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BROKIS – a synthesis of exquisite design, superior quality, and the skill of master artisans continuing the centuries-old Bohemian glassmaking tradition. Its collections have achieved international acclaim by combining handblown glass with other refined materials, such as handcrafted wood and metal, in bold compositions that push the boundaries not only of contemporary lighting design but of the technologies applied in production. The family-run premium brand works with select designers from around the world and operates its own historical glassworks southeast of Prague. Each Brokis light is a genuine original, a functional work of art as captivating by day as it is by night.
BR
OK
IS
TRA
DIT
ION
PRESERVATION OF BOHEMIAN GLASSBLOWING TRADITION
Brokis is the brainchild of successful Czech entrepreneur Jan Rabell. In 2006, he founded the brand Brokis as a platform to enliven and elevate Bohemian glassmaking to new heights and preserve generations of knowledge and craftsmanship. Nearly ten years prior, in 1997, he acquired the ailing Janštejn Glassworks, founded at the start of the 19th century approximately 140 kilometres southeast of Prague. Demand for traditional products had declined significantly, many of the glassmakers were growing old and leaving, and time-honoured technologies and techniques were at risk of being lost. Mr. Rabell’s vision was to restore the factory to its former prestige and ensure that the ages-old Bohemian glassmaking tradition endured into the 21st century.
With Brokis, Jan Rabell created a lighting brand offering entirely different products than those previously produced at Janštejn Glassworks. Several new Italian-style furnaces were built, and production techniques were refined. Some, such as grinding and glass painting, were discontinued, and others were revived, e.g., glassblowing using optic moulds, and traditional hotshop techniques. Original and nearly forgotten formulas for manufacturing coloured glass were reinstated and are now characteristic of the Brokis brand.
Brokis has firmly established itself as a leading innovator in glass lighting. For example, the complex technology applied in production of the Night Birds collection, which consists of imposing yet elegant curved glass silhouettes of birds in various phases of flight, required two years of experimentation to perfect. Today, Brokis and Janštejn Glassworks employ a total of 100 people and enjoy a unique symbiosis that has allowed Brokis to launch sales operations in 70 countries and showcase its renowned lighting collections at the world’s top design exhibitions.
6 —
— 7
GLA
SS
WO
RK
SJANŠTEJN GLASSWORKS
For more than 200 years, Janštejn Glassworks, situated in Bohemia’s picturesque Vysočina Region, has upheld a glassblowing tradition that dates to the end of the 17th century. Founded in 1809 near the village of Horní Dubenky, the factory and generations of tenacious craftspeople employed by it have enjoyed periods of prosperity, yet have also endured much hardship, with three devastating fires, two world wars, and nationalization among the greatest challenges. Today, Janštejn Glassworks is the largest producer of specialty lighting glass in the Czech Republic.
PEO
PLE
JAN RABELL
“Nothing’s impossible; never say it can’t be done.”
Entrepreneur Jan Rabell is one of the most dynamic figures in the Czech Republic’s glassmaking industry. Born in Prague in 1965 to a Puerto Rican father and Czech mother, he grew up in his father’s homeland, returning to Prague to pursue a master’s degree in economics. He went on to hold various managing director posts in the field of finance and banking.
In 1997, he purchased the ailing Janštejn Glassworks and set about restoring its prestige and competitiveness primarily by introducing unconventional glassblowing techniques and production technologies.
In 2006, he founded the premium handblown glass lighting brand BROKIS, quickly developing it into one of the most important players in the market and exporting its products to countries around the world. Jan Rabell’s charisma, energy, and innovative vision continue to propel BROKIS and the Janštejn Glassworks steadily forward. The entire Rabell family are involved in the business, with wife, Petra, and son André playing especially important roles.
LUCIE KOLDOVA
“There are many things we can do without in life. Light is not one of them.”
BROKIS art director Lucie Koldova is an acclaimed Czech product and furniture designer. Her collaboration with BROKIS began in 2010 with the timeless Muffins and Balloons lighting collections, which she designed while living and working in Paris. The voluminous glass lights embody her charismatic, elegant style and quickly established BROKIS as an innovative producer of handblown glass lighting. She is the creative force behind the brand and is instrumental in shaping its product portfolio and image.
Her creations, objects of desire, include glass sculptures, glass lighting, poetic gallery pieces, and limited-series works. Breathtaking colours, unusual proportions, and vibrant formal contrasts seemingly move her work beyond the realm of the possible, a trademark at once apparent in lighting collections such as Balloons, Capsula, Whistle, and Mona. In addition to developing ever-more novel and exciting motifs, Lucie Koldova has introduced important technological and formal solutions that have enabled BROKIS to push the limits of handblown glass production.
BROKISDESIGN BYLUCIE KOLDOVADAN YEFFETBORIS KLIMEKCHIARAMONTE MARINLENKA DAMOVAFUMIE SHIBATA
The
timel
ess
Muff
ins
colle
ctio
n re
pres
ents
an
extr
aord
inar
y lig
htin
g ex
perie
nce.
Sin
ce it
s m
arke
t deb
ut, i
t has
take
n on
an
icon
ic s
tatu
s an
d be
com
e a
sym
bol o
f the
Bro
kis
bran
d. T
he s
ublim
ity o
f the
des
ign
lies
in
the
mas
terf
ul c
ombi
natio
n of
del
icat
ely
cont
oure
d gl
ass
and
solid
woo
d.
The
light
s, fe
atur
ing
a bi
llow
ing
glas
s sh
ade
set i
n a
hand
craf
ted
woo
d ba
se to
geth
er w
ith a
nak
ed fi
lam
ent b
ulb,
bre
athe
new
life
into
any
spa
ce
and
elic
it a
fest
ive
ambi
ence
. The
col
lect
ion
offer
s m
ultip
le s
hape
and
siz
e va
riant
s as
wel
l as
a br
oad
pale
tte
of g
lass
col
ours
and
woo
ds.
DES
IGN
Lu
cie
Kol
dova
, Dan
Yeff
et
MU
FFIN
S
14 —
— 15
16 —
— 17
16 —
— 17
18 —
— 19
GLA
SS C
OLO
UR
/ B
AS
ambe
r – tr
ansp
aren
t gla
ss (C
GC
515)
cogn
ac –
tran
spar
ent g
lass
(CG
C54
0)vi
olet
– tr
ansp
aren
t gla
ss (C
GC
554)
smok
e br
own
– tr
ansp
aren
t gla
ss (C
GC
538)
opal
ine
– tr
ansp
aren
t gla
ss (C
GC
38)
smok
e gr
ey –
tran
spar
ent g
lass
(CG
C51
6)ol
ive
gree
n –
tran
spar
ent g
lass
(CG
C27
38)
tran
spar
ent g
lass
(CG
C23
)tr
iple
x op
al (C
GC
39)
GLA
SS S
UR
FAC
E /
ALL
glos
sy s
urfa
ce (C
GS
U66
)
CA
BLE
CO
LOU
R /
BA
Ste
xtile
cab
le –
whi
te (C
ECL5
21)
text
ile c
able
– w
hite
US
(CEC
L835
)te
xtile
cab
le –
bla
ck (C
ECL5
19)
text
ile c
able
– b
lack
US
(CEC
L834
)te
xtile
cab
le –
red
(CEC
L530
)te
xtile
cab
le –
dar
k gr
ey (C
ECL5
20)
text
ile c
able
– y
ello
w (C
ECL6
06)
text
ile c
able
– li
ght g
rey
(CEC
L191
8)
SU
RFA
CE
FIN
ISH
/ B
AS
Euro
pean
Oak
– u
ntre
ated
(CC
S65
7)
Euro
pean
Oak
– n
atur
al w
axed
(CC
S51
8)Eu
rope
an O
ak –
cle
ar c
oat (
CC
S97
2)
SU
RFA
CE
FIN
ISH
/ S
TAEu
rope
an O
ak –
sta
ined
whi
te (C
CS
680)
Euro
pean
Oak
– s
tain
ed b
lack
(CC
S59
2)
SU
RFA
CE
FIN
ISH
/ A
DD
Wen
ge (C
CS
2739
)sa
tinat
ed g
rey
mar
ble
(CC
S27
40)
satin
ated
red
mar
ble
(CC
S27
42)
Rose
woo
d (C
CS
2741
)
20 —
— 2
1
22 —
— 2
3
Bal
loon
s, a
col
lect
ion
of ti
mel
ess
light
s em
body
ing
rudi
men
tal f
orm
s ev
okin
g im
ages
of h
ot a
ir ba
lloon
s, c
aptiv
ates
with
the
beau
ty o
f la
rge-
form
at h
andb
low
n gl
ass
and
an e
lega
nt m
etal
refle
ctor
hov
erin
g w
ithin
. The
des
ign’
s ch
arm
lies
in th
e us
e of
two
inde
pend
ent g
lass
se
ctio
ns to
ach
ieve
the
impr
essi
on o
f an
inte
gral
who
le. L
avis
h pr
opor
tions
and
an
eleg
ant h
and-
pres
sed
met
al re
flect
or a
re th
e co
llect
ion’
s de
finin
g tr
aits
. The
siz
e of
the
larg
est s
hade
pus
hes
the
very
bou
ndar
ies
of g
lass
blow
ing
tech
nolo
gy a
nd il
lust
rate
s th
e ex
cept
iona
l ski
ll an
d cr
afts
man
ship
of B
ohem
ian
glas
smak
ers.
Th
e B
allo
ons
colle
ctio
n is
one
of t
he p
illar
s of
the
Bro
kis
port
folio
. Th
e lig
hts
com
e in
thre
e si
zes.
Bal
loon
s al
so m
ake
an o
utst
andi
ng
scul
ptur
al s
tate
men
t dur
ing
the
day
whe
n th
ey a
re s
witc
hed
off.
DES
IGN
Lu
cie
Kol
dova
, Dan
Yeff
et
BA
LLO
ON
S
26 —
— 2
7
28 —
— 2
9
30 —
— 3
1
GLA
SS C
OLO
UR
/ B
AS
smok
e br
own
– tr
ansp
aren
t gla
ss (C
GC
538)
smok
e gr
ey –
tran
spar
ent g
lass
(CG
C51
6)tr
ansp
aren
t gla
ss (C
GC
23)
GLA
SS S
UR
FAC
E /
ALL
glos
sy s
urfa
ce (C
GS
U66
)
SU
RFA
CE
FIN
ISH
/ B
AS
whi
te (C
CS
575)
lem
on y
ello
w (C
CS
613)
blac
k (C
CS
582)
refle
ctiv
e or
ange
(CC
S57
4)
SU
RFA
CE
FIN
ISH
/ A
DD
chro
me
(CC
S27
5)ch
rom
e br
ushe
d (C
CS
960)
chro
me
blac
k (C
CS
959)
copp
er (C
CS
584)
bras
s (C
CS
69)
CA
BLE
CO
LOU
R /
BA
Ste
xtile
cab
le –
whi
te (C
ECL5
21)
text
ile c
able
– w
hite
US
(CEC
L835
)te
xtile
cab
le –
bla
ck (C
ECL5
19)
text
ile c
able
– b
lack
US
(CEC
L834
)te
xtile
cab
le –
red
(CEC
L530
)te
xtile
cab
le –
dar
k gr
ey (C
ECL5
20)
text
ile c
able
– y
ello
w (C
ECL6
06)
text
ile c
able
– li
ght g
rey
(CEC
L191
8)
The
Sha
dow
s co
llect
ion
is a
take
on
the
fam
ed, t
imel
ess
light
s fo
und
in F
renc
h at
elie
rs, a
nd it
s ty
polo
gy p
ays
trib
ute
to th
at le
gacy
. Th
e co
mbi
natio
n of
han
dblo
wn
glas
s, h
andc
raft
ed w
ood,
and
cla
ssic
sh
apin
g ha
s gi
ven
rise
to a
ligh
t of a
gele
ss e
lega
nce.
The
col
lect
ion
com
pris
es fo
ur d
iffer
ent s
uspe
nsio
n lig
hts,
as
strik
ing
alon
e as
they
ar
e in
set
s, c
hara
cter
ized
by
a ha
ndbl
own
glas
s sh
ade
set u
pon
on a
ha
ndcr
afte
d w
oode
n bo
dy. T
he c
lean
con
tour
s an
d fin
ish
are
acce
ntua
ted
by th
e co
ncea
led
light
sou
rce.
The
Sha
dow
s co
llect
ion
is s
peci
al n
ot o
nly
for i
ts w
ide
spec
trum
of g
lass
col
our o
ptio
ns, s
urfa
ce fi
nish
es, a
nd ty
pes
of w
ood
but a
lso
beca
use
the
light
s ca
n be
com
bine
d in
to s
ets
acco
rdin
g to
cus
tom
er re
quire
men
ts. T
hey
are
inte
nded
for i
nter
iors
and
, tha
nks
to m
ultip
le c
ombi
natio
n po
ssib
ilitie
s, a
re w
ell s
uite
d to
a b
road
rang
e of
in
stal
latio
ns.
The
cont
ours
of t
he S
hado
ws
XL
colle
ctio
n st
ay tr
ue to
the
orig
inal
S
hado
ws
colle
ctio
n bu
t are
nea
rly 5
0% b
olde
r in
thei
r pro
port
ions
. B
oth
the
Sha
dow
s an
d S
hado
ws
XL
colle
ctio
ns h
ave
spec
ial i
nteg
rate
d co
nnec
tors
dev
elop
ed b
y B
roki
s to
faci
litat
e in
stal
latio
n an
d cl
eani
ng.
DES
IGN
Lu
cie
Kol
dova
, Dan
Yeff
et
SH
AD
OW
S
34 —
— 3
5
GLA
SS C
OLO
UR
/ B
AS
blac
k –
tran
spar
ent g
lass
(CG
C60
2)sm
oke
brow
n –
tran
spar
ent g
lass
(CG
C53
8)op
alin
e –
tran
spar
ent g
lass
(CG
C38
)sm
oke
grey
– tr
ansp
aren
t gla
ss (C
GC
516)
tran
spar
ent g
lass
(CG
C23
)tr
iple
x op
al (C
GC
39)
pear
l gre
y –
opal
ine
glas
s (C
CG
1916
)
GLA
SS S
UR
FAC
E /
ALL
glos
sy s
urfa
ce (C
GS
U66
)ac
id-e
tche
d ou
ter s
urfa
ce (C
GS
U67
)
SU
RFA
CE
FIN
ISH
/ B
AS
Euro
pean
Oak
– s
tain
ed w
hite
(CC
S68
0)Eu
rope
an O
ak –
sta
ined
bla
ck (C
CS
592)
Euro
pean
Oak
– u
ntre
ated
(CC
S65
7)Eu
rope
an O
ak –
nat
ural
wax
ed (C
CS
518)
Euro
pean
Oak
– c
lear
coa
t (C
CS
972)
SU
RFA
CE
FIN
ISH
/ S
TAA
mer
ican
Wal
nut –
nat
ural
wax
ed (C
CS
757)
CA
BLE
CO
LOU
R /
BA
Ste
xtile
cab
le –
whi
te (C
ECL5
21)
text
ile c
able
– w
hite
US
(CEC
L835
)te
xtile
cab
le –
bla
ck (C
ECL5
19)
text
ile c
able
– b
lack
US
(CEC
L834
)te
xtile
cab
le –
red
(CEC
L530
)te
xtile
cab
le –
dar
k gr
ey (C
ECL5
20)
text
ile c
able
– y
ello
w (C
ECL6
06)
text
ile c
able
– li
ght g
rey
(CEC
L191
8)
36 —
— 3
736
——
37
38 —
— 3
9
40 —
— 4
1
42 —
— 4
342
——
43
MEM
ORY Th
e M
emor
y co
llect
ion
awak
ens
the
imag
inat
ion
and
beck
ons
back
to a
car
efre
e ch
ildho
od. T
he w
all a
nd c
eilin
g ve
rsio
ns in
diff
eren
t siz
es, t
he w
ide
rang
e of
col
our o
ptio
ns,
and
a se
lect
ion
of fi
nish
es g
ive
this
ligh
ting
expe
rienc
e a
larg
e de
gree
of v
ersa
tility
. The
illu
sion
of i
nflat
ed b
allo
ons
is fl
awle
ss ri
ght d
own
to th
e da
nglin
g st
ring,
whi
ch s
erve
s to
sw
itch
the
light
on
and
off. T
his
is b
eaut
y in
its
sim
ples
t an
d m
ost p
ersu
asiv
e fo
rm. T
he M
emor
y co
llect
ion
cons
ists
of
cei
ling
and
wal
l ver
sion
s in
thre
e si
zes.
The
re a
re a
lso
sets
that
allo
w m
ultip
le li
ghts
to b
e co
mbi
ned
on a
sin
gle
ceili
ng c
anop
y. U
nlik
e th
e ot
her c
olle
ctio
ns, M
emor
y ar
e no
t sup
plie
d w
ith a
ligh
t sou
rce.
DES
IGN
B
oris
Klim
ek
46 —
— 4
746
——
47
48 —
— 4
9
50 —
— 5
1
GLA
SS C
OLO
UR
/ B
AS
trip
lex
opal
(CG
C39
)
GLA
SS C
OLO
UR
/ S
TAre
d –
trip
lex
opal
(CG
C57
9)bl
ue –
trip
lex
opal
(CG
C28
)or
ange
– tr
iple
x op
al (C
GC
580)
light
pin
k –
trip
lex
opal
(CG
C30
)gr
ey –
trip
lex
opal
(CG
C61
7)tu
rquo
ise
– tr
iple
x op
al (C
GC
601)
gree
n ap
ple
– tr
iple
x op
al (C
GC
578)
yello
w –
trip
lex
opal
(CG
C47
)
GLA
SS S
UR
FAC
E /
ALL
glos
sy s
urfa
ce (C
GS
U66
)ac
id-e
tche
d in
ner a
nd o
uter
sur
face
(CG
SU
881)
52 —
— 5
3
Cap
sula
is a
sop
hist
icat
ed a
nd e
xhila
ratin
g lig
ht
bear
ing
rese
mbl
ance
to a
pla
nt c
ell o
r see
d.
The
nucl
eus
of th
e pi
ece
is a
tubu
lar t
riple
x-gl
ass
LED
ligh
t sou
rce,
dev
elop
ed b
y B
roki
s, th
at tr
anse
cts
the
inne
r sha
de a
nd tr
ansl
ucen
t ext
erna
l she
ll to
form
a
notio
nal a
xis.
The
laye
ring
and
over
lapp
ing
of th
ese
thre
e di
stin
ct c
ompo
nent
s gi
ve ri
se to
dra
mat
ic 3
D
optic
al e
ffect
s. T
he e
nd c
aps
fast
en th
e co
mpo
nent
s to
geth
er a
nd s
erve
as
anch
or p
oint
s fo
r the
cre
ativ
e du
al s
uspe
nsio
n st
raps
, whi
ch a
lso
conc
eal t
he p
ower
ca
ble
and
allo
w fo
r var
iatio
n in
the
final
pos
ition
ing
of th
e lig
ht. T
he C
apsu
la c
olle
ctio
n is
offe
red
in s
ets
as w
ell a
s in
divi
dual
ligh
ts th
at c
an b
e co
mbi
ned
per
cust
omer
requ
irem
ents
.Fr
om s
prin
g 20
18, C
apsu
la is
fitt
ed w
ith s
peci
al
inte
grat
ed c
onne
ctor
s de
velo
ped
by B
roki
s to
fa
cilit
ate
inst
alla
tion
and
clea
ning
.
DES
IGN
Luci
e K
oldo
va
CA
PSU
LA
56 —
— 5
7
58 —
— 59
60 —
— 6
1
62 —
— 6
3
64 —
— 6
5
GLA
SS C
OLO
UR
/ B
AS
ambe
r – tr
ansp
aren
t gla
ss (C
GC
515)
cogn
ac –
tran
spar
ent g
lass
(CG
C54
0)re
d –
tran
spar
ent (
CG
C45
)vi
olet
– tr
ansp
aren
t gla
ss (C
GC
554)
blue
– tr
ansp
aren
t gla
ss (C
GC
544)
opal
ine
– tr
ansp
aren
t gla
ss (C
GC
38)
oran
ge –
tran
spar
ent g
lass
(CG
C15
7)pe
arl g
rey
– op
alin
e gl
ass
(CG
C19
16)
smok
e gr
ey –
tran
spar
ent g
lass
(CG
C51
6)tr
ansp
aren
t gla
ss (C
GC
23)
yello
w –
tran
spar
ent g
lass
(CG
C65
9)
GLA
SS S
UR
FAC
E /
ALL
glos
sy s
urfa
ce (C
GS
U66
)ac
id-e
tche
d bo
th s
ide
surf
ace
(CG
SU
881)
CO
LOU
R O
F TH
E IN
NER
GLA
SS /
ALL
ambe
r – tr
ansp
aren
t gla
ss (C
GC
I686
)co
gnac
– tr
ansp
aren
t gla
ss (C
GC
I264
9)re
d –
tran
spar
ent (
CG
CI9
13)
viol
et –
tran
spar
ent g
lass
(CG
CI6
83)
opal
ine
– tr
ansp
aren
t gla
ss (C
GC
I749
)or
ange
– tr
ansp
aren
t gla
ss (C
GC
I938
)pe
arl g
rey
– op
alin
e gl
ass
(CG
CI1
914)
light
blu
e –
tran
spar
ent g
lass
(CG
CI9
12)
smok
e gr
ey –
tran
spar
ent g
lass
(CG
CI6
85)
tran
spar
ent g
lass
(CG
CI6
82)
yello
w –
tran
spar
ent g
lass
(CG
CI6
81)
GLA
SS S
UR
FAC
E O
F TH
E IN
NER
GLA
SS /
ALL
glos
sy s
urfa
ce (C
GS
UI9
06)
acid
-etc
hed
inne
r and
out
er s
urfa
ce (C
GS
UI9
05)
CA
BLE
CO
LOU
R /
BA
Ste
xtile
cab
le –
ligh
t gre
y (C
ECL1
918)
text
ile c
able
– b
lack
(CEC
L519
)
The
Mon
a co
llect
ion
is b
ased
on
the
conc
ept o
f pen
etra
ting
form
s. T
he li
ght s
ourc
e bo
ldly
trav
erse
s th
e am
ple
volu
me
of s
moo
th h
andb
low
n gl
ass
to re
veal
the
thril
ling
tens
ion
inhe
rent
in th
e de
sign
. The
col
lect
ion’
s es
senc
e,
how
ever
, lie
s in
its
unco
nven
tiona
l con
stru
ctio
n an
d re
fined
com
bina
tion
of m
ater
ials
. It a
lso
boas
ts d
imm
able
tu
bula
r LED
ligh
t sou
rces
, dev
elop
ed b
y B
roki
s, e
ach
with
a
diffe
rent
col
our t
empe
ratu
re.
The
colle
ctio
n co
mpr
ises
sev
eral
siz
es (S
, M, L
, XL)
an
d va
rious
type
s of
ligh
ts (p
enda
nt, fl
oor,
tabl
e, w
all).
DES
IGN
Luci
e K
oldo
va
MO
NA
68 —
— 6
9
70 —
— 71
brokis_catalogue_v6.2.indd 92 20. 2. 2018 22:40:23
72 —
— 73
GLA
SS C
OLO
UR
/ B
AS
blac
k –
tran
spar
ent g
lass
(CG
C60
2)vi
olet
– tr
ansp
aren
t gla
ss (C
GC
554)
opal
ine
– tr
ansp
aren
t gla
ss (C
GC
38)
smok
e gr
ey –
tran
spar
ent g
lass
(CG
C51
6)tr
ansp
aren
t gla
ss (C
GC
23)
GLA
SS S
UR
FAC
E /
ALL
glos
sy s
urfa
ce (C
GS
U66
)
SU
RFA
CE
FIN
ISH
/ B
AS
lam
p bo
dy –
whi
te (C
CS
732)
lam
p bo
dy –
bla
ck (C
CS
727)
alum
iniu
m (C
CS
775)
silv
er e
lox
(CC
S19
17)
blac
k el
ox (C
CS
1948
)iro
n –
whi
te m
att p
owde
r coa
ting
(CC
S84
5)
STR
APS
/ A
DD
leat
her s
trap
s –
natu
ral (
GIN
T788
)le
athe
r str
aps
– da
rk b
row
n (G
INT7
93)
leat
her s
trap
s –
blac
k (G
INT7
92)
leat
her s
trap
s –
grey
(GIN
T758
)
CA
BLE
CO
LOU
R /
BA
Ste
xtile
cab
le –
whi
te (C
ECL5
21)
text
ile c
able
– b
lack
(CEC
L519
)
brokis_catalogue_v6.2.indd 9020. 2. 2018 22:40:15
74 —
— 75
76 —
— 77
78 —
— 79
The
Whi
stle
col
lect
ion
is, q
uite
lite
rally
, a li
ving
refe
renc
e to
the
wor
k of
gla
ssm
aker
s, a
s in
spira
tion
for t
he d
esig
n w
as ta
ken
from
the
blow
pipe
, whi
ch in
Cze
ch is
kno
wn
as a
gla
ssm
aker
’s w
hist
le. T
he lu
cid
body
of t
he p
iece
tr
aces
the
silh
ouet
te o
f a c
one
of li
ght,
and
a di
stin
ct
spot
light
with
han
d-pr
esse
d m
etal
shi
eld
cons
titut
es
its im
agin
ary
hear
t. Th
e ov
eral
l sha
pe a
nd th
e na
ked
cabl
e w
indi
ng it
s w
ay u
p th
roug
h th
e bo
dy o
f the
ligh
t de
fine
the
char
acte
r of i
ts s
impl
istic
tech
nica
l for
m.
The
colle
ctio
n co
mpr
ises
a s
uspe
nsio
n lig
ht in
two
size
s as
wel
l as
a se
t of t
hree
ligh
ts.
From
Mar
ch 2
018,
Whi
stle
is fi
tted
with
spe
cial
in
tegr
ated
con
nect
ors
deve
lope
d by
Bro
kis
to fa
cilit
ate
inst
alla
tion
and
clea
ning
.
DES
IGN
Luci
e K
oldo
va
WH
ISTL
E
82 —
— 8
3
84 —
— 8
5
86 —
— 8
7
GLA
SS C
OLO
UR
/ B
AS
smok
e br
own
– tr
ansp
aren
t gla
ss (C
GC
538)
opal
ine
– tr
ansp
aren
t gla
ss (C
GC
38)
smok
e gr
ey –
tran
spar
ent g
lass
(CG
C51
6)tr
ansp
aren
t gla
ss (C
GC
23)
GLA
SS S
UR
FAC
E /
ALL
glos
sy s
urfa
ce (C
GS
U66
)
SU
RFA
CE
FIN
ISH
/ B
AS
whi
te (C
CS
575)
blac
k (C
CS
582)
mag
enta
(CC
S72
4)m
enth
ol (C
CS
723)
grey
(CC
S72
0)
SU
RFA
CE
FIN
ISH
/ A
DD
chro
me
(CC
S27
5)co
pper
(CC
S58
4)br
ass
(CC
S69
)
CA
BLE
CO
LOU
R /
BA
Ste
xtile
cab
le –
whi
te (C
ECL5
21)
text
ile c
able
– w
hite
US
(CEC
L835
)te
xtile
cab
le –
bla
ck (C
ECL5
19)
text
ile c
able
– b
lack
US
(CEC
L834
)te
xtile
cab
le –
mag
enta
(CEC
L726
)te
xtile
cab
le –
men
thol
(CEC
L725
)te
xtile
cab
le –
dar
k gr
ey (C
ECL5
20)
text
ile c
able
– li
ght g
rey
(CEC
L191
8)
88 —
— 8
9
Insp
ired
by th
e ab
ando
n an
d fr
eedo
m o
f bird
flig
ht, t
he in
nova
tive
Nig
ht B
irds
susp
ensi
on li
ghts
impa
rt p
oetic
enc
hant
men
t and
unp
aral
lele
d dy
nam
ism
to a
ny in
terio
r. N
ight
Bird
s di
ffer f
rom
the
othe
r col
lect
ions
in
the
uniq
ue te
chno
logy
app
lied
in p
rodu
ctio
n, w
hich
invo
lves
mel
ting
glas
s in
to a
mou
ld a
nd th
en b
endi
ng it
. The
pro
cess
mak
es it
pos
sibl
e to
inst
il de
licat
e nu
ance
s in
the
shap
e of
the
win
gs a
nd a
chie
ve a
col
orat
ion
of
the
glas
s th
at is
diff
eren
t and
who
lly u
niqu
e ea
ch ti
me.
The
col
lect
ion’
s re
stra
int a
nd d
irect
ness
are
und
ersc
ored
by
the
min
imal
ist L
ED li
ght
sour
ce s
et in
a b
ody
of la
cque
red
and
polis
hed
alum
iniu
m. T
he N
ight
Bird
s co
llect
ion
com
pris
es th
ree
light
s w
ith d
iffer
ent w
ing
attit
udes
dep
ictin
g th
e va
rious
pha
ses
of b
ird fl
ight
. The
ligh
ts a
re a
vaila
ble
in w
hite
and
dar
k va
riant
s. N
ight
Bird
s w
ork
best
in la
rge
flock
s.
DES
IGN
B
oris
Klim
ek
NIG
HT
BIR
DS
92 —
— 9
3
GLA
SS C
OLO
UR
/ B
AS
opal
– o
paqu
e gl
ass
– m
assi
f (C
GC
772)
smok
e gr
ey –
mas
sif (
CG
C88
2)
GLA
SS C
OLO
UR
/ S
TAsm
oke
grey
BRO
KIS
GLA
SS m
att (
CG
C14
80)
trip
lex
opal
BRO
KIS
GLA
SS m
att (
CG
C14
78)
CA
BLE
CO
LOU
R /
BA
Ste
xtile
cab
le –
bla
ck (C
ECL5
19)
text
ile c
able
– b
lack
US
(CEC
L834
)tr
ansp
aren
t cab
le (C
ECL1
49)
text
ile c
able
– w
hite
(CEC
L521
)te
xtile
cab
le –
ligh
t gre
y (C
ECL1
918)
94 —
— 9
594
——
95
96 —
— 9
7
98 —
— 9
9
In it
s ev
ery
com
pone
nt, t
he L
ight
line
colle
ctio
n is
a c
eleb
ratio
n of
gla
ss a
s an
art
istic
med
ium
. The
con
cept
of a
line
of l
ight
is
root
ed in
the
vary
ing
char
acte
ristic
s of
the
mat
eria
l and
its
form
s.
The
desi
gn e
mpl
oys
the
effec
t of l
ight
uni
form
ly d
ispe
rsed
ove
r a
sand
blas
ted
surf
ace,
whi
ch in
pro
file
crea
tes
the
impr
essi
on o
f a
lum
inou
s lin
e. T
he L
ED li
ght s
ourc
e is
em
bedd
ed in
the
base
be
neat
h a
met
al a
nd tr
iple
x-op
al g
lass
shr
oud.
The
upp
er s
urfa
ce,
sand
blas
ted
by h
and,
is tr
eate
d w
ith a
spe
cial
nan
o co
atin
g to
pr
even
t the
acc
umul
atio
n of
dus
t and
sm
udge
s. T
he c
olle
ctio
n co
mpr
ises
four
tabl
e la
mps
that
cas
t a li
ght o
f int
imat
e ch
arac
ter.
DES
IGN
Luci
e K
oldo
va
LIG
HTL
INE
102 —
— 10
3
GLA
SS C
OLO
UR
/ B
AS
ambe
r – tr
ansp
aren
t gla
ss (C
GC
515)
red
– tr
ansp
aren
t (C
GC
45)
viol
et –
tran
spar
ent g
lass
(CG
C55
4)bl
ue –
tran
spar
ent g
lass
(CG
C54
4)op
alin
e –
tran
spar
ent g
lass
(CG
C38
)or
ange
– tr
ansp
aren
t gla
ss (C
GC
157)
smok
e gr
ey –
tran
spar
ent g
lass
(CG
C51
6)m
enth
ol –
tran
spar
ent g
lass
(CG
C21
84)
tran
spar
ent g
lass
(CG
C23
)
GLA
SS S
UR
FAC
E /
BA
Sgl
ossy
– s
andb
last
ed to
p pa
rt (C
GS
U80
6)
CO
LOU
R O
F TH
E B
OTT
OM
PA
RT
/ B
AS
dark
sm
oke
grey
– tr
ansp
aren
t gla
ss (C
GG
B81
3)tr
ansp
aren
t gla
ss (C
GG
B81
2)
GLA
SS S
UR
FAC
E O
F TH
E B
OTT
OM
PA
RT
/ B
AS
glos
sy s
urfa
ce (C
GS
UB
890)
acid
-etc
hed
both
sid
e su
rfac
e (C
GS
UB
891)
CA
BLE
CO
LOU
R /
BA
Ste
xtile
cab
le –
ligh
t gre
y (C
ECL1
918)
text
ile c
able
– b
lack
(CEC
L519
)te
xtile
cab
le –
dar
k gr
ey (C
ECL5
20)
text
ile c
able
– li
ght g
rey
(CEC
L191
8)
104
——
105
104
——
105
106
——
107
108
——
109
Kno
t is
a co
llect
ion
of s
tate
ly p
enda
nt li
ghts
that
ap
pose
two
dram
atic
ally
dis
sim
ilar m
ater
ials
. Th
e de
sign
com
bine
s co
arse
nat
ural
fibr
e w
ith
smoo
th, t
rans
pare
nt b
low
n gl
ass
to a
rous
e a
cont
rast
as
str
ikin
g as
it is
dig
nifie
d. F
ull-b
odie
d gl
obes
of
vary
ing
shap
es a
nd s
izes
are
pen
etra
ted
by ro
bust
co
rds
that
see
min
gly
pull
the
bott
om o
f the
gla
ss
inw
ard
for a
bem
usin
g pl
astic
effe
ct. T
he L
ED li
ght
sour
ce is
hou
sed
in a
han
dsom
e to
p ho
od, w
hich
, lik
e th
e co
rd e
nd c
ap, i
s fa
shio
ned
in re
fined
met
al.
The
colle
ctio
n co
mpr
ises
four
pen
dant
ligh
ts o
f di
ffere
nt s
hape
s av
aila
ble
in tw
o si
zes.
DES
IGN
Chi
aram
onte
Mar
in D
esig
n S
tudi
o
KN
OT
112 —
— 11
311
2 ——
113
114
——
115
114
——
115
116
——
117
118
——
119
120
——
121
122 —
— 12
3
GLA
SS C
OLO
UR
/ B
AS
smok
e br
own
– tr
ansp
aren
t gla
ss (C
GC
538)
opal
ine
– tr
ansp
aren
t gla
ss (C
GC
38)
smok
e gr
ey –
tran
spar
ent g
lass
(CG
C51
6)tr
ansp
aren
t gla
ss (C
GC
23)
GLA
SS S
UR
FAC
E /
ALL
glos
sy s
urfa
ce (C
GS
U66
)
GLA
SS S
UR
FAC
E /
BA
Sm
att i
nner
gla
ss s
urfa
ce (C
GS
U88
0)
SU
RFA
CE
FIN
ISH
/ B
AS
chro
me
blac
k (C
CS
959)
copp
er (C
CS
584)
bras
s (C
CS
69)
brus
hed
stai
nles
s st
eel (
CC
S68
)
RO
PE /
BA
Sro
pe –
nat
ural
(CRP
970)
Puro
is b
oldl
y m
inim
alis
tic v
aria
tion
on a
tmos
pher
ic p
enda
nt li
ghts
. In
spira
tion
for t
he c
olle
ctio
n an
d its
nam
e co
me
from
the
Spa
nish
wor
d fo
r “c
igar
”, w
hich
als
o m
eans
“pur
e” a
nd is
a re
fere
nce
to th
e co
mpo
sitio
n’s
clea
n lin
es. T
he d
esig
n cr
eate
s an
intr
igui
ng in
terp
lay
betw
een
horiz
onta
l an
d ve
rtic
al lu
min
ous
ciga
r tub
es le
vita
ting
in s
pace
abo
ve s
impl
e be
ll lig
hts.
The
diff
used
glo
w o
f the
tube
s co
mbi
nes
with
that
of t
he b
ells
to
elic
it a
dyna
mic
am
bien
ce, w
hile
the
alte
rnat
ing
glos
s an
d m
atte
fini
shes
pr
ovid
e a
degr
ee o
f pro
voca
tion.
PU
RO o
ffers
atm
osph
eric
room
ligh
ting
as w
ell a
s lig
htin
g fo
r offi
ces,
hos
pita
lity
inte
riors
, and
priv
ate
dini
ng a
reas
. Th
e co
llect
ion
com
pris
es a
sin
gle
bell
light
sus
pend
ed b
enea
th a
ver
tical
tu
be a
nd d
ual b
ell l
ight
s su
spen
ded
bene
ath
a ho
rizon
tal t
ube.
Sin
gle
tube
s ca
n be
use
d to
cre
ate
amaz
ing
inst
alla
tions
, suc
h as
a s
cree
n to
div
ide
spac
e an
d ev
oke
an in
timat
e at
mos
pher
e bo
rder
ing
on s
ceno
grap
hy. T
he e
ndle
ss
varia
bilit
y of
the
Puro
col
lect
ion
give
s ris
e to
new
ligh
ting
obje
cts
for a
ny
inte
rior.
Puro
hav
e sp
ecia
l int
egra
ted
conn
ecto
rs d
evel
oped
by
Bro
kis
for
impr
oved
var
iabi
lity
and
ease
of i
nsta
llatio
n an
d cl
eani
ng.
DES
IGN
Luci
e K
oldo
va
PUR
O
126
——
127
128
——
129
130
——
131
130
——
131
132 —
— 13
3
134
——
135
136
——
137
GLA
SS C
OLO
UR
/ B
AS
trip
lex
opal
(CG
C39
)
GLA
SS C
OLO
UR
/ S
TAda
rk g
rey
– op
alin
e (C
GC
1507
)
GLA
SS S
UR
FAC
E /
BA
Sac
id-e
tche
d bo
th s
ide
surf
ace
(CG
SU
881)
GLA
SS –
PU
RO
SPO
TLIG
HT
/ B
AS
smok
e gr
ey –
tran
spar
ent g
lass
(CG
GB
977)
tran
spar
ent g
lass
(CG
GB
812)
trip
lex
opal
(CG
GB
979)
GLA
SS S
UR
FAC
E O
F TH
E PU
RO
SPO
TLIG
HT
/ B
AS
glos
sy s
urfa
ce (C
GS
UB
890)
acid
-etc
hed
both
sid
e su
rfac
e (C
GS
UB
891)
GLA
SS –
PU
RO
SPO
TLIG
HT
/ ST
Ada
rk g
rey
– op
alin
e (C
GC
1507
)
GLA
SS –
PU
RO
SPO
TLIG
HT
/ ST
Aac
id-e
tche
d bo
th s
ide
surf
ace
(CG
SU
B89
1)
CA
BLE
CO
LOU
R /
BA
Ste
xtile
cab
le –
whi
te (C
ECL5
21)
text
ile c
able
– b
lack
(CEC
L519
)
The
Mac
aron
tabl
e lig
ht p
ays
hom
age
to th
e be
auty
and
com
plex
st
ruct
ures
of c
ryst
allin
e st
one.
Enc
lose
d in
opp
osin
g do
mes
of
del
icat
e ha
ndbl
own
glas
s, th
e st
one
beco
mes
a m
oons
cape
aflo
at
in it
s ow
n co
smos
. The
ligh
t sou
rce
cast
s its
glo
w u
pwar
d fr
om th
e on
yx b
ase
to e
nerg
ize
the
mea
nder
ing
chal
cedo
ny v
eins
in th
e ce
ntre
on
yx p
late
and
cre
ate
a su
btle
and
mes
mer
izin
g lig
htin
g eff
ect.
The
conc
ept i
s ba
sed
on th
e pr
inci
ple
of il
lum
inat
ing
ston
e, a
nd
the
nam
e re
fers
to th
e lig
ht’s
sim
ilarit
y in
sha
pe to
the
fam
ed F
renc
h m
erin
gue
conf
ectio
n. N
atur
al im
perf
ectio
ns in
the
glas
s an
d th
e di
vers
ity o
f str
uctu
res
in th
e st
one
mak
e ea
ch li
ght a
uni
que
orig
inal
. Th
e pu
rity
of th
e na
tura
l mat
eria
ls a
nd th
e ar
tisan
ship
app
lied
in
proc
essi
ng th
em h
ave
give
n ris
e to
a li
ght o
f ext
raor
dina
ry a
mbi
ence
. Pr
oduc
ed u
sing
trad
ition
al te
chni
ques
, Mac
aron
is c
hara
cter
istic
of
the
dist
inct
ive
and
endu
ring
aest
hetic
of t
he B
roki
s br
and.
Mac
aron
co
mes
in th
ree
size
s –
the
larg
est o
f whi
ch a
lso
mak
es a
n at
trac
tive
floor
ligh
t – a
nd in
sev
eral
gla
ss c
olou
r opt
ions
with
eith
er w
hite
or
hone
y on
yx.
The
colle
ctio
n off
ers
an a
ltern
ate
vers
ion
feat
urin
g a
cent
re p
late
m
ade
of k
iln c
ast g
lass
sha
rds
in c
ombi
natio
n w
ith a
woo
den
base
.
DES
IGN
Lu
cie
Kol
dova
MA
CA
RO
N
140
——
141
142 —
— 14
3
144
——
145
GLA
SS C
OLO
UR
/ B
AS
ambe
r – tr
ansp
aren
t gla
ss (C
GC
515)
light
pin
k –
tran
spar
ent g
lass
(CG
C46
)sm
oke
grey
– tr
ansp
aren
t gla
ss (C
GC
516)
dark
rosé
– tr
ansp
aren
t gla
ss (C
GC
1625
)tr
ansp
aren
t gla
ss (C
GC
23)
BA
SE
SU
RFA
CE
/ B
AS
Euro
pean
Oak
– s
tain
ed w
hite
(CS
FB15
75)
Euro
pean
Oak
– s
tain
ed b
lack
(CS
FB15
74)
BA
SE
SU
RFA
CE
/ A
DD
onyx
– w
hite
(CS
FB15
35)
onyx
– h
oney
(CS
FB15
76)
PLAT
E S
UR
FAC
E /
BA
SB
ROK
ISG
LAS
S –
sm
oke
grey
mat
t (C
SO
P157
7)B
ROK
ISG
LAS
S –
trip
lex
opal
mat
t (C
SO
P157
8)
PLAT
E S
UR
FAC
E /
AD
Don
yx –
whi
te (C
SO
P153
2)on
yx –
hon
ey (C
SO
P153
3)
CA
BLE
CO
LOU
R /
BA
Ste
xtile
cab
le –
whi
te (C
ECL5
21)
text
ile c
able
– b
lack
(CEC
L519
)te
xtile
cab
le –
dar
k gr
ey (C
ECL5
20)
text
ile c
able
– li
ght g
rey
(CEC
L191
8)
146
——
147
JAC
K O
'LA
NTE
RN
This
mod
ern
light
ing
elem
ent w
ith m
arbl
e ba
se, m
etal
fr
ames
and
a “p
earl”
pla
ced
insi
de, d
esig
ned
by L
ucie
K
oldo
va, r
ound
s ou
t the
var
iabl
e Ja
ck O
’Lan
tern
fam
ily.
The
new
tabl
e ve
rsio
n co
mbi
nes
the
beau
ty o
f han
dblo
wn
acid
-etc
hed
glas
s in
sm
oke
grey
, lig
ht p
ink
or tr
iple
x op
al c
olou
rs w
ith m
arbl
e ba
se C
arra
ra o
r sat
inat
ed N
ero
Mar
quin
ia, i
n fr
ames
with
cop
per,
chro
me
or c
hrom
e bl
ack
liqui
d m
etal
coa
ting.
Th
e Ja
ck O
’Lan
tern
Tab
le is
ava
ilabl
e in
two
size
s an
d its
S
mal
l ver
sion
com
es in
siz
e of
325
× 2
60 m
m. T
his
subt
le
and
geom
etric
ally
bal
ance
d lig
ht o
ffers
a w
ide
varie
ty
of c
ombi
natio
ns. I
t can
be
hung
sep
arat
ely
or in
ver
tical
lig
htin
g ar
rang
emen
ts. I
n ad
ditio
n to
the
susp
ensi
on v
aria
nt,
ther
e is
als
o a
wal
l com
posi
tion
com
pris
ing
five
fram
es
join
ed in
a s
ingl
e m
odul
e fo
r up
to fi
ve g
lass
sph
eres
, whi
ch
rely
on
noth
ing
mor
e th
an g
ravi
ty to
sta
y in
pla
ce.
DES
IGN
Luci
e K
oldo
va
150
——
151
152 —
— 15
3
GLA
SS C
OLO
UR
/ B
AS
smok
e gr
ey –
tran
spar
ent g
lass
(CG
C51
6)tr
iple
x op
al (C
GC
39)
light
pin
k –
tran
spar
ent g
lass
(CG
C46
)
GLA
SS S
UR
FAC
E /
ALL
acid
-etc
hed
both
sid
e su
rfac
e (C
GS
U88
1)
CO
LOU
R O
F TH
E B
OTT
OM
PA
RT
/ B
AS
satin
ated
Car
rara
mar
ble
(CG
GB
2361
)sa
tinat
ed N
ero
Mar
quin
a m
arbl
e (C
GG
B23
60)
satin
ated
red
mar
ble
(CG
GB
2682
)sa
tinat
ed g
rey
mar
ble
(CG
GB
2681
) S
UR
FAC
E FI
NIS
H /
BA
Sliq
uid
met
al c
oatin
g –
copp
er (C
CS
2353
)liq
uid
met
al c
oatin
g –
chro
me
(CC
S23
54)
liqui
d m
etal
coa
ting
– bl
ack
chro
me
(CC
S23
55)
blac
k m
att p
owde
r coa
ting
with
str
uctu
re
(CC
S26
73)
CA
BLE
CO
LOU
R /
BA
Ste
xtile
cab
le –
bla
ck (C
ECL5
19)
text
ile c
able
– w
hite
(CEC
L521
)te
xtile
cab
le –
ligh
t gre
y (C
ECL1
918)
154
——
155
156
——
157
158
——
159
160
——
161
BIG
ON
ETh
is n
ew la
rge-
form
at li
ght w
ith a
mat
te c
ore
by d
esig
ner
Luci
e K
oldo
va e
mbo
dy a
gen
tle p
oetr
y, si
mpl
icity
, pur
ity, a
nd
bala
nced
pro
port
ions
. A k
ey ro
le is
pla
yed
by th
e in
oscu
latio
n of
lum
inou
s bo
dies
and
thei
r mut
ual i
nter
actio
n in
spa
ce.
The
soph
istic
ated
des
ign
of a
bub
ble
susp
ende
d in
the
cent
re
of a
larg
e sp
here
evo
kes
a se
nse
of le
vita
tion.
Out
er g
lass
av
aila
ble
with
glo
ssy
finis
h in
col
ours
: tra
nspa
rent
and
sm
oke
grey
tran
spar
ent.
The
inne
r gla
ss c
omes
in m
atte
fini
sh in
co
lour
s: tr
iple
x op
al, s
mok
e gr
ey tr
ansp
aren
t, re
d tr
ansp
aren
t an
d lig
ht p
ink
tran
spar
ent.
Big
One
col
lect
ion
is a
vaila
ble
in tw
o si
zes.
DES
IGN
Luci
e K
oldo
va
164
——
165
166
——
167
168
——
169
GLA
SS C
OLO
UR
/ B
AS
tran
spar
ent g
lass
(CG
C23
)sm
oke
grey
– tr
ansp
aren
t gla
ss (C
GC
516)
GLA
SS S
UR
FAC
E /
BA
Sgl
ossy
sur
face
(CG
SU
66)
CO
LOU
R O
F TH
E IN
NER
GLA
SS /
BA
Ssm
oke
grey
– tr
ansp
aren
t gla
ss (C
GC
I685
)re
d –
tran
spar
ent (
CG
CI9
13)
pear
l gre
y –
opal
ine
glas
s (C
GC
I191
4)lig
ht p
ink
– tr
ansp
aren
t gla
ss (C
GC
I235
6)tr
iple
x op
al (C
GC
I907
) G
LASS
SU
RFA
CE
OF
THE
INN
ER G
LASS
/ B
AS
acid
-etc
hed
both
sid
e su
rfac
e (C
GS
UI9
05)
SU
RFA
CE
FIN
ISH
/ A
LLbr
ushe
d st
ainl
ess
stee
l (C
CS
68)
CA
BLE
CO
LOU
R /
BA
Ste
xtile
cab
le –
bla
ck (C
ECL5
19)
text
ile c
able
– w
hite
(CEC
L521
)te
xtile
cab
le –
ligh
t gre
y (C
ECL1
918)
Nat
ure
and
its li
fe-g
ivin
g be
auty
and
str
engt
h se
rve
as th
e m
odel
for a
un
ique
ligh
ting
conc
ept c
alle
d IV
Y. Ju
st a
s th
e pl
ant g
row
s an
d cl
imbs
up
the
wal
ls o
f a h
ouse
, cre
atin
g m
ultip
le im
ages
, IV
Y off
ers
a sp
ecia
l sy
stem
of m
odul
ar c
ompo
nent
s, th
anks
to w
hich
it c
an b
e us
ed to
ac
hiev
e a
high
ly in
nova
tive
take
on
deco
rativ
e lig
htin
g in
bot
h ve
rtic
al
and
horiz
onta
l com
posi
tions
. Th
e co
llect
ion
feat
ures
thre
e si
zes
in o
pal o
r sm
oke
glas
s. V
aria
ble,
el
egan
t, an
d pr
ecis
e in
wor
kman
ship
all
the
way
dow
n to
the
smal
lest
de
tail,
IVY
is a
hig
h-te
ch li
ghtin
g co
ncep
t wel
l sui
ted
to b
oth
com
mer
cial
an
d re
side
ntia
l app
licat
ions
. In
intim
ate
hom
e se
ttin
gs, f
or e
xam
ple,
a
sing
le e
lega
nt b
ranc
h ca
n be
use
d, o
r mul
tiple
bra
nche
s ca
n be
join
ed
toge
ther
to c
reat
e a
curt
ain
of li
ght.
IVY
has
man
y fo
rms
and
just
ly ta
kes
its p
lace
am
ong
artis
tic, s
o-ca
lled
besp
oke,
ligh
ting
inst
alla
tions
DES
IGN
Luci
e K
oldo
va
IVY
172 —
— 17
3
GLA
SS C
OLO
UR
/ B
AS
smok
e gr
ey –
tran
spar
ent g
lass
(CG
C51
6)tr
iple
x op
al (C
GC
39)
light
pin
k –
tran
spar
ent g
lass
(CG
C46
)
GLA
SS S
UR
FAC
E /
ALL
acid
-etc
hed
both
sid
e su
rfac
e (C
GS
U88
1)
SU
RFA
CE
FIN
ISH
/ B
AS
whi
te (C
CS
575)
iron
– an
thra
cite
gre
y m
att p
owde
r coa
ting
(CC
S26
75)
CA
BLE
CO
LOU
R /
BA
Ste
xtile
cab
le –
bla
ck (C
ECL5
19)
text
ile c
able
– w
hite
(CEC
L521
)ca
ble
with
out t
extil
e –
blac
k (C
ECL2
719)
174
——
175
174
——
175
176
——
177
176
——
177
178
——
179
AW
AA
bal
l mad
e fr
om a
ir w
rapp
ed in
liqu
id is
cal
led
“Aw
a”
in Ja
pane
se. T
his
desi
gn s
prun
g fr
om th
e id
ea o
f cr
eatin
g lig
htin
g th
at lo
oks
like
soft
gla
ss w
hich
has
re
tain
ed it
s sh
ape
afte
r bei
ng in
flate
d. I
hope
it g
ives
th
e im
pres
sion
of s
eein
g a
ball
of a
ir flo
atin
g w
hen
you
look
up.
Ano
ther
cha
ract
eris
tic o
f thi
s de
sign
is th
at
its w
ood
and
met
al p
arts
look
mad
e of
gla
ss, a
s if
they
w
ere
stop
pers
(cor
ks) f
or th
e ai
r.
DES
IGN
Fum
ie S
hiba
ta
182 —
— 18
3
184
——
185
186
——
187
188
——
189
GLA
SS C
OLO
UR
/ B
AS
tran
spar
ent g
lass
(CG
C23
)sm
oke
grey
– tr
ansp
aren
t gla
ss (C
GC
516)
smok
e br
own
– tr
ansp
aren
t gla
ss (C
GC
538)
GLA
SS S
UR
FAC
E /
ALL
glos
sy s
urfa
ce (C
GS
U66
)
SU
RFA
CE
FIN
ISH
/ B
AS
copp
er (C
CS
584)
alum
iniu
m (C
CS
775)
Euro
pean
Oak
– n
atur
al w
axed
(CC
S51
8)A
mer
ican
Wal
nut –
nat
ural
wax
ed (C
CS
757)
CA
BLE
CO
LOU
R /
BA
Ste
xtile
cab
le –
bla
ck (C
ECL5
19)
text
ile c
able
– li
ght g
rey
(CEC
L191
8)
GEO
MET
RIC
Geo
met
ric a
ccen
tuat
es th
e ae
sthe
tic e
xpre
ssio
n an
d st
ruct
ure
of
BRO
KIS
GLA
SS, w
hich
itse
lf is
rem
arka
bly
dist
inct
ive.
The
col
lect
ion
is
defin
ed b
y ba
sic
geom
etric
sha
pes
that
cha
ract
eriz
e th
e ov
eral
l con
tour
s of
the
light
s an
d in
stil
them
with
a s
ingu
lar g
raph
ic e
lem
ent t
o ac
hiev
e a
strik
ing
cont
rast
with
the
anim
ate,
alm
ost s
culp
tura
l mak
eup
of
the
glas
s. T
he s
uspe
nsio
n co
mpo
nent
s m
ake
up th
e gl
ass
geom
etric
sh
apes
, the
ir ed
ges
rend
ered
in b
lack
pro
files
.Th
e gr
aphi
c ae
sthe
tics
of th
e co
llect
ion
allo
w th
e lig
hts
to b
e ar
rang
ed
in a
gre
at n
umbe
r of fi
nal s
hape
s –
circ
le, o
val,
squa
re –
eith
er a
s so
litar
y lig
hts
or a
s a
sort
of j
igsa
w p
uzzl
e, w
hich
in th
e ha
nds
of a
rchi
tect
s ca
n re
sult
in a
n en
dles
s va
riety
of l
ight
ing
com
bina
tions
. Thu
s, th
e co
ncep
t su
rpas
ses
its p
rimar
y fu
nctio
n as
a li
ghtin
g fix
ture
and
ope
ns th
e do
or
to la
rge-
form
at b
lock
s of
ligh
t and
oth
er u
ncom
mon
com
posi
tions
. Fo
r the
maj
ority
of t
he s
olita
ry li
ghts
, eac
h si
de c
an b
e fin
ishe
d in
gla
ss
of a
diff
eren
t col
our f
or e
ven
grea
ter v
aria
bilit
y an
d or
igin
ality
.
DES
IGN
Lenk
a D
amov
a, B
oris
Klim
ek
192 —
— 19
3
GLA
SS C
OLO
UR
/ B
AS
trip
lex
opal
BRO
KIS
GLA
SS (C
GC
2676
)sm
oke
grey
BRO
KIS
GLA
SS (C
GC
2677
)sm
oke
brow
n B
ROK
ISG
LASS
(CG
C27
20)
GLA
SS S
UR
FAC
E /
BA
Sgl
ossy
sur
face
(CG
SU
2736
)ac
id-e
tche
d su
rfac
e (C
GS
U27
37)
SU
RFA
CE
FIN
ISH
/ B
AS
iron
– bl
ack
mat
t pow
der c
oatin
g (C
CS
846)
iron
– w
hite
mat
t pow
der c
oatin
g (C
CS
845)
iron
– an
thra
cite
gre
y m
att p
owde
r coa
ting
(CC
S26
75)
194
——
195
196
——
197
196
——
197
MU
FFIN
S
CA
ND
ELH
OLD
ER
Sub
tle li
nes
in g
lass
. Sol
id w
ood.
Mas
terf
ul
craf
tsm
ansh
ip. N
ot o
nly
will
the
Muff
ins
Can
dleh
olde
r rev
eal s
omet
hing
of y
our s
ense
for
deta
il an
d ex
quis
ite d
esig
n, it
will
als
o le
nd y
our
room
a fe
stiv
e ai
r bot
h da
y an
d ni
ght.
The
Muff
ins
Can
dleh
olde
r is
part
of t
he ic
onic
M
uffin
s lig
htin
g co
llect
ion,
an
embl
em o
f the
B
ROK
IS b
rand
, and
com
es in
a v
arie
ty o
f woo
d an
d gl
ass
colo
urs.
DES
IGN
Luci
e K
oldo
va, D
an Y
effet
200
——
201
GLA
SS C
OLO
UR
/ B
AS
tran
spar
ent g
lass
(CG
C23
)sm
oke
grey
– tr
ansp
aren
t gla
ss (C
GC
516)
smok
e br
own
– tr
ansp
aren
t gla
ss (C
GC
538)
opal
ine
– tr
ansp
aren
t gla
ss (C
GC
38)
cogn
ac –
tran
spar
ent g
lass
(CG
C54
0)vi
olet
– tr
ansp
aren
t gla
ss (C
GC
554)
oran
ge –
tran
spar
ent g
lass
(CG
C15
7)
SU
RFA
CE
FIN
ISH
/ B
AS
Euro
pean
Oak
– c
lear
coa
t (C
CS
972)
Euro
pean
Oak
– s
tain
ed b
lack
(CC
S59
2)
SU
RFA
CE
FIN
ISH
/ S
TAA
mer
ican
Wal
nut –
nat
ural
wax
ed (C
CS
757)
PC850 PC849 PC910
1 070
435
PC853
400
PC865 PC986
285
526
530 530 360 275
PC852
470
PC851
Canopy for PC851, PC865, PC986
Optional on request
140 60
50
45
506
530
345
360
275
260
p. 12 PH1359Mu� ins – wood 02 – PC850 (CGC554, CGSU66, CCS2741)Mu� ins – wood 01 – PC849 (CGC2738, CGSU66, CCS2739)
p. 14 — 15 PH946Mu� ins – wood 03A – PC852 (CGC516, CGSU66, CCS680)Mu� ins – mini wood 06 – PC910 (CGC38, CGSU66, CCS680)Mu� ins – wood 01 – PC849 (CGC39, CGSU66, CCS680)Mu� ins – wood 01 – PC849 (CGC23, CGSU66, CCS680)Mu� ins – wood 04 – PC853 (CGC23, CGSU66, CCS680)Mu� ins – wood 02 – PC850 (CGC38, CGSU66, CCS680)
p. 16 PH943Mu� ins – wood 01 – PC849, Mu� ins – mini wood 06 – PC910, Mu� ins – wood 02 – PC850 (CGC516, CGSU66, CCS518)
p. 18 — 19 PH1360Mu� ins – wood 02 – PC850 (CGC554, CGSU66, CCS2741)Mu� ins – wood 01 – PC849 (CGC2738, CGSU66, CCS2739)Mu� ins – wood 01 – PC849 (CGC554, CGSU66, CCS2741)
p. 21 PH1361Mu� ins – wood 02 – PC850 (CGC516, CGSU66, CCS592)Mu� ins – wood 04 – PC853 (CGC516, CGSU66, CCS592)
p. 22 — 23 PH956Mu� ins – mini wood 06 – PC910 (CGC23, CGSU66, CCS757)Mu� ins – wood 05P – PC865 (CGC23, CGSU66, CCS757, CCSC842)Mu� ins – wood 01 – PC849 (CGC516, CGSU66, CCS757)Mu� ins – wood 04 – PC853 (CGC516, CGSU66, CCS757)Mu� ins – wood 01 – PC849 (CGC23, CGSU66, CCS757)Mu� ins – wood 02 – PC850 (CGC516, CGSU66, CCS757)Mu� ins – wood 03B – PC851 (CGC516, CGSU66, CCS757, CCSC842)Mu� ins – wood 03A – PC852 (CGC23, CGSU66, CCS757)Mu� ins – mini wood 06 – PC910 (CGC516, CGSU66, CCS757)
PAG
E 12—
23
MU
FFIN
S
785
550
PC858 PC857 PC856
430
610
285
400
p. 25 PH21Balloons – small – PC856 (CGC538, CGSU66, CCS69)
p. 26 — 27 PH680Balloons – small – PC856 (CGC516, CGSU66, CCS960)Balloons – small – PC856 (CGC538, CGSU66, CCS69)Balloons – small – PC856 (CGC23, CGSU66, CCS275)
p. 28 PH689Balloons – small – PC856 (CGC23, CGCU66, CCS584)Balloons – medium – PC857 (CGC23, CGCU66, CCS584)
p. 29 PH691Balloons – small – PC856 (CGC23, CGSU66, CCS584)Balloons – large – PC858 (CGC23, CGSU66, CCS584)Balloons – small – PC856 (CGC23, CGSU66, CCS584)
p. 30 — 31 PH1179Balloons – small – PC856 (CGC516, CGSU66, CCS582)Balloons – large – PC858 (CGC516, CGSU66, CCS584)Balloons – small – PC856 (CGC516, CGSU66, CCS584)Balloons – medium – PC857 (CGC516, CGSU66, CCS582)
PAG
E 24—
31
BA
LLO
ON
S
250
PC894
189
PC896
PC895 PC897
PC911 PC940 PC976PC939
Canopy for single lights is included for all Shadows and Shadows XL sizes.
Optional on request
PC1000
1010 × 360 × 40
PC931 PC929 PC921 PC891
600 × 360 × 40 400 × 50 100 × 551010 × 360 × 40
159
170
123
280
138
108
225
395
235
260
195
152
170
390
60
50
140
45
p. 32 PH1072Shadows – rectangular set – PC921 (CGC602, CGSU66, CCS592, CCSC619)
p. 34 — 35 PH1368Shadows – PC895, PC897, PC894, PC897 (CGC538, CGSU66, CCS757)
p. 36 PH1369set up from Shadows free set – PC897, PC894, PC896, PC895 (CGC602, CGSU66, CCS592, CCSC839)
p. 38 PH1071Shadows – PC895, PC897, PC897, PC896, PC894 (CGC38, CGSU66, CCS518)
p. 39 PH1075Shadows – PC895, PC894, PC896, PC895, PC897 (CGC38, CGSU66, CCS518)
p. 40 — 41 PH1074set up Shadows, Shadows XL collections(CGC516, CGSU66, CCS592)Whistle collection(CGC516, CCS582)
p. 43 PH1367Shadows – PC894, PC896, PC895, PC897 (CGC602, CGSU67, CCS592)
PAG
E 32—
43
SH
AD
OW
SS
HA
DO
WS
SH
AD
OW
S X
L
400
400
PC876
300
300
PC877
250
250
PC878
PC879 PC880 PC881
PC1001
1100 × 25
PC1002
1300 × 25
415415
325325
275275
p. 45 PH898Memory – wall – PC879 (CGC39, CGSU66, CEE777)
p. 46 PH1349Memory – wall – PC881 (CGC30, CGSU66, CEE777)Memory – wall – PC879 (CGC580, CGSU66, CEE777)Memory – wall – PC881 (CGC580, CGSU66, CEE777)
p. 47 PH899Memory – set large – PC1002 (3 × CGC39, CGSU66, CEE778, 1 × CGC580, CGSU66, CEE778, 1 × CGC617, CGSU66, CEE778)
p. 48 PH896Memory – ceiling – PC878 (CGC39, CGSU881, CEE778)Memory – ceiling – PC878 (CGC30, CGSU881, CEE778)Memory – ceiling – PC878 (CGC617, CGSU881, CEE778)
p. 49 PH1350Memory – ceiling – PC877 (CGC39, CGSU880, CEE777)
p. 50 — 51 PH1348Memory – ceiling – PC877 (CGC39, CGSU66, CEE777)Memory – ceiling – PC878 (CGC47, CGSU66, CEE777)Memory – ceiling – PC876 (CGC617, CGSU66, CEE777)Memory – ceiling – PC876 (CGC47, CGSU66, CEE777)Memory – ceiling – PC878 (CGC39, CGSU66, CEE777)Memory – ceiling – PC877 (CGC617, CGSU66, CEE777)Memory – ceiling – PC876 (CGC47, CGSU66, CEE777)
p. 52 PH1351Memory – ceiling – PC878 (CGC601, CGSU881, CEE777)
p. 53 PH889set up Memory – wall (CGC39, CGSU66, CEE777)
PAG
E 44—
53
MEM
ORY
PC937
750 × 50
PC943 PC966
700 × 50
265
295
280
50
p. 54 PH1325Capsula – PC937 (CGC516, CGSU881, CGCI685, CGSUI905, CCS1948)Capsula – PC937 (CGC554, CGSU881, CGCI683, CGSUI905, CCS1948)
p. 56 — 57 PH1226Capsula – PC937 (CGC23, CGSU66, CGCI938, CGSUI905, CCS1948)Capsula – PC937 (CGC23, CGSU66, CGCI685, CGSUI905, CCS1948)Capsula – PC937 (CGC23, CGSU66, CGCI749, CGSUI906, CCS1948)Capsula – PC937 (CGC23, CGSU66, CGCI938, CGSUI905, CCS1948)
p. 58 PH1241Capsula – PC937 (CGC23, CGSU66, CGCI683, CGSUI905, CCS1948)Capsula – PC937 (CGC23, CGSU66, CGCI685, CGSUI905, CCS1948)Capsula – PC937 (CGC23, CGSU66, CGCI749, CGSUI905, CCS1948)
p. 59 PH1231Capsula – PC937 (CGC23, CGSU66, CGCI683, CGSUI905, CCS1948)Capsula – PC937 (CGC23, CGSU66, CGCI685, CGSUI905, CCS1948)Capsula – PC937 (CGC23, CGSU66, CGCI749, CGSUI906, CCS1948)Capsula – PC937 (CGC23, CGSU66, CGCI683, CGSUI905, CCS1948)
p. 61 PH712Capsula – PC937 (CGC23, CGSU66, CGCI912, CGSUI906, CCS1948)Capsula – PC937 (CGC23, CGSU66, CGCI912, CGSUI905, CCS1948)Capsula – PC937 (CGC23, CGSU66, CGCI749, CGSUI906, CCS1948)
p. 62 PH1234Capsula – PC937 (CGC38, CGSU66, CGCI749, CGSUI905, CCS1917)Capsula – PC937 (CGC38, CGSU66, CGCI749, CGSUI905, CCS1917)Capsula – PC937 (CGC38, CGSU66, CGCI749, CGSUI905, CCS1917)
p. 63 PH1209Capsula – PC937 (CGC23, CGSU66, CGCI681, CGSUI905, CCS1948)Capsula – PC937 (CGC23, CGSU66, CGCI686, CGSUI905, CCS1948)Capsula – PC937 (CGC23, CGSU66, CGCI913, CGSUI905, CCS1948)
p. 64 — 65 PH714Capsula – PC937 (CGC23, CGSU66, CGCI913, CGSUI905, CCS1948)Capsula – PC937 (CGC23, CGSU66, CGCI913, CGSUI906, CCS1948)Capsula – PC937 (CGC23, CGSU66, CGCI913, CGSUI906, CCS1948)
PAG
E 54—
65
CA
PSU
LA
PC938PC1030 PC979
PC949 PC980 PC970PC950 PC969
500 290 340 420390
1400
515
435
470
1430
380500 270
2200
380
2200
490
2200
260
280
50
p. 66 PH927Mona – pendent XL – PC1030 (CGC602, CCS1948, GINT792)
p. 68 PH1354Mona – pendent XL – PC1030 (CGC516, CCS1948, GINT793)Mona – pendent M – PC979 (CGC516, CCS1948, GINT793)
p. 69 PH1357Mona – pendent L – PC938 (CGC516, CCS1948, GINT758)
p. 71 PH930Mona – pendent M – PC979 (CGC516, CCS1948, GINT792)Mona – pendent M – PC979 (CGC516, CCS1948, GINT792)
p. 72 — 73 PH1358Mona – pendent L – PC938 (CGC516, CCS1948, GINT758)Mona – pendent L – PC938 (CGC602, CCS1948, GINT792)Mona – pendent L – PC938 (CGC38, CCS845, GINT788)
p. 74 PH929Mona – pendent M – PC979 (CGC602, CCS1948, GINT792)
p. 75 PH913Mona – wall S – PC969 (CGC38, CCS845, CCS732)
p. 77 PH1393Mona – table S – PC950 (CGC38, CCS845, CCS732)
p. 78 PH926Mona – pendent M – PC979 (CGC602, CCS1948, GINT792)Mona – pendent XL – PC1030 (CGC602, CCS1948, GINT792)Mona – pendent L – PC938 (CGC602, CCS1948, GINT792)
p. 79 PH1356Mona – fl oor M – PC980 (CGC602, CCS1948, CCS727)
PAG
E 66—
79
MO
NA
PC953 PC952
750 × 50
PC961
360
550
280
400
100
30
p. 81 PH1373Whistle – M – PC953 (CGC38, CCS584)Whistle – S – PC952 (CGC38, CCS584)Whistle – S – PC952 (CGC38, CCS584)
p. 82 — 83 PH1083Whistle – M – PC953 (CGC23, CCS575)Whistle – M – PC953 (CGC23, CCS575)Whistle – M – PC953 (CGC23, CCS575)
p. 85 PH1371Whistle – M – PC953 (CGC516, CCS582)Whistle – S – PC952 (CGC516, CCS582)
p. 86 — 87 PH1372Whistle – M – PC953 (CGC38, CCS584)Whistle – S – PC952 (CGC38, CCS584)Whistle – S – PC952 (CGC38, CCS584)
p. 89 PH1078Whistle – S – PC952 (CGC23, CCS275)Whistle – M – PC953 (CGC23, CCS275)Whistle – S – PC952 (CGC23, CCS275)
PAG
E 80—
89
WH
ISTL
E
PC962
PC963
PC964
130
780
135
730
225
610
100
30
p. 90 PH990set upNight Birds – PC962 (CGC882, CCS775)Night Birds – PC963 (CGC882, CCS775)Night Birds – PC964 (CGC882, CCS775)
p. 92 — 93 PH997set upNight Birds – PC962 (CGC772, CCS775)Night Birds – PC963 (CGC772, CCS775)Night Birds – PC964 (CGC772, CCS775)
p. 94 PH1362set upNight Birds – PC962 (CGC772, CCS775)Night Birds – PC963 (CGC772, CCS775)Night Birds – PC964 (CGC772, CCS775)
p. 96 — 97 PH985set upNight Birds – PC962 (CGC1480, CCS775)Night Birds – PC963 (CGC1480, CCS775)Night Birds – PC964 (CGC1480, CCS775)
p. 98 — 99 PH1363Night Birds – PC962 (CGC772, CCS775, CECL149)Night Birds – PC963 (CGC772, CCS775, CECL149)Night Birds – PC964 (CGC772, CCS775, CECL149)
PAG
E 90—
99
NIG
HT
BIR
DS
PC1016Sfera
PC1018Uovo
PC1019Cilindro
PC1017Disco
200
200
6060
PC1035Sfera
PC1078
300
300
PC1036Uovo
180
PC1034Cilindro
180
PC1037Disco
300
490
480
460
235
500 300 300 500
300420
290
280
145
PAG
E 110
—12
3 K
NO
Tp. 111 PH1341Knot – Cilindro – PC1019 (CGC516, CGSU66, CCS584, CRP970)Knot – Sfera – PC1016 (CGC516, CGSU66, CCS584, CRP970)
p. 112 — 113 PH1337Knot – Uovo – PC1036 (CGC538, CGSU66, CCSC975, CRP970)Knot – Sfera – PC1016 (CGC538, CGSU66, CCSC975, CRP970)Knot – Sfera – PC1035 (CGC538, CGSU66, CCSC975, CRP970)Knot – Disco – PC1017 (CGC538, CGSU66, CCSC975, CRP970)
p. 114 PH1339Knot – Uovo – PC1018 (CGC538, CGSU66, CCS69, CRP970)Knot – Cilindro – PC1019 (CGC538, CGSU66, CCS69, CRP970)Knot – Sfera – PC1016 (CGC538, CGSU66, CCS69, CRP970)
p. 115 PH1336Knot – Disco – PC1037 (CGC538, CGSU66, CCSC975, CRP970)Knot – Sfera – PC1035 (CGC538, CGSU66, CCSC975, CRP970)Knot – Uovo – PC1036 (CGC538, CGSU66, CCSC975, CRP970)Knot – Cilindro – PC1034 (CGC538, CGSU66, CCSC975, CRP970)
p. 116 — 117 PH1335Knot – Disco – PC1037 (CGC516, CGSU66, CCSC975, CRP970)Knot – Sfera – PC1016 (CGC516, CGSU66, CCSC975, CRP970)Knot – Cilindro – PC1034 (CGC516, CGSU66, CCSC975, CRP970)Knot – Sfera – PC1035 (CGC516, CGSU66, CCSC975, CRP970)
Knot – Uovo – PC1036 (CGC516, CGSU66, CCSC975, CRP970)Knot – Disco – PC1017 (CGC516, CGSU66, CCSC975, CRP970)
p. 118 PH1338Knot – Disco – PC1037 (CGC538, CGSU67, CCS69, CRP970)Knot – Cilindro – PC1019 (CGC538, CGSU67, CCS69, CRP970)Knot – Sfera – PC1016 (CGC516, CGSU67, CCS584, CRP970)Knot – Cilindro – PC1034 (CGC516, CGSU67, CCS584, CRP970)
p. 119 PH825Knot – table – Cilindro – PC1078 (CGC516, CGSU66, CCS69, CRP970)
p. 121 PH848Knot – Uovo – PC1018 (CGC516, CGSU66, CCS959, CRP970)Knot – Sfera – PC1016 (CGC516, CGSU66, CCS959, CRP970)Knot – Cilindro – PC1019 (CGC516, CGSU66, CCS959, CRP970)Knot – Disco – PC1017 (CGC516, CGSU66, CCS959, CRP970)
p. 122 — 123 PH1340Knot – Uovo – PC1018 (CGC538, CGSU66, CCS69, CRP970)Knot – Cilindro – PC1019 (CGC538, CGSU66, CCS69, CRP970)Knot – Sfera – PC1016 (CGC538, CGSU66, CCS69, CRP970)Knot – Disco – PC1017 (CGC538, CGSU66, CCS69, CRP970)
KN
OT
KN
OT
SM
ALL
KN
OT
TAB
LE
PC972PC981 PC982PC983
360
600
400
410
320
350
480
340
p. 101 PH857Lightline – M – PC981 (CGC157, CGGB812, CGSUB890)Lightline – L – PC982 (CGC23, CGGB812, CGSUB891)
p. 102 — 103 PH850Lightline – M – PC981 (CGC554, CGGB812, CGSUB890)Lightline – L – PC982 (CGC23, CGGB812, CGSUB891)Lightline – L–H – PC983 (CGC516, CGGB812, CGSUB890)Lightline – S – PC972 (CGC515, CGGB812, CGSUB891)
p. 104 PH855Lightline – S – PC972 (CGC38, CGGB812, CGSUB890)
p. 106 — 107 PH1343Lightline – S – PC972 (CGC157, CGGB812, CGSUB890)Lightline – L – PC982 (CGC23, CGGB812, CGSUB890)Lightline – M – PC981 (CGC157, CGGB813, CGSUB890)Lightline – L–H – PC983 (CGC516, CGGB812, CGSUB890)Lightline – S – PC972 (CGC516, CGGB813, CGSUB890)
p. 108 PH1344Lightline – L–H – PC983 (CGC23, CGGB812, CGSUB891)
p. 109 PH856Lightline – S – PC972 (CGC45, CGGB812, CGSUB890)
PAG
E 100
—10
9 LI
GH
T LI
NE
330
110
1020 × 520 × 50 1320 × 520 × 50
PC1114 PC1115
2020 1680 1310
2210
1820
1410
PC1055 PC1054 PC1053
800
600 600 600
800
600
800
600
800 800
PC1057
Canopy on Project request for Puro Solo and Puro Single
PC1073
PC1133
PC1118 PC1119 PC1120
PC1135 PC1137
PUR
O S
PAR
KLE
PUR
O E
CLE
CTI
CPU
RO
CO
NTO
UR
120
PC1121
630 83
0 1030
80 80 80
PC1122 PC1123 PC1124
808080
1030830630
PC1125 PC1126 PC1127
103083063080 80 80
808080
630 83
0 1030
PC1013 PC1014 PC1015 PC1010 PC1011 PC1012
p. 124 PH1043Puro – horizontal – PC1011 (CGC1507, CGGB977, CGSUB890)Puro – horizontal – PC1012 (CGC1507, CGGB977, CGSUB890)Puro – vertical – PC1014 (CGC1507, CGGB977, CGSUB890)Puro – vertical – PC1015 (CGC1507, CGGB977, CGSUB890)Puro – vertical – PC1015 (CGC1507, CGGB977, CGSUB890)
p. 126 PH407set upPuro – vertical – PC1015 (CGC1507, CGSU881, CCS846, CCSC619)Puro – vertical – PC1014 (CGC1507, CGSU881, CCS846, CCSC619)Puro – vertical – PC1013 (CGC1507, CGSU881, CCS846, CCSC619)Puro – horizontal – PC1012 (CGC1507, CGSU881, CCS846, CCSC619)Puro – vertical – PC1124 (CGC1507, CGSU881, CCS846, CCSC619)Puro – vertical – PC1123 (CGC1507, CGSU881, CCS846, CCSC619)Puro – vertical – PC1122 (CGC1507, CGSU881, CCS846, CCSC619)
p. 127 PH1366set upPuro – vertical – PC1015 (CGC1507, CGSU881, CCS846, CCSC619)Puro – vertical – PC1014 (CGC1507, CGSU881, CCS846, CCSC619)Puro – vertical – PC1013 (CGC1507, CGSU881, CCS846, CCSC619)Puro – horizontal – PC1012 (CGC1507, CGSU881, CCS846, CCSC619)Puro – vertical – PC1124 (CGC1507, CGSU881, CCS846, CCSC619)Puro – vertical – PC1123 (CGC1507, CGSU881, CCS846, CCSC619)Puro – vertical – PC1122 (CGC1507, CGSU881, CCS846, CCSC619)
p. 128 — 129 PH1023Puro Contour – PC1057 (CGC1507, CGSU881, CGGB2668, CCS846, CCSC619)
p. 131 PH1042Puro – vertical – PC1014 (CGC39, CGGB812, CGSUB890)Puro – vertical – PC1015 (CGC39, CGGB812, CGSUB890)Puro – vertical – PC1013 (CGC39, CGGB812, CGSUB890)Puro – horizontal – PC1010 (CGC39, CGGB812, CGSUB890)
p. 132 — 133 PH1041Puro Eclectic – PC1115 (CGC39, CGSU881, CCS845, CCSC618)
p. 134 PH1045Puro – horizontal – PC1012 (CGC1507, CGGB977, CGSUB890)Puro – vertical – PC1015 (CGC1507, CGGB977, CGSUB890)
p. 135 PH1365Puro – horizontal – PC1156 (CGC1507, CGSU881, CCS846, CCSC2404)Puro – vertical – PC1155 (CGC1507, CGSU881, CCS846, CCSC2404)
p. 136 — 137 PH1364Puro Sparkle – PC1055 (CGC39, CGSU881, CCS845, CCSC618)
PAG
E 124
—13
7 PU
ROPU
RO
SPO
TLIG
HT
PUR
O S
OLO
PUR
O S
ING
LE
260 260
390
260
550
325
260 260
830
1400
150
150
PC1051 PC1101
PC1105
PC1095PC1103 PC1104
PC1096
400 400
400
630
225
PC1086 PC1082 PC1097
p. 149 PH1332Jack O’Lantern – table – PC1051 (CGC39, CGSU881, CGGB2361, CCS2354)Jack O’Lantern – pendent frame – PC1101 (CCS2354)Jack O’Lantern – pendent sphere – PC1095 (CGC39, CGSU881, CCS2353, CCSC2362)
p. 150 PH1330Jack O’Lantern – table – PC1051 (CGC39, CGSU881, CGGB2361, CCS2354)Jack O’Lantern – fl oor – PC1086 (CGC39, CGSU881, CGGB2361, CCS2354)
p. 151 PH1385Jack O’Lantern – table – PC1051 (CGC39, CGSU881, CGGB2360, CCS2354)
p. 152 — 153 PH764Jack O’Lantern – table – PC1051 (CGC46, CGSU881, CGGB2360, CCS2355)Jack O’Lantern – fl oor – PC1086 (CGC39, CGSU881, CGGB2360, CCS2355)Jack O’Lantern – table – PC1051 (CGC516, CGSU881, CGGB2360, CCS2355)
p. 155 PH1334Jack O’Lantern – pendent random – PC1154 (CCS2673)Jack O’Lantern – pendent sphere – PC1095 (CGC516, CGSU881, CCS2673, CCSC2674)
p. 156 — 157 PH1329Jack O’Lantern – table – PC1051 (CGC516, CGSU881, CGGB2361, CCS2354)
Jack O’Lantern – table – PC1051 (CGC516, CGSU881, CGGB2360, CCS2353)Jack O’Lantern – table – PC1051 (CGC39, CGSU881, CGGB2360, CCS2354)Jack O’Lantern – table – PC1051 (CGC46, CGSU881, CGGB2361, CCS2353)Jack O’Lantern – table – PC1051 (CGC516, CGSU881, CGGB2360, CCS2354)
p. 158 PH1399Jack O’Lantern – pendent frame – PC1101 (CCS2354)Jack O’Lantern – pendent sphere – PC1095 (CGC39, CGSU881, CCS2354, CCSC2363)Jack O’Lantern – table – PC1051 (CGC39, CGSU881, CGGB2361, CCS2354)
p. 159 PH1333Jack O’Lantern – wall – PC1105 (CCS2353)Jack O’Lantern – wall sphere – PC1096 (CGC46, CGSU881, CCS2353)
p. 160 PH1331Jack O’Lantern – pendent frame – PC1101 (CCS2673)Jack O’Lantern – pendent sphere – PC1095 (CGC516, CGSU881, CCS2673, CCSC2674)
p. 161 PH776Jack O’Lantern – table – PC1051 (CGC516, CGSU881, CGGB2360, CCSC2673)Jack O’Lantern – fl oor – PC1086 (CGC516, CGSU881, CGGB2360, CCSC2673)
PAG
E 148
—16
1 JA
CK
O'L
AN
TER
N
JAC
K O
'LA
NTE
RN
JAC
K O
'LA
NTE
RN
SM
ALL
PC1040
540
475
PC1039
400
355
PC1038
300
252
p. 139 PH1345Macaron – PC1040 (CSFB1535, CGC23, CSOP1532)Macaron – PC1038 (CSFB1574, CGC516, CSOP1533)
p. 140 PH880Macaron – PC1038 (CGC516, CSFB1574, CSOP1577)
p. 141 PH862Macaron – PC1039 (CSFB1576, CGC515, CSOP1533)
p. 142 — 143 PH881Macaron – PC1039 (CGC23, CSFB1576, CSOP1533)
p. 144 — 145 PH1347Macaron – PC1039 (CSFB1576, CGC1625, CSOP1533)Macaron – PC1038 (CSFB1576, CGC1625, CSOP1533)Macaron – PC1040 (CSFB1576, CGC46, CSOP1533)Macaron – PC1039 (CSFB1535, CGC23, CSOP1532)Macaron – PC1038 (CSFB1576, CGC515, CSOP1533)
p. 146 PH870Macaron – PC1040 (CSFB1576, CGC23, CSOP1532)
p. 147 PH1346Macaron – PC1038 (CSFB1535, CGC46, CSOP1532)
PAG
E 138
—14
7 M
AC
ARO
N
320
705
990 1540
1305 1720
1705
460
2000
370
370
380
390
390
390290
320
685
970
370
1290
375
1520
380
1700
390
1985
390
PC1065
PC1066
PC1067
PC1068
PC1069
PC1070
PC1132 PC1131
PC1064PC1059 PC1060 PC1061 PC1062 PC1063
p. 170 PH1395Ivy – fl oor – PC1132 (CGC39, CGSU881, CCS575)
p. 172 — 173 PH1397Ivy – pendent – horizontal – PC1069 (CGC39, CGSU881, CCS2675)Ivy – pendent – horizontal – PC1068 (CGC39, CGSU881, CCS2675)
p. 174 PH1394Ivy – table – PC1131 (CGC39, CGSU881, CCS2675)
p. 175 PH750Ivy – pendent – vertical – PC1060 (CGC39, CGSU881, CCS575)Ivy – pendent – vertical – PC1060 (CGC39, CGSU881, CCS575)Ivy – pendent – vertical – PC1060 (CGC39, CGSU881, CCS575)
p. 176 PH753Ivy – pendent – vertical – PC1059 (CGC39/CGC46, CGSU881, CCS2675)Ivy – pendent – vertical – PC1061 (CGC39/CGC46/CGC516, CGSU881, CCS2675)
Ivy – pendent – vertical – PC1064 (CGC39/CGC516, CGSU881, CCS2675)Ivy – pendent – vertical – PC1063 (CGC39/CGC46/CGC516, CGSU881, CCS2675)Ivy – pendent – vertical – PC1060 (CGC39/CGC516, CGSU881, CCS2675)
p. 178 PH1396Ivy – pendent – horizontal – PC1068 (CGC516/CGC39, CGSU881, CCS2675)
p. 179 PH744Ivy – fl oor – PC1132 (CGC516, CGSU881, CCS2675)Ivy – table – PC1131 (CGC516, CGSU881, CCS2675)Ivy – pendent – vertical – PC1060 (CGC516, CGSU881, CCS2675) PA
GE 1
70—
179
IVY
PC1043 PC1044
350 540
310 47
0
p. 163 PH709Big One – PC1044 (CGC516, CGSU66, CGCI685, CGSUI905, CCS68, CCSC974)Big One – PC1043 (CGC516, CGSU66, CGCI1914, CGSUI905, CCS68, CCSC974)
p. 164 — 165 PH1171Big One – PC1043 (CGC516, CGSU66, CGCI907, CGSUI905, CCS68, CCSC974)Big One – PC1044 (CGC23, CGSU66, CGCI907, CGSUI905, CCS68, CCSC974)Big One – PC1043 (CGC516, CGSU66, CGCI907, CGSUI905, CCS68, CCSC974)
p. 166 PH1170Big One – PC1043 (CGC516, CGSU66, CGCI907, CGSUI905, CCS68, CCSC974)Big One – PC1044 (CGC23, CGSU66, CGCI913, CGSUI905, CCS68, CCSC974)Big One – PC1043 (CGC516, CGSU66, CGCI907, CGSUI905, CCS68, CCSC974)
Big One – PC1044 (CGC516, CGSU66, CGCI907, CGSUI905, CCS68, CCSC974)
p. 167 PH703Big One – PC1044 (CGC23, CGSU66, CGCI913, CGSUI905, CCS68, CCSC974)
p. 168 — 169 PH1400Big One – PC1044 (CGC23, CGSU66, CGCI907, CGSUI905, CCS68, CCSC974)Big One – PC1043 (CGC516, CGSU66, CGCI907, CGSUI905, CCS68, CCSC974)Big One – PC1044 (CGC23, CGSU66, CGCI907, CGSUI905, CCS68, CCSC974)Big One – PC1043 (CGC516, CGSU66, CGCI907, CGSUI905, CCS68, CCSC974)Big One – PC1044 (CGC516, CGSU66, CGCI907, CGSUI905, CCS68, CCSC974)
PAG
E 162
—16
9 B
IG O
NE
400 400 400
PC1140 PC1141 PC1142
PC1144PC1143 PC1145
PC1150PC1147PC1146
400400 400
600
600
600
400400400
600
600
600
p. 191 PH1326Geometric – PC1146 (CGC2747/CGC2676, CGSU2736, CCS846)
p. 192 — 193 PH1390Geometric – PC1140 (CGC2676/CGC2747, CGSU2736, CCS846)Geometric – PC1150 (CGC2676, CGSU2736, CCS846)Geometric – PC1141 (CGC2723, CGSU2736, CCS846)
p. 195 PH1391Geometric – PC1140 (CGC2723/CGC2747, CGSU2736, CCS846)Geometric – PC1142 (CGC2723, CGSU2736, CCS846)
p. 196 PH1327Geometric – PC1140 (CGC2723/CGC2747, CGSU2736, CCS846)Geometric – PC1142 (CGC2723, CGSU2736, CCS846)Geometric – PC1146 (CGC2747/CGC2676, CGSU2736, CCS846)
PAG
E 190
—19
7 G
EOM
ETR
IC
370
587
343
310
PC1130 PC1129
p. 181 PH1389Awa – PC1129 (CGC516, CGSU66, CCS775, CCSC843)Awa – PC1130 (CGC516, CGSU66, CCS775, CCSC843)Awa – PC1129 (CGC23, CGSU66, CCS775, CCSC843)
p. 182 — 183 PH668Awa – PC1130 (CGC516, CGSU66, CCS757, CCSC842)Awa – PC1129 (CGC516, CGSU66, CCS757, CCSC842)
p. 184 PH1153Awa – PC1130 (CGC516, CGSU66, CCS775, CCSC843)
p. 185 PH1392Awa – PC1130 (CGC516, CGSU66, CCS757, CCSC842)Awa – PC1129 (CGC516, CGSU66, CCS757, CCSC842)Awa – PC1129 (CGC516, CGSU66, CCS757, CCSC842)
p. 186 — 187 PH1388Awa – PC1129 (CGC516, CGSU66, CCS775, CCSC843)Awa – PC1130 (CGC516, CGSU66, CCS775, CCSC843)Awa – PC1129 (CGC23, CGSU66, CCS775, CCSC843)
p. 188 — 189 PH670Awa – PC1129 (CGC23, CGSU66, CCS584, CCSC896)Awa – PC1129 (CGC516, CGSU66, CCS775, CCSC843)Awa – PC1130 (CGC538, CGSU66, CCS584, CCSC896)
PAG
E 180
—18
9 A
WA
PRODUCT CLASSIFICATIONThe product variants that we o� er are classifi ed in ascending order into four price levels: Basic (BAS), Standard (STA), Advanced (ADD), Individual (IND). Product variants classifi ed as ALL are universal and may be selected for any of the four price levels.
OTHER IMPORTANT INFORMATIONBrokis products and services can be found on the latest version of our website – www.brokis.cz. Our sales partners are regularly informed of news and any changes to products and or services.
In order to streamline cooperation with our sales partners and promote sales of our products and services, we’ve created new marketing tools, which are available through the My Brokis partner portal at www.brokis.cz.
These tools, which include informative documents, PR materials, and an overview of complementary services, support product sales growth and help us develop our services, some of which are limited to certain regions.
Conditions acting on the product during transport, storage, and after installation can have a negative impact on its appearance. For more information regarding maintenance and cleaning, go to www.brokis.cz or refer to the installation manual included with each product.
PC1008
130
100
p. 198 PH980Mu� ins Candleholder – PC1008 (CGC516, CCS972)
p. 200 — 201 PH1370Mu� ins Candleholder – PC1008 (CGC516, CCS972)Mu� ins Candleholder – PC1008 (CGC157, CCS757)Mu� ins Candleholder – PC1008 (CGC515, CCS972)Mu� ins Candleholder – PC1008 (CGC516, CCS757)Mu� ins Candleholder – PC1008 (CGC515, CCS757)Mu� ins Candleholder – PC1008 (CGC516, CCS592)
PAG
E 198
—20
1 M
UFF
INS
CA
ND
ELH
OLD
ER
BROKIS PROJECTS
other information
cleaning information
technical information
TECHNICAL INFORMATION ABOUT PRODUCTS
BROKIS WEBSITE
PROMO VIDEO
MY BROKIS
BROKIS CATALOGUE
BROKISGLASS
BROKIS
OFFICE Španielova 1315/25 163 00 Prague 6, Czech Republic SHOWROOM Sídliště Janštejn 39588 52 Horní DubenkyCzech RepublicT +420 567 211 517F +420 567 211 727E [email protected] www.brokis.cz
PRODUCT DESIGNCreative directionLucie Koldova
DESIGNERSLucie KoldovaDan Ye� etBoris KlimekLenka DamovaChiaramonte MarinFumie Shibata
PHOTO product imagesMartin Chumadditional imagesKristina HrabětováDana HosováLukáš PelechJan Voharčík
GRAPHIC DESIGNStudio Marvil
CM
1093
4
