75
The Elements and Principles of Design Presented by Jaikumar Ranganathan

E & p of design

Embed Size (px)

DESCRIPTION

 

Citation preview

Page 1: E & p of design

The Elementsand Principlesof Designof Design

Presented by

Jaikumar Ranganathan

Page 2: E & p of design

The Elements of Design:

These 6 ingredients are used to create a design:� line � Shape & form � Shape & form � Space� value � colour� texture

Page 3: E & p of design

LINELINE

Page 4: E & p of design

Four Basic Types of Lines

Horizontal

Vertical

Curvilinear

Page 5: E & p of design

LineLineLineLine: An element of design that is used to

define shape, contours, and outlines, also

to suggest mass and volume. It may be a to suggest mass and volume. It may be a

continuous mark made on a surface with

a pointed tool or implied by the edges of

shapes and forms.

Page 6: E & p of design

Characteristics of Line are: Characteristics of Line are: Characteristics of Line are: Characteristics of Line are:

� WidthWidthWidthWidth- thick, thin, tapering,

uneven

� LengthLengthLengthLength - long, short,

continuous, broken

� DirectionDirectionDirectionDirection- horizontal,

vertical, diagonal, curving, vertical, diagonal, curving,

perpendicular, oblique,

parallel, radial, zigzag

� FocusFocusFocusFocus- sharp, blurry, fuzzy,

choppy

� FeelingFeelingFeelingFeeling- sharp, jagged,

graceful, smooth

Page 7: E & p of design

Implied Line

• Implied Line is the line inside the object within in the

art / design work. For example, an image of a soldier

standing tall has an implied vertical line in the stance.

Each of the lines imply different meanings. A vertical A vertical A vertical A vertical

line can imply nobility. A horizontal can imply calm line can imply nobility. A horizontal can imply calm line can imply nobility. A horizontal can imply calm line can imply nobility. A horizontal can imply calm line can imply nobility. A horizontal can imply calm line can imply nobility. A horizontal can imply calm line can imply nobility. A horizontal can imply calm line can imply nobility. A horizontal can imply calm

or rest. or rest. or rest. or rest. A A A A diagonal line can imply movement. A diagonal line can imply movement. A diagonal line can imply movement. A diagonal line can imply movement. A

curvilinear line can imply grace. curvilinear line can imply grace. curvilinear line can imply grace. curvilinear line can imply grace.

Page 8: E & p of design

Line

• Linear marks

• Lines

• Edges

• Implied Line• Implied Line

A series of points A series of points A series of points A series of points

indicating direction, indicating direction, indicating direction, indicating direction,

movement and form.movement and form.movement and form.movement and form.Horizontal lines suggest rest and

tranquility.

FreeFoto.com

Page 9: E & p of design

LineLineLineLine

Line is a moving dot.

Page 10: E & p of design

Line

Vertical lines suggest grandness. Diagonal lines indicate movement.

Page 11: E & p of design

Nobility and Movement

Page 12: E & p of design

SHAPE

Page 13: E & p of design

Organic and Geometric

Organic shapes are natural shapes which can be

symmetrical and asymmetrical.

••

Geometric shapes are ‘man-made’ or machine

made shapes, mathematically deduced, with

clear sharp edges.

Page 14: E & p of design

Shape

• Organic – thought of as

Shape is a twoShape is a twoShape is a twoShape is a two----dimensional closed contour dimensional closed contour dimensional closed contour dimensional closed contour

defined by its perimeterdefined by its perimeterdefined by its perimeterdefined by its perimeter

• Organic – thought of as

occurring naturally

• Geometric – named

shapes

Page 15: E & p of design

• Squares and

rectangles – stability

• Triangles – goal or

Shape

• Triangles – goal or

direction

Page 16: E & p of design

Form and SpaceForm and SpaceForm and SpaceForm and Space

Form is an area surrounded by space.

Space can be positive or negative.

Page 17: E & p of design

Form

FormFormFormForm is the three-dimensionality of an object. Shading a circle in a certain manner can turn it into a sphere.

Form

Types

Form

Types

Square

Cube

Rectangle

Cylinder

Triangle

Cone

Circle

Sphere

Page 18: E & p of design

Shape

(think ‘form’)think ‘form’)think ‘form’)think ‘form’)

Page 19: E & p of design

space

(think ‘distance in & between things’)think ‘distance in & between things’)think ‘distance in & between things’)think ‘distance in & between things’)

Page 20: E & p of design

The area between, around, or inside

objects

• Positive space – the • Positive space – the

space occupied by

objects

• Negative space – the

space around and

between objects

FreeDigitalPhotos.net

Page 21: E & p of design

The measure of lightness or darkness in

a composition.

Page 22: E & p of design

• Darker objects stand

out in a composition.

• Lighter objects

Value

• Lighter objects

recede or hang back.

FreeFoto.com

Page 23: E & p of design

Value

(think degree of lightness or darkness)

Page 24: E & p of design

ColorColorColorColor

Color is the hue, shade, or tone of an object.

Page 25: E & p of design

color

Page 26: E & p of design
Page 27: E & p of design

• Black – authority

• White – innocence and purity

• Red – passion, anger,appetite

Color

appetite

• Green – wealth, naturerelaxing

• Blue – peace, loyalty

• Purple – luxury, wealth, sophistication

Page 28: E & p of design

TEXTURETEXTURETEXTURETEXTURETEXTURETEXTURETEXTURETEXTURE

The surface quality or "feel" of an object, its The surface quality or "feel" of an object, its

smoothness, roughness, softness, etc. Textures

may be actual or implied.

Page 29: E & p of design
Page 30: E & p of design

TextureTextureTextureTexture

Texture is the visual surface quality of an object.

Page 31: E & p of design

• Refers to the surface

appearance of an

Texture

object

• Enhances the realism

of an object

Page 32: E & p of design

Texture

(think ‘the look/feel of the surfacethink ‘the look/feel of the surfacethink ‘the look/feel of the surfacethink ‘the look/feel of the surface ’)’)’)’)

Page 33: E & p of design

The Principles of Design

• Rhythm

• Movement

• Pattern

• Emphasis

• Variety

• Harmony• Balance

• Proportion

• Harmony

• Unity

Note: This list is one possible list. You will find that every book, every artist has a slightly different list of Principles.

Page 34: E & p of design

Balance:

Balance is concerned with arranging art elements in an

artwork so no one part over powers, or seems heavier

than, any other part.

There are three types of balance:

�Formal

�Informal

�Radial

Page 35: E & p of design

Formal Balance (Symmetrical):Occurs when one half of a work mirrors

or closely resembles the other half.

Page 36: E & p of design
Page 37: E & p of design
Page 38: E & p of design

Informal Balance (Asymmetrical):

Involves a balance of unlike objects or elements.

Page 39: E & p of design
Page 40: E & p of design

Radial Balance:

Occurs when elements are positioned around a central point.

Page 41: E & p of design
Page 42: E & p of design

Symmetry & Asymmetry

• If you fold an image in half and it is the same on both sides it

has symmetry, it is symmetrical.

• If you fold an image in half and it is not the same on both sides

it has asymmetry, it is asymmetrical.

• A work of art can be asymmetrical and still be balanced. • A work of art can be asymmetrical and still be balanced.

Symmetrical Asymmetrical

Page 43: E & p of design

BalanceBalanceBalanceBalance

Balance relates to our physical sense of balance.

Page 44: E & p of design

RepetitionRepetitionRepetitionRepetition

Repetition is one, or similar elements that are repeated.

Page 45: E & p of design

ContrastContrastContrastContrast

Contrast is when elements are different.

Page 46: E & p of design

Harmony:The principle of design concerned with combining

similar art elements to create a pleasing appearance.

Page 47: E & p of design

HarmonyHarmonyHarmonyHarmony

Harmony is when elements are related.

Page 48: E & p of design

DominanceDominanceDominanceDominance

Dominance is when one object is emphasized more than

another.

Page 49: E & p of design

• Regular

repetition of

lines, shapes,

or colors that or colors that

create a

movement.

Patterns have

rhythm

Page 50: E & p of design

RhythmRhythmRhythmRhythm

Rhythm is a measured movement through space.

Page 51: E & p of design

Repetition of the

figure descending

the staircase not only

creates movement

but rhythm as well

Page 52: E & p of design

Rhythm

• RhythmRhythmRhythmRhythm is the movement or variation characterized by the

regular recurrence or alternation of different quantities or

conditions. In simpler words, it's just like pattern and shows that

the design has a 'beat' or 'flow' going with it.

Page 53: E & p of design

Movement:Movement is the Principle of Design that creates

the look and feel of action to guide the viewer’s

eyes through the work of art.

Page 54: E & p of design

Linear strokes cause our

eye to move back and

forth through the

painting.

Page 55: E & p of design

MovementMovementMovementMovement

Movement is the relocation of an object in space over time.

Page 56: E & p of design

DirectionDirectionDirectionDirection

Direction is the course along which a line moves.

Page 57: E & p of design
Page 58: E & p of design

Unity:The combining of art elements and principles with media to create a feeling of completeness.

Page 59: E & p of design
Page 60: E & p of design

Variety:Combining art elements by adding slight changes

to increase visual interest.

Page 61: E & p of design
Page 62: E & p of design

Proportion:The manner in which the parts of a work relate to

each other and to the whole.

Page 63: E & p of design

ProportionProportionProportionProportion

Proportion is the relative size and scale of

elements in a design.

Page 64: E & p of design

relationship of one

part to another

or to the whole

with respect to

size, quantity, or

degree; a ratiodegree; a ratio

Page 65: E & p of design

GradationGradationGradationGradation

Gradation is the change from one color to another.

Page 66: E & p of design

Emphasis:The principle of design concerned with making an

element or object in an artwork stand out.

Page 67: E & p of design

EmphasisAccent, stress, or

importance placed

on a part of a piece

of artwork of artwork

(repeating an idea creates emphasis)

Page 68: E & p of design

A two-dimensional decorative effect achieved through

the repetition of colors, lines, shapes, and/or textures.

Pattern:

Page 69: E & p of design
Page 70: E & p of design

Where does your eye go first?

Page 71: E & p of design

PATTERN

There is power in pattern and There is power in pattern and

impact in the variation on that

pattern.

Page 72: E & p of design

Organized Organized

Pattern

Page 73: E & p of design

Can you use

the

principles of

design to

critique this

artwork?

BALANCE, UNITY, EMPHASIS, MOVEMENT,

RHYTHM, CONTRAST, PROPORTION

artwork?

Sandy Skoglund:

Radioactive Cats,

1980

Page 74: E & p of design

Examples:

This image uses the elements of shape, space, colour, value &

texture. The principles used here are: repetition, variety of

proportion, contrast (light vs. dark) , movement and rhythm.

Page 75: E & p of design

Courtesy to:

Zaiba Mustafa

Chelsea Flattery

Zaiba Mustafa

Mrs. Montgomery

Amy Landrum

Erin Smith