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Victor Sirotek Practical Typography Or, “How to make your work look great, even if you aren't a designer." MUTUALLY HUMAN @mercilessrobot

Practical Typography - Type for non-designers

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A presentation about how to use type effectively if you aren't a designer.

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Page 1: Practical Typography - Type for non-designers

Victor Sirotek

Practical TypographyOr, “How to make your work look great, even if you aren't a designer."

MUTUALLY HUMAN

@mercilessrobot

Page 2: Practical Typography - Type for non-designers

Some basic S’s

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Serif

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S

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Sans-Serif

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S

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Script

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S

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Stupid

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S

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‘Fun’ font fact

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Marker Felt

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is the less offensive cousin of

Comic Sans

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Marker Felt

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is the less offensive cousin of

Comic SansComic Sans

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Why does typographymatter?

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It helps us tell stories

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Once upon a time people got bored quickly when reading on the web.Then one day, a little old lady learned that the way to combat this is to tell stories because people like them. They make the content of the message easier to digest and greatly increase our comprehension.

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How to tell stories

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Content

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This is not content.

Lorem ipsum dolor sit amet, consectetur adipiscing elit.

Suspendisse auctor purus vel mi volutpat

scelerisque. Lorem ipsum dolor sit amet,

consectetur adipiscing elit. Mauris turpis nibh,

dapibus non sagittis non, hendrerit sollicitudin

arcu. Nulla vestibulum dolor vitae neque

cursus nec ornare sapien tempus.

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MUTUALLY HUMAN

This is misleading.

Lorem ipsum dolor sit amet, consectetur adipiscing elit.

Suspendisse auctor purus vel mi volutpat

scelerisque. Lorem ipsum dolor sit amet,

consectetur adipiscing elit. Mauris turpis nibh,

dapibus non sagittis non, hendrerit sollicitudin

arcu. Nulla vestibulum dolor vitae neque

cursus nec ornare sapien tempus.

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MUTUALLY HUMAN

Switch in content and...

Real content has character and can be unpredictable

This leads to less than stellar positioning of

words. You need the content to know if the

sizes you are choosing for headlines, sub-

heads, call-outs and body copy are actually

looking good. So please, pressure your clients,

co-workers, designers and writers to get it.

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MUTUALLY HUMAN

Keep content in mind.

Real content has character and can be unpredictable

This leads to less than stellar positioning of

words. You need the content to know if the

sizes you are choosing for headlines, sub-

heads, call-outs and body copy are actually

looking good. So please, pressure your clients,

co-workers, designers and writers to get it.

Then you can make everything !t properly for

maximum readability! Yay. Happiness.

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Choosing a font

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Start simple

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Be playful

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Explore good resources like Typekit and Fonts.com

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Line Height

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Line height is

the space between lines.

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You can alter the appearance,

context and potency of your

message by adjusting line

height of your copy.

Line height can allow you to

create an interesting visual

effect, drive home a point or

call out information.

I wouldn’t recommend going too crazy with it for body copy though. Quotes, headlines and extraneous info only.

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Letter Spacing

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Letter spacing is,the space between L E T T E R S

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Be careful with letter spacing.Use it sparingly for

M A X I M U M E F F E C T

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Vary type

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& move eyes with type

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Mix thicksMUTUALLY HUMAN

with thinsChange sizes for subheads

Switch to a serif for body copy. It is often easier to read. Some people prefer it.

Others like the stability and feeling of a san-serif font. Neither are wrong.

True story.

Page 32: Practical Typography - Type for non-designers

Mix thicksMUTUALLY HUMAN

with thinsChange sizes for subheads

Switch to a serif for body copy. It is often easier to read. Some people prefer it.

Others like the stability and feeling of a san-serif font. Neither are wrong.

True story.

Page 33: Practical Typography - Type for non-designers

Learn about grids

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Let the grid guide you

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1. 2. 3.

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1. 2. 3.

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1. 2. 3.

Word to the wiseregarding grids

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1. 2. 3.

Word to the wiseregarding gridsYou really shouldn’t let your line-length run longer than 2/3 the width of your layout. Here it is easy, this is a 3 column grid. If you are using 5, the ratio is 3/5. 7, 4/7. Etc.

It isn’t an exact science. The reason for doing this is readability. If you let your line-length go to long, it is very hard to read. Then you end up with no one reading your words. What could be more sad? So use shorter lines. It will increase readability.

Page 39: Practical Typography - Type for non-designers

MUTUALLY HUMAN

1. 2. 3.

Word to the wiseregarding gridsYou really shouldn’t let your line-length run longer than 2/3 the width of your layout. Here it is easy, this is a 3 column grid. If you are using 5, the ratio is 3/5. 7, 4/7. Etc.

It isn’t an exact science. The reason for doing this is readability. If you let your line-length go to long, it is very hard to read. Then you end up with no one reading your words. What could be more sad? So use shorter lines. It will increase readability.

The Editor

“Then you have another column for pull-quotes”

Page 40: Practical Typography - Type for non-designers

MUTUALLY HUMAN

1. 2. 3.

Word to the wiseregarding gridsYou really shouldn’t let your line-length run longer than 2/3 the width of your layout. Here it is easy, this is a 3 column grid. If you are using 5, the ratio is 3/5. 7, 4/7. Etc.

It isn’t an exact science. The reason for doing this is readability. If you let your line-length go to long, it is very hard to read. Then you end up with no one reading your words. What could be more sad? So use shorter lines. It will increase readability.

The Editor

“Then you have another column for pull-quotes”

Or recommended article links

Don’t use comic sans

Basic font stuff

Lorem ipsum sucks

Vary type

Page 41: Practical Typography - Type for non-designers

MUTUALLY HUMAN

Word to the wiseregarding gridsYou really shouldn’t let your line-length run longer than 2/3 the width of your layout. Here it is easy, this is a 3 column grid. If you are using 5, the ratio is 3/5. 7, 4/7. Etc.

It isn’t an exact science. The reason for doing this is readability. If you let your line-length go to long, it is very hard to read. Then you end up with no one reading your words. What could be more sad? So use shorter lines. It will increase readability.

The Editor

“Then you have another column for pull-quotes”

Or recommended article links

Don’t use comic sans

Basic font stuff

Lorem ipsum sucks

Vary type

Page 42: Practical Typography - Type for non-designers

MUTUALLY HUMAN

Word to the wiseregarding gridsYou really shouldn’t let your line-length run longer than 2/3 the width of your layout. Here it is easy, this is a 3 column grid. If you are using 5, the ratio is 3/5. 7, 4/7. Etc.

It isn’t an exact science. The reason for doing this is readability. If you let your line-length go to long, it is very hard to read. Then you end up with no one reading your words. What could be more sad? So use shorter lines. It will increase readability.

The Editor

“Then you have another column for pull-quotes”

Or recommended article links

Don’t use comic sans

Basic font stuff

Lorem ipsum sucks

Vary type

Page 43: Practical Typography - Type for non-designers

MUTUALLY HUMAN

1. 2. 3. 4. 5.

Page 44: Practical Typography - Type for non-designers

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1. 2. 3. 4. 5.

Here, I’m laying the type into a 5-column grid.

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1. 2. 3. 4. 5.

Here, I’m laying the type into a 5-column grid.

You don’t have to keep copy in strict column blocks when you use a grid.

Page 46: Practical Typography - Type for non-designers

MUTUALLY HUMAN

1. 2. 3. 4. 5.

Here, I’m laying the type into a 5-column grid.

You don’t have to keep copy in strict column blocks when you use a grid.

In fact, it is quite liberating to move the copy blocks around to see what affect it may have on the nature of the content. As long as you pay attention to flow, it can work.

Page 47: Practical Typography - Type for non-designers

MUTUALLY HUMAN

1. 2. 3. 4. 5.

Here, I’m laying the type into a 5-column grid.

You don’t have to keep copy in strict column blocks when you use a grid.

In fact, it is quite liberating to move the copy blocks around to see what affect it may have on the nature of the content. As long as you pay attention to flow, it can work.

You can achieve a print-like feel to your copy if you experiment with inserting large blocks of copy where they aren’t expected. It also helps lead the users eye and create something they haven’t seen before.

Page 48: Practical Typography - Type for non-designers

MUTUALLY HUMAN

1. 2. 3. 4. 5.

Here, I’m laying the type into a 5-column grid.

You don’t have to keep copy in strict column blocks when you use a grid.

In fact, it is quite liberating to move the copy blocks around to see what affect it may have on the nature of the content. As long as you pay attention to flow, it can work.

You can achieve a print-like feel to your copy if you experiment with inserting large blocks of copy where they aren’t expected. It also helps lead the users eye and create something they haven’t seen before.

The most important thing is to keep those eyes moving in the right direction.

Page 49: Practical Typography - Type for non-designers

MUTUALLY HUMAN

1. 2. 3. 4. 5.

Here, I’m laying the type into a 5-column grid.

You don’t have to keep copy in strict column blocks when you use a grid.

In fact, it is quite liberating to move the copy blocks around to see what affect it may have on the nature of the content. As long as you pay attention to flow, it can work.

You can achieve a print-like feel to your copy if you experiment with inserting large blocks of copy where they aren’t expected. It also helps lead the users eye and create something they haven’t seen before.

Ya dig?

The most important thing is to keep those eyes moving in the right direction.

Page 50: Practical Typography - Type for non-designers

MUTUALLY HUMAN

Here, I’m laying the type into a 5-column grid.

You don’t have to keep copy in strict column blocks when you use a grid.

In fact, it is quite liberating to move the copy blocks around to see what affect it may have on the nature of the content. As long as you pay attention to flow, it can work.

You can achieve a print-like feel to your copy if you experiment with inserting large blocks of copy where they aren’t expected. It also helps lead the users eye and create something they haven’t seen before.

Ya dig?

The most important thing is to keep those eyes moving in the right direction.

Page 51: Practical Typography - Type for non-designers

MUTUALLY HUMAN

Here, I’m laying the type into a 5-column grid.

You don’t have to keep copy in strict column blocks when you use a grid.

In fact, it is quite liberating to move the copy blocks around to see what affect it may have on the nature of the content. As long as you pay attention to flow, it can work.

You can achieve a print-like feel to your copy if you experiment with inserting large blocks of copy where they aren’t expected. It also helps lead the users eye and create something they haven’t seen before.

Ya dig?

The most important thing is to keep those eyes moving in the right direction.

Page 52: Practical Typography - Type for non-designers

Reading list

MUTUALLY HUMAN

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MUTUALLY HUMAN

Thinking with Typeby Ellen Lupton

Grid Systemsby Kimberly Elam

Designing with the Mind in Mindby Jeff Johnson

Ordering Disorderby Khoi Vinh

Typography Insight(iPad app)

by Dong Yoon Park

Page 54: Practical Typography - Type for non-designers

Thank you so much!

MUTUALLY HUMAN