Code No. 4323

4323/(Set : A) P. T. O.

CLASS : 12th (Sr. Secondary) Code No. 4323 Series : SS-M/2019

Roll No.

laxhr fgUnqLrkuh ¼d.B½laxhr fgUnqLrkuh ¼d.B½laxhr fgUnqLrkuh ¼d.B½laxhr fgUnqLrkuh ¼d.B½ MUSIC HINDUSTANI (Vocal)

[ Hindi and English Medium ]

ACADEMIC / OPEN

(Only for Fresh/Re-appear Candidates)

Time allowed : 2.30 hours ] [ Maximum Marks : 30

•••• Ñi;k tk¡p dj ysa fd bl iz'u&i= esa eqfnzr i`"B 8 rFkk iz'u 21 gSaA Please make sure that the printed pages in this

question paper are 8 in number and it contains

21 questions.

•••• iz'u&i= esa nkfgus gkFk dh vksj fn;s x;s dksM uEcjdksM uEcjdksM uEcjdksM uEcj rFkk lsVlsVlsVlsV dks Nk= mÙkj&iqfLrdk ds eq[;&i`"B ij fy[ksaA The Code No. and Set on the right side of the

question paper should be written by the candidate

on the front page of the answer-book.

•••• Ñi;k iz'u dk mÙkj fy[kuk 'kq: djus ls igys] iz'u dk Øekad vo'; fy[ksaA Before beginning to answer a question, its Serial

Number must be written.

SET : A

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4323/(Set : A)

•••• mÙkj&iqfLrdk ds chp esa [kkyh iUuk@iUus u NksMsa+A Don’t leave blank page/pages in your answer-book.

•••• mÙkj&iqfLrdk ds vfrfjDr dksbZ vU; 'khV ugha feysxhA vr% vko';drkuqlkj gh fy[ksa vkSj fy[kk mÙkj u dkVsaA Except answer-book, no extra sheet will be given. Write to the point and do not strike the written answer.

•••• ijh{kkFkhZ viuk jksy ua0 iz'u&i= ij vo'; fy[ksaA Candidates must write their Roll Number on the

question paper.

•••• dì;k iz'uksa dk mÙkj nsus lss iwoZ ;g lqfuf'pr dj ysa fd iz'u&i= iw.kZ o lgh gS] ijh{kk ds mijkUr bl lEcU/k esa dksbZ Hkh nkok ijh{kk ds mijkUr bl lEcU/k esa dksbZ Hkh nkok ijh{kk ds mijkUr bl lEcU/k esa dksbZ Hkh nkok ijh{kk ds mijkUr bl lEcU/k esa dksbZ Hkh nkok Lohdkj ugha fd;k tk;sxkALohdkj ugha fd;k tk;sxkALohdkj ugha fd;k tk;sxkALohdkj ugha fd;k tk;sxkA

• Before answering the questions, ensure that you have been supplied the correct and complete question paper, no claim in this regard, will be entertained after examination.

uksV %uksV %uksV %uksV % (i) lHkh ç'u vfuok;Z gSaAlHkh ç'u vfuok;Z gSaAlHkh ç'u vfuok;Z gSaAlHkh ç'u vfuok;Z gSaA All questions are compulsory.

(ii) çR;sd iz'u ds vad mlds lkeus fn;s x;s gSaA Marks are indicated against each question.

(iii) cgqfodYih; iz'u la[;k 1 ls 4 rd ds fy;s llllghghghgh fodYi pqusaA

Choose the right option for the multiple choice Question Nos. 1 to 4.

(iv) iz'u la[;k 5 ls 16 rd ds mÙkj vf/kdre ,d iafDr esa nsaA

Answer the questions in maximum one line for Question Nos. 5 to 16.

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(v) 'ks"k iz'uksa (17 ls ls ls ls 21) ds mÙkj muds vadkuqlkj nsaA Answer the remaining questions (17 to 21)

according to their marks.

1. izkphudky esa ewPNZukvksa dks cukus dk Øe D;k Fkk \ 1

¼d½ vkjksgh

¼[k½ oØ

¼x½ vojksgh

What was the serial-order of developing

Murchchhanas in ancient-period ?

(a) Arohi

(b) Vakra

(c) Avrohi

2. vehj [kqljks us fdu jkxksa dks tUe fn;k \ 1

¼d½ lktfxjh] ljinkZ

¼[k½ panzdkSal] Jhjkx

¼x½ vkHkksxh] xq.kØh

Which Ragas inventd by Amir Khusrau ?

(a) Sajgiri, Sarparda

(b) Chandrakauns, ShriRag

(c) Abhogi, Gunkri

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3. ia0 'kkjaxnso us dqy fdrus 'kq)&foÑr Loj ekus Fks \ 1

¼d½ 29

¼[k½ 07

¼x½ 14

What was the total number of Shuddha-Vikrit

Swaras of Pt. Sarangadeva ?

(a) 29

(b) 07

(c) 14

4. m0 QSð;kt+ [kk¡ dks fdl mikf/k ls foHkwf"kr fd;k x;k \ 1

¼d½ vkQrkcs&ekSfldh

¼[k½ Kku&jRu

¼x½ laxhr ekrZ.M

¼?k½ dfojkt

Name the honour with which Ustad Faiyaz Khan

was honoured ?

(a) Aftabe-Mausiki

(b) Gyan-Ratna

(c) Sangeet Martand

(d) Kaviraj

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5. e/;dkyhu xzaFkdkjksa us viuk "kM~t fdl Jqfr ij LFkkfir

fd;k \ 1

On which Shruti, medieval-period Granthakaras

fixed their Shadaj ?

6. vkids ikB~;Øe dk dkSu&lk jkx nksuksa e/;e ;qDr gS \ uke

crk,¡A 1

Name the Raga of your course in which both the

Madhyams are used.

7. vojksgh o.kZ esa Lojksa dk iz;ksx fdl Øe esa gksrk gS \ 1

In which serial-order, Swaras are used in Avrohi

Varna ?

8. ia0 Hkkr[kaMs }kjk LohÑr fdUgha nlnlnlnl Jqfr;ksa ds uke fy[ksaA 1

Name any ten Shruties as accepted by Pt.

Bhatkhande.

9. e i /k i e] Loj fdl jkx ds gSa \ 1

Name the Raga having Swaras : Ma Pa Dha Pa Ma.

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10. vkids ikB~;Øe dh dkSu&lh rky] e`nax ;k i[k+kot ij ctuh pkfg, \ 1

Which Tala of your course should be played on

Mridung or Pakhawaj ?

11. ^[kVdk* dks ifjHkkf"kr djsaA 1

Define the word 'Khatka'.

12. jkx ns'k dk vkjksgkojksg] idM+ fy[ksaA 1

Write down Aroh-Avroh, Pakar of raga Desh.

13. /kk rha uk cksyksa ls rky igpkudj Bsdk iw.kZ djsaA 1

0

Dha Tin Na Recognise the Bolas and complete

o the Theka.

14. izkphudky esa izpkj esa vk, jkx&oxhZdj.kksa ds uke crk,¡A 1

Name the Raga-Vargikaranas, came in existence

in ancient-period.

15. ^vyadkj* dh ifjHkk"kk mnkgj.k lfgr fy[ksaA 1

Define 'Alankar' with example.

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16. xed ds fdUgha vkBvkBvkBvkB izdkjksa ds uke fy[ksaA 1

Name any eight types of Gamaka.

17. vius ikB~;Øe ds fdlh jkf=&xs; jkx ds nzqr [;ky dh Lojfyfi fy[ksaA 2

Write notation of a fast Khyal of any Raga of

your course, sung at night time.

18. jkx fcgkx ,oa Hkheiyklh esa varj crk,¡A 2

Differentiate between Raga Bihag and Bhimpalasi.

19. :id rky dk ifjp; ,dxqu] nqxqu y;dkjh lfgr fy[ksaA 2

Give description of Rupak Tala along with its

Ekgun and Dugun Layakaries.

20. fuEu esa ls fdUgha nksnksnksnks dk foLr`r o.kZu djsa % 2 + 2 = 4

¼d½ esy jkx oxhZdj.kA

¼[k½ FkkV jkx oxhZdj.kA

¼x½ jkx&jkfxuh oxhZdj.kA

¼?k½ 'kq)] Nk;kyx] ladh.kZ jkx oxhZdj.kA

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Explain in detail any two of the following :

(a) Mel Raga Vargikaran.

(b) Thata Raga Vargikaran.

(c) Rag-Ragini Vargikaran.

(d) Shuddha, Chhayalag, Sankirna Raga

Vargikaran.

21. ia0 'kkjaxnso dh Jqfr&Loj LFkkiuk ,oa ok|&oxhZdj.k dk o.kZu djsaA 2 + 2 = 4

Explain Shruti-Swara Sthapna and Vadya-

Vargikaran as done by Pt. Sarangadeva.

vFkokvFkokvFkokvFkok

OR

^ê/;dky laxhr dk Lo.kZ ;qx FkkA** bl dFku dh iqf"V djsaA 4

"Medieval-period was the Golden-period of

music." Prove this statement.

S

4323/(Set : B) P. T. O.


Roll No.



ACADEMIC / OPEN





21 questions.






SET : B

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question paper.









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1. ^laxhr jRukdj* xzaFk esa fdrus v/;k; gSa \ 1

¼d½ 07

¼[k½ 05

¼x½ 09

How many chapters are in 'Sangeet Ratnakar'

Grantha ?

(a) 07

(b) 05

(c) 09

2. vehj [kqljks us dkSu&ls ok| cuk, gSa \ 1

¼d½ e`nax] <ksy

¼[k½ 'kgukbZ] ck¡lqjh

¼x½ rcyk] flrkj

Name the instruments invented by Amir Khusrau :

(a) Mridung, Dhol

(b) Shehnai, Flute

(c) Tabla, Sitar

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3. ia0 vgkscy us dqy fdrus 'kq)&foÑr Loj ekus Fks \ 1

¼d½ 29 ¼[k½ 07

¼x½ 14 ¼?k½ 12

What was the total number of Shuddha-Vikrit

Swaras of Pt. Ahobal ?

(a) 29 (b) 07

(c) 14 (d) 12

4. 'kkjaxnso us oknh&laoknh Lojksa ds e/; fdruh nwjh ekuh Fkh \ 1

¼d½ 2 ;k 20 Jqfr

¼[k½ 9 ;k 13 Jqfr

¼x½ 8 ;k 12 Jqfr

How much distance between Vadi-Samvadi

Swaras was accepted by Sarangadeva ?

(a) 2 or 20 Shruti

(b) 9 or 13 Shruti

(c) 8 or 12 Shruti

5. m0 QS;kt [kk¡ dk jpukdkj gksus ij ^miuke* D;k Fkk \ 1

What was the nickname of Ustad Faiyaz Khan as

a composer ?

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6. e/;dky esa VIik xk;dh ds tUenkrk dkSu Fks \ 1

Name the person who invented Tappa-Gayaki in

medieval-period.

7. izkphudky esa Hkjr us dkSu&ls ^f=xzke* ekus gSa \ 1

Name 'Trigram' accepted by Bharat in ancient-

period.

8. vkids ikB~;Øe dh dkSu&lh rky dk iz;ksx dsoy cM+s&[+;kyksa esa gh gksrk gS \ 1

Name the Tala of your course which is only used

with slow-Khyalas.

9. i uh la xa jsa la] fdl jkx ds Loj gSa \ 1

Pa Ni aSeRaGaS &&&& , are Swaras of which Raga ?

10. vius ikB~;Øe ds [kqys cksyksa ds rky dk uke crk,¡A 1

Name the Tala of your course, having Khuley

Bolas.

11. êqdhZ* dks ifjHkkf"kr djsaA 1

Define the word 'Murki'.

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12. jkx fcgkx dk vkjksgkojksg] idM+ fy[ksaA 1

Write Aroh-Avroh, Pakar of Raga Bihag.

13. /kha uk cksyksa ls rky igpkudj Bsdk iw.kZ djsaA 1

2

Dhin Na Recognise the Bolas and complete the

2 Theka.

14. e/;dky esa dkSu&dkSu&ls jkx&oxhZdj.k izpkj esa vk, \ 1

Name the Raga-Vargikaranas, came in existence

in medieval-period.

15. nqxqu y; esa dksbZ nksnksnksnks vyadkj fy[ksaA 1

Write any two Alankaras in Dugan Laya.

16. xed ds fdUgha nlnlnlnl izdkjksa ds uke crk,¡A 1

Name any ten types of Gamaka.

17. vius ikB~;Øe ds fdlh izkr%&xs; jkx ds NksVs [;ky dh Lojfyfi fy[ksaA 2

Write notation of a fast Khyal in any Raga of

your course, sung at morning time.

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18. jkx fcgkx ,oa dsnkj esa varj crk,¡A 2

Differentiate between raga Bihag and Kedar.

19. nknjk rky dk ifjp; ,dxqu] nqxqu lfgr fy[ksaA 2

Give description of Dadra Tal along with its

Ekgun and Dugun.


¼d½ tkfr oxhZdj.kA

¼[k½ n'kfo/k jkx oxhZdj.kA

¼x½ xzke jkx oxhZdj.kA

¼?k½ FkkV jkx oxhZdj.kA


(a) Jati Vargikaran.

(b) Dashvidh Raga Vargikaran.

(c) Gram Raga Vargikaran.

(d) Thata Raga Vargikaran.

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21. Hkkr[kaMs th ds Loj] lIrd] rky&fpg~u ,oa pkjpkjpkjpkj iqLrdksa ds uke fy[ksaA 4

As per Bhatkhande ji, clear the signs of his

swaras, Saptaks, Tala and write names of his

four books.


OR

m0 xqyke vyh [kk¡ dk thou&ifjp; ,oa mudh xk;dh dh fo'ks"krkvksa dk o.kZu djsaA 4

Write the life-sketch of Ustad Gulam Ali Khan

along with the qualities of his singing.

S

4323/(Set : C) P. T. O.


Roll No.



ACADEMIC / OPEN





21 questions.






SET : C

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question paper.









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1. ia0 vgkscy us dqy fdrus vyadkj crk, Fks \ 1

¼d½ 48

¼[k½ 56

¼x½ 36

What was the number of Alankaras told by Pt.

Ahobal ?

(a) 48

(b) 56

(c) 36

2. vehj [kqljks us fdu ^rkyksa* dks tUe fn;k \ 1

¼d½ i'rks] lwyrky

¼[k½ eÙkrky] [kseVk

¼x½ #nzrky] czãrky

Name the Talas, invented by Amir-Khusrau :

(a) Pashto, Sultal

(b) Mattatal, Khemta

(c) Rudratal, Brahmatal

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3. ia0 'kkjaxnso us tkfrxku ds fdrus y{k.k ekus Fks \ 1

¼d½ 10

¼[k½ 11

¼x½ 13

How many Lakshanas of Jati-gan were accepted

by Pt. Sarangadeva ?

(a) 10

(b) 11

(c) 13

4. izkphudky esa ^,d ewPNZuk* ds fdrus Hksn ekus x, Fks \ 1

¼d½ 04

¼[k½ 21

¼x½ 14

How many types of 'One Murchchhana' were

accepted in ancient-period ?

(a) 04

(b) 21

(c) 14

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5. e/;dkyhu xzaFkdkjksa dk ^'kq) FkkV*] vk/kqfud dky ds fdl FkkV ds leku Fkk \ 1

Medieval-period Granthakaras 'Shuddha-Thata'

was equal to which Thata of modern-period ?

6. vkids ikB~;Øe ds fdu jkxksa ds vkjksg esa ^fu"kkn 'kq)* yxrk gS \ 1

Name the Ragas of your course in which

'Shuddha Nishada' is used in Aroh.

7. e/;dky ds izfl) xzke dkSu&ls gSa \ 1

Name the Gramas, which were popular in

medieval-period.

8. ^laxhr ikfjtkr* esa of.kZr nlnlnlnl Jqfr;ksa ds uke fy[ksaA 1

Name ten Shruties as mentioned in 'Sangeet

Parijat'.

9. la jsa uh /k i] fdl jkx ds Loj gSa \ 1

Name the Raga having Swaras : eRaS && Ni Dha Pa.

10. /kekj rky fdl xku&'kSyh lax ctrh gS \ 1

Name the Gan-Shaili (Singing Style) in which

Dhamar Tala is played.

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11. ô.kZ* dks ifjHkkf"kr djsaA 1

Define the word 'Varna'.

12. jkx HkSjo dk vkjksgkojksg] idM+ fy[ksaA 1

Write Aroh-Avroh, Pakar of Raga Bhairav.

13. rha uk cksyksa ls rky igpkudj Bsdk iw.kZ djsaA 1

0

Tin Na Recognise the Bolas and complete the

0 Theka.

14. vk/kqfud dky esa izpkj esa vk, jkx oxhZdj.kksa ds uke crk,¡A 1

Name the Raga Vargikaran, came in existence in

modern-period.

15. laiw.kZ&laiw.kZ tkfr ds jkx dk vkjksg&vojksg fy[ksaA 1

Write Aroh-Avroh in that Raga, having

Sampurna-Sampurna Jati.

16. jkx Hkheiyklh esa nksnksnksnks rkusa fy[ksaA 1

Write two Tanas in Raga Bhimpalasi.

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17. vius ikB~;Øe ds fdlh Hkh jkx ds NksVs [;ky dh Lojfyfi fy[ksaA 2

Write notation of a fast Khyal in any of the Raga

of your syllabus.

18. jkx dsnkj dk iw.kZ ifjp; ,oa vkjksgkojksg] idM+ fy[ksaA 2

Give full description of Raga Kedar along with its

Aroh-Avroh, Pakar.

19. fryokM+k rky dk ifjp; ,dxqu] nqxqu lfgr fy[ksaA 2

Give description of Tilwara Tala along with its

Ekgun and Dugun.


¼d½ xzke jkx oxhZdj.kA

¼[k½ esy jkx oxhZdj.kA

¼x½ jkx&jkfxuh oxhZdj.kA

¼?k½ n'kfo/k jkx oxhZdj.kA

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(a) Gram Raga Vargikaran.

(b) Mel Raga Vargikaran.

(c) Rag-Ragini Vargikaran.

(d) Dashvidh Raga Vargikaran.

21. vCnqy djhe [kk¡ dk thou&ifjp; ,oa mudh xkf;dh dh fo'ks"krkvksa dk o.kZu djsaA 4

Explain life-sketch and singing qualities of

Abdul Karim Khan.


OR

ia0 vgkscy ds vuqlkj oh.kk ds rkj ij 7 'kq) Lojksa dh LFkkiuk djsa ,oa mudh vkanksyu la[;k,¡ Hkh crk,¡A 4

Fix 7 Shuddha-Swaras on the string of Veena as

per Pt. Ahobal and also tell their number of

Vibrations.

S

4323/(Set : D) P. T. O.


Roll No.



ACADEMIC / OPEN





21 questions.






SET : D

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question paper.









( 3 ) 4323/(Set : D)

4323/(Set : D) P. T. O.



1. ^vkbu&,&vdcjh* ds vuqlkj vdcj ds njckj esa fdrus laxhrK Fks \ 1

¼d½ 36

¼[k½ 38

¼x½ 32

As per 'Ain-e-Akbari' what was the number of

musicians in Akbar's Court ?

(a) 36

(b) 38

(c) 32

2. vehj [kqljks us fdu ^xku&'kSfy;ksa* dks tUe fn;k \ 1

¼d½ VIik] Bqejh

¼[k½ /kzqin] /kekj

¼x½ dOokyh] rjkuk

Name the 'Gan-Shaillies' (Singing Styles) invented

by Amir Khusrau :

(a) Tappa, Thumari

(b) Dhrupad, Dhamar

(c) Qawwali, Tarana

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3. 'kkjaxnso us ^lkj.kk prq"V;h* iz;ksx djrs le;] nksuksa oh.kkvksa ij fdrus rkj ck¡/ks Fks \ 1

¼d½ 22-22 ¼[k½ 07-07

¼x½ 14-14 ¼?k½ 12-12

How many strings on Veenas were used by Pt.

Sarangadeva while doing the practical of Sarana

Chatushtai ?

(a) 22-22 (b) 07-07

(c) 14-14 (d) 12-12

4. loZizFke ^js&/k dksey* Lojksa dh voLFkk dk o.kZu fdl xzaFk esa feyrk gS \ 1

¼d½ ukV~;'kkL=

¼[k½ laxhr ikfjtkr

¼x½ laxhr jRukdj

In which Grantha is mentioned about 'Re-Dha

Komal' Swaras for the first time ?

(a) Natyashastra

(b) Sangeet Parijat

(c) Sangeet Ratnakar

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5. vkids ikB~;Øe ds fdu jkxksa ds vojksg esa dksey fu yxrk gS \ 1

Name the Ragas of your course in which Komal

Nishada is used in Avroh ?

6. cM+s xqyke vyh [kk¡ laxhr ds fdl ?kjkus ls lacaf/kr Fks \ 1

Bade Gulam Ali Khan was related to which

Gharana of music ?

7. vyadkj ds fdrus izdkj gSa \ muds uke crk,¡A 1

How many types of Alankaras ? Name them.

8. ^laxhr jRukdj* esa of.kZr fdUgha nlnlnlnl Jqfr;ksa ds uke fy[ksaA 1

Name any ten Shruties as mentioned in 'Sangeet

Ratnakar'.

9. la uh /k /k i] fdl jkx ds Loj gSa \ 1

Name the Raga having Swaras : aS & Ni Dha Dha

Pa.

10. vkids ikB~;Øe ds fdl rky dk izFke Hkkx ik¡p ek=k;qDr gS \ 1

Name the Tala of your course, having five Matras

in its first part.

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11. ^rky* dks ifjHkkf"kr djsaA 1

Define the word 'Tala'.

12. jkx Hkheiyklh dk vkjksgkojksg] idM+ fy[ksaA 1

Write down Aroh-Avroh, Pakar of Rag

Bhimpalasi.

13. /kk /kk f/ka f/ka cksyksa ls rky igpkudj Bsdk iw.kZ djsaA 1

3

Dha Dha Dhin Dhin Recognise the Bolas and

3 complete the Theka.

14. 'kkjaxnso ds izfl) nksnksnksnks oxhZdj.kksa ds uke crk,¡A 1

Name the two famous Vargikaranas of

Sarangadeva.

15. vyadkj ds nksnksnksnks izdkjksa dks mnkgj.k nsdj le>kb,A 1

Explain two types of Alankaras with example.

16. jkx fcgkx dk vkjksg&vojksg fy[ksaA 1

Write Aroh-Avroh of Raga Bihag.

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17. iwoZ ,oa mÙkj jkx ds ckjs esa vki D;k tkurs gSa \ bls Li"V djsaA 2

What do you know about Purva and Uttar

Ragas ? Explain it.

18. ,sls jkx dh Lojfyfi fy[ksa ftlesa lnSo x&fu dksey yxrs gSaA 2

Write notation of that Raga in which always

Komal Ga Ni are used ?

19. >irky dk ifjp; ,dxqu] nqxqu lfgr fy[ksaA 2

Give description of Jhaptal along with its Ekgun,

Dugun.


¼d½ esy jkx oxhZdj.k

¼[k½ jkxkax oxhZdj.k

¼x½ xzke jkx oxhZdj.k

¼?k½ FkkV jkx oxhZdj.k


(a) Mel Raga Vargikaran

(b) Raganga Vargikaran

(c) Gram Raga Vargikaran

(d) Thata Raga Vargikaran

( 8 ) 4323/(Set : D)

4323/(Set : D)

21. m0 QS;kt [kk¡ dk thou&ifjp; ,oa mudh xkf;dh dh fo'ks"krkvksa dk o.kZu djsaA 4

Explain the life-sketch and singing qualities of

Ustad Faiyaz Khan.


OR

ia0 vgkscy ds vuqlkj 22 Jqfr;ksa ij 29 Lojksa dh LFkkiuk djrs gq,] 'kq) Lojksa dh vkanksyu la[;k,¡ Hkh crk,¡A 4

Fix 29 Swaras on 22 Shruties as told by Pt.

Ahobal along with the No. of Vibrations of

Shuddha Swaras.

S

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Code No. 4323