Breton Manifest Nadrealizma

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    2 d B (1896-1966) h F

    Breton was introduced to Freudan analysis [see IA4J while servng in a medica capacin the rst World War. After the apparent exastion of Oada, Breton assmed he

    leadeship of te et wing of te avant-garde opposing the rrationa and te work ote sbconscios to the nationalism and technicism of te Esprit Noveau grop (seel?). To this end e articlated te deinitive ormuation of te concept o Surrealise term ad been coined by Apolnare who had aso promoted te dea o a 'nespirt see A) Bretons irst Maniesto o Srreasm was orginally pblised in Paisn 194 e present extracts are taen rom the transation b Seaver and H.RLane in Andr Breton Manifesoes of Suealism, Michigan 969

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    r l magnan, ha m n u ur unarng uah mr wr frm h nl n ha ll m I m

    aab f nfnl uanng h l human fanam I ubl afm nl gma aran Amng all h man mfrun whh w arhr, nl far am ha w ar allw h gra gr f frmf hugh u u n mu ru h magnan a af ar - n hugh wul man h lmnan f wha mmnlall han - bra all n f ablu ju whn nfmagnan aln ffr m m nman f wha cal be, an h nugh rm m lgh gr h rrbl njunn; nugh, , awm mlf whu far f makng a mak (a hugh wrb mak a bggr mak) Whr bgn urn ba, an whr h mn abl a? Fr h mn, h bl f rrng nahr h ngn f g

    hr ran man, 'h man ha n lk u, a ha al bnrb ha man r anhrW a knw, n fa, ha h nanw hr narran a n numbr f gall rrhnbl a an ha,"r n fr h a hr frm (r wha w a hr frm) wuln b hran am wng am ha h ar, m gr, mf hr magnan, n ha nu hm n a ann ran rul- u f whh h fl f hran whh w ar al u knw an r u hr rfun nffrn h wa n whh w

    ug hm, an n h aru unhmn m u hm, allw u u ha r a gra a f mfr an nlan frm hragnan, ha h nj hr man uffnl nur h hugha al n n bn hm An, n, halunan,lun, , ar n a ur f rng laur [ ]

    h a agan h ral au man b amn, fllwng h agan h mara au h lar, mr n fa han hmr, am ml n h ar f man a kn f mnru r whh,m, mnru, bu n a nw an mr m a I hulb all b w a a wlm ran agan ran ruu nnof rualm Fnall, n nmabl wh a ran nb f hugh

    nra, h ral au, nr b m, frm San hma\na Anal Fran, lar m m b h an nual

    ral aanmn I lah , fr ma u f mr, ha, an n I h au hh a g brh h ruu bk, nung la nanl f n an r rngh frm har an ulf bh n an ar b auul arng h l a lar brrng n u, a g f h a f h bn fl h ff f h a f h mmn nmnar nalla un hm a un h hr [ "

    ar lng unr h rgn f lg u n h a an ag lgalh ar alab nl lng rbm f nar nr hlu ranalm ha ll n gu allw u nr n fa rlang

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    v yur hars nn n if yu shu i ar yu n rain frawaking amng h a? L yursf b arri ang vns wi n rayur inrfrn Yu ar namss h as f vryhing is riss

    Wha rasn I ask a rasn s muh vasr han h hr maks ramssm s naura an aws m wm unrsrvy a wr f iss ssrang ha hy wu nfun m nw as I wri? n y I an biv myys my ars; his gra ay has arriv his bas has skn

    If mans awaking is harr if i braks h s abruy i is baush has bn mak fr himsf imvrish a nin f anmn

    4 Frm h mmn whn i is subj a mhia xaminain whnby mans y b rmin w su in rring h nns f ramsin hir niry (an ha rsuss a isiin f mmry sanning gnrains bu us nnhss bgin by ning h ms sain fas) whn isgrah wi xan wih unara vum an rguariy w may h hah mysris whih ray ar n wi giv way h gra Mysry I bivin h fuur rsuin f hs w sas ram an raiy whih arsmingy s nrairy in a kin f absu raiy a ueality, if nmay s sak is in qus f his surraiy ha I am ging rain n fin i bu unminfu f my ah n aua sm sigh grh ys f is ssssin.

    sry is aring whih SainPRux in ims gn by us hav a ni s n h r f his manr hus in Camar vry vning

    bfr h wn s whih ra THE POET IS WORKNG. gra a mr u b sai bu in assing mry wan uhun a subj whih in isf wu rquir a vry ng an muh mr aiisussin his unur my innin was mry mark a in byning h hate of the mavelou whh rags in rain mn his absuriybnah whih hy ry bury i. L us n min wrs h marvus isaways bauifu anyhing marvus is bauifu in fa ny h marvus isbauifu

    On vning bfr I f as I riv s ary ariua ha iwas imssib hang a wr bu nnhss rmv frm h sun fany vi a rahr srang hras whih am m wihu any aarnrainshi h vns in whih my nsiusnss agrs I was hn

    invv a hras whih sm m insisn a hras if may b s bwhich wa knocking at the window. I k ursry n f i an rar mv n whn is rgani harar augh my anin uay his hrasasnish m unfrunay I ann rmmbr i xay bu i was smhingik 'hr is a man u in w by h winw bu hr u b n qusinf ambiguiy amani as i was by h fain visua imag f a man wakingu haf way u by a winw rniuar h axis f his by yn hsighs shaw f a ub wha I saw was h sim rnsruin in saf a man aning u a winw u his winw having shif wih h manI raiz ha I was aing wih an imag f a fairy rar sr an a I uhink f was inrra i in my maria fr i nsruin N

    snr ha I gran i his aaiy han i was in fa su by a whsris f hrass wih ny brif auss bwn hm whih surris m nysighy ss an f m wih h imrssin f hir bing s grauius hah nr I ha hn xris un mysf sm m iusry an a Iu hink f was uing an n h nrminab quarr raging wihin m

    Cmy ui as I si was wih Fru a ha im an famiiar as Iwas wih his mhs f xaminain whih I ha ha sm sigh asin us n sm ains uring h war I rsv bain frm mysf wha wwr rying bain frm hm namy a mngu skn as raiy as

    ssib wihu any inrvnin n h ar f h riia fauis a mngu nsquny unnumbr by h sighs inhibiin an whih was assy as ssib akin poken thought I ha sm m an si s h way in whih h hras abu h man u in w ha m m isan iniain f i - ha h s f hugh is n grar han h s fsh an ha hugh s n nssariy fy anguag nr vn hfasmving n I was in his fram f min ha Phii Suau whmI ha nf hs iniia nusins an I i bakn sm arwih a raiswrhy isain fr wha migh rsu frm a irary in f viwh as f xuin i h rs y h n f h frs ay w wr ab ra ursvs sm fy r s ags bain in his mannr an bgin mar ur rsus in a Suaus ags an min rv b

    rmarkaby simiar h sam vrnsruin shrmings f a simiar naurbu as n bh ur ars h iusin f an xrarinary vrv a gra af min a nsirab hi f imags f a quaiy suh ha w wun hav bn aab f raring a sing n in nghan a vry siaiursqu quaiy an hr an hr a srng mia f f h nyiffrn bwn ur w xs sm m riv ssniay frm urrsiv mrs Suaus bing ss sai han min an if h s nmn my ffring his n sigh riiism frm h fa ha h ha ma hrrr f uing a fw wrs by way f is a h f rain ags Isus in a siri f mysiain On h hr han mus giv ri whrri is u an say ha h nsany an vigrusy s any ffr ruh r rr hwvr sighy any assag f his kin whih sm m unfruna n hi s h was b sur absuy righ. I is in fa ifu

    aria fairy h varius mns rsn n may vn g s far as say ha i is imssib aria hm a a frs raing yu wh wrihs mns ar n h surfa a tange to you a they ae to anyone elean nauray yu ar wary f hm Piay saking wha sriks yu abuhm abv a is hir exteme degee of immediate abudity h quaiy f hisabsuri un sr sruiny bing giv way vryhing amissibvryhing giima in h wr h issur f a rain numbr frris an f fas n ss biv in h fna anaysis han h hrs

    In hmag Guiaum inair wh ha us i an wh n svraasins sm us hav fw a isiin f his kin wihu

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    however having sacriced to it any mediocre literary means, Soupault and baptized the new mode of pure expression which we had at ou disposa andwhich we wished to pass on to our friends, by the name of SUEALSM t· .]

    Those who might dispute our right to employ the term SUEALISM in thevery special sense that we understand it are being extremely dishonest, for therecan be no doubt that this word had no currency before we came alongTherefore, I am dening it once and for a:

    SUEALISM, n Psychic automatism in its pure state, by which one proposes

    to express - verbay, by means of the written word, or in any other manner the actua functioning of thought Dictated by thought, in the absence of anycontro exercised by reason, exempt from any aesthetic or moral concern

    ECYCLOPEDIA Phlosohy. Surrealism is based on the belief in the superiorreality of certain forms of previously negected associations, in the omnipotenceof dream, in the disinterested play of thought It tends to ruin once and for aal other psychic mechanisms and to substitute itself for them in soving all theprincipa problems of ife. [ . ] ' '

    .The mind which punges into Surrealism relives with glowing excitementthe best part of its chi dhood For such a mind, it is similar to the certaintywith which a person who is drowning reviews once more, in the space of essthan a second, a the insurmountabe moments of his ife. Some may say tome that the parae is not very encouraging But I have no intention ofencouraging those who te me that From chidhood memories, and from a feothers, there emanates a sentiment of being unintegrated, and then later ofhavng gone astray which hod to be the most fertie that exists t is perhapschildhood that comes cosest to ones real life chidhood beyond which manhas at his disposa, aside from his laissezpasser, ony a few complimentarytickets childhood where everything nevertheless conspires to bring about theeffective, riskfree possession of oneself Thanks to Surreaism, it seems thatopportunity knocks a second time. It is as though we were sti running toardour salvation, or our perdition In the shado we again see a precious terrorThank God, its still ony Purgatory With a shudder, we cross what the

    occultists call angerous terrtory. n my wake raise up monsters that are lying

    in wait they are not yet too illdisposed toward me, and I am not ost, since fear them [ ' ' '

    Surrealism, such as I conceive of it, asserts our compete noncon fors cearyenough so that there can be no question of translating it, at the trial of the reaword, as evidence for the defense It could, on the contrary, only serve tojustify the complete state of distraction which we hope to achieve here belo.Kants absentmindedness regarding women, Pasteurs absentmindedness aboutgrapes, Curies absentmindedness with respect to vehices, are in this regardprofoundy symptomaticThis world is ony very relativey in tune with thought,and incidents of this kind are only the most obvious episodes of a war in which

    I  am  proud  to  be  partcpating. Surreaism  is the 'invisibe ray  which  wi one day  enabe  us to win out  over  our opponents 'You  are no  onger  trembing, arass This summer the roses are blue; the wood is of gass The earth, drapedn t  ve�dant c?ak,  makes as itte  impression  upon  me as  a ghost It  is  livingand ceasng  to ive  that are imaginary  solutions Existence is  esewhere