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Autor projekta / Author of the projectGalerija / Gallery
Naziv izložbe / The name of the exhibitionPredgovor / Foreword
Prijevod na engleski / English translationNajavni video / Announcement video
Dizajn i prijelom kataloga / Catalog design and layoutFotografija / Photography
Godina / Year
Josip MijićJoMi Gallery / www.artsteps.comČovjeka treba spašavatiAna FilipovićAna FilipovićAna NaletilićJosip MijićAna Naletilić2020.
e-izložba / e-exhibition
17. – 31. srpnja 2020. / 17th – 31th July 2020
JoMi Gallery
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Kroz animaciju i digitalni print izložba Ane Naletilić predstavlja širok raspon profiliranih filozofskih pitanja o suočavanju s apsur-dom, postojanjem uvjetovanim onim čime smo prisiljeni živjeti, organizacijom u vremenskom diskursu pa do tema socijalne an-tropologije i psihologije. Autorica izravno nameće pitanje o upo-trebljenoj poruci, pisanom tekstu* o ljudskim željama i težnjama, relativiziranju ljubavi, mizantropiji i dualnosti. Transparentnim crnim i bijelim nizovima upozorava na zbunjenost, neshvaćenost, otuđenje i zanemarivanje pojedinca te njegovog mentalnog stan-ja u svijetu u kojem živimo. Kratkotrajnu autorizaciju autohtonog kulturnog bogatstva kontrolirano osvježava implementacijom novih modela, teškom cirkulacijom u završnim pokretima slo-bodnih perspektiva. U razumnoj izmjeni izrezanih oblika čovjek se nameće kao središnji motiv vizualne percepcije; pojednostavl-jen u sporoj reakciji i ukorijenjen ostatcima plemenske kulture i starog balkanskog folklora**. Kartonizirani stil centralizira temu maski tužnih lica i gotovo defenzivne pokrete ruku u iščekivan-ju pravog pokretača. Sinkronizacija kemije utječe na kontakt do sljedeće početne točke gdje nastaju poveznice duhovnih kanala; vjerovanje da je čovjek više od onoga što može spoznati o sebi. Predstavljeni printevi i animacija podsjetnik su na objekt moral-nog imperativa koji proizlazi iz duboke empatije.
* autorica preuzima dio teksta iz pjesme Seksi Šaman autora Machina ** prevedeno iz prepiske Jonathana Aylinga a.k.a. Chai Tanya
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Through animation and digital print, Ana Naletilić’s exhibition pres-ents a wide range of profiled philosophical questions about facing the absurd, existence conditioned by what we are forced to live, about organization in temporal discourse to the topics of social anthropol-ogy and psychology. The author directly raises the question of the message used in the written text* connected with human desires and aspirations, misanthropy and duality and the relativization of love. Transparent black and white strings warns of the confusion, misun-derstanding, alienation and neglect of the individual and his mental state in the world in which we live. In a controlled way she refreshes the short-term authorization of autochthonous cultural wealth by ap-plying new models in difficult circulation of the final movements of free perspectives. In the reasonable alteration of cut-out forms man is presented as the central motif of visual perception; simplified in slow reaction and rooted in the remnants of tribal culture and ancient Balkan folklore**. The cartoon style centralizes the theme of sad face masks and almost defensive hand movements in anticipation of the accurate trigger. The synchronization of chemistry affects the contact to the next starting point where the connections of the spiritual chan-nels are formed; the belief that man is more than what he can know about himself. The presented prints and animation are a reminder of the object of the moral imperative that stems from deep empathy.
* the author takes part of the text from the song Sexy Shaman by Machina** translated from the correspondence of Jonathan Ayling a.k.a. Chai Tanya
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Rođena je 23. travnja 1994. godine. Gimnaziju fra Dominika Mandića završila je 2013. te iste godine up-isala Akademiju likovnih umjet-nosti na Širokom Brijegu. Diplo-mirala je 2018. godine u klasi profesora Igora Dragičevića i stek-la zvanje magistra grafike i profe-sora likovne kulture. Godine 2018. pobijedila je s idejnim rješenjem u projektu Stvarnog poslovnog slučaja u suradnji s Općinom Širo-ki Brijeg i Akademijom likovnih umjetnosti na Širokom Brijegu. Do sada je imala dvije samostalne izložbe i sudjelovala je na više sk-upnih izložbi u Bosni i Hercegov-ini. Trenutno živi i radi u Širokom Brijegu.
E-mail: [email protected]
Ana Naletilić was born on April 23, 1994. She graduated high school „fra Dominik Mandić“ in 2013., and in the same year she enrolled the Academy of Fine Arts in Široki Bri-jeg. She graduated 2018. in the class of professor Igor Dragičević and acquired the title of Master of Graphics and Professor of Fine Arts. In 2018. she won a project related to conceptual design in the Real Business Case in cooperation with the Municipality of Široki Brijeg and the Academy of Fine Arts in Široki Brijeg. So far, she has had two solo exhibitions and participated in sev-eral group exhibitions in Bosnia and Herzegovina. She currently lives and works in Široki Brijeg.
E-mail: [email protected]
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