IdentIty StandardS Manual

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    IdentIty StandardS Manual

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    INTRODUCTION

    Why TRIBE ThREE-SIxTy?Our agency is focused on a vital primary goal, one that is essential to the

    survival of our community: ensuring that our teens become adults who are

    confdent in their Jewish identities. We have a wonderful opportunity at

    TRIBE Tree-Sit, a chance to fundamentally re-shape the way in which

    Jewish youth come together, interact and learn.

    Our name derives rom the idea that weare committed to three hundred and sixty

    degrees o eort to:

    Find the best ideas/concepts/programs

    wherever they might be

    Become a resource to any Jewish

    organization needing help, ideas, expertise

    Find top acilitators and program leaders

    Find students to bring into the program

    throughout the Atlanta metro area

    Find ways to bring together all types o

    Jewish organizations to help students

    Look to all branches o Judaism or

    concepts, lessons, values and creative

    education techniques

    Finally, the name has the added beneft o

    being a multiple o 18.

    As a hub o expertise and creativity, TRIBEThree-Sixty is bringing together great ideas

    and people rom around the country, fgura-

    tively scanning a ull circle o resources and

    ideas, to help metro Atlanta teens address Ju-

    daisms issues o the past, present and uture.

    All o this led us to create the new identity o

    TRIBE Three-Sixty.

    To this end, we will work and partner with

    community synagogues, parents, camps, youth

    groups, schools, and other Jewish organiza-

    tions who want to join orces to make this goal

    a reality. TRIBE Three-Sixty will deliver new

    leading edge, dynamic programming in a teen-

    riendly style that recognizes the unique com-

    munity the unique tribe that they orm.

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    oIcIal agency naMe

    The ocial agency name: trIBe h-six

    The ocial agency tagline: as Hb ts Jwish yh Thetaglineshouldnotappearwithouttheagencyname

    The agency name:

    Should always appear in ull as trIBe th-Six or trIBe h-six

    Can appear without the tagline in body copy

    Should never be abbreviated or used in other variations in ocial agency publications

    or correspondence.

    The ollowing are examples o variations that are unacceptable and should not be used:

    T60

    Tribe 60

    tribe THREE-SIXTY

    tribe three-sixty

    the tribe

    the Tribe

    MARKETING EXCEPTION:Theremaybetimeswhenwordplayintheagencysmarketingtacticsrequires

    useofthephraseTheTRIBE(asinJoinTheTRIBE).Inthesecases,usingTRIBEinalluppercaseletters

    isessentialformakingtheappropriatereferenceto TRIBE Three-Sixty.

    uSe o agency naMe In copy applIcatIonS

    ) When the agency name is used in logos, banners, signs and other graphic applications the

    name must appear as: trIBe h-six

    ) When used in body copy or ocial agency documents and publications, the name may

    appear as: trIBe th-Six

    withuppercaseTandS,andboldformatting,toavoidbeingvisuallyoverlookedinthe

    midstofotherbodycopy.

    Tis standads anua as out ou new visua and

    witten ste so tat we can buid a vibant band tat

    deives a consistent essage about te caacte

    and pupose o trIBe th-Six.

    A copeensive gapic sste is a stuctue o

    counicating and pesenting inoation ogica,

    cea and wit distinction. It aso enabes te ogani-

    zation to acieve cait and eectiveness in a pint

    and eectonic counications.

    No anua coud ope to cove eve possibe use

    and appication o te new identit; teeoe, tis

    anua is intended to be an intoduction and a guide

    to te basic coponents o te identit sste. It

    aso povides exapes o pope and ipope us-

    age, guidance on coo and basic ues o cetain

    tpes o anguage associated wit trIBe th-Six.

    trIBe th-Six is ocused on deveoping expe-

    tise and eadesip in Jewis out education. Ou

    copeensive coitent to exceence in design

    wi exepi ou coitent to quait in a ote

    espects.

    naMIng StandardSScope and Naming Standards

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    naMIng StandardS

    Scope and Naming Standards

    oIcIal prograM naMeS

    The agency oers a series o grade-specic programs and other activities as part o its mission.

    The current programs include:

    phws (8h g)

    Js (9h g)

    csss (10h-12h g)

    WeBSIte addreSS

    The agency currently owns the ollowing website address and this is the only one that should be

    used on agency documents and publications:

    www.tribethreesixty.org

    otHer Standard copy eleMentS

    Agenc Mission Statement

    The current ocial mission statement o the organization is:

    o missi is s h as Jwish h, m sh hh h 12h

    , v s Jwish iiis hh xii i iiiivs.

    o is h m Jwish s wh wih hi Jwish iiis,

    s ms b mmim Jwish vs, Jwish ii, Is.

    Financia Sort Discaimer

    The ollowing disclaimer must appear on agency promotional materials:

    TRIBE Three-Sixtys programs are cooperative eforts with Atlanta congregations, with

    unding rom participating synagogues, the Jewish Federation o Greater Atlanta, amilies

    and individuals.

    trIBe h-six

    (Agenc)

    phws

    (8t gade poga)

    Js

    (9t gade poga)

    oh ms

    vs

    csss

    (10t-12t gade poga)

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    taBle o contentS

    SectIon I. IdentIty guIdelIneS

    Si Ii..........................................2

    primary signature .....................................................

    signature components ...........................................

    ull signature ...............................................................5

    scalability .....................................................................6

    clear space ..................................................................7

    signature color ...........................................................8

    background control .................................................9

    unacceptable applications .................................0

    SECTION II. VISuAl SySTEM GuIDElINES

    Ii ...........................................................10

    c ...................... ...................... ...................... ...... 13

    primary and secondary palattes .....................

    color selection .........................................................

    color breakdown .................................................... 5

    acceptable applications ...................................... 6

    unacceptable applications ................................. 7

    th ...................... ...................... ................ 18

    primary typeace .................................................... 8

    secondary typeaces ............................................ 9

    acceptable applications .....................................0

    unacceptable applications .................................

    S his .............................................22

    star secondary graphic ......................................

    acceptable & unacceptable apps ...................

    directional arrow secondary graphic ...........

    acceptable & unacceptable apps ................... 5

    Im ..................................................................26

    photographs & illustration ................................. 6

    unacceptable applications ................................ 7

    SECTION III. ApplICATIONS

    Ii ...........................................................28

    Si .............................................................. 29

    letterhead ..................................................................0

    business card ..........................................................

    envelope ....................................................................

    notecard ....................................................................

    pi ssm.................... ...................... ................. 34

    avisi ............................................................ 36

    a ....................................................................37

    Bs ................................................................... 38

    SECTION IV. FIlE GuIDE ............................. 39

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    Section i.

    identity GuidelineSi as ag, s mpra ha a rgazas sgar b a r

    rprsa hr vas a vs. th TRIBE Three-Sixty sga-

    r s bh. th g rfs mr ha js Jasm. i spaks s

    sarh r a s-rma as vas wh h ram

    Jasm; xpra w as a qss; a h 360-gr

    sp h ag.

    Ss:

    primary logo

    logo components

    logo color

    scalability

    staging

    acceptable & unacceptable applications

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    SIgnature

    Primary signature

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    pim si

    w/ i

    SIgnature

    Signature components

    S si

    wordmark

    directional Star o David

    logomark

    tagline

    directional Star o David

    logomark

    wordmark

    The trIBe th-Six signature is made up

    o three main components: the Star o David

    logomark, the word mark, and the tagline.

    The wordmark and the tagline have been

    created using the Gotham Rounded typeace.

    The wordmark should not be recreated as it

    has been altered to preserve its individuality.

    A secondary signature can also be used that

    does not include the tagline.

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    5

    SIgnature

    Full signature

    To keep the integrity o the trIBe th-Six

    signature, the combination o the elements

    should be treated as one unit. I the wordmark

    appears, then the logomark must appear with

    it. As you will see later on, the exception is that

    the Star o David logomark can be used on its

    own as a seperate element.

    ull signature

    ull signature

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    6

    SIgnature

    Scalability

    .75

    .5

    pi

    Use te appoiate sizes

    wen pacing te ogo in

    pinted ateias

    Scale must refect the priority o proper stag-

    ing. The composite mark used at dierent sizes

    or many unctions might run rom an envelope

    to an outdoor building. The minimum sizes are

    based on the marks height.

    Wb

    Use te appoiate sizes

    wen pacing te ogo in

    web appications

    p siz

    Miimm siz

    Pia signatue

    Miimm siz

    Seconda signatue

    .5+

    00px

    50px

    Miimm siz

    Pia signatue

    Miimm siz

    Seconda signatue

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    7

    SIgnature

    Clear space

    The clear space around the logo allows it to

    have room to breathe without the interer-

    ence o other design elements. The trIBe

    th-Six signature should always have

    plenty o breathability. The example shown

    here illustrates the minimum amount o clear

    space around the logo. Clear space is measured

    by the distance o the arm o the star (x).

    pim

    S

    x

    x

    x

    x

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    8

    Bk Whi

    Use te back and wite

    vesion o appications

    wic a be used on

    a copie o back and

    wite pinte.

    SIgnature

    Signature colors

    c s

    Fo ost appications

    use te 100% u coo

    signatue in te avaiabe

    assotents o coo.

    Bk Whi

    Kk

    Use te back and wite

    vesion o appications

    wic a be used on

    a copie o back and

    wite pinte.

    Color is an important element o the

    trIBe th-Six sIgnature in order to show

    the vibrancy and fexibility o the program. To

    create a more fexible identity, the ability to use

    six primary colors in the logo has been given.

    PANTONE 302 PANTONE 234 PANTONE 377

    PANTONE 2612 PANTONE 173 PANTONE Wa Ge 10

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    9

    SIgnature

    Background control

    Do use te coo ogo on wite Do use te knockout ogo on dak

    coos

    Do pace coo ogo on top o

    igte coos

    Do use te knockout ogo on top

    o 100% pia coos

    Do pace te ogo on top o

    potos wit enoug cea space

    and contast

    Do pace on top o appopiate

    seconda paatte coos

    Do pace on top o seconda

    paatte coos o sae coo

    It is important to take in dierent actors when

    placing the signature on applications regard-

    ing the background behind it. Much like clear

    space, one must make sure contrast and read-

    ability are not sacriced.

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    0

    SIgnature

    Unacceptable signature applications

    Donot ix coos in te ogoak Donot spit coos between

    ogoak and wodak

    To keep the integrity o the trIBe th-Six

    visual brand, certain lines must not be crossed

    when using the signature in applications. This is

    to ensure that there is consistancy in recogniz-

    ing the brand.

    Donot pace on top o anote

    pia paatte coo

    Donot pace on a bus

    backgound

    Donot pace on top o gadients

    Do not pace on a backgound o

    siia tint

    Donot use coos ote tan

    pia paatte

    Donot use seconda paatte

    coos

    Donot use a gadient inside te

    signatue

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    ThE SPOT FOrJEWISh TEENS

    d eceate wit an ote tpeaces o weigts o pia tpeace

    Donot esize individua eeents Donot otate te ogoak

    d stetc te signatue out

    o popotion

    Donot use potosop ites Donot add ote icons Donot add ote tagines

    Donot use wodak and tagine

    witout te ogoak

    Donot eaange eeents

    d add a oding sape

    Donot pace a dop sadow

    on ogo

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    SECTION II.

    VISuAl SySTEMTRIBE Tree-Sixt hs isi k h is sis wih is

    visi ivi Jwish h ii. th mhsiv vis ssm

    mbii mii , h, his, im ss is

    im ki sis b im i h h bi.

    Sis:

    Color

    Typography

    Secondary graphics

    Imagery

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    color

    Primary and secondary colors

    c is iv mmb m-

    mii. Wh s i,

    , misi si.

    th w hv hs s vi-

    si s w s vib wmh. us

    , s i hs viws

    isiish TRIBE Tree-Sixts mi-

    s m hs h w.

    th is si fi . rh, h

    m mis sis wihi wi-

    i s h h b

    s bm si s. S

    s hs hi si s

    i sm iis, wi iivi

    xssi. uim, is b wi

    b w i vib

    xim.

    TRIBE Tree-Sixt s

    A color wheel to the right has been created to

    show how colors should be used. The bold col-

    ors in the larger circles represent the primary

    colors, while the lighter colors in the smaller

    circles represent the secondary colors in the

    pallette.

    pantone Wm g 10

    pantone Wm g 3

    pantone 173

    pantone 130

    pantone 173

    pantone 382

    pantone 232 pantone 299

    pantone 234 pantone 302

    pantone 2582

    pantone 2612

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    color

    Color selection

    TrIAD

    COmPlEmENTAry

    pii s

    A custom color wheel has been created to

    show how they can be paired together in ap-

    plication. Sta and teens can actually choose

    their desired colors in some applications, al-

    lowing individual expression.

    No more than two palatte colors should be

    used together in an application unless they

    are paired with the palatte greys. Ideally a

    bold primary color should be paired with with

    one o the lighter secondary colors to create

    proper contrast. I two bold primary colors are

    selected , they should be used sparingly so as

    not to compete with each other.

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    5

    color

    Color breakdowns

    prIMary colorS CMYK RGB

    PANTONE Warm Gray 0 C: 0 M: Y: 8 K: 55 R: 8 G: B: 0

    PANTONE 77 C: 5 M: 0 Y: 00 K: R: 0 G: 6 B: 7

    PANTONE 0 C: 00 M: 5 Y: 0 K: 50 R: 0 G: 8 B: 8

    PANTONE 6 C: 6 M: 00 Y: 0 K: R: 08 G: B: 7

    PANTONE C: 6 M: 00 Y: 0 K: 6 R: 75 G: 0 B: 0

    PANTONE 7 C: 0 M: 69 Y: 00 K: R: G: 08 B:

    Secondary colorS

    PANTONE Warm Gray C: 0 M: Y: 8 K: 7 R: 6 G: 08 B: 99

    PANTONE 8 C: 9 M: 0 Y: 00 K: 0 R: 9 G: 5 B: 7

    PANTONE 99 C: 85 M: 9 Y: 0 K: 0 R: 0 G: 57 B: 0

    PANTONE 58 C: 6 M: 7 Y: 0 K: 0 R: 9 G: 97 B: 68

    PANTONE C: M: 67 Y: 0 K: 0 R: G: 9 B: 75

    PANTONE 0 C: 0 M: 0 Y: 00 K: 0 R: 5 G: 85 B: 9

    BaSe colorS

    Black C: 0 M: 0 Y: 0 K: 00 R: 0 G: 0 B: 00

    White C: 0 M: 0 Y: 0 K: 0 R: 0 G: 0 B: 0

    c Bkws

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    6

    d use pia coos

    o u foods o coo

    d pai pia coos

    wit a seconda o an

    appopiate coo on

    te paatte wee

    d use coos tat

    copeent coos inpotogap

    d pai te pia and

    seconda o one coo

    d use two pia

    coos in a spainganne

    d pai coos wit te

    accent gas

    WelcoMe to

    tHe trIBe!

    color

    Acceptable applications

    usi

    Color is an eective tool o memorable commu-

    nication. The palette we have chosen refects

    our vision as well as our vibrancy and warmth.

    Used correctly, color adds clarity and helps

    viewers to distinguish trIBe th-Sixs ma-

    terials rom others encountered along the way. learn It!

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    7

    color

    Unnacceptable applications

    d use coos

    outside o te paatte

    d use coos

    next to eac ote onte paatte wee

    d oveuse coos d use coos on top

    o eac ote tat cas

    d use igte tints

    o paatte to doinatepage

    Giatvelenimquiser seniam

    doloreetla coremquamcom-

    molumadipsusciduisaut

    loborefaccumetadipis

    aditnonullutpat, commy

    nullandredipisdioconeum

    inibheaalitpratversiblaore

    coreet,quipsumsandipissim

    dolestoodmodiat,simiure-

    d pace ad coo

    ines aound coo textboxes on wite pages

    Facipsus cinci pit iurerat autat pratin

    hendrero consed dolorem quis aliquat.

    Riustio nsecte conse min ute facilla

    faccummy nisl el ipit utat prat. Iril ullam

    dunt vel ulluptatie min utpate core tie

    dunt velendi gniatio dolortis eraessi

    esendreet vel utat ute facipsu scilit,

    conullandre ming erit ullan ut quis.

    Wen used incoect

    coo can can ceatecutte, isconception

    and conusion

    d doinate te

    page wit two pia

    coos

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    8

    typograpHy

    Primary typeace

    th sv s k m i

    h vib shi mmii

    wih h i TRIBE Tree-Sixt.

    th i s ss

    sis iis qik

    iii .

    gotHaM rounded

    The primary typeace o trIBe th-Six is

    Gotham Rounded. It can be ound in the word-

    mark in the signature. It should be used primar-

    ily as headline type but can be used as body

    copy i used in lighter weights.

    Gotham Rounded is a amily o geometric sans

    seri typeaces designed by American type

    designer Tobias Frere-Jones. Gothams letter-

    orms are inspired by a orm o architectural

    signage that achieved popularity in the mid-

    twentieth century, and are especially popular

    throughout New York City.

    WEIGhTS

    Gota rounded ligt

    Gotham Rounded Light Italic

    Gotham Rounded Book

    GothamRoundedBookItalicghm r Mim

    Gotham Rounded Medium Italic

    Gotam Ronded Bod

    Gotham Rounded Bold Italic

    RgABCDEFGHIJKLMNOPQRSTUVWXYZ

    abcdeghijklmnopqrstuvwxyz

    056789

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    9

    typograpHy

    Secondary typeaces

    gm

    For body copy, use Garamond when Gotham is

    not available.

    Garamonds letterorms convey a sense o

    fuidity and consistency. It is a seri typeace

    designed by Claude Garamond.

    WEIGhTS

    Garamond Regular

    Garamond Italic

    Garamond BoldRg ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklm

    nopqrstuvwxyz0123456789

    WEIGhTS

    Helvetica Regular

    Helvetic BoldRg ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz0123456789

    Hvi

    I Gotham Rounded is not available, use

    Helvetica or headline type.

    It is a widely used sans-seri typeace devel-

    oped by Swiss graphic designer Max Miedinger.

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    0

    typograpHyAcceptable applications

    JoIn tHe trIBe!

    Do use a caps o eadines and ipactu

    stateents

    do you KnoW WHo IS In

    tHe trIBe?

    Do use coo to ake tpe stand out o to add

    epasis

    Ectem zzril ullandiatuer incincilit, vent

    lutpat, sed te dionsectet numsan velit exerinciliquip essi tat. Ut lutat nulput in ele-

    niam conullandit aut loboreet, si blaor.

    Do use pia tpeace in bod cop

    o pms

    lutpat, sed te dionsectet nusan veit exeinciiquip essi tat. Ut utat nuput in eenia

    conuandit aut oboeet, si bao.

    Do use te axiu o two contasting text weigts

    o one tpeace in a docuent

    our prograMS

    Lutpat, sed te dionsectet numsan velit exer inciliquip

    essi tat. Ut lutat nulput in eleniam conullandit autloboreet, si blaor.

    Do pai te pia tpeace wit te seconda

    sei ont

    Our PrOgrams

    Lutpat, sed te dionsectet numsan velit exer inciliquip

    essi tat. Ut lutat nulput in eleniam conullandit autloboreet, si blaor.

    Do use hevetica in Wod docuents o heades

    wen Gota is not avaiabe

    I cant wait to go back toTRIBE Three-Sixty!

    Do add an appopiate dispa ont o age pu

    quotes

    DIG INTO AN IMAGINATIVE AND lITERAl jOuRNEy

    ThROuGh yOuR SOuThERN jEWISh IDENTITy.

    Do use an appopiate dispa ont o age pu

    quotes

    JoIn tHe trIBe!Do use and appopiate dispa ont o pu quotes

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    typograpHy

    Unacceptable applications

    Our PrOgrams

    Lutpat, sed te dionsectet numsan velit exer

    inciliquip essi tat. Ut lutat nulput in eleniam conul-

    landit aut loboreet, si blaor.

    Do not use an ote tpeaces ote tan te

    ecoended o ain cop.

    do you KnoW WHo IS In

    tHe trIBe?

    Do not use oe tan two coos to ake tpe stand

    out o to add epasis

    TE TEM EL IN HENISISIM ZZRIURE DIGNA FACCUMMY NUM NIAM,

    COMMY NIAMET, VELENDRER ALIT VOLOREM VEL UT NONUL-

    LAORER SEQUISISSED DO ODOLEND IPISMOD TAT.NA COMMYNIT NUM QUATUM QUAT. GUER IRILIT INIT AUTPAT LOBORE DIT

    LOR ALIQUAT UERILLAORE VENIBH ET NIT, VELISIMPIT, QUISCIL

    DOLORPE RCIPIS DEL UTET NIAM, COMMY NOSTIS DOLOR IRI

    Do not use a caps o age aounts o cop

    DO YOU KNOW WHO IS INtHe trIBe?

    Do not pai te pia tpeace wit a siia

    tpeace

    10h 11h

    >Leadership Development track

    Leadershipstudentshavetheoptiontoserveasjuniorcounselors

    Do not use too an stes o buets in a docuent Do not use too an caout boxes in one docuent

    DO YOU KNOW WHO IS IN THE TRIBE?

    Do not use condensed tpeaces

    I cant wait

    to go back to

    TRIBE Three-Sixty!

    Do not use oe tan one dispa ont in pu quotes

    witin a docuent

    IMpORTANT! REMEMBER! lOOK

    AT ThIS!

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    Secondary grapHIcSThe TRIBE Three-Sixty Star o David

    S his sv s vi s

    i h mi TRIBE Tree-Sixt.th sh b s i sm si

    shi.

    trIBe th-Six S dvi

    The trIBe th-Six logomark is the only

    part o the signature that can be used on its

    own as a secondary graphic. Because the di-

    rectional star shows clarity in a conusing teen

    world, it is important that it is presented in a

    clear, eective manner.

    Directional Star o David

    secondary graphic

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    Secondary grapHIcSAcceptable and unacceptable applications

    Do ceate patten wit

    te sta

    Do use te sta as a

    supe gapic

    Do otate te sta to

    add diectiona oce

    Hello

    caMperS!

    Do use te sta as a stateent signie o a page

    eeent

    Hello caMperS!

    13

    Do ceate iustation

    o te sta

    Donot put potos

    inside te sta

    Donot app gais

    eects to sta

    Donot ae te sta Donot ovepowe te

    ogo wit te sta

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    Secondary grapHIcSDirectional arrows pattern

    dii ws

    The pattern made rom the arrows in the

    logomark represents the many directions that

    youth may take as individuals. It should be

    used as a background or accent to the page

    but not in a way that overpowers the mes-

    sage or other prominent imagery such as the

    logo or photography.

    Pia coo patten (aows 85% o coo) Seconda coo patten (aows 85% o coo)

    Pia coo patten on wite

    (aows a iniu o 8% o coo)

    Seconda coo patten on wite

    (aows a iniu o 15% o coo)

    revese tinted patten

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    5

    Secondary grapHIcSAcceptable and Unacceptable Applications

    Do use as a backgound

    o iustation

    Do use as a backgound

    o tpogap

    Do use as an accent on

    te page

    Do contast wit

    potogap

    Do not use two dieent

    coos in patten

    Donot use soid coo in

    te aows

    Acceptabe Usage

    Unnacceptabe Usage

    WElCOMETO ThE TRIBE!

    WElCOMETO ThE TRIBE!

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    6

    pHotograpHy & IlluStratIonAcceptable applications

    I v-wi, mx vis , i

    is im h izi ss sim ss is msss h

    x is.

    When choosing photography or illustration,

    one must ask whether the eeling o the image

    matches the eeling o trIBe th-Six. Im-

    agery should be candid and personal so that

    the viewer eels that they relate and be a part

    o the organization. It should also eel current

    and relevant to teen visual culture.

    Do use candid, natua

    potaits o teens

    Do use potos wit

    eneg and oveent

    Do use sice o ie

    potogap tat inviteste viewe in

    Do use potos tat

    sow iendsip andcoadeie

    Do ceate iustation

    o te sta and aows

    Do use iustation tat is

    cuent wit teen visua

    cutue

    Do use ilustation tat is copeing and

    ees pesona

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    7

    Donot use potogap

    wic is itea o usescices

    Donot use potogap

    wic is unnatua oees posed

    Donot use potoga-

    p wic is static andboing

    Donot use potogap

    tat ees geneic odated

    Donot use iustation

    wic ees od o dated

    Donot use iustation

    wic is static o boing

    Donot use iustation

    tat is ciced o too

    itea

    Donot use cip at

    pHotograpHyUnacceptable applications

    phh

    Isi

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    8

    SECTION III.

    ApplICATIONSo h is vis b hv b , i is h im

    hm vis mmii vis. ths b i h m

    i, wb, vim, iis. a xib vis

    b hs b TRIBE Tree-Sixt hh h s

    im s h h ii iq sis wih h

    v b.

    Sis:

    statione

    pint sste

    advetising

    appae

    bannes

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    9

    StatIonery

    TRIBE Tree-SIxt Si Si

    One o our most intimate modes o communica-

    tion with our audience is through our stationery

    system. Sizes are the standard 8.5x letter-

    head, x.5 business card, and #0 envelope.

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    0

    lh

    Te trIBe th-Six

    etteead is distinctive

    b its contast o coo

    and subte use o te a-

    ow patten on te ont

    and back.

    StatIonaryletterhead

    Month Day, Year

    Addressees NameBusiness NameStreet AddressCity, State Zip Code

    Dear Addressee,

    When typing a letter, follow this page as a guide. T his letter is an example of the typical format fora letterhead. The clean and organized structure of the flush-left for mat gives your business com-munications a highly professional profile. Use the Garamond typeface, if available.

    Set the left and right margins of the page at 1. Left align the date .125 below the corporatesignature (2.25 from the top of the page). Skip two lines before typing the addressees name andaddress flush left with the date line. Skip two lines between the last address line and the salutation.Then skip one line between the salutation and the body of the le tter.

    Do not indent at the beginning of paragraphs, and always skip one line between paragraphs.

    Having completed your letter, skip two lines between the last line of the last paragraph and theclosing. Then skip four or five lines between the closing and the Senders typed name, which willallow enough space for the Senders signature.

    Sincerely,

    Senders Name

    SN:tn

    ,

    ,

    ,

    , .. - -

    . , .

    . . . .

    . ..

    , .

    ,. ,

    .

    ,

    FrONT BACK

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    StatIonarybusiness card

    Bsiss cs

    Te business cad is distinguisabe b its use o te

    Sta supe gapic accented b te aows patten on

    te back.

    FrONT

    BACK

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    evs

    StatIonaryenvelopes

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    ns

    StatIonarynotecards

    www.tribethreesixty.org

    6255 Barfield Road

    Suite 100

    Atlanta, Georgia 30328

    p. 404.961.9950

    f. 404.961.9940

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    prInt SySteM

    Bhs Mis

    NOTE: Tese ae

    exapes o wat can

    be ceated and do not

    ave to be used o

    na wok

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    35

    Print SyStem

    Oh Pubcaos

    NOTE: These are

    examples o what can

    be created and do not

    have to be used or

    fnal work

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    36

    AdvertiSinG

    Hang with friends

    who know what

    matzo means.

    www.tribethreesixty.org

    P Ass

    Bboa

    As

    NOTE: These are

    examples o what can

    be created and do not

    have to be used or

    fnal work

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    37

    APPArel

    Shs

    NOTE: These are

    examples o what can

    be created and do not

    have to be used or

    fnal work

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    38

    BAnnerS

    CONNECT

    LEA

    RN

    OWNIT

    CONNECT

    LEARN

    OWNIT

    NOTE: These are

    examples o what can

    be created and do not

    have to be used or

    fnal work

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    39

    SECTION Iv. GraphICS FIlE GuIdE

    Primary logo

    Secondary logo

    lOGOS SECONdary GraphICS

    Patterns Stars

    Full BraNd Cd

    CONTENTS