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Thes
e im
ages
are
insp
ired
by w
orks
in th
e exh
ibiti
on, A
Cha
nge i
n th
e Lig
ht: T
he C
liché
-ver
re in
Nin
etee
nth-
Cent
ury F
ranc
e. Su
ppor
t for
this
exhi
bitio
n is
prov
ided
by t
he Tr
oob
Fam
ily Fo
unda
tion.
Co
lorin
g pa
ge b
ased
on
on a
det
ail f
rom
: Je
an-F
ranç
ois M
illet
, Wom
an E
mpt
ying
a Bu
cket
, 186
2, p
rinte
d 19
21. C
liché
-ver
re, g
elatin
prin
ting-
out p
rint.
Clar
k Art
Inst
itute
, 202
0.2.
68
Jean-François Millet, Woman Emptying a Bucket Thin lines drawn close together, known as hatching, add detail and dimension to many parts of this print. Click the title above to see how Jean Francois-Millet used this technique. Then experiment with hatching on the bucket, figure, buildings, and trees to give your own image depth and shadow.
Eugène Delacroix, Tiger at Bay When making this print, the artist quickly sketched a background for this ferocious tiger. Add your own background now. Do you prefer to color in the tiger’s surroundings very quickly, or to go slowly?
Thes
e im
ages
are
insp
ired
by w
orks
in th
e exh
ibiti
on, A
Cha
nge i
n th
e Lig
ht: T
he C
liché
-ver
re in
Nin
etee
nth-
Cent
ury F
ranc
e. Su
ppor
t for
this
exhi
bitio
n is
prov
ided
by t
he Tr
oob
Fam
ily Fo
unda
tion.
Co
lorin
g pa
ge b
ased
on
on a
det
ail f
rom
: Eug
ène D
elacr
oix, T
iger
at B
ay, 1
854,
prin
ted
1921
. Clic
hé-v
erre
, gela
tin p
rintin
g-ou
t prin
t. Cl
ark A
rt In
stitu
te, 2
020.
2.64
Thes
e im
ages
are
insp
ired
by w
orks
in th
e exh
ibiti
on, A
Cha
nge i
n th
e Lig
ht: T
he C
liché
-ver
re in
Nin
etee
nth-
Cent
ury F
ranc
e. Su
ppor
t for
this
exhi
bitio
n is
prov
ided
by t
he Tr
oob
Fam
ily Fo
unda
tion.
Co
lorin
g pa
ge b
ased
on
on a
det
ail f
rom
: Cha
rles-
Fran
çois
Daub
igny
, The
Brid
ge, 1
862,
prin
ted
1921
. Clic
hé-v
erre
, gela
tin p
rintin
g-ou
t prin
t. Cl
ark A
rt In
stitu
te, 2
020.
2.38
Charles-François Daubigny, The Bridge Layers of hatched lines placed at angles form the crosshatched shadows that fall on the bridge and trees in this print. The spaces where the artist drew no lines indicate where there may have been more light shining. On your coloring page, try leaving some areas blank or less shaded in to show where you think the light hits.