-Tap and supporting accessories NP series, D-Tap and supporting accessories NP series, D-Tap and supporting accessories NP series, D-Tap and supporting accessories

Inputvoltage(battery) 6.2V to 16.8V 6.2V to 16.8V 6.2V to 16.8V 6.2V to 16.8V 6.2V to 16.8V 6.2V to 16.8V 6.2V to 16.8V

Batterytime(basedon7.4V) - - - 2600mAh - up to 4hrs 2600mAh - up to 4hrs 2600mAh - up to 5hrs 2600mAh - up to 5hrs

5200mAh - up to 1.5hrs (monitor & record 4K 30p) 5200mAh - up to 1.5hrs (monitor & record 4K 30p) 5200mAh - up to 1.5hrs (monitor & record 4K 30p) 5200mAh - up to 8hrs 5200mAh - up to 8hrs 5200mAh - up to 9hrs 5200mAh - up to 9hrs

7800mAh - up to 2.2hrs (monitor & record 4K 30p) 7800mAh - up to 2.2hrs (monitor & record 4K 30p) 7800mAh - up to 2.2hrs (monitor & record 4K 30p) 7800mAh - up to 12hrs 7800mAh - up to 12hrs 7800mAh - up to 14hrs 7800mAh - up to 14hrs

DC In 1 x DC in (6.2 - 16.8V) 1 x DC in (6.2 - 16.8V) 1 x DC in (6.2 - 16.8V) - - - -

Continuouspower*Patentpending

Primary-secondary battery system Change batteries without losing power Loop batteries continuously






via optional Power Station

Touchscreen

Size 7.1” 7.1” 7.1” 5” 5” 4.3” -

Resolution 1920 x 1200 1920 x 1200 1920 x 1200 1280 x 720 1280 x 720 800 x 480 -

PPI 325 325 325 325 325 220 -

Aspect ratio 16:9 native 16:9 native 16:9 native 16:9 native / 4:3 Letterbox 16:9 native / 4:3 Letterbox 16:9 native / 4:3 Letterbox -

ColorGamut REC709 HDTV REC709 HDTV REC709 HDTV REC709 HDTV REC709 HDTV SMPTE -

Lookuptable(LUT)support 3D LUT (.cube file format) 3D LUT (.cube file format) 3D LUT (.cube file format) 1D LUT 1D LUT - -

Anamorphicde-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3 2x, 1.5x, 1.33x, Panasonic 8:3 2x, 1.5x, 1.33x, Panasonic 8:3 - - - -

Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit

SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit



SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit LCD (Resistive touch) -

HDR

AtomHDR Yes Yes Yes Yes Yes No No

SupportedLogformats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm

Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm



Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm N/A N/A

SupportedGamuts

Sony SGamut / SGamut3 / SGamut3.cineCanon Cinema / BT2020 / DCI P3 / DCI P3+Panasonic V GamutArri Alexa Wide Gamut



Native gamut (no conversion) Native gamut (no conversion) N/A N/A

Bit depth 10-bit (8+2 FRC) 10-bit (8+2 FRC) 10-bit (8+2 FRC) 8-bit 8-bit 8-bit N/A

Brightness 1500nit (+/- 10%) 1500nit (+/- 10%) 1500nit (+/- 10%) 400nit 400nit N/A

PQ in/out In = Post Out = Monitor Yes / Yes Yes / Yes Yes / Yes No / No No / No N/A N/A

Video input/loop out

HDMI 1 x HDMI (2.0) 1 x HDMI (1.4b) 1 x HDMI (1.4b) - 1 x HDMI (1.4) 1 x HDMI (1.4) 1 x HDMI Micro (1.4)

SDI Quad link 4 x 3G SDI or up to 12G single link SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE) - 1 x HD/SD-SDI (SMPTE) - - -

Signal Uncompressed true 10-bit or 8-bit 422 (camera dependent)

Uncompressed true 10-bit or 8-bit 422 (camera dependent)






Videooutput(playout)

HDMI 1 x HDMI (2.0) 1 x HDMI (1.4b) 1 x HDMI (1.4b) - 1 x HDMI (1.4) 1 x HDMI (1.4) 1 x HDMI Micro (1.4)

SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G - 1 x HD/SD-SDI - - -

Signal Uncompressed true 10-bit or 8-bit 422 (playback file dependent)

Uncompressed true 10-bit or 8-bit 422 (playback file dependent)






Supportedloopoutformats

HDMI to HDMI720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60

720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/120, 2160p 24/25/30

720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/120, 2160p 24/25/30

-

SD 480i, 576i1280 x 720p 50/60 1920 x 1080i 50/60 1920 x 1080p 24/25/30

SD 480i, 576i1280 x 720p 50/60 1920 x 1080i 50/60 1920 x 1080p 24/25/30

SD 480i, 576i1280 x 720p 50/60 1920 x 1080i 50/60 1920 x 1080p 24/25/30

SDI to SDI

720p 50/60, 1080i 50/601080pSF 24/25/301080p 24/25/30/50/60/100/120/200*/240*2160p 24/25/30/50/60

720p 50/60, 1080i 50/601080pSF 24/25/301080p 24/25/30/50/60/120* 2160p 24/25/30

-720p 50/60, 1080i 50/60 1080pSF 24/25/30 1080p 24/25/30

- - -

Videosignalconversion

HDMI to SDI720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60

720p 50/60, 1080i 50/601080p 24/25/30/50/60/120*2160p 24/25/30

- - - - -

SDI to HDMI720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60

720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/120*2160p 24/25/30

- - - - -

SHOGUN INFERNO SHOGUN FLAME NINJA FLAME SAMURAI BLADE NINJA BLADE NINJA 2 NINJA STAR

SpecificationscorrectattimeofprintingE&OE* Available in a future firmware update. ** 24/30/60 frame rates also include 23.98/29.97/59.94 frame rates for all resolutions *** No HDMI Spec for 2K DCI


SupportedCodecs&framerates(record&playback)

RawtoCDNG(Recordonly)*

CodecsCinema DNG for supported cameras (Sony FS5/FS7/FS700, Canon C300MKII, C500, Panasonic Varicam RAW*)

Framerates4K DCI / 4K UHD; 24/25/30p2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120p



N/A N/A N/A N/A N/A

RawtoProRes/DNxHR

CodecsApple ProRes HQ, 422, LTAVID DNxHR HQX. HQ, SQ, LB

Framerates4K DCI / 4K UHD; 24/25/30/50/60p2K*** / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120/200/240p


Framerates4K DCI / 4K UHD; 24/25/302K*** / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120

N/A N/A N/A N/A N/A

VideotoProRes/DNxHR


Framerates4K DCI / 4K UHD; 24/25/30/50/60p2K*** / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120/200/240p1080i; 50/60i720p; 50/60p


Framerates4K UHD; 24/25/301080p; 24/SF24/25/SF25/30/SF30/50/60/100/1201080i; 50/60i720p; 50/60p


Framerates4K UHD; 24/25/301080p; 24/SF24/25/SF25/30/SF30/50/60/100/1201080i; 50/60i720p; 50/60p

CodecsApple ProRes HQ, 422, LTAVID DNxHD 220x, 220, 145, 36

Framerates1080p; 24/SF24/25/SF25/30/SF301080i; 50/60i720p; 50/60pSD 480i, 576i





CodecsApple ProRes HQ, 422, LT


Onboardprocessing

Pulldownremoval 24/25/30pSF > 24/25/30p (2:2 pulldown)60i > 24p (3:2 pulldown)

24/25/30pSF > 24/25/30p (2:2 pulldown)60i > 24p (3:2 pulldown)






4KUHDdownscaleforHDmonitoring Yes - Loop-out and playback (Not available in RAW) Yes - Loop-out and playback (Not available in RAW) Yes - Loop-out and playback - - - -

Audioin/out(48kHzPCMaudio)

HDMI 2 or 8ch 24-bit, camera dependent 2 or 8ch 24-bit, camera dependent 2 or 8ch 24-bit, camera dependent - 2ch 48kHz 16-bit 2ch 48kHz 16-bit 2ch 48kHz 16-bit (no gain control)

SDI 12ch 48kHz 24-bit 12ch 48kHz 24-bit - 12ch 48kHz 16-bit - - -

Audio

2ch balanced XLR analog in/outDynamic range >90dBMax signal level +24dBuMax analog gain +52dB48V Phantom Power for Mic

2ch balanced XLR analog in/outDynamic range >90dBMax signal level +24dBuMax analog gain +52dB48V Phantom Power for Mic

Line in / Mic in / Headphone out 2ch 48kHz 24-bit Line in / Headphone out 2ch 48kHz 16-bit Line in / Headphone out 2ch 48kHz 16-bit Line in / Headphone out 2ch 48kHz 16-bit Line in 2ch 48kHz 16-bit

Remotestart/stop

HDMIAuto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard

Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard


-Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard



SDI SDI trigger camera selectable SDI trigger camera selectable - SDI trigger camera selectable - - -

Other LANC control - Slave LANC control - Slave LANC control - Slave LANC control - Slave LANC control – Slave - -

Playback

Playlist Yes Yes Yes - - - -

Genlock/LTC Yes / Yes Yes / Yes - - - - -

Recording

Pre-roll record Yes (HD 8s, 4K 2s) Yes (HD 8s, 4K 2s) Yes (HD 8s, 4K 2s) - - - -

Customtimelapse Yes Yes Yes - - - -

Metadatatagging Yes (10 tags available) Yes (10 tags available) Yes (10 tags available) Yes (Favorite, Reject) Yes (Favorite, Reject) Yes (Favorite, Reject) Yes (Favorite, Reject)

Supportedmedia(ApprovedListOnly)

4K / HD (50/60/120p)SSD 2.5”, HDD (7,200 up to 1080p60)

HDSSD 2.5”, HDD (5,400 up to 1080p30)


HDSSD 2.5”, HDD (5,400 up to 1080p30)


HDSSD 2.5”, HDD (5,400 up to 1080p30)

SSD 2.5” HDD (5,400 to 7,200rpm)

SSD 2.5” HDD (5,400 to 7,200rpm)

SSD 2.5” HDD (5,400 to 7,200rpm) Atomos CFast & approved 3rd party CFast

Master caddy case Master Caddy II (included) 75mm x 105mm x 12mm

Master Caddy II (included) 75mm x 105mm x 12mm

Master Caddy II (included) 75mm x 105mm x 12mm

Master Caddy 1 (included) 75mm x 105mm x 12mm

Master Caddy 1 (included) 75mm x 105mm x 12mm

Master Caddy 1 (included) 75mm x 105mm x 12mm -

Mastercaddydock 2.5” SATA to USB 2.0/3.0 2.5” SATA to USB 2.0/3.0 2.5” SATA to USB 2.0/3.0 2.5” SATA to USB 2.0/3.0 2.5” SATA to USB 2.0/3.0 2.5” SATA to USB 2.0/3.0 USB 2.0/3.0 CFast card reader

Supported applications

Supported Applications FCPX/FCP7+ / Media Compos-er 5.0+ / Premiere 5.5+EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015




Supported Applications FCPX/FCP7+ / Media Compos-er 5.0+ / Premiere 5.5+ / EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015



FCPX XML native, FCP7 supported with conversion (Adobe compatible)XMLsupport FCPX XML native, FCP7 supported with conversion

(Adobe compatible)FCPX XML native, FCP7 supported with conversion (Adobe compatible)

FCPX XML native, FCP7 supported with conversion (Adobe compatible)




Accessories included

Shogun Inferno unit, Custom yellow HPRC case, Control cable, XLR breakout cable, 2x NP-F750 5200mAh batteries, Fast battery charger, SATA 3/2 to USB 3/2 HDD/SSD docking station, DC to D-Tap coiled cable, Master Caddy II x 5, 12V-3A AC adapter x 2 (Fast charger & DC power), HDR sunhood

Shogun Flame unit, Custom yellow HPRC case, Control cable, XLR breakout cable, 2x NP-F750 5200mAh batteries, Fast battery charger, SATA 3/2 to USB 3/2 HDD/SSD docking station, DC to D-Tap coiled cable, Master Caddy II x 5, 12V-3A AC adapter x 2 (Fast charger & DC power), HDR sunhood

Ninja Flame unit, Custom red HPRC case, Control cable, 2x NP-F750 5200mAh batteries, Fast battery charger, SATA 3/2 to USB 3/2 HDD/SSD docking station, DC to D-Tap coiled cable, Master Caddy II x 5, 12V-3A AC adapter x 2 (Fast charger & DC power), HDR sunhood

Samurai Blade unit, Universal battery charger 110-240V, AC adapter & car charger, docking station & leads, 2 x master caddy cases, 1 x Atomos 2600mAh battery, Rugged carry case, D-Tap adapter, 2.5mm “Y” adapter cable for LANC

Ninja Blade unit, Universal battery charger 110-240V, AC adapter & car charger, docking station & leads, 2 x master caddy cases, 1 x Atomos 2600mAh battery, Rugged carry case, Canon & Nikon adapter plates, 2.5mm “Y” adapter cable for LANC

Ninja 2 unit, Universal battery charger 110-240V, dock-ing station & leads, 2 x master caddy cases, 1 x Atomos 2600mAh battery, Canon & Nikon adapter plates

Ninja Star unit, Universal battery charger 110-240V, AC adapter & car charger, CFast card reader, 1 x Atomos 2600mAh battery, Rugged carry case, Cheese plate mounting adapter

Optionalextras Atomos HDMI cable, X-Rite calibration Atomos HDMI cable, X-Rite calibration Atomos HDMI cable, X-Rite calibration5 x Master caddy cases, Sunhood, Carry cases, Canon & Nikon adapter plates, Connect H2S converter, Connect S2H converter, Power Station

5 x Master caddy cases, Sunhood, D-Tap adapter, Carry cases, Connect H2S converter, Connect S2H converter, Power Station

5 x Master caddy cases, Sunhood, D-Tap adapter, car adapter, Carry cases, Connect H2S converter, Connect S2H converter, Power Station

D-Tap adapter, Canon & Nikon adapter plates, Connect H2S converter, Connect S2H converter, CFast cards, Atomos specialty HDMI cables, Power Station


SHOGUN FLAME NINJA FLAME SAMURAI BLADE NINJA BLADE NINJA 2 NINJA STARSHOGUN INFERNO


Weight&dimensions

Weight 5.0kg / 11lb 1.8kg / 3lb 15oz (Ronin)4.8kg / 10lb 9oz (Ronin Duo)

Rackheight 3Ru 3Ru

Rackmounting Removable rack ears Optional rack shelf

Dimensions(WxHxDmm) 447 x 152 x 251mm, 17.6 x 6.0 x 9.9” (without rack ears)490 x 152 x 251mm, 19.3 x 6.0 x 9.9” (with rack ears)

202 x 120 x 160mm, 8.0 x 4.7 x 6.3” (Ronin)490 x 120 x 160mm, 19.3 x 4.7 x 6.3” (Ronin Duo)

Construction Steel construction for durability Steel construction for durablility

Cooling Actively controlled fan with heat sinks Heat sink, fanless

Power

Operatingpower(includingSSD) 20 - 60W 3.3W (monitoring only) / 6.8W (Rec, Mon, Play)

Redundant PSU Yes No

Compatiblebatteries No NP series, D-Tap and supporting accessories

Inputvoltage(battery) - 6.2V to 16.8V

DC Out No Yes

Continuouspower*Patentpending - AC, battery & DC

Touchscreen

Size 7.1” 5”

Resolution 1920 x 1200 800 x 480

PPI 320 220

Aspect ratio 16:9 native 16:9 native / 4:3 Letterbox

Color standard Rec.709 HDTV SMPTE

Lookuptable(LUT)support 3D LUT (.cube file format) No

Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional X-Rite unit LCD (resistive touch)

Video analysis tools Luma waveform, RGB parade, Vectorscope, Vectorscope zoom No

Calibration Calibration in factory to Rec.709, in field calibration with optional X-Rite unit No

HDR

AtomHDR Yes No

SupportedLogformats Sony SLog2 / SLog3, Canon CLog / CLog2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm N/A

SupportedGamuts


N/A

Bit depth 8-bit 8-bit

Brightness 400nit

PQ in/out In = Post Out = Monitor Yes / Yes

Video input/loop out

HDMI 1 x HDMI (1.4b) per channel No

SDI 1 x 4K-SDI 12G/6G or HD-SDI 3G/1.5G per channel 1 x HD/SD-SDI 1.5G (SMPTE)

Signal Uncompressed true 10-bit or 8-bit 422 (camera dependent) Uncompressed true 10-bit or 8-bit 422 (camera dependent)

Videooutput(playout)

HDMI 1 x HDMI (1.4b) per channel No

SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE) per channel 1 x HD/SD-SDI 1.5G (SMPTE)

Signal Uncompressed true 10-bit or 8-bit 422 (playback file dependent)


SupportedCodecs&framerates(record&playback)

RawtoCDNG(Recordonly)



N/A

RawtoProRes/DNxHR


Framerates4K DCI / 4K UHD; 24/25/302K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120

N/A

VideotoProRes/DNxHR

CodecsApple ProRes HQ, 422, LTAVID DNxHR HQX. HQ, SQ, LBFramerates4K DCI / 4K UHD; 24/25/302K*** / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/1201080i; 50/60i720p; 50/60p

CodecsApple ProRes HQ, 422, LTAVID DNxHD 220x, 220, 145, 36Framerates1080p; 24/SF24/25/SF25/30/SF301080i; 50/60i720p; 50/60pSD 480i, 576i

Onboardprocessing

HDMI 24/25/30pSF > 24/25/30p (2:2 pulldown)60i > 24p (3:2 pulldown)


SDI Yes - Always on via optional Connect converter

Analogueaudio On HDMI/SDI loop out (Rec & Playout) No

Audioin/out(48kHzPCMaudio)

HDMI 2 or 8ch 24-bit, camera dependent No

SDI 12ch 48kHz 24-bit 12ch 48kHz 16-bit

Analogueaudio2 x XLR in & 2 x XLR out on rear per record channel. Mic or line level with phantom 48V

2 x XLR in & 2 x XLR out on rear per record channel.

Processing Gain control on line in & headphone output Gain control on line in & headphone output

Maximumaudioquality 24-bit, 48kHz 16-bit, 48kHz

Audio delay Delay setting +1 to 99 frames No

Remotecontrol

HDMI Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard No

SDI SDI trigger camera selectable SDI trigger camera selectable

RS422 RS422 machine control No

AMP via Ethernet RJ45 10/100 No

Serial Calibration (front) LANC control - slave

Timecode

HDMI Embedded timecode from camera or video device No

SDI Embedded timecode from camera or video device Embedded timecode from camera or video device

LTC In Yes (LTC loop back) No

GenLockIn Yes (GenLock loop back) No

Playback

Playlist Yes (run down or reverse order) for selected, favorite or all clips No

Playbackoptions Loop in & out markets Loop in & out markets

Recording

Dual channel Record 4K master with HD proxies. Record both ProRes & DNxHR versions, indepen-dent dual channel record. No

Continuous record Single channel 4K / HD recording automatically switches between drive when at capacity No

Pre-roll record Yes (HD 8s, 4K 2s) No

Customtimelapse Yes (Key frameable up to 10 video and single frame Intervals, can be triggered from internal clock). No

Metadatatagging Yes (10 tags available) Yes (Favorite, Reject)

Recordingmedia

Drive slots 2 (1 per record channel) 1 per device

Drive connection types SATA SATA

Supportedmedia (ApprovedListOnly)

4K / HD (50/60/120p*)CFast 2.0, SSD 2.5”, HDD (HD 50/60 only - 7,200 up to 1080p60)

HDCFast 1.0, SSD 2.5”, HDD (5,400 up to 1080p30)

HDCFast 1.0, SSD 2.5”, HDD (5,400 up to 1080p30)

Master caddy case Master Caddy II (included) 75mm x 105mm x 12mm

Master Caddy I (included) 75mm x 105mm x 12mm

Mastercaddydock 2.5” SATA to USB 2.0/3.0 2.5” SATA to USB 2.0/3.0

Supported applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+, EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015

Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ / EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015

XMLsupport FCPX XML native, FCP7 supported with conversion (Adobe compatible) FCPX XML native, FCP7 supported with conversion (Adobe compatible)

Accessories included Shogun Studio unit, 2x Rack ears with screws, 5x Master II Caddies4x Rubber feet, 2x Large rubber feet, 2x IEC power cable, 1x Screen cleaning cloth

Ronin unit, docking station & leads, 5 x master caddy cases, 2 x Atomos 2600mAh battery, D-Tap adapter

Optionalextras Master Caddy II x 5, X-Rite calibration Rack mount adapter, Connect H2S converter, Connect s2H converter

Warranty 1 year. Extended to 3 years on product registration 1 year. Extended to 3 years on product registration


RONIN RONINSHOGUN STUDIO SHOGUN STUDIO

40 Atomos

ATOMOS USA

Atomos Inc2056 NW Aloclek Drive, Suite #303 Hillsboro, OR, 97124

Tel: +1 503 388 3236

ATOMOS EUROPE

Europe, Middle East & AfricaAtomos GmbHHohe Str. 2156410 Montabaur, Germany

Tel: + 49 2602 839 180 0(English & German)

ATOMOS JAPAN

Atomos Co. Ltd AY bld. 1-2-3 Nihonbashi Horidomecho Chuo-ku, Tokyo 103-0012

Tel: +81 3 6661 2827

ATOMOS CHINA

Atomos China Co., Ltd.1208, Golden Tower, No.1 Xibahe South Road,Chaoyang District, 100028, Beijing, China

Tel: +86 10 6440 3688

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