BLANK SPACE (Y)OUR SPACE EXHIBITION CATALOG

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    TOGETHER OUR SPACE GALLERY

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    TOGETHER OUR SPACE GALLERY 12 Old Street, London EC1V 9BE

    BLANK SPACE/(Y)OUR SPACE

    THURSDAY 20TH MAY FRIDAY 2ND JULY 2010

    A MULTI - DISCIPLINARY EXHIBITION FEATURING ARTISTS

    BRINGING TO PASS THEIR SENSE OF THE VOID.

    All works explore the artists impression ofblank space through the creation of art

    set against the pull of the void, encompassing a sense of mind, body and literal

    space. Together Our Space Gallery will become a creative sensory zone for 6

    weeks with works allowing spectators to become a part of the creative space

    through the visual, touch, sound and creative participation.

    The exhibition features 13 emerging artists based in the UK and 3 artists who are

    part of Art Saves Lives an organisation that "empower and rehabilitate people

    through the medium of art".

    FILL IN THE BL___K

    WORK INCLUDES SITE SPECIFIC INSTALLATIONS, SOUND, VIDEO,

    PAINTINGS AND SCULPTURE.

    ARTISTS:

    MORGAN BERINGER > SUSAN BOWMAN > LUCY EDKINS > CLAIRE

    HAZELTON > VICTORIA KARLSSON > PAUL KINDERSLEY > NICOLA

    McCARTNEY > EVE McDOUGALL > CHAR MILLARE > AMANDA MOSS >

    AXELLE RUSSO > DEAN STALHAM > THEO TAGHOLM > KASSIM BAY &

    DEANO DE LA VEGA

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    MORGAN BERINGER

    Abstraction 29

    A reflection on the big gray ambiguous void existing within dualistic notions of

    structure and metaphysics. The strobe becomes as a transcendental flashlight,slowing down life's frame rate to illuminate the illusory nature of gray, space, or

    the void. In the same manner, film creates the illusion of motion through

    presenting still images in rapid succession.

    Morgan Beringeris an American video artist based in London. Having spent

    and continuing to spend much of his life in transit between different countries, the

    thrust of his creative concern stems from the dilemma of living in-between

    cultures. An academic background in both philosophy and art pushes these

    concerns further into the realms of linguistics, performance, and film/video art.

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    SUSAN BOWMAN

    Video Paintings

    Video Paintings are free of narrative, editing, people and sound. They focus on

    natural beauty and simple pleasures like the effect of changing light and wind on

    water. They offer the opportunity for total engrossment in what you are looking at

    without the need for understanding or closure.

    Susan Bowman is a multi media artist who graduated with Distinction in an MA

    in Textile Culture from Norwich School of Art & Design in 2007. Since then she

    has built up a successful exhibiting career, showing her work in Europe, Russia

    and the USA. Susan has recently started working in a brand new genre - Video

    Painting and is showing one of her recent Video Paintings in this exhibition.

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    LUCY EDKINS

    Wire Dream Sculptures (2010)

    The wire dream sculptures express an ephemeral idea of being.

    Wire, PVA, tissue paper

    Red Detritus (2009)

    The junk sculpture symbolises a cluster of wildness within a tame environment.

    Household & neighbourhood detritus: wood, metal, wire and baskets.

    This grouping instigates the anatomy of a journey, a metaphorical path through life using

    the visual currency of dreams.

    Lucy Edkins works from a Tottenham based home studio. She exhibits regularly across

    London and internationally.

    www.lucyedkins.com

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    CLAIRE HAZELTON

    Slippery Soap

    'Slippery Soap' is a series of sculptures made from bars of soap, engraved with words

    from the composer John Cage's 'lecture on nothing'. It depicts the mind going blank in a

    performance or speech; piano keys turning into slippery obstacles, the fear of 'slipping

    up', gaps in memory, writers block. The soap bars are positioned like piano keys but also

    like foot prints rising into an unknown future, a blank wall; not entirely sure of where we

    are going, trying not to slide backwards.

    Claire Hazelton is a student at Kings College London currently studying music. She

    likes to experiment with the crossovers in visual art, music and writing.

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    VICTORIA KARLSSON

    In Passing

    Using paper to create a physical and sonic environment. As with the opening of a book, the

    installation envelops the visitor in their own worlds where they themselves are essential to the

    creation of their experience. They become both listener and performer of the piece.

    The paper environment will decay over time, and as it does the experience will alter for the

    visitors. As visitors interact with the installation the sounds produced are recorded, acting as a

    record of the installation after it has disappeared. The immateriality of the sound outlasting the

    physicality of the installation.

    Victoria Karlsson is a sound artist working in London influenced by phonography, psycho-

    geography and traditional compositional practices.

    Working within composition, live art and installation practices, she creates sonic art that exploreshaunted spaces and also haunted sounds themselves. Her work explores space, internal and

    external experience, psycho geography and the site specific.

    A living, integral part of any physical environment, sound art has the unique ability to suggest and

    open up new words on the edges of the real and the imagined.

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    NICOLA McCARTNEY

    Susan

    Nicola McCartney is a London based artist and writer on contemporary art. She is

    influenced by popular culture and media images, concentrating on perceptions of

    femininity. Her research is based upon notions of the biography and artistic identity.

    Susan is a portrayal of the subject made object. The repetition and domestication

    of Susan Boyle into wallpaper represents the public's claim over and creation of

    the documented character they dubbed 'Subo': The phenomenal obsession with the

    singer that ensued after her debut on Britain's Got Talent simultaneously manifesteditself in both compassion and victimisation by her fans. McCartney's sensitive depiction

    of her famous audition aims to capture the tension between the grace and fear in the

    woman, respectfully titled Susan for this work of art.

    [email protected]

    www.nicolamccartney.co.uk

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    EVE McDOUGALL

    Girls Behind Bars

    Sculpture made out of found objects from charity and junk shops.

    Eve McDougall is a self-taught artist/writer born on the South Side of Glasgow

    and spent most of her young life in approved schools which she constantly

    escaped from.

    Eve is one of the ambassadors for Clean Break and a tutor for Cast, delivering

    art, poetry and creative writing. She is also the editor of Cast magazine and has

    done an introduction to counseling at Birbeck College to help her deal with the

    horrors of the past. She then went on to write her book, A Wicked Fist; A True

    Story Of Prison Freedom and says, Art saved my life in those dark days and

    continues to inspire.

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    CHAR MILLARE

    Whyd Ya Do it? (2010)

    A reflection on an anger felt when confronted with the notion of rejection and the burning questions we ask

    after realising something you had was not quite what it seemed.

    Taking lyrics from the Marianne Faithfull song Whyd Ya Do It?Char Millare reflects on past relationships

    and the obsessions that follow when trust is broken. The video is a personal piece exploring a paranoia that

    has taken hold, turning the paranoidinto a broken record as she attempts to find solace in her

    understanding of the past. Possessed by what she thinks she knows, the only question that seems to

    surface is WHY?

    Whyd Ya Do It?is about breaking a cycle of doubt by confronting the past.

    Char Millare is a BA (Hons) Film and Video graduate from the Kent Institute of Art and Design and is

    currently based in London.

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    AMANDA MOSS

    Forecourt Triptych: Oil on Canvas 180cms x 60cms overall. 2009 - 2010.

    These paintings are based on CCTV footage recorded in our space. The CCTV

    monitor also serves as a window enabling me to see outside the building in an

    otherwise windowless space. I am interested in the way that people drift in and

    out of the frame and inhabit the space for brief moments of time forming part of

    the composition. The forecourt becomes a stage where I can introduce a certain

    degree of drama and fantasy.

    Amanda Moss is a visual artist who lives and works in London she is also a

    Director of Corsica Studios an independent arts and music venue

    that is located at the Elephant & Castle in South London.

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    AXELLE RUSSO

    You Are Here

    Photo: Ex-Voto, Axelle Russo, 2009.

    You Are Here is an evolving and interactive installation where viewers are

    invited to settle in the space and make it their own. They are given the

    opportunity to share their thoughts, aspirations and desires and start drawing and

    writing on the walls, ceiling and floor. It is an intimate space that belongs to all,

    where individuals leave their trace.

    Axelle Russo is French artist leaving and working in London since 2000. She

    works on installations and paintings that question self-identity and individuals'desire. She uses peoples' own experiences and thoughts to question the way

    self-image is influenced by socio-cultural contexts.

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    DEAN STALHAM

    My name is Dean Stalham; I am an artist and have been making art since 2004.

    Art saved my life.

    In 2008 I was commissioned to design and build an art installation for the EDEN

    PROJECTS KEY GARDEN at THE CHELSEA FLOWER SHOW 09. The brief was to

    highlight the plight of London's homeless community. These three reclaimed timber

    columns are part of forty columns that were adorned by a hand painted stream of

    consciousness poem. The Garden won a Silver Medal and was seen by over 150

    thousand visitors.

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    THEO TAGHOLM

    Drift

    Drift was made using a digital stills camera to create a stop motion animation.

    I feel the Situationists best describe my intentions

    I drift, half awake, half asleep. Moving through the city I recall but have never been to.

    "Architecture is the simplest means of articulating time and space, of modulating reality,

    of engendering dreams"

    "We move within a closed landscape whose landmarks constantly draw us toward the

    past. Certain shifting angles, certain receding perspectives, allow us to glimpse original

    conceptions of space, but this vision remains fragmentary." Ivan Chtcheglov

    Theo Tagholm is a London based artist working predominantly in video. He was

    shortlisted for the Jerwood Moving Image Awards in 2008.

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    KASSIM BAY & DEANO DE LA VEGA

    WE SCRATCH ART aka Scratchadelia

    "Too cool to go to school. Too handsome to be homeless. We scratch Art."

    Kassim Bay and Deano De La Vega turn their frustration into mind-blowing jewels to

    un-program the perception of the spectator/actor and art-eater, in order to re-program it.

    On surface level the work could easily be read simply as typography, graphic art and a

    style of graffiti. But on closer inspection the work is a contrast of a delicate process and

    fragile materials representing imagery of pop and subversive culture. Transcending the

    usual street based art work and becoming deeper and richer in its monochromatic play

    with light, sight and touch.