ACP 11 Auction - Catalog

8/14/2019 ACP 11 Auction - Catalog

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Atlanta Celebrates Photography (ACP)supports Atlantas emergence as an

international center or photography.

Through an annual, October estival andyear-round programs, ACP seeks to nurture

and support photographers, educateand engage collectors, promote

diverse photography venues,and enrich Atlantas culture scene.


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King Plow Arts Center887 West Marietta Street NW

Atlanta, GA 30318

Friday, September 25, 2009

SCHEDULE OF EVENTS6:30 p.m. Cocktail Reception, Viewing & Silent Auction

7:30 p.m. Dinner and Live Auction


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AuctioneerAuctioneering servicesdonated by Denise Bethelo Sothebys Inc.

PhotographersPeter Bahouthdouard BoubatChris BucklowLucinda BunnenDanny ClinchSusan Derges

Jody FausettBirney ImesBob KolbrenerDanny LyonTodd MurphyRichard PareChip Simone

Vee SpeersAngela West

Event ChairKristen Cahill

FramingMyott Studios

CateringBold American Catering

TechnicalLighting & ProcuctionEquipment, Inc.

InstallationSolo Installation and Design

FurnishingsRoom & Board

Event Consultant

Corporate CommunityOutsourcing

Solo Installation and Design

Sponsors


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Table HostSarah & Malon CourtsLouis CorriganHagedorn Foundation Gallery

Jackson Fine ArtLumire

PatronsCharlotte DixonElizabeth Feichter & Frank WhiteAndrew Ghertner

Elizabeth & David GoldenSusan & Chris HadornBarbara PylePhyllis & Sidney RodbellAngela West & Phil Sanord

Host CommitteeCorinne & Je Adams, ChairLucinda BunnenJane Coer & David Roper

Louis CorriganSarah & Malon CourtsBetty Jo & Andy CurrieMelanie DavisAnne DenningtonCharlotte DixonElizabeth Feichter & Frank White

Susan & Chris HadornAshley Waldron Hope & John HopeDominique Love & Mike GretoKelley & Wright LedbetterMyott & AnneKelli Spencer & Andy HeymanMary & Drew Stanley

Murphy Townsend & Gregor TurkAnna Walker Skillman & Ben SkillmanMarcia Wood

All artwork is ramed by Myott Studios in an archival manner with acid ree mounts and mats as

well as UV protection glass or UV protection plexiglass except photographs by Angela West andChris Bucklow. Values reect current retail values plus raming.

Special thanks to Arnall Golden Gregory, LLP or hosting the Patron Party and Preview Exhibition.


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Date: 1986Edition: 1 o 10Size: 16 x 20 inchesMedium: Chromogenic Dye Coupler PrintValue: $1,785Courtesy o: Birney Imes and Jackson Fine Art

During the six years I photographed Mississippi juke

joints, I probably visited and photographed the Riverside

Lounge in Shaw hal a dozen times. With each visit, Id

see new things and make more pictures. This image wasalmost an aterthought I made on the way out the door

ater a several-hours-long session. Years later I was

startled and pleased when I realized the composition is

almost a mirror image o van Goghs Night Cae, one omy avorite paintings.

Artist BioBirney Imes was born in 1951. A lie-long residento Columbus, Mississippi, Birney Imes has beenphotographing the region or nearly thirty years. Imesreceived a degree in history in 1973 rom the Universityo Tennessee. Birney Imes documents the deep South,

and has a particular interest in the juke joints rom theMississippi Delta. Birney Imes work can be ound in thepublic collections o The Mississippi Museum o Art inJackson, MS, The Los Angeles County Museum o Artand The Museum o Photographic Arts in San Diego, CA.

Birney ImesRiverside Lounge, Shaw Mississippi


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Date: 1964, printed laterSize: 8 x 10 inchesMedium: gelatin silver printValue: $3,400Courtesy o: Danny Lyon

This is one o the earliest pictures o what would becomeThe Bikeriders (1968). Made in Georgia in 1964. (This

image is on page 16 o the Chronicle Edition o The

Bikeriders).

Artist BioDanny Lyon published his frst photographs in the1960s while working or the Student Non-ViolentCoordinating Committee (SNCC). Lyons photographsappeared in The Movement, a documentary book aboutthe Southern Civil Rights Movement. He later began

creating his own books, beginning in 1967 with hisstudy o the lives o outlaw motorcyclists calledBikeriders. Other works include Conversations with theDead 1971, a look at prison lie in Texas and I Like to EatRight on the Dirt. Lyon also creates flm documentariesand received the Guggenheim Foundation ellowshipor photography and flmmaking. His work is in many

important public institutions and collections including,The George Eastman House, The Museum o ModernArt, the J. Paul Getty Museum, and The High Museumo Art among others.

Danny LyonRacer, Grifn Georgia, 1964


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Vee SpeersUntitled #45, The Birthday Party

Date: 2008Edition: 1 o 10Size: 24 x 20 inchesMedium: Cibachrome PrintValue: $3,850Courtesy o: Vee Speers and Jackson Fine Art

The Birthday Party is a collection o short stories woven

together by the theme o a birthday party, a reminder

o our own childhood when dressing up and adventures

were only limited by our own imagination. Thisparticular little girl actually likes to dress in retro clothes

all the time, so when I gave her a choice about who she

could be, we both agreed she reminded me o a perectly

coied air hostess ready to board her imaginary plane.

Artist BioVee Speers was born in Australia and studied Fine Artand Photography at Queensland College o Art. Hertimeless portraits have been exhibited and publishedworld-wide and are part o many private and museumcollections including the CB Collection, Tokyo, Elton

John Collection, Michael Wilson Collection, GeorgeEastman House, and Clerici Collection, Italy. Vee Speersrecent solo exhibitions were at Galerie Acte2 in Paris,Jackson Fine Art in Atlanta, and Singapore InternationalPhotography Festival.


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Date: 1975, printed laterEdition: 3 o 50Size: 16 x 20 inchesMedium: Gelatin Silver PrintValue: $1,800Courtesy o: Bob Kolbrener

This photograph was made at the most popular overlook

in Yosemite National Park. Inspiration Point or Tunnel

View is visited by thousands o tourists every year.

Ironically this photograph is made acing in the oppositedirection! With my back to the Great View, I must have

looked strange to those park visitors stopping to make a

snap o Yosemite Valley.

Artist BioStarting in 1969, Bob Kolbrener attended Ansel Adamsworkshops in Yosemite, as well as his workshop inCarmel, Caliornia where instructors included ImogenCunningham and Wynn Bullock. In 1973, Mr. Kolbrenerwas hired the by the Ansel Adams Gallery or a summer

o teaching photography in Yosemite. In 1977, AnselAdams invited Kolbrenner to join him as an instructor,along with Yousu Karsh at his spring workshop. Mr.Kolbrener has continued in the Ansel Adams traditiono straight photography or over 30 years. All o hisphotographs are made in the Great American West usingmedium ormat and 8 x 10 cameras. No computers are

involved. He makes his own prints the old ashionedway using fber based paper, tray processing andselenium toner. His work is exhibited internationally, andis in numerous corporate and private collections.

Bob KolbrenerStratus Clouds, Yosemite


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Date: 2006Edition: 1 o 10Size: 40 x 50 inchesMedium: Cibachrome mounted to plexiValue: $5,000Courtesy o: Angela West and Jackson Fine Art

While making photographs in the summer, I walked by

the house where Miss Mamie used to live. An awareness

o the time that had passed occurred in a ash, like a

bolt o lighting illuminating the world around me andrevealing all the spaces in between. I was struck. Not so

much by a memory, but by a palpable passing o time. I

shited rom a place o belonging to namelessness. Not

knowing who lived here and having no reason to stop byor a visit, to walk up and ring the doorbell.

Artist BioAngela West grew up in Dahlonega, Georgia,and received her MFA in photography rom YaleUniversity. Much o Angelas work is a series o variedphotographic projects relating to her hometownand the chronology o its inhabitants. Employing

the traditional academic genres o art to explore thenature and place o community, Angelas projectsinclude portrait studies o small-town teenage girls,landscape explorations o neighborhoods, and still liesthat represent the passing o time. Her richly realizedcolor photographs balance aection or her subjectswith precise and unsentimental observation. Ms. Westswork is included in the collections o the High Museumo Art, The Ogden Museum o Southern Art and TheHirshhorn Museum in Washington D.C. Ms. West wasthe recipient o a 2009 Artadia Award.

Angela WestMiss Mamies House


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Date: 2008Size: 14 x 16 inchesMedium: Unique Dye Destruction PrintValue: $4,000Courtesy o: Chris Bucklow and Jackson Fine Art

Unlike conventional photography, each image by

Christopher Bucklow is unique and unrepeatable. Usinga large homemade camera loaded with color photo

paper, Bucklow uses oil he has pierced thousands

o times as a lens. Sunlight is then allowed to shinethrough, recording many images o the sun and sky

simultaneously on the photo paper. Variations are

achieved based on the quality o available light and

duration o the exposure.

Artist BioChristopher Bucklow is a British photographer whowas born in Manchester, England in 1957. He attendedthe Ban Centre or the Arts, Alberta, Canada and wasan Artist in Residence at The British Museum, London.Unlike conventional photography, each Bucklow imageis unique and unrepeatable. The process he uses createsan unusually intense quality o light. The images areormed using sunlight with a technique similar to thepinhole photography which was developed in the latenineteenth century. Bucklows work is included in thepublic collections o The Museum o Modern Art, TheMetropolitan Museum o Art, The Victoria and AlbertMuseum, The High Museum, and the Museum o FineArts, Boston. Christopher Bucklows most recent soloexhibitions include Mssohkan Gallery, Kobe, Japan andArtereal, Sydney.

Chris BucklowThe Beauty o the World


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Richard PareVoroshilov - Architectural Detail

Date: 1999, printed 2009Edition: 1 o 12Size: 30 x 30 inchesMedium: Digital Chromogenic PrintValue: $3,900Courtesy o: Lumire

Taking ull advantage o a spectacular hilltop site onthe coast at Sochi, this sanatorium is one o the mostinnovative and fnely achieved o all the Modernistworks o the Soviet era. In 1945, Miron Merzhanovbecame Stalins personal architect, perhaps acontributing actor in the exceptionally well-maintainedstate o the complex. Additional Technical Inormation:Image shot with 8x10 view camera on color negativeflm. Publication: The Lost Vanguard, Russian ModernistArchitecture 1922-1932, 2007 Monacelli Press, page198. Previously Exhibited at Museum o Modern Art,New York, rom July - October 2007.

Artist BioRichard Pare was born in England in 1948 and movedto the United States in 1971. In 1973, he graduatedrom the School o the Art Institute o Chicago. In 1996,he published Tadao Ando.The Colours o Lightwhichreceived the AIA monograph award. He was curator othe Seagram photography collection rom 1974 until

1985 and was the ounding curator or the photographycollection o the Canadian Centre or Architecture romits inception in 1974 until he became a consultant tothe collection in 1989, a role he continues to ulfll.His most recent project is an ongoing study o thearchitecture o the Russian avant-garde. His works havebeen exhibited widely and is represented in many majorpublic collections. His numerous seminal exhibitions

and publications include Court House: A PhotographicDocument (1978), Photography and Architecture: 1839 1939 (1982), and The Lost Vanguard: Russian ModernistArchitecture 1922-1932.


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Date: July 1, 2009Size: 16 x 20 inchesMedium: Carbon Inkjet Print on Rag PaperValue: $1,900Courtesy o: Lucinda Bunnen

I shot this photo on the roo o the Met in NYC. I loved

the tree orms that Roxy Paine created in his sculptureand how interesting the relationship was to the city with

almost no trees.

Artist BioLucinda Bunnen is an avid photographer, privatecollector and philanthropist. She began taking picturespassionately in 1970, and in 1973 she was one o theounders o Nexus, now the Atlanta Contemporary ArtCenter. Bunnen has co-authored three books: Scoring InHeaven; Gravestones and Cemetery Art in the American

Sunbelt Stateswas published by Aperturein 1990. Otherbooks are Movers and Shakers in Georgia and Alaska:Trail, Tales, and Eccentric Detours. Bunnen has had overtwo dozen solo shows and has been in multitudes ogroup exhibitions in Atlanta and throughout the UnitedStates. Bunnens work can be ound in the collectionso the Museum o Modern Art, The Whitney Museum oAmerican Art in New York, Pushkin Museum in Moscow,Russia, the Smithsonian in Washington, D.C., and theHigh Museum o Art in Atlanta.

Lucinda BunnenMetal Tree over NYC


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Date: 2009Edition: 1 o 10Size: 40 x 25 inchesMedium: C-Print mounted to dibondValue: $5,400Courtesy o: Todd Murphy and Jackson Fine Art

Known or his photo based paintings, Todd Murphy

is using new technology combining photography,

sculpture and painting to create this new series oDress Forms.

Artist BioTodd Murphy was born in Chicago in 1962 and studiedart at the University o Georgia. His work can bedescribed as having underlying artistic themes ometamorphosis, allusion, and lie-in-the moment.Murphys work can be ound in public and privatecollections such as the High Museum o Art, in Georgia;New Orleans Museum, in Louisiana; Mint Museum, inNorth Carolina; The Georgia Museum; and theUniversity o Georgia.

Todd MurphyUntitled, 2009 (Humming Bird Dress)


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Date: (printed) 2000Edition: each print is rom an edition o 100Size: 30 x 11 inches eachMedium: Ilochrome PrintValue: $3,750 set; $1,250 eachCourtesy o: Susan Derges

These are reproductions that were made o originalunique photograms. They were copied onto

transparency and printed onto Ilochrome paper in

editions o 100 in 2000 as an exploration into makingthe work available to a wider audience who may not be

able to acquire works o the scale and pricing structure

o the originals.

Artist BioSusan Derges, (English, born 1955) is an internationallyrecognized photographic artist, specializing in cameralessphotographic processes, most oten working with naturallandscapes. She has exhibited extensively in Europe,America and Japan and has works in many museumcollections including the Metropolitan Museum, New

York and the Victoria and Albert Museum, London. Majorpublications o her work include Woman Thinking River,published in 1998, Liquid Form with an essay by ProessorMartin Kemp, published in 1999, and Kingswoodpublished in 2002 by photoworks. Susan Derges exhibitsand is represented by Purdy Hicks Gallery in London,Ingleby Gallery in Scotland, Fraenkel Gallery in San

Francisco, CA, Paul Kasmin Gallery in New York, NY, andGalerie Nichido in Tokyo, Japan.

Susan DergesRiver Taw Ivy 17.7.97River Taw Willow 19.1.99River Taw Rowan 22.7.97


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Chip SimoneUntitled (Midway in the Rain)

Date: c.2004Size: 9 x 13 inchesMedium: pigments on Ilord Gold Fibre Silk paperValue: $1,400Courtesy o: Chip Simone

The image o the midway in the rain (done around

2003-2004) was made across rom Turner Field atera rainstorm orced the annual SE Fair to close. It wasnearly dark and I was heading to my car escaping therain when I came across this very dramatically lit sceneset against the brooding sky. Shot on flm with a Leicaand ast flm, it was one o my last images done on flm.Close inspection will show some rain drops on the lens. It

all happened very quickly which is just the way I like it.

Artist BioChip Simone has been making photographs or morethan our decades. Educated at the Rhode Island Schoolo Design rom 1964-67, Mr. Simone studied with world-renowned photographer Harry Callahan. A recipient o botha grant and a ellowship rom the National Endowmentor the Arts, his work has been exhibited throughout the

United States and in France. In 1996, he published OnCommon Ground, Photographs rom the Crossroads othe New South. Mr. Simones photographs are includedin the permanent collections o the High Museum o Art,The Museum o Modern Art, The Corcoran Gallery o Art,Worcester Historical Museum, The Houston Museum oFine Art, The Museum o Contemporary Art o Georgia,and the collection o Sir Elton John among others.


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Date: 2008Edition 5 o 5Size: 24 x 30 inchesMedium: Giclee PrintValue: $1,900Courtesy o: Jody Fausett and Whitespace

Ater an ongoing personal series dealing with amiliardomestic spaces, I decided to step outside and capture

images without borders, images o infnity. An oil leak,

which had altered the surace o my grandmotherscarport or over fty years, provided a welcomed set

or this narrative. The image o the ox has consistently

appeared as the ocal point in my previous work. This is

the oxs epilogue. Soon he will be out o the rame, andthe og will clear.

Artist BioJody Fausett was born in 1973 in Dawsonville, Georgia.He studied photography at the Art Institute o Atlantaand later moved to New York, returning to Georgiain 2004. Fausetts photographs have been in groupshows throughout the United States. His work hasappeared in numerous publications including

Surace,Tokion, Oxord American, and Photo District News. Hisfrst book, Second Place, was released in 2007 throughGHava Press and, that same year, Creative Loafng chosehim or Critics Pick as Atlantas Best Photographer.Most recently he was chosen by Atlanta Homes andLiestylesas one o Atlantas top ten tastemakers o2009. Fausetts photograph Baby Powder is the coveroContemporary Annual, a British journal surveyingphotography around the world. Jody Fausett is currentlyrepresented by Whitespace Gallery in Atlanta, Georgia.

Jody FausettWake Up Alive


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Date: 1980Size: 12 x 16 inchesMedium: Gelatin Silver Print Value: $7,500Courtesy o: Jane Jackson

This rare photograph beautiully and humorously

continues the conversation between photography andpainting as an homage to the amous painting The

Dream by Henri (Douanier) Rousseau (note the little

lions ace to the right). This image has been publishedin the ollowing texts: Edouard Boubat, The Monograph,

pg. 269, Edouard Boubat: Comme avec une emme,

pg. 12, and Vues de dos, unpaginated.

Artist Biodouard Boubat, one o Frances most amousphotographers, was born in Paris in 1923. Boubatscelebration o beauty and simplicity was a directresponse to World War II. At the age o 24, Boubatwas awarded the Kodak Prize. He later became a staphotographer or Realits magazine and traveled theworld. A recipient o the Octavious Hill Prize and theHasselblad Foundation Prize, Boubats 50 year career asa photographer was made possible by the confdent eyeo a true master. Boubat died in 1999 in Paris, leavingbehind a remarkable collection o photography whichis exhibited internationally and is included in countlessprestigious public and private collections.

douard BoubatHommage auDouanier Rousseau, Paris


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Date: 2007Size: 8 x 8 x 54 inchesMedium: Stereoscopic Photograph with Viewing StandValue: $1,600Courtesy o: Peter Bahouth & Marcia Wood Gallery

Boone is a portrait o Coco Cucumber, a 75 year oldstued animal that accompanied me on an East Coast

road trip. We drove down rom NY city where Coco lives

with my sister Lisa. On our last day, I brought Coco upa trail to see the view outside o Boone, NC where I took

this photograph. The next day he went back to NY in a

Fed Ex box.

Artist BioPeter Bahouth works with stereoscopic 3-dimensionalphotography, a process that was developed in the 1830s.Bahouth designs his own viewers that require the activechoice and participation o the viewer. He is represented byMarcia Wood Gallery in Atlanta and has also exhibited atPulse Art Fair NY, 2007 (Marcia Wood Gallery) and Flow Art

Fair, Miami, 2006 (Marcia Wood Gallery), FSU ContemporaryArt Museum, Tampa, 2007, (with Chuck Close, Carrie MaeWeems, William Kentridge, and others), Kenise Barnes FineArt, Larchmont, NY, 2007, Jackson Fine Art, Spruill Gallery,ShedSpace, and the Atlanta Photography Group Gallery. Hisexhibition Post No Bills consisting o 30 viewers placed inpedestrian areas o Midtown, Atlanta, and Decatur, was the2004 Public Art Project or Atlanta Celebrates Photography.

Formerly The Executive Director o Greenpeace USA and theTurner Foundation, Peter is currently the Executive Directoro US Climate Action Network.

Peter BahouthBoone


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Date: 2007Size: 16 x 18 inchesMedium: Archival Inkjet PrintValue: $1,200Courtesy o: Danny Clinch

This was shot during the recording o the Magic album.

It was shot against the Airstream belonging to producerBrendan OBrien that was parked outside the studio.

Artist BioWhile trends in his feld can lean towards over-producedand under-valued, Danny Clinchs work is about thepurity o the music and those who create it. Moments opassion stripped down to the basics like a cappella.To look at the photographs in Dannys repertoire, itlooks less like a portolio o press shots and more likean enormous amily photo album. That is, i your amilyincludes Bob Dylan, Bruce Springsteen and JohnnyCash. He repeatedly proves the old myth right-you cancapture souls with a camera. His subjects do so willinglyand without reservation. Dannys work has appearedin publications such as Vanity Fair, Spin, Rolling Stone,GQ, Esquire, The New Yorker, and The New York TimesMagazine, and his photographs have appeared onhundreds o album covers.

Danny ClinchBruce Springsteen

Ab Biddi

reserve the right to reject a bid rom any bidder. The highest bidderk l d d b h i h ll b h h I h


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Absentee BiddingAs a service to bidders who are unable to attend the sale,the auctioneer will enter their absentee bids, subject to theConditions o Sale in this catalogue. ACP oers this serviceat no charge and without responsibility or error or ailure toexecute bids. All lots will be purchased at the lowest possible

price subject to other bids.Absentee bid orms are can be ound at acpino.org orby calling the ACP Ofce 404-634-8664.Absentee bids must be received by 1:00pm EST onThursday, September 24th, 2009.

CONDITIONS OF SALEThe property oered in this sale will be oered and sold by

Atlanta Celebrates Photography (the Non-proft). Any questionsshould be directed to the Non-proft and not to Sothebys, Inc.,(Sothebys), which serves merely as auctioneer or the Non-proftin conducting the auction sale and participates on the ollowingterms and conditions, as amended by any posted notices or oralannouncements during the sale, which govern the sale o allthe property oered at the auction: 1. (a) Neither Sothebys northe Non-proft assume any risk, liability or responsibility or theauthenticity o the authorship o any property oered at this

auction (that is, the identity o the creator or the period, culture,source or origin, as the case may be, with which the creationo any property is identifed). (b) ALL PROPERTY IS SOLD ASIS AND NEITHER SOTHEBYS NOR THE NONPROFIT MAKES ANYREPRESENTATIONS OR WARRANTIES OF ANY KIND OR NATURE,EXPRESSED OR IMPLIED, WITH RESPECT TO THE PROPERTY,AND IN NO EVENT SHALL EITHER OF THEM BE RESPONSIBLEFOR THE CORRECTNESS OF ANY CATALOGUE OR NOTICES ORDESCRIPTIONS OF PROPERTY, NOR BE DEEMED TO HAVE MADE,

ANY REPRESENTATIONS OR WARRANTY OF PHYSICAL CONDITION,SIZE, QUALITY, RARITY, IMPORTANCE, GENUINENESS, ATTRIBUTION,AUTHENTICITY, PROVENANCE OR HISTORICAL RELEVANCE OF THEPROPERTY. No statement in any catalogue, notice or descriptionor made at the sale, in any bill o sale invoice or elsewhere, shallbe deemed such a representation or warranty or any assumptiono liability. Neither Sothebys nor the Non-proft makes anyrepresentation or warranty, expressed or implied, as to whetherthe purchaser acquires any reproduction rights in the property.

Prospective bidders should inspect the property beore biddingto determine its condition, size and whether or not it has beenrepaired or restored. 2. Any property may be withdrawn bySothebys or the Non-proft at any time beore the actual salewithout any liability thereore. 3. Sothebys and the Non-proft

acknowledged by the auctioneer shall be the purchaser. In theevent o any dispute between bidders, the auctioneer shall havesole and fnal discretion either to determine the successul bidderor to re-oer and resell the article in dispute. I any dispute arisesater the sale, the Non-profts sale records shall be conclusive inall respects. 4. I the auctioneer determines that any opening bid isnot commensurate with the value o the article oered, s/he mayreject the same and withdraw the article rom sale, and i, havingacknowledged an opening bid, s/he decides that any advancethereater is insufcient, s/he may reject the advance.5. On the all o the auctioneers hammer, the highest bidder shallbe deemed to have purchased the oered lot subject to all o theconditions set orth herein and thereupon (a) assumes the riskand responsibility thereo (including without limitation damage torames or glass the covering prints), (b) will sign a confrmation o

purchase thereo and (c) will pay the ull purchase price thereoreor such part as the Non-proft may require. All property shall beremoved rom the Non-profts premises by the purchaser at his/her expense no later than fve days ollowing its sale and, i notso removed, will be sent by the Non-proft at the expense o thepurchaser to a public warehouse or the account, risk, and expenseo the purchaser and such added charges will then be added to thepurchase price o the object. I the oregoing conditions and otherapplicable conditions are not complied with, in addition to other

remedies available to the Non-proft by law, including, withoutlimitation, the right to hold the purchaser liable or the bid price,the Non-proft at their option, may either (a) cancel the sale,or (b) resell the property on three days notice to the purchaserand or the account and risk o the purchaser, either publiclyor privately, and in such event the purchaser shall be liable orpayment o any defciency, all other charges due hereunder andincidental damages. 6. Any checks should be payable to AtlantaCelebrates Photography, and not to Sothebys. 7. (a) In the case

o order bids or bids transmitted by telephone, Sothebys and theNon-proft are not responsible or any errors or omissions inconnection with such bids. [(b) All lots ([marked with [ ]) areoered or sale subject to a reserve, which is the confdentialminimum price below which such lot will not be sold. Sothebysmay implement such reserve by bidding up to the reserve onbehal o the Non-proft.]PAYMENTAll payments are due the evening o the event. Checks and

major credit cards will be accepted. Works can be shipped or anadditional cost; shipping arrangements must be made at the timeo payment. I works are not collected the evening o the auction,all work must be picked-up no later than October 3 at 5 p.m.unless other arrangements are made the evening o the auction.


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inside

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ACP 11 Auction - Catalog