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Impressionism

Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

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Page 1: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Impressionism

Page 2: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Impressionism

• Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting medium, like color, that photography lacked. This divergence away from photographic realism appears in the work of a group of artists who from 1874 to 1886 exhibited together, independently of the Salon

Page 3: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

• The leaders of the independent movement were Claude Monet, August Renoir, Edgar Degas, Edouard Manet, and Mary Cassatt. They became known as Impressionists because a newspaper critic thought they were painting mere sketches or impressions. The Impressionists, however, considered their works finished.

Page 4: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Why Impressionism?

• Photography

• Tin paint tubes

• Salon

Page 5: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Edouard Manet

• Stayed mostly traditional.

• Slowly began to increase strokes of paint.

Page 6: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Olympia

Page 7: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Luncheon on the Grass

Page 8: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

The Balcony

Page 9: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

A Bar at the Folies-Bergeres

Page 10: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Monet

• Leading Impressionist.

• First started to paint for light and color.

• Broke outline constraints.

• Series of same landscape or subject.

• Water lilies

Page 11: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Impression, Sunrise

Page 12: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Wheatstacks (End of Summer)1890-91

Page 13: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Poplars along the River Epte,

Autumn1891

Page 14: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting
Page 15: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting
Page 16: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Auguste Renoir

• Scenes of popular river resorts and views of a bustling Paris.

• People and children.

• Quick brush strokes.

Page 17: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

La PromenadeThe Walk

1870

Page 18: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Nini in the Garden

Page 19: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

A Girl With a Watering

Can1876

Page 20: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

The Canoeists' Luncheon

Page 21: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

The Luncheon of the Boating Party

Page 22: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Mary Cassatt

• Children, doting on her nieces and nephews and the offspring of friends.

• One of the first important women artists.

• Studied Japanese wood printing.

• Interior scenes of small groups or single figures.

Page 23: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Portrait of a Little Girl1878

Oil on canvas

Page 24: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Self-portraitc. 1880

Watercolor on ivory wove paper

Page 25: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Young Girl at a Windowc. 1883

Oil on canvas

Page 26: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Children on the Beach

1884Oil on canvas

Page 27: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Mother and Child1889

Oil on canvas

Page 28: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

The Letter1890-91

Drypoint and aquatint on cream laid

paper

Page 29: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

La Toilettec. 1891

Oil on canvas

Page 30: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

The Boating Party

1893-94 Oil on canvas

Page 31: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Girl Arranging Her Hair

Page 32: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Degas

• Pastels

• Dancers

• Cropped pictures

Page 33: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Carriage at the Races

Page 34: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

The Orchestra

at the Opera House

Page 35: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Ballet Rehearsal on the Set

Page 36: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Dancer

Page 37: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

The Absinthe Drinker

Page 38: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

The Star

Page 39: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Dancers Practicing at the Bar

Page 40: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Little Fourteen-Year-Old Dancer. 1879/81. Bronze,

painted in part, tulle skirt, satin bow, wooden

stand. The Metropolitan Museum of

Art,

Page 41: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Ballet Class

Page 42: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

The Tub

Page 43: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

Pastel on paper

Page 44: Impressionism. Photography in the nineteenth century both challenged painters to be true to nature and encouraged them to exploit aspects of the painting

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