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Georgetown University · John Everett Millais, Isabella 1848—9 (detail of no.26) called them, sound a note of dissidence, as do its revolutionary approach to history painting, exploration

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Page 1: Georgetown University · John Everett Millais, Isabella 1848—9 (detail of no.26) called them, sound a note of dissidence, as do its revolutionary approach to history painting, exploration
Page 2: Georgetown University · John Everett Millais, Isabella 1848—9 (detail of no.26) called them, sound a note of dissidence, as do its revolutionary approach to history painting, exploration
Page 3: Georgetown University · John Everett Millais, Isabella 1848—9 (detail of no.26) called them, sound a note of dissidence, as do its revolutionary approach to history painting, exploration
Page 4: Georgetown University · John Everett Millais, Isabella 1848—9 (detail of no.26) called them, sound a note of dissidence, as do its revolutionary approach to history painting, exploration
Page 5: Georgetown University · John Everett Millais, Isabella 1848—9 (detail of no.26) called them, sound a note of dissidence, as do its revolutionary approach to history painting, exploration
Page 6: Georgetown University · John Everett Millais, Isabella 1848—9 (detail of no.26) called them, sound a note of dissidence, as do its revolutionary approach to history painting, exploration
Page 7: Georgetown University · John Everett Millais, Isabella 1848—9 (detail of no.26) called them, sound a note of dissidence, as do its revolutionary approach to history painting, exploration
Page 8: Georgetown University · John Everett Millais, Isabella 1848—9 (detail of no.26) called them, sound a note of dissidence, as do its revolutionary approach to history painting, exploration
Page 9: Georgetown University · John Everett Millais, Isabella 1848—9 (detail of no.26) called them, sound a note of dissidence, as do its revolutionary approach to history painting, exploration
Page 10: Georgetown University · John Everett Millais, Isabella 1848—9 (detail of no.26) called them, sound a note of dissidence, as do its revolutionary approach to history painting, exploration
Page 11: Georgetown University · John Everett Millais, Isabella 1848—9 (detail of no.26) called them, sound a note of dissidence, as do its revolutionary approach to history painting, exploration
Page 12: Georgetown University · John Everett Millais, Isabella 1848—9 (detail of no.26) called them, sound a note of dissidence, as do its revolutionary approach to history painting, exploration
Page 13: Georgetown University · John Everett Millais, Isabella 1848—9 (detail of no.26) called them, sound a note of dissidence, as do its revolutionary approach to history painting, exploration
Page 14: Georgetown University · John Everett Millais, Isabella 1848—9 (detail of no.26) called them, sound a note of dissidence, as do its revolutionary approach to history painting, exploration
Page 15: Georgetown University · John Everett Millais, Isabella 1848—9 (detail of no.26) called them, sound a note of dissidence, as do its revolutionary approach to history painting, exploration
Page 16: Georgetown University · John Everett Millais, Isabella 1848—9 (detail of no.26) called them, sound a note of dissidence, as do its revolutionary approach to history painting, exploration
Page 17: Georgetown University · John Everett Millais, Isabella 1848—9 (detail of no.26) called them, sound a note of dissidence, as do its revolutionary approach to history painting, exploration
Page 18: Georgetown University · John Everett Millais, Isabella 1848—9 (detail of no.26) called them, sound a note of dissidence, as do its revolutionary approach to history painting, exploration
Page 19: Georgetown University · John Everett Millais, Isabella 1848—9 (detail of no.26) called them, sound a note of dissidence, as do its revolutionary approach to history painting, exploration

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