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1 Appendix 1A – e Pitch Realm: Website Exercise Solutions Website Exercise Solutions Appendix 1A – e Pitch Realm Exercise A: Scale and Key Analysis. Based on the pitch-class content and chromaticism, determine the major or mi- nor key of each example. en, above each pitch, write its scale degree number. Exercise B: Key Implications. Determine the possible major and minor keys in which each of the two or three pitch units are members. For example, F#-G-A are members of the following major keys: G and D. e minor keys would be G, E, and B (natural minor). en, transpose each of the given patterns by the required interval.

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1Appendix 1A – The Pitch Realm: Website Exercise SolutionsWebsite Exercise SolutionsAppendix 1A – The Pitch Realm

Exercise A: Scale and Key Analysis. Based on the pitch-class content and chromaticism, determine the major or mi-nor key of each example. Then, above each pitch, write its scale degree number.

Exercise B: Key Implications. • Determine the possible major and minor keys in which each of the two or three pitch units are members. For

example, F#-G-A are members of the following major keys: G and D. The minor keys would be G, E, and B (natural minor).

• Then, transpose each of the given patterns by the required interval.

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2 Appendix 1B – Pulse, Rhythm, and Meter: Website Exercise Solutions

Appendix 1B – Pulse, Rhythm, and Meter

Exercise A: Ties Versus Phrasing Slurs. Label ties and phrase slurs in the opening of Brahms Intermezzo in F minor, Op. 118, no. 4.

Exercise B: For each equation, fill in the missing information.

Sample Solutions: q = _2_ es; q. = _6_ x

Exercise C: Correcting Rhythmic Notation to Clarify Meter. The examples shown employ the improper use of ties and beams. There are no examples of hemiola.

• For Parts A-E: Determine the key, and on a separate sheet of paper, correct the rhythmic notation to align with the meter. • For Parts F-G: Determine and add the meter signature, then correct beams, ties, and dots in each example and add bar lines. Exercises begin on downbeats.

A. _h._ = 6 es

B. w = 16 _x_

C. q = 3 eee

D. h = _6_ es

⌐3¬

⌐3

E. e. = _3_ xs

F. q. = 6 _xs_

G. _w._ = 12 es

H. q = _6_ es⌐3⌐3

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3Appendix 1C – Intervals: Website Exercise Solutions

Appendix 1C – Intervals

Exercise A: Diatonic Intervals. Including both the generic and specific names, identify the following diatonic inter-vals (i.e., intervals that occur within a key).

Exercise B: Intervals in Context. Identify each of the bracketed diatonic intervals.

B.

Exercise C: Correcting Rhythmic Notation to Clarify Meter. Cont’d

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4 Appendix 1C – Intervals: Website Exercise Solutions

Exercise D: Writing Perfect, Major, and Minor intervals. Notate the required harmonic interval below the given pitch.

Exercise E: Writing All Intervals. Notate the required melodic interval above the given pitch.

Exercise F: Writing All Intervals. Notate the required melodic interval below the given pitch.

Exercise C: Writing Perfect, Major, and Minor intervals. Notate the required harmonic interval above the given pitch.