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8/13/2019 Jazz Sep08
http://slidepdf.com/reader/full/jazz-sep08 1/6
Chapter Three - f 9 Pentatonic Scales
This particular pentatonic scale doesn’t get much play but it has a nice sound. Pentatonic scalesare a bit like a hermaphrodite scale - part scale, part arpeggio. This scale is like a majorpentatonic (Root, 9th, 3rd, 5th, 6th) except the 9th is a f9th.
Track 34 - C f 9 Pentatonic
Due to the symmetric nature of the f9 pentatonic scale, four scales would work for onediminished (or 7 f9) chord. Notice in example 14 below how all four f9 pentatonic scales containonly notes that are in a C half-whole diminished scale. Of course, this scale could also beconsidered an E f, A, or G f half-whole diminished scale.
Example 14 Four f 9 Pentatonic Scales
TAB
œœœœR b9 3 5
8 97 10
œœœœ6 R b9 3
7 10 119
œœœœ5 6 R b9
8 108 9
œœœœ12 9 8
10
œœœœ8
911 10
œœœœ7
10 79
œŒ Ó
8
TAB
œœœ œœ œœœ
8 96 7 9 10
7 8
œœœ œœ œœœ10 11
8 97 8 10 11
œœœ œÓ8 9 11 12
TAB
œœœœœ8 9
7 107
œ œœœœ
6 75 8
54œœ
œœœ
7 86 9
7
œ œœœœ
7 86 9 11
C( b9) Penatonic E b(b9) Penatonic A( b9) PenatonicGb(b9) Penatonic
C half-whole diminished scale
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Now, how about some exercises? Yes, absolutely - I’ll bore you some more. I’m going to pair upthe f9 diminished scales, but this time I’ll use pairs a minor third apart: C & E f, G f (Ff) and A.These sound very much like a pattern (because they are).
Track 35 - Exercise 16 f 9 Pentatonic Pattern
TAB
œœœœœœœœ8 9
7 109
7 107
œœœœœœœœ7 10
7 1010
7 10 11
œœœœœœœœ7 10 11
910 11
98
œœœœœœœœ11
98 10
986 10
8
TAB
œœœœœœœœ
8 108 9
108 9 12
œœœœœœœœ12 9 8
109 8
10 8
œœœœœœœœ8
10 89
10 89
11
œœœœœœœœ8
911 10
911 10 7
T
AB
œœœœœœœœ11 10 7 10 10 7 10 7
œœœœœœœœ7 10 7
910 7
9 8
œœ œœœ œœœ
86 7 10 6 7 10 8
œœœœœœœœ
7 10 8 10 10 8 10
8
TAB
œœœ œœœ œœ
8 108 9
108 9
8
œ œœœœœœœ
8 98 11
98 11
8
œœœœœœœ œ
8 118 11
118 11 1 2
œ œœœœœœœ12 11 8
1111 8
11 8
TAB
œœœœœœœ œ8
11 89
11 89 8
œœ œœœ œœœ8
9 810
9 810 8
œœœœœœœœ8
10 810
10 810 7
œœœ œœœ œœ8
10 7 6 10 7 68
C ( b9) Pentatonic
Eb (b9) Pentatonic
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Track 35 / Exercise 16 / Page 2
TAB
4 œœ œœœ œœœ11
9 108
9 108 11
œœœœœœœœ10
8 118
8 118 11
œœœ œœœ œœ11
8 11 12 8 11 1211
œ œœœœœœœ11 12
119
1211
9 11
TAB
œœœœœœœ œ11 9
11 89
11 811
œœ œœœ œœœ11 8
11 88
11 811
œœœœœœœœ7
8 68
8 68
9
œœœ œœœ œœ6
8 59
8 59 6
T
AB
œœœœœœœœ
7 97 8
97 8 11
œœœœœœœœ
7 8 119
8 119 11
œœœœœœœœ
119 11
109 11
10 11
œœœœœœœœ
1110 11
910 11
9 12
TAB
œœœœœœœœ12 9
11 109
11 1011
œœœœœœœœ11 10
11 910
11 911
œœœœœœœœ11 9
11 89
11 8 7
œœœœœœœœ11 8 7
98 7
9 7
TAB
wU
9
Gb (b9) Pentatonic
A ( b9) Pentatonic
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The fingerings are different in these three exercises.
Track 36 - Exercise 17 Pentatonic Pattern
TAB
œ œœœœœœœ6 7
5 87
5 85
œœœœœœœ œ10
8 108
8 108 9
œœ œœœ œœœ10
8 97
8 97 10
œœœœœœœœ9
7 108
7 108 11
TAB
œœœœœœœœ
10 1211 12
1211 12
10
œœ œœœ œœœ10
12 1112
12 1112 10
œœœœœœœœ11
12 10 7 12 10 79
œœœ œœœ œœ10 7
9 87
9 810
TA
B
œ œœœœœœœ9 8
10 8
8
10 8 10
œœœœœœœœ10 8 5 7 8 5 7 6
œœ œœœ œœœ
6 4 5 8 4 5 8
6
œœœœœœœœ
5 8
6 8
8
6 86
TAB
œœœ œœœ œœ
6 86 7
86 7 10
œ œœœœœœœ
6 76 9
7 109 11
œœœœœœœ œ
109 11
99 11
9 10
œ œœœœœœœ10 9
11 99
11 910
TAB
œœœœœœœ œ11 9
1012
910
12 11
œœ œœœ œœœ6
7 68
7 68 6
œœœœœœœœ6
8 68
8 68
10
œœœ œœœ œœ6
8 5 4 8 5 46
Bb (b9) Pentatonic
Db (b9) Pentatonic
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&TAB
4œœœœœœœœ0 1 4
21 4
2 4
œœœœœœœœ4 7
4 77 9
7 8
œœœœœœœœ
97 8
67 8
6 9
œœœœœœœœ
86 9
66 9
6 9
&TAB
œœœœœœœœ
9 119 10
119 10
9
œœœœœœœœ
9 109 12
109 12
9
œœœœ 9 12
9 12 9
œœœœœœœœ12 9
12 99
12 910
&TAB
œœœœœœœœ12 9
10 99
10 911
œœœœœœœœ10 9
11 99
11 9 6
œœœœœœœœ6
9 68
9 68 7
œœœœœœœœ6
8 79
8 79 7
&TAB
œœœœœœœœ2
4 24
4 24 1
w0
œœœœœœœœ3 4
2 54
2 52
œœœœœœœœ2 5
2 55 7
5 6
œœœœœœœœ7
5 64
5 64 7
&TAB
œœœœœœœœ
6 97 9
97 9 8
œœœœœœœœ
7 9 8 9 9 8 9
7
œœœœ
8 9
7 10 12
œœœœœœœœ12 10
12 9
10
12 9 8
œœœœœœœœ7
9 8 9 9 8 9 7
&TAB
œœœœœœœœ8
9 79
9 79 6
œœœœœœœœ7 4
6 54
6 57
œœœœœœœœ6 5
7 55
7 5 2
œœœœœœœœ2
5 24
5 24 3
wU
0
E ( b9) Pentatonic
G ( b9) Pentatonic
Track 36 / Exercise 17 / Page 2
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You can really hear the arpeggio quality to this scale in this exercise. You might notice that thesescales are not always starting from the root. See Melodic Improvising for Guitar by BruceSaunders (Mel Bay Publications #20216).
Track 37 - Exercise 18 f 9 Pentatonic Pattern - (2nd x dbl. x)
&TAB
4...
.
..œœœœœœœœ
2 42 3 6 9
6 9
œœœœœœœœ
108
7 97 8 11 8
œœœœœœœœ7
9 78 5 4
6 4
œœœœœœœU
6 3 24 2 4 2
&TAB
.
.....
œœœœ œœœœ2 5
2 5 64 7
4
œ œœœœœ œ œ7 8
7 107 10 11 10
œœœœ œœœœ7
10 78 7 4
7 4
œ œœœ U6 5 2
5 2
&TAB
.
..
.
..œ œœœœœ œœ
1 20
8 108 9
7
œœœ œœœœœ
10 1210 11
10 1310 13
œœœœœ œœœ13 10
13 1011 10
12 10
œœ œœœœœ œ
U
79 8
10 80
2 1
&T
AB
.
..
.
..œœ œœœœœ œ
1 4 53 6 3 6 7
œœœœ œœœœ
10
8 109 10
8 11 13
œœœ œœœœœ11 8
10 910 8
10 7
œœœœœ œœU
6 3 6 35 4 1
B ( b9) Penatonic
D (
b9) Penatonic
F ( b9) Penatonic
Ab (b9) Penatonic
70