DSLR

LONG FORMAT / EXTENSIVE EDITING(Final Cut Pro)

RENDER QUICKTIME SD OR HD*****

rev. 09-02-10

Optional part of pathRequired part of path

Alternate shooting format/resolution

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YES NOJPEG

(Compressed)RAW*

(Uncompressed)

DSLR BASIC PRODUCTION PIPELINE STOP MOTION

WILL YOU HAVE:TRACKS, PANS, ZOOMS, ENLARGEMENTS, ETC.

IN POST?

MEDIUM OR LARGEJPEG SMALL JPEG**

IMAGE ADJUSTMENTS***(Photoshop, Gimp, etc.)

TIFF IMAGE SEQUENCE****

ANIMATION / ASSEMBLY / EDITING@ 23.98 or 29.97 fps

(After Effects & Final Cut Pro)

*Consult the technical faculty/staff before using RAW to discuss its unique workflow requirements.

**Small JPEG on the Canon Rebel XT DSLRs is not large enough for HD output. Use Medium or Large JPEG for HD output.

***All image adjustments done on JPEG images will be lossy.

****The TIFF file format is uncompressed.

*****Please refer to "Standard Definition Output" or "High Definition Output" for output paths.

DETERMINE RESOLUTION

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rev. 09-02-10

SCAN IMAGE(Image Capture or Epson Scan Utility)

TIFF IMAGE SEQUENCE***

LONG FORMAT / EXTENSIVE EDITING(Final Cut Pro)

RENDER QUICKTIME SD OR HD****

IMAGE ADJUSTMENTS(Photoshop, Gimp, etc.)

ANIMATION / ASSEMBLY / EDITING@ 23.98 or 29.97 fps

(After Effects & Final Cut Pro)

SCANNER PRODUCTION PIPELINE

SCANNER

*Output Dimension is the longest side of your frame, in pixels, ie: HD = 1920 pixels & SD = 720 pixels.**Source Dimension is the longest side of the smallest area to fill the frame. This should be measured in inches.***The TIFF file format is uncompressed.****Please refer to "Standard Definition Output" or "High Definition Output" for output paths.

= SCAN RESOLUTION (DPI) OUTPUT DIMENSION*

SOURCE DIMENSION**

= 960 (DPI) 1920 pixels

2 inches

I.E. I am scanning something that is 8"x10" and I need to be able to zoom in on an area that is 1"x2" for HD. 1920 pixels would be the "Output Dimension" and 2 inches would be the "Source Dimension." 8"

10" 2"1"

VIDEO PRODUCTION PIPELINE

TAPE

HD HDV: 1440 x 1080 @ 23.98 & 29.97 fps*

TAPELESS

HD-DSLR (H.264): 1920 x 1080 @ 23.98 & 29.97 fps*HD XDCAM EX: 1920 x 1080 @ 23.98 & 29.97 fps**

LOG & CAPTURE

(Final Cut Pro)

EDIT LIVE ACTION (ONLINE) @ 23.98 or 29.97 fps

(Final Cut Pro)

ANIMATION ASSEMBLY & LIVE ACTION (ONLINE)

(Final Cut Pro)

COMPOSITING, ANIMATION ASSEMBLY, & LIVE ACTION (ONLINE)

(Final Cut Pro)

LOG & TRANSFER&

TRANSCODE

(Final Cut Pro)(Apple Pro-Res 422 HQ)

RENDER QUICKTIME SD OR HD****

EDIT LIVE ACTION (ONLINE)@ 23.98 or 29.97 fps

(Final Cut Pro)

MEDIA MANAGE (ONLINE)

(Final Cut Pro)

*THESE FORMATS ARE HEAVILY COMPRESSED AND CONSIDERED LOSSY. THEY ARE NOT SUITABLE for chroma key (green screen) and compositing work. Please see the Video Studio for other alternatives.**THIS FORMAT IS UNCOMPRESSED OR CONSIDERED TO BE SUITABLE for chroma key (green screen) and compositing work.

NOTE: YOU WILL NEED TO CONTACT THE VIDEO ENGINEERS IN THE VIDEO STUDIO TO SCHEDULE SPACE/TIME TO SHOOT UNCOMPRESSED VIDEO. In addition you should consult the Video Engineers and the Digital Systems Specialist to discuss Uncompressed Video Offline/Online workflows prior to shooting. Experimental Animation students do not have access to camcorders capable of Uncompressed HD. Collaborations with Film/Video and FDP students may make usage possible.****Please refer to "Standard Definition Output" or "High Definition Output" for output paths. rev. 09-02-10

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Optional part of path