FSAC 2009 Preliminary ScheduleCarleton University, Ottawa

May 28 – May 31***DRAFT SCHEDULE – SUBJECT TO CHANGE***

Thursday May 285:00pm-7:00pmALUMNI HALL – “Raven’s Nest”

President’s Reception

7:00pm-9:30pmLocation: TBA

Special Screening: Denys Arcand’s The Decline of the American Empire / Le Déclin de l'empire américain (1986, 101 mins.)

The director, Denys Arcand, will be in attendance to answer questions following the screening. The event will be followed by a catered reception, and the official launch of the new University of Toronto Press book series, “Canadian Cinema,” under the general editorship of Bart Beaty and Will Straw, and of the first two books in the series – André Loiselle, Denys Arcand’s Le Déclin de l’empire américain and Les Invasions barbares (U of T Press, 2008) and Bart Beaty, David Cronenberg’s A History of Violence (U of T Press, 2008).

Friday May 298:30am-10:00am TORY 360

Pratley Lecture: Katherine Quanz, Title TBC

10:00am-10:15am Break

10:15am-12:00pmSESSION A1

A1.1: SOUTHAM 520

Zero Patience: The Works of John GreysonPanel Conveners: Brenda Longfellow and Scott MacKenzie

Scott MacKenzieArchival Activism: the Role of the Archival in the Works of John Greyson

Tom WaughSituating Fig Trees

Tess TakahashiReconstructing Documentary: John Greyson's 14.3 Seconds

Brenda LongfellowOperatic Subversions in Fig Trees

A1.2: SOUTHAM 501Emergent Cinemas and the New Cinematic Strategies and FormsPanel Convener: Hudson Moura

Patricia GrubenTeaching screenwriting in India

Boulou Ebanda de B'béri Multicultural, cultural, and racial representations in indy cinemas: A glimpse into three Australian, Canadian, and South African film's discourse

Hudson MouraFilipino new wave of digital cinema: from telenovela to experimental video art

Guillaume LafleurReflets d’occident : Légitimation critique du cinéma «non-occidental»

A1.3: SOUTHAM 518Orphan Films: Rethinking and Recovering Canada's National CinemaPanel Convener and Chair: Gerda Cammaer

Gerda CammaerCanadian Orphan Films Lost and Found: Decomposing and Recomposing Cultural Memories

Joseph ClarkThe Films of James Smith: National History, Community Memory and Amateur film in Canada’s North

Zoë DruickLooking for Vancouver Cinema of the 1960s

JoAnne StoberDunclaren Productions: Experimental Industrial Animation

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A1.4: SOUTHAM 318Embodiment

Rebecca SullivanNatalie Wood, Embodied Performance and Post-Sexual Revolution Hollywood

Lisa FunnellRe-Visioning the Asian-American Female Body in Action: Maggie Q’s

Transnational Performances in Hong Kong and Hollywood

Zorianna ZurbaIntercourse(s): Readings of the Body in Catherine Breillat's Fat Girl

A1.5 – Room TBADocumentary and Society

Barbara EvansJenny Brown: Illuminator of Life and Movement

Jacqueline LevitinDocumentaries for Disaster Times

William Anselmi and Sheena WilsonThe Reconstitution of Canadian Territories as Disputed Representational Mechanisms: Media, Sharia, and the Canadian Legal System

A1.6 – Room TBAScholars’ Screening SeriesPanel Convener and Chair: Anthony Cristiano

Session I:Introduction of the Series by presenter and chair: Anthony Cristiano

Mark WihakAlternative Approaches to Dramatic FilmmakingFilm: River (2007 Canada, 80 min., drama; director & producer, Mark Wihak; key cast, Maya Batten-Young & Adam Budd)

Michal ConfordImagin(in)ing JerusalemFilm: Imagin(in)ing Jerusalem (In production, 5 minute excerpt, 2009, HD, TRT: 60 min)

Mark David TurnerManufacturing the Identity of a Labrador Interior: Of Civics and IronFilm: Manufacturing the Identity of a Labrador Interior (2009 Canada, 07 min. [approximately 03 min. each]; Documentary; directors & producers, Justin A. Blum, Mark David Turner; key cast, Francis Clarke, Stan Gullage, Sean Hiscock)

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12:00pm-1:00pmLunch

FSAC Executive Meeting SOUTHAM 411

1:00pm-2:30pmSESSION A2

A2.1: SOUTHAM 316Docudrama

Sylvie WisniewskiShake Hands with the Devil: Personal Trauma as Pedagogical Narrative

Heather MacdougallDocumenting the (Un)making of a Dream: Genre and Hybridity in Lost in La Mancha

Donna-Lee WybertMetacinema and the Narrative Self: Michael Winterbottom’s Tristram Shandy: A Cock and Bull Story

A2.2: SOUTHAM 518Experimental

Michael Zryd Hollis Frampton and the Constellation

Patrick FaubertExtensions of the Avant-Garde: David Gatten’s Secret History of the Dividing Line

Shana MacDonaldThe Breakdown of the Image: Hysterical Excess in Feminist Experimental Cinema

A2.3: SOUTHAM 501Queer Theory

Julianne PidduckQueer Melodrama: Kinship, Time, Intertextuality

Yuriy ZikratyyThe Sexual Formulas of the 1960s Gay Film: Lethargic Hustlers and “Physique Enthusiasm”

Stefanie SpoonerCanadian History Queerly: A Fictional Retelling of Canada’s Past in John Greyson’s Lilies

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A2.4: SOUTHAM 317Cut-Ups

Tin SchwabCinematic Interaction: Adaptation, Authorship and Agency

Eli Horwatt“Refuse is the Archive of Our Times”: Remixing the Archive

Dino KoutrasMash-ups, Cut-ups, and Remixes: Postmodern Pastiche in the Digital Age

A2.5 – Room TBATransnational Identities

Zaida MarquezArticulating a Latin American Diaspora: The Case of Latin American Filmmakers in Montreal

Jonathan OwensSometimes Indian, Sometimes British: India’s Diaspora and Contemporary Hindi Cinema

Ananya OhriCaste on YouTube: Virtual Public Spheres and Social Exclusion

A2.6 – Room TBAPower/Discourse

Matthew FlisfederRevolution at the Cinema: The Relevance of Slavoj Žižek in the Field of Film Criticism and Theory

Tyson StewartGodard’s Dissident Intellectual Meets Arcand’s Specialized Intellectual: The Gramscian Universal in Quebecois Cinema

Lindsay Peters‘Shut the Fuck Up’: Discursive Power and Aural Excess in the Films of Paul Thomas Anderson

2:30pm-2:45pmBreak

2:45pm-4:30pmSESSION A3

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A3.1: SOUTHAM 518 (80)Enduring Verticality: The Case of the Cinematic ElevatorPanel Convener and Chair: Alanna Thain

Alanna ThainInsecurity Cameras: Elevator Criminality and Time

Ned SchantzElevator Gothic

Derek NystromGoing Up? Elevators and the Cinema of Class Confrontation

A3.2: SOUTHAM 317Urban Visions of Modernity

Anthony KinikCity of Contrasts: Montreal, Rhapsody in Two Languages, and the Politics of Modernity

Steven JacobsVariations on the City Symphony Theme: Images d’Ostende (Henri Storck, 1929) and Visions de Lourdes (Charles De Keukeleire, 1932)

Robert Read Homemade Surrealism: The Convergence of Past and Present Modernities in 1930s Poverty Row Films

A3.3: SOUTHAM 501Scenes

Donna de VilleThe Montreal Screen Scene

Brian FauteuxThe “Scene” Documentary: Form, Content and Process in Kill Your Idols and What is Indie?

Christine Ramsay“I Love Regina!” City Branding and Contested Spaces in Recent Regina Shorts”

A3.4: SOUTHAM 316Empire and AfterPanel Convener and Chair: Kass Banning

Kass BanningRe-imagining the Contact Zone: The Role of Things in Abderrahmane Sissako’s Heremakakono

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Malini GuhaThe Road to History: Representations of Space and Place in Gatlif’s Exils (2004)

Christopher MeirTies that (Still) Bind: The Commonwealth as a Cinematic Network

A3.5: Room TBASexual Violence

Sidney-Eve MatrixCrowdsourcing and a Killer App: Violence and Voyeurism in Hollywood Cyber-thriller Untraceable

Evangelos TziallasTorture, Porn: Torture Porn

Dominique RussellRape and the Pleasures of Art Cinema

A3.6: Room TBAThe Regionalism ‘Problem’ in Canadian Film and TelevisionPanel Convener and Chair: John McCullough

Darrell Varga The Adventure of Faustus Bidgood: Pedagogy of Regional-National Cinema

Paul S. MooreRegions of Canadian Cinema, Exhibition Coast to Coast in 1896-97

Lee KnuttilaTradition, Identity and Myth: Locating Recent Saskatchewan Films

Mark Lajoie Social Class and National Identity in Post-1980 Quebec Film

4:30pm-6:00pm – Room TBA Reception

8:00pm-9:30pm – Room TBAMartin Walsh Memorial Lecture:

Annette Kuhn, School of Languages, Linguistics and Film, Queen Mary, University of London, UK, Title TBC

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Saturday May 30

9:00am-10:30amSession B1

B1.1: SOUTHAM 318Transmediation

Taunya TremblayTowards a Genealogy of Media Studies: Concerning Visual Education

Michael S. DuffyPosthumous Presence: Digital Displacement in The Crow and the Brandon and Bruce Lee “Legacy”

Felan ParkerBeyond Fictional Worlds: Transmedia Storytelling Reconsidered

B1.2: SOUTHAM 501Preachers

Geoffrey MacnaughtonSpaces of Spectacle and Reverence: The Biblical Rock Experience

Josh RomphfWolves in Sheep’s Clothing: A Study of the American Gothic in The Night of the Hunter

Tina BenignoSpirit through Screen: Environment and Identity in Dead Poets Society

B1.3: SOUTHAM 415Locating National Culture

Charles TeppermanUncovering Canada’s Vernacular Film Tradition, or: Why you should know about Leslie Thatcher

Zoë ConstantinidesWhy Juno Wasn’t at the Genies: The Great ‘Canadian’ Success Story

Katrina SarkCity Spaces and National Identity in Recent Berlin Films

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B1.4: SOUTHAM 409The Sound of FilmPanel Convener: Kelly Egan / Panel Chair: Mike Zryd

Kelly EganThe Blinded Light of Animated Sound: Towards a Semiotics of Optical Sound Composition, Abstract Cinema and Visual Forms in Acoustic Space

Randolph JordanA Meeting Place of Edges: Navigating the Boundary Between Sound and Image in Peter Mettler’s Picture of Light

Benjamin WrightWhen Hearing and Touch Collide: Low Frequency Tactility and Immersion in Hollywood Cinema

B1.5: Room TBARealism and Authenticity

Darren BlakeboroughTelevised Wrestling as Mediated Cultural Performance

Christopher LockettTheatre of Cruelty Revisited: Realism and its Other in HBO’s Oz

Michael Da SilvaMagic' Royals and Western Societal Norms: On the Changing Face of the Disney Princess

B1.6: Room TBAOtherness

Katherine RennebohmApproaching the Other as Other in Oppositional Cinema

Hiroko Hara“Experimental” Ethnographic Film: Deconstructing the Norm and Creating Alternative Views

Nicholas BalaisisThe Revolution’s Other: Primitivism and Spectatorship in Cuban Documentary

10:30am-10:45amBreak

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10:45am-12:30pmSESSION B2

B2.1: SOUTHAM 409Beyond AdaptationPanel Convener and Chair: Brian Crane

Brian CraneGender & Genre: Faulkner Conceiving Cinema

Colin BurnettIs Bresson's Adaptation a Matter of Troc?

Lee ParpartAdapting Alice: Industrial Considerations and the Branding of Feminist CanLit in Away from Her, Connections and the (derailed, non-existent) Munro Stories

B2.2: SOUTHAM 501Amateur Film & the Archive: Experimentation & Cultural HistoryPanel Convener and Chair: Aimée Mitchell

John LutmanStars of the Town: A Visual Archive Frozen in Time

Charlie Egleston The Professional Amateur: Amateurism, Professionalism, and Post-Leisure Practice

Aimée MitchellWhat is Amateur Cinema?: Defining the Parameters of Visual Historiography

B2.3: SOUTHAM 415Contemporay French Society/ La société contemporaine Francais

Florian GrandenaEntrée dans le néo-libéralisme, sortie de l’humanité : Elle est des nôtres (Siegrid Alnoy, 2003)

Evelyne SzarykAspects du héros national : fierté du terroir dans Bienvenue chez les Ch'tis

James PenneyYou Do Not Look at Me from Where I See You

B2.4: SOUTHAM 318Early Genres

Hilde D’haeyereColor as Surprise: The Stop-and-Start-Rhythm in Mack Sennett’s Comedy Shorts

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Barbara S. Bruce and Cameron McFarlaneNational Faults: Building America in Van Dyke’s San Francisco

Carmela Coccimiglio“Don’t call me ‘Mom’”: Motherhood in American Gangster Films

B2.5 – Room TBADocumentary – Memory and Witness

Scott BirdwiseTo Bear Witness: St. Paul, Alain Badiou, and the Prophetic Tradition of the Documentary

Christina StojanovaThe Poetics of Memory

Keith O’ReganBetween Then and Now: Imbert’s No Pasarán and Historical Recovery

B2.6 – Room TBAPolitics USA

Julien Lapointe Truth, Image, Narrative and Temporality in Errol Morris’s Standard Operating Procedure

Malcolm Morton The Bush Revolution that Wasn’t: Hollywood Social Conservatism, 2004-05

Mahdaviani, Bita Global Modernity and the “War on Terror” in American Documentary

12:30pm-1:30pmLunch

1:30pm-3:30pmSESSION B3

B3.1: SOUTHAM 501Epistemology and History of Moving Image StudiesPanel Convener and Chair: Eric Prince

Martin Lefebvre

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A Look at a Failed Attempt in Film Studies Education: France's Institut de filmologie (1947-1962)

Rosanna MauleCinephilia: A Figural Approach to Film

Eric PrinceNew media/New screens: Epistemology and Interdisciplinary Film Studies, with the Example of the Photo-Film.

Adam RosadiukEnvironmental Aesthetics and the Nature of Cinema

Sylvain DuguayLes projections d’images en mouvement dans l’espace scénique : comment sauvegarder et étudier la quatrième dimension?

B3.2: SOUTHAM 409Performative Figures and Film ActingPanel Convener and Chair: Aaron Taylor

Liz CzachPerformance and Stardom in Bon Cop, Bad Cop

Charlie KeilActing Like a Star: Florence Turner, Picture Personality

Mike MeneghettiAnamnesis in Act(s): Documentary Performance as Intercession

Aaron TaylorPlaying to the Balcony: Screen Acting and Distance

B3.3: SOUTHAM 318Territories of Cinema in AfricaPanel Convener and Chair: Aboubakar Sanogo

Etienne-Marie LassiLe personnage double et sa portée discursive dans le cinéma africain.

Charles BadoCinéma et Littératures d’Afriqu : Une problématique de la "repossession"

Alex LykidisTITLE TBC

Aboubakar SanogoTerritories of Cinephilia in Africa

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B3.4: SOUTHAM 415Unthinking Identity Centrism in the Audio Visual Middle EastPanel Convener and Chair: Walid El Khachab

Walid El KhachabTextile Palestine: the Politics of Fabric and the Imagined National Landscape

May TelmissanyDiaspora and Displacement: Visual Narratives of al-shatat in Michel Khleifi’s Films

Stephanie Tara SchwartzSodom, the Cinematic City and Jewish Identity,

Dorit NaamanOrientalising the Other in Recent Israeli Films

Valerie BahieryBiculturalism and Images of the Veil in Contemporary Video Art

B3.5: Room TBACinema, Nation, Trauma

Jeremy MaronA Problem of Distance: The Treatment of the Holocaust in Canadian Cinema

Bianca BriciuGender and Humanism in Postwar Japanese Film

Dana IliescuRomanian Cinema: The Unveiled Past and Its Reconstructed Present

Elizabeth ClarkeIn Between Home and Work: Spaces of the City in East German Film

B3.6: Room TBAScholars’ Screening SeriesPanel Convener and Chair: Anthony Cristiano

Session II:

Angela JoosseThe Dance of Collage: Opening To Perception of the InvisibleFilm: Shapes Eat Shapes (3 min. COL SND digital video 2006)

Justin A. BlumRe-Living the Vita FuturistaFilm: Vita Futurista (2008 Canada, 12 min., episodic faux-vintage silent short; director, Justin A. Blum; producer, Mark Turner, Gabrielle Houle, Justin A. Blum; key cast, Dana Fradkin, Dino Gonçalves, Josh Weale, Gord Noel, Roxann Lee)

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Izabella Pruska-OldenhofRhythm, Song, Image: Poetics of Rhythm in EchoFilm: Echo (9min. 16mm COL SD 2007)

Kelly EganA Thousand Words’ Worth a Picture: Seeing the Language of Experimental Film as Acoustic SpaceFilm: A Thousand Words’ Worth a Picture (16mm, 50 min., Colour, Sound, 2009; excerpt)

1:30pm-3:00pmNFB Screenings (Room and Details TBA)

3:30pm-5:00pmSESSION B4

B4.1: Room TBASpirits

Murray LeederSkeletons Sail an Etheric Ocean: Approaching the Ghost in John Carpenter’s The Fog

Sara SwainElvis and Marilyn on the Yellow Brick Road: The Significance of the Phantasmagoria of Pop Culture in David Lynch’s Wild at Heart

Scott PrestonHorror and Myth: Signals of Transcendence in Larry Fessenden’s Wendigo

B4.2: Room TBATime, Narrative and Multiplicity

Carruthers, Lee Enduring Time: Responding to Temporal Duration in Tsai Ming-liang’s What Time is it There?

Alexander WoodThe Poetics of Time, History & Memory: The Multiple Narratives of Tom Tykwer’s Lola Rennt

Laura Wiebe TaylorThe Conceivability of Multiple Truths: John Mighton’s and Robert Lepage’s Possible Worlds

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B4.3: Room TBAAnimation

Colleen MontgomeryVoices in Toyland: Mapping the Aural Landscape of Contemporary Animation

Mark LangerIllustrated Songs and Song Cartoons: Cultural Practices and Sound Technology in Early Talkie Animated Films

Michael FreethyThe Little Garbage Compactor That Could: Wall-E and the Industrial Sublime

B4.4: Room TBACinema and Skepticism

Mireille TruongViewing Objects as Signs in Cinema: Hong Sangsoo’s The Day a Pig Fell into the Well (South Korea, 1996), Manuel Pradal’s A Crime (U.S.A., 2006) and Agnès Varda’s Le Bonheur (France, 1965)

Matthew CroombsRobert Bresson’s Au Hasard Balthazar and the Cinematic Confrontation with Skepticism

Temenuga TrifonovaCavell on Film and Skepticism

B4.5: Room TBAPerception and Movement in Contemporary MediaPanel Convener and Chair: Firoza Elavia

Amy HondronicolsThe Mobile Perspective of Theo Angelopoulos – From Painting to Film to Icon

Cameron Moneo Tsai Ming-liang and Jacques Tati: Towards a Deleuzean Comic Time-Image

Firoza Elavia Movement and Perception in the Image of Time

Troy RhodesTechniques of Perspective: From Linear to Planar

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5:00pm-6:30pmNFB Plenary Roundtable: Tom Perlmutter, Chair of the National Film Board of CanadaTORY 360

Mr. Perlmutter will join us for a roundtable session, answering questions and discussing the history of the NFB and its future role with Canadian film scholars including Tom Waugh of Concordia University and Zoë Druick of Simon Fraser University. The event will be followed by a catered reception.

6:30pm-8:00pmNFB Plenary ReceptionTORY 355

Sunday May 318:30am-10:30amFSAC Annual General Meeting 1305: LOEB C164 (150)

Coffee, Fruit and Pastries will be available from 8:00am(Attendance at AGM required if application made to FSAC for travel subsidy)

10:30am-10:45amBreak

10:45am-12:30pmSESSION C1

C1.1: SOUTHAM 416Expo 67 as Multi-Screen Event: Rethinking Expanded Cinema and its ArchivePanel Convener and Chair: Janine Marchessault

Seth FeldmanLabyrinth in More Ways Than One: The Close Reading of an Incomplete Reconstruction

Janine MarchessaultCitérama as Living Space: The New Media City of Expo 67

Jason RovitoOn the Unconscious of the Multiple Screen: Expo ’67 as Moral Archive

Caitlin FisherGesturing toward a reconstruction of the films of Expo ’67: augmented reality translation

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C1.2: SOUTHAM 409Performance and Authenticity

R.J. TougasReel, Not Real: Courtroom Theatrics, Rational Emotions, and Legal Imagination in 12 Angry Men

Michael W. Boyce Closely Watched: Female Subjects and Trains in Hitchcock’s The Lady Vanishes and Lean’s A Brief Encounter

Mervyn NicholsonBoasting in Hitchcock

C1.3: SOUTHAM 501Negotiating the Digital Divide: Technologies, Ontologies, and SpectatorshipPanel Conveners and Chairs: Steve Rifkin and Jessica Aldred

Jessica Aldred“She’s Lovely, But Alas, Only Software”: The (not quite) Human Face of New Media

Christina KubackiExpanded Reality: Redefining the Real through the Digital

Richard Pope“Evolution”?: The Cinematic Experience in the Digital Era

Steve RifkinParadoxes of Photorealism: Lessons from Indexicality in the Age of the Digital

C1.4: SOUTHAM 316Songs in Films, By the NumbersPanel Convener and Chair: Charles O’Brien

Charles O’BrienMusic Cognition and Song Sequences in Films

Mohsen NasrinStars, Gender, and Performance in Lubitsch’s Operettas

Thomas DoreyWes Anderson's Juke Box

C1.5: Room TBAThe Western

Brent Strang

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No Country for Old Western Fables: The Contemporary Mode in Western Genre Revisionism

Bart Testa Well After Expiry: Laconism, Late Westerns and Capitalism

Alex MorrisPrivileged White Cowboys and the Wounded West in No Country for Old Men and The Man Who Shot Liberty Valance

12:15pm-1:30pmLunch

1:30pm-3:00pmSESSION C2

C2.1: SOUTHAM 409Professional Workshop: Publishing

Charlie Keil (Assoc. Prof., Cinema Studies, University of Toronto)Haidee Wasson (Assoc. Prof., Film Studies, Concordia University)Mike Baker (PhD student, McGill University)Lisa Quinn (Wilfrid Laurier University Press) and/or Brian Henderson (WLU Press)

This workshop will provide practical advice for graduate students, non- and pre-tenure faculty, and anyone else interested in learning more about the ins-and-outs of academic publishing.

C2.2: SOUTHAM 317Rethinking Early Film Aesthetics

Andrew CovertLa Sortie D’Usine Reconsidered: An Inquiry into the Aesthetic and Critical Potential of the Document

Olga ZikrataThe Act of Listening in Silent Film Viewing

Cristian MelchiorreCecil B. DeMille, Melodrama and the Dream of the Cinema as Pastor

C2.3: SOUTHAM 501Forms and Conventions

Owen LyonsFraming the Shot: Tracking, Kinetics and the Digital Image

Tom Everrett

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Headphones and the Mobile Cinema: New Directions for Film Sound Studies

Chaseten RemillardShark Lens: The Conventions and Implications of Wildlife Films about Sharks

Miao Song The Role of Computer Graphics in Documentary Film

C2.4: SOUTHAM 316Gender and Canadian Film

Wendy Gay PearsonLyrical Pedagogy: Music as Theory in John Greyson’s The Making of Monsters

George MelnykThe Gendered City: Montreal According to Rozema, Pool and Villeneuve

Brenda Austin-SmithWomen, Liminality, and ‘Unhomeliness’ in the Films of Mina Shum

C2.5: Room TBANational Cinemas

Douglas, David Projecting Havana, Reflecting Cuba: Ayer, Hoy y Mañana

Marie-Eve FortinSiraba et Sia ou quand la représentation de la magie, illustre la tension entre deux mondes

Khatereh SheibaniModernity, Individuality, and Subjective Gaze in Iranian Cinema

3:00pm-3:15pmBreak

3:15pm-5:00pmSESSION C3

C3.1: SOUTHAM 416Roundtable on Alternative Documentary Traditions in CanadaConvener and Chair: Zoë Druick

Justin BlumNorth to the New West in Early Labrador Film

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Seth FeldmanTITLE TBC

Michelle MohabeerBlu in You (TITLE TBC)

Mark TurnerLabrador and the Fogo Process: Some Notes on a Discursive Articulation of Region

Peter UrquhartMade-for-TV

Ezra WintonDocumentary Cinema's Alternative Traditions in Canada

C3.2: SOUTHAM 501WorkshopA Really Truthful Moment: Novel/ Scripts/ Performance, How Does Performance Change the Dynamic of the Written Word?

Convener: Carole Zucker

C3.3: SOUTHAM 409Adaptation

Matthew OgonoskiAdapting Batmen: An Examination of the Adaptation of Comic-book Superheroes.

Stefan SeredaAdapting (to) the Hyper-real: Simulations of Dylan in Todd Haynes’ I’m Not There (2007)

Woodward, Steven TITLE? Adaptations of Pride and Prejudice

C3.4: SOUTHAM 316Deleuze

Michael Audette-LongoFrom Being to Becoming: Towards an Image of Nomadic Canadian-American Selfhood in A History of Violence

Kjetil RodjeAttraction and Repulsion in 1960s American Exploitation Cinema

Stacey DeWolfeAny-Nation-Whatever: Politics, Identity and Affect in Lars von Trier’s Dogville

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C3.5: Room TBAQuestions of Authorship

David FosterTITLE? Chris Marker

Dru H. Jeffries“The person is so very dead once their paper is yellow”: Stanley Kubrick and Walter Benjamin’s Collector

Brenda McDermottZombie Authorship: Jim Henson as an Auteur in the Afterlife

C3.6: Room TBANation, Gender and Canadian Television

Sarah A. MathesonTelevision, Nation and National Security: The CBC’s The Border

Errol SalamonAborting Generational Differences: Age and gender on Degrassi: The Next Generation

Susan KnabeFrom Red Serge to Stoner City: Changing Representations of Canadian Masculinity in Film and Television

5:30pm-8:00pmClosing Reception and FSAC Annual Book Launch

LAGO Bar and Grill – Vista Room1001 Queen Elizabeth Dr.At the marina, Dows Lake

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