2
Cite Spring-Summer 1984 5 Citelines Left: The Crescent, Dallas, central court of retail building. Below: The Crescent, perspective view from Maple Avenue (drawings by Patrick Ldpez). Art Institute Philip Does Announces New Design Dallas The San Antonio Art Institute unveiled its proposed new college of art building, designed by Moure Ruble Yudell. on 31 March at a reception celebrat- ing Charles Moore's appointment as O'Neil Ford Professor of Architecture at The University of Texas at Austin. Located next to the institute's existing building and across from the McNay Art Museum, Moore Ruble Yudell's 50,000 square-foot building will contain classrooms, studios, and workshops for drawing, painting, sculpture, photography, print making, video, film, and computer graphics, as well as a cafe, library, and 3(M)-seat auditorium. The building will be configured around a series of inter- nal courts. Its picturesque composition is intended to maintain the village-like scale of the Art Institute and McNay Museum buildings. Ground breaking will occur in the fall with completion expected b\ the middle of 1986. Associate architects are O'Neill and Perez. San . Intonio Art Institute, view of model thowing existing building (left) and proposed new building (center). (San Antonio Art Institute) When in Texas, Philip Johnson has acquired the habit of reserving his most considered architectural statements tor Houston, and his most outrageous lor Dallas First Dallas got the Heck House, then the Kennedy Memorial, then Thanks-Giving Square. Now comes The Crescent, an office, hotel, and retail complex located on a Id-acre site in the city's Maple Avenue area, just north of down- town. The architecture is Texas French. According to Johnson. it is intended to represent the notion that "Texas in the laic 19th century was UT\ idanuirous " Thus, the three IK- and 19-slor\ office buildings at the south end of the triangular site obtain a Belle Kpoque treatment. The three-story retail building, at (he apex of the triangle, and the 228-room hotel behind it arc composed as ,i seriesol projecting pavilions and recessed galleries. Hut the art historical reference is not to the l.oin re It's to the Mansard looted county courthouses of central Texas, built during the 1870s and ISSOs. Johnson even had Huusion architect Howard Barnstone take him on a tour of Galveston to absorb local color and to inspect ironwork there, a visit that paid off in detailing the cast aluminum used extensively on The Crescent's verandas, balconies, and in the retail building's central court. Construction of The Crescent began in October I Ms. * and is scheduled for completion in l9Ko. The buildings will be clad in limestone and the roofs will be surfaced with state. A 4.(XX)-car garage will lie beneath the site. Developers are a joint venture ot The Rosewood Corporation (which owns Dallas's Mansion on Turtle Creek and Houston's The Remington) and Dallas architect Phillip W. Shepherd Shepherd's firm. Shepherd + Boyd/USA. and John Burgee Architects with Philip Johnson are collaborating architects. V'racenl Ponte is the urban planner. Ellisor and Tanner are struc- tural engineers, and Zion and Brecn Associates are land- scape architects. I1CB Contractors Is (he general contractor. The Crescent promises to be urbane, acknowledging both the pedestrian and (he automobile with a gracious- ness uncharacteristic of modern developments I low- ever, the "styling" is problematic. Neither academic nor pop, it is uncomfortably akin to the Mansardie vernacular that still persists on Texas's suburban frontiers. NEW T^ZZOLI PAPERBACKS •MtWi. IWJ-1WO RENZO PIANO Buildings & Projects 1964-1983 Edited by Massimo Dinl. Monograph devoted to Innovative Italian architect Renzo Piano-- the Centre Pompidou and llouttton'a Menll Collection are included— that stresses both his belief in craftsmanshlp and his mastery of the latest technology. 450 B&W illustrations; 24 pages of ci'lar. Paperback: 525.00. SOUTHWEST CENTER The Houston Competition Edited by Arnell & Bickford. Essays by William Pedcrsen, Rich- ard Keating and Helmut Jahn. Postscript by Paul Coldbcrger. Documents the design competition organised by Century Development t Southwest Commerce Bancshares. 230 BiW illustrations; 80 pages of color. Paperback: $14.95. BRAZOS BOOKSTORE 2314 HISSONNU S M £ I ilNBIMAR I '13) b?3 01D1 MONDAY FRIDAY 1Qo SA1URDAY 10 5 SUM>A- 11 i w I i4 k > 5 Posi Oak Road, POM O.ik PI.IM. Houston. Open till 9 on Thursdays

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Page 1: Cite Spring-Summer 1984 5 Citelines · the Mansar d loote county courthouses of central Texas, built during the 1870s and ISSOs. Johnson even ha d Huusio n architec Howar Barnston

Cite Spring-Summer 1984 5

Citelines Left: The Crescent, Dallas, central court of retail building. Below: The Crescent, perspective view from Maple Avenue (drawings by Patrick Ldpez).

Art Institute Philip Does Announces New Design Dallas The San Antonio Art Institute unveiled its proposed new college of art building, designed by Moure Ruble Yudell. on 31 March at a reception celebrat-ing Charles Moore's appointment as O'Neil Ford Professor of Architecture at The University of Texas at Austin. Located next to the institute's existing building and across from the McNay Art Museum, Moore Ruble Yudell's 50,000 square-foot building will contain classrooms, studios, and workshops for drawing, painting, sculpture, photography, print making, video, film, and computer graphics, as well as a cafe, library, and 3(M)-seat auditorium. The building will be configured around a series of inter-nal courts. Its picturesque composition is intended to maintain the village-like scale of the Art Institute and McNay Museum buildings. Ground breaking will occur in the fall with completion expected b\ the middle of 1986. Associate architects are O'Neill and Perez.

San . Intonio Art Institute, view of model thowing existing building (left) and proposed new building (center). (San Antonio Art Institute)

When in Texas, Philip Johnson has acquired the habit of reserving his most considered architectural statements tor Houston, and his most outrageous lor Dallas First Dallas got the Heck House, then the Kennedy Memorial, then Thanks-Giving Square. Now comes The Crescent, an office, hotel, and retail complex located on a Id-acre site in the city's Maple Avenue area, just north of down-town.

The architecture is Texas French. According to Johnson. it is intended to represent the notion that "Texas in the laic 19th century was UT\ idanuirous " Thus, the three IK- and 19-slor\ office buildings at the south end of the triangular site obtain a Belle Kpoque treatment. The three-story retail building, at (he apex of the triangle, and the 228-room hotel behind it arc composed as ,i seriesol projecting pavilions and recessed galleries. Hut the art historical reference is not to the l.oin re It's to the Mansard looted county courthouses of central

Texas, built during the 1870s and ISSOs. Johnson even had Huusion architect Howard Barnstone take him on a tour of Galveston to absorb local color and to inspect ironwork there, a visit that paid off in detailing the cast aluminum used extensively on The Crescent's verandas, balconies, and in the retail building's central court.

Construction of The Crescent began in October I Ms. * and is scheduled for completion in l9Ko. The buildings will be clad in limestone and the roofs will be surfaced with state. A 4.(XX)-car garage will lie beneath the site. Developers are a joint venture ot The Rosewood Corporation (which owns Dallas's Mansion on Turtle Creek and Houston's The Remington) and Dallas architect Phillip W. Shepherd Shepherd's firm. Shepherd + Boyd/USA. and John Burgee Architects with Philip Johnson are collaborating architects. V'racenl Ponte is the urban planner. Ellisor and Tanner are struc-tural engineers, and Zion and Brecn Associates are land-scape architects. I1CB Contractors Is (he general contractor.

The Crescent promises to be urbane, acknowledging both the pedestrian and (he automobile with a gracious-ness uncharacteristic of modern developments I low-ever, the "styling" is problematic. Neither academic nor pop, it is uncomfortably akin to the Mansardie vernacular that still persists on Texas's suburban frontiers.

NEW T^ZZOLI PAPERBACKS

• M t W i . IWJ-1WO

RENZO PIANO

Buildings & Projects 1964-1983 Edited by Massimo Dinl .

Monograph devoted to Innovative I t a l i a n arch i t ec t Renzo P iano- -the Centre Pompidou and llouttton'a Menll Co l l ec t i o n are included— that s t r e s s e s both h i s b e l i e f in craftsmanshlp and h i s mastery of the l a t e s t technology.

450 B&W i l l u s t r a t i o n s ; 24 pages of c i ' lar . Paperback: 525 .00 .

SOUTHWEST CENTER

The Houston Competition Edited by Arnell & Bickford.

Essays by William Pedcrsen, Rich-ard Keating and Helmut Jahn.

Postscript by Paul Coldbcrger.

Documents the design competition organised by Century Development t Southwest Commerce Bancshares.

230 BiW illustrations; 80 pages of color. Paperback: $14.95.

BRAZOS BOOKSTORE 2314 HISSONNU S M £ I

ilNBIMAR I '13) b?3 01D1

MONDAY FRIDAY 1Qo SA1URDAY 10 5

SUM>A- 11 i

w

I i4k> 5 Posi Oak Road, POM O.ik PI.IM. Houston. Open till 9 on Thursdays

Page 2: Cite Spring-Summer 1984 5 Citelines · the Mansar d loote county courthouses of central Texas, built during the 1870s and ISSOs. Johnson even ha d Huusio n architec Howar Barnston

6 Cile Spring-Summer J 984

Citelines

Texpresso: Houston/Dallas Bullet Trains After a generation of neglect, and 15 years of rail-corridor improvement in the Northeastern United States. interest in reviving intercity rail transport is on the rise across America. Serious proposals for bullet trains in-corporating the latest European or Japanese technology have been made in Florida (Miami to Orlando then Tampa), Pennsylvania (Philadelphia to Pittsburgh and the Midwest), and California (Los Angeles to San Diego). In Texas, too, passenger trains may once again roll along the legs of the triangle delineated by Houston. Dallas, and San Antonio.

The Texas Railroad Transportation Company (TRTC). based in Austin and chaired by Viscount Paul de Rosiere, a relocated French entrepreneur, plans to build a 750-mile, four-billion dollar bullet-train system connecting these cities along existing rail rights-of-way. For the mo-ment, however, the TRTC is concentrating just on the Houston-to-Dallas run.

While much work needs to be done before even this initial route is any more than a gleam in the eyes of the backers, one hurdle to the aquisition of rights-of-way was recently overcome. Federal Bankruptcy Court Judge Frank J. McGarr approved a plan granting the TRTC one more year to complete feasibility studies and raise capital needed to purchase a Houston-Dallas right-of-way from the Rock Island Railroad. One half of the in-terest in this 100-foot wide strip of land extending between the two cities is additionally controlled by the

Burlington Northern Railroad. TRTC spokesman Tom Wagner said, however, that his company had already ar-rived at a mutually equitable means of sharing this prop-erty with Burlington Northern. With a S25(),()0() escrow payment to Rock Island Trustee William M. Gibbons, the court agreement gives the TRTC until 31 December 1984 to raise the $17.5 million necessary to close the sale.

If secured by this date the TRTC will control the right-of-way from Houston to Waxahachie. The final 20-mile sprint from this latter town to Dallas has been secured with an agreement from the Katy Railroad. Station loca-tions and equipment choices have not yet been considered.

The biggest question that faces the owners of the proposed system is of course whether or not there will be sufficient ridership to justify the expected initial capi-tal outlay of $1.5 billion. To answer this question the TRTC hired Parsons, Brinckerhoff, Quade and Douglas, a New Orleans consulting linn, to do preliminary mar-ket feasibility and ridership studies. Their investigation indicates that at $40 per ticket for a one-way trip, there would be sufficient use of the rail system to guarantee profitability.

Meanwhile the Texas Railroad Commission has also ap-plied to the Federal Railroad Administration for a grant to do a formal feasibility study of the rail triangle. Ef-forts have also been made w ilhin the Texas Legislature to fund feasibility studies to test the viability of rail pas-senger transport. These efforts, not connected to the plans of the TRTC. include a bill sponsored by Houston Representative Al Edwards, His bill would increase the Texas driver's license fee by 25 cents to finance the costs of a study. The bill, approved by the Texas House of Representatives in May of 1°83, awaits action by the full Legislature,

Currenl plans, perhaps optimistic, call lor the first trains to depart Houston sometime in luK8. Just imagine leaving your downtown office or home, walking to the lexpresso station, and riding al speeds in excess of 180 mph. Avoid the freeways, avoid the airports, and avoid the airplanes. Travel to downtown Dallas in under two hours — by train.

Randolph Jackson

Preservation Alliance Sponsors Design Competition The Greater Houston Preservation Alliance is sponsor-ing a design competition for the Main Street-Market Square Historic District in downtown Houston. The competition aims to promote a greater sense of coher-ence within the district by proposing strategics for the treatment of vacant sites and parking lots; street, side-walk, and public-space improvements; and connections to Buffalo Bayou and Allen"s Landing. The submission deadline is I June 1984. Cash prizes for the first and second place entries will be awarded by a jury composed of preservationists Barrie Scardino and Truett Latimer, architects William F. Stern and Barry Moore, and Hous-ton City Planner Elraim Garcia. For registration mlor-mation. call the alliance's office at the Harris County Heritage Society, (713) 223-8.167.

HADLER/RODRIGUEZ GALLERY has moved to a

NEW LOCATION

Opening in June

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7 3/520-0329

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