symphony in the cities 2015JULY 18 & 19

presents

CARL ST.CLAIR • CONDUCTOR Maria Rainer JOSLYN SARSHAD • SOPRANO The Mother Abbess TIFFANI SANTIAGO • SOPRANO Captain Georg von Trapp JAMES LESU’I • BARITONE Rolf Gruber CHRIS MAZE • TENOR Liesl von Trapp JULIET KIDWELL • MEZZO-SOPRANO

Symphony in the Cities

PacificSymphony.org • (714) 755-5799

Mikhail Glinka (1804-1857) Overture to Russlan and Ludmilla

John Philip Sousa (1854-1932) Hands Across the Sea

Various Armed Forces Salute

Audience Choice: Option 1: Antonin Dvořák (1841-1904) Symphony No. 9, “From the New World,” II. Largo

Option 2: Wolfgang Amadeus Mozart (1756-1791) Eine Kleine Nachtmusik (A Little Night Music), K. 525, I. Allegro

Option 3: Ludwig van Beethoven (1770-1827) Symphony No. 5 in C Minor, Op. 67, I. Allegro con brio

Richard Rodgers (1902-1979) Selections from The Sound of Music The Sound of Music Edelweiss Sixteen Going on Seventeen Climb Ev’ry Mountain Joslyn Sarshad, Tiffani Santiago, James Lesu’i, Chris Maze, Juliet Kidwell

Samuel Ward (1843-1903); Arr. Prechel America the Beautiful

John Philip Sousa (1854-1932) Stars and Stripes Forever

P A C I F I C S Y M P H O N Y P R O U D L Y T H A N K S I T S S P O N S O R S A N D P A R T N E R S

Mission Viejo Friends of the ArtsBob and Sue Crowson

Mission Viejo: Saturday, July 18Prelude in the Park and Musical Playground begin at 4 p.m.

Irvine: Sunday, July 19Musical Playground begins at 5:30 p.m.

Special thanks to the staff and volunteers of the City of Mission Viejo and the City of Irvine for their hard work and support of Symphony in the Cities.

Concert begins at 7 p.m.

18 • Pacific Symphony | Symphony in the Cities 2015

CARL meet the music director

I n 2015-16, Music Director Carl St.Clair celebrates his 26th season with Pacific Symphony. He is one of the longest tenured conductors of the major American orchestras. St.Clair’s lengthy history solidifies the strong relationship he has forged with the musicians and the community.

His continuing role also lends stability to the organization and continuity to his vision for the Symphony’s future. Few orchestras can claim such rapid artistic development as Pacific Symphony—the largest orchestra formed in the United States in the last 50 years—due in large part to St.Clair’s leadership.

During his tenure, St.Clair has become widely recognized for his musically distinguished performances, his commitment to building outstanding educational programs and his innovative approaches to programming. Among his creative endeavors are: the vocal initiative, “Symphonic Voices,” inaugurated in 2011-12 with the concert-opera production of La Bohème, followed by Tosca in 2012-13, La Traviata in 2013-14 and Carmen in 2014-15; the creation six years ago of a series of multimedia concerts featuring inventive formats called “Music Unwound”; and the highly acclaimed American Composers Festival, which highlights the splendor of the William J. Gillespie Concert Organ in 2015-16 with music by Stephen Paulus, Wayne Oquin and Morten Lauridsen.

St.Clair’s commitment to the development and performance of new works by composers is evident in the wealth of commissions and recordings by the Symphony. The 2015-16 season continues a slate of recordings of works commissioned and performed by the Symphony in recent years, including William Bolcom’s Songs of Lorca and Prometheus and James Newton Howard’s I Would Plant a Tree, plus his Violin Concerto featuring James Ehnes. These join Elliot Goldenthal’s Symphony in G# Minor, released in 2014-15; Richard Danielpour’s Toward a Season of Peace, released in 2013-14; Philip Glass’ The Passion of Ramakrishna, and Michael Daugherty’s Mount Rushmore and The Gospel According to Sister Aimee, both released in 2012-13. St.Clair has led the orchestra in other critically acclaimed albums including two piano concertos of Lukas Foss; Danielpour’s An American Requiem and Goldenthal’s Fire Water Paper: A Vietnam Oratorio with cellist Yo-Yo Ma. Other commissioned composers include Zhou Long, Tobias Picker, Frank Ticheli and Chen Yi, Curt Cacioppo, Stephen Scott, Jim Self (Pacific Symphony’s principal tubist) and Christopher Theofanidis.

In 2006-07, St.Clair led the orchestra’s historic move into its home in the Renée and Henry Segerstrom Concert Hall at Segerstrom Center for the Arts. The move came on the heels of the landmark 2005-06 season that included St.Clair leading the Symphony on its first European tour—nine cities in three countries playing before capacity houses and receiving extraordinary responses and reviews.

From 2008-10, St.Clair was general music director for the Komische Oper in Berlin, where he led successful new productions such as La Traviata (directed by Hans Neuenfels). He also served as general music director and chief conductor of the German National Theater and Staatskapelle (GNTS) in Weimar, Germany, where he led Wagner’s Ring Cycle to critical acclaim. He was the first non-European to hold his position at the GNTS; the role also gave him the distinction of simultaneously leading one of the newest orchestras in America and one of the oldest in Europe.

In 2014, St.Clair became the music director of the National Symphony Orchestra in Costa Rica. His international career also has him conducting abroad several months a year, and he has appeared with orchestras throughout the world. He was the principal guest conductor of the Radio Sinfonieorchester Stuttgart from 1998-2004, where he completed a three-year recording project of the Villa–Lobos symphonies. He has also appeared with orchestras in Israel, Hong Kong, Japan, Australia, New Zealand and South America, and summer festivals worldwide.

In North America, St.Clair has led the Boston Symphony Orchestra (where he served as assistant conductor for several years), New York Philharmonic, Philadelphia Orchestra, Los Angeles Philharmonic and the San Francisco, Seattle, Detroit, Atlanta, Houston, Indianapolis, Montreal, Toronto and Vancouver symphonies, among many.

A strong advocate of music education for all ages, St.Clair has been essential to the creation and implementation of the Symphony’s education and community engagement programs including Pacific Symphony Youth Ensembles, Heartstrings, Sunday Casual Connections, OC Can You Play With Us?, arts-X-press and Class Act.

CARL ST.CLAIRWILLIAM J. GILLESPIEMUSIC DIRECTOR CHAIR

Symphony in the Cities 2015 | Pacific Symphony • 19

GUESTS

James Lesu’i, baritone/Captain Georg von Trapp

James Lesu’i is a baritone majoring in vocal performance at CSUF’s School of Music. He is affiliated with the professional music fraternity Mu Phi Epsilon, where he served as president for the Beta Alpha collegiate chapter. Lesu’i currently studies voice with Dr. Mark Goodrich. He recently participated in the intense summer program called OC Ars Vocalis Academy in Rome where he worked with world-renowned opera singers Dubravka Zubovic and Milena Kitić. In addition, he premiered the role of Jack Highstraw for composer Richard Pearson Thomas’s newest opera, A Wake or a Wedding. Prior to this, Lesu’i studied under the direction of Cheryl Anderson, director of choral activities at Cabrillo College and former Western American Choral Directors Association president. While at Cabrillo College, Lesu’i served as section leader for Chorale Choir and volunteered as a teaching assistant for the Cabrillo Youth Chorus. He is continuing his education by pursuing a master’s degree in opera performance at Boston Conservatory in the fall. Lesu’i hopes to continue performing professionally and teach voice/choir at the K-12 level.

Chris Maze, tenor/Rolf Gruber

Chris Maze was born and raised in Capistrano Beach. A graduate of Chapman University, he has been featured as tenor soloist in some of the great classical choral works including Beethoven’s Mass in C and Mozart’s Requiem. He has also performed roles in numerous opera’s including the role of Camille in Franz Lehar’s Opera The Merry Widow and Basilio in Mozart’s The Marriage of Figaro. Maze was most recently featured in Pacific Symphony’s 2015 Class Act Youth Concerts.

Juliet Kidwell, mezzo soprano/Liesl von Trapp

Juliet Kidwell is a vocal performance major at CSUF’s School of Music. She is a two-time finalist in the National Association of Teachers of Singing Los Angeles regional competition, has competed at nationals in the Classical Singer magazine’s national competition and was the winner of the 2014 Phi Mu Alpha Sinfonia American Music Soloist Competition. This past February, Kidwell played the title role in CSUF College of the Arts’ production of The Merry Widow and was the soprano soloist in the School of Music’s performance of Fauré’s Requiem on tour in Paris this past June. She is the recipient of the Lucy Dunn Vocal Scholarship, the Thelma Rae Music Scholarship and the Vidal Vocal Scholarship. Having a strong passion for the proliferation of the arts, she also served on the inaugural L.A. Opera’s college advisory committee and was the executive director of ArtsWeek2014 at CSUF. Other roles include Maria in West Side Story and Cosette in Les Misérables.

Joslyn Sarshad, soprano/Maria Rainer

Joslyn Sarshad is a soprano from Boulder, Colo. who traveled to California to sing. She recently earned her Bachelor of Arts in vocal performance at California State University, Fullerton (CSUF) where she studied under Patricia Prunty and sang for Dr. Robert Istad. Sarshad’s budding career has included many types of music. In opera, she’s performed the title role in Menotti’s Amelia Goes to the Ball and the role of Countess Almaviva in Mozart’s The Marriage of Figaro. Chorally, Sarshad performed as the soloist for Poulenc’s Gloria in the Parisian Madeleine Cathedral with CSUF’s University Singers, directed by Istad. She enjoys singing under Dr. Don Neuen on the international television program Hour of Power, for which she has been a featured soloist singing arias from Handel’s Messiah and many other pieces. Sarshad is also a songwriter and a singer of jazz and folk music. She will be singing with John Alexander Singers and Pacific Chorale in the fall, and she is thrilled to begin her professional singing career as Maria.

Tiffani Santiago, soprano/The Mother Abbess

Tiffani Santiago is a soprano based in Southern California. She earned her bachelor’s degree in vocal performance at CSUF, where she sang with University Singers under the direction of Dr. Robert Istad and toured in Austria and Southern Germany. She studies with Linda Leyrer and has placed in the top three of both the senior and graduate divisions in the National Association of Teachers of Singers collegiate auditions. Santiago has performed roles such as Mum in Britten’s Albert Herring, Zita in Puccini’s Gianni Schicchi, Madam Flora in Menotti’s The Medium and recently performed in Pacific Symphony’s production of Verdi’s La Traviata under the direction of Carl St.Clair. Studying classical music throughout her undergraduate career has granted her opportunities to share the stage with jazz, classical and contemporary musical artists alike, including John Williams, Andrea Bocelli, Juanes and Frederica von Stade. She hopes to continue her career and education in opera and classical music.

meet the artists

Joslyn Sarshad Tiffani Santiago James Lesu’i Chris Maze Juliet Kidwell

JOIN US!

CONDUCTING CLINICKids, don’t miss your chance to learn how to conduct with Music Director Carl St.Clair prior to the concert. Then, join him near the stage to help conduct the orchestra in Sousa’s “Hands Across the Sea.”

MUSICAL PLAYGROUNDBefore the concert, enjoy an array of interactive and hands-on activities for you and your children at the Musical Playground! Make an instrument, meet a musician, beat a drum and try out the Instrument Petting Zoo.

20 • Pacific Symphony | Symphony in the Cities 2015

let’s make music together

SING-ALONG

America the BeautifulOh beautiful for spacious skies,For amber waves of grain,For purple mountain majestiesAbove the fruited plain.

America! America!God shed His grace on thee,And crown thy good with

brotherhoodFrom sea to shining sea.

Oh beautiful for patriot dream,That sees beyond the years.Thine alabaster cities gleam,Undimmed by human tears.

America! America!God shed His grace on thee,And crown thy good with

brotherhoodFrom sea to shining sea.

GET INVOLVED

Pacific Symphony’s Education and Community Engagement programs serve 50,000 community members of all ages, from infants to seniors, across all 34 cities in Orange County.

The Symphony enhances the lives of Orange County’s citizens through programs that engage the community in the magic and power of symphonic music.

Programs for families include free concerts in public spaces, the Saturday Family Musical Mornings series and the Plazacast Festival held outside each June at Segerstrom Center for the Arts.

Budding young musicians in Orange County benefit from Pacific Symphony’s three Youth Ensembles, Santa Ana Strings (in partnership with the Boys and Girls Club of Santa Ana), and Strings for Generations (in partnership with the Irvine Chinese School).

Lifelong learners and community-based musicians experience OC Can You Play with Us?, a unique opportunity for community musicians to play with, and learn from, Pacific Symphony musicians. They may also attend open rehearsals at the Renée and Henry Segerstrom Concert Hall and classes at local senior centers.

Students and teachers have the opportunity to be a part of the Symphony’s elementary school partnership program, Class Act, the residential arts immersion middle school program, arts-X-press, as well as the Symphony’s many high school, college and university partnerships.

Our community benefits from the Heartstrings program, through which the Symphony partners with local social service agencies to provide free access and transportation to concerts and hands-on enrichment activities to a range of underserved local residents. Some partners also participate in a new innovative Music and Wellness initiative.

Be a part of the magic! To learn more about the Symphony’s Education and Community Engagement programs, please contact

Susan Kotses at SKotses@PacificSymphony.org.

Symphony in the Cities 2015 | Pacific Symphony • 21

PACIFIC SYMPHONY

P acific Symphony, currently in its 37th season, is led by Music Director Carl St.Clair, who celebrates his 26th season with the orchestra in 2015-16. The largest orchestra formed in the U.S. in the last 50 years, the Symphony is recognized as an outstanding ensemble

making strides on both the national and international scene, as well as in its own community of Orange County. Presenting more than 100 concerts and events each year and a rich array of education and community programs, the Symphony reaches more than 275,000 residents—from school children to senior citizens.

The Symphony offers repertoire ranging from the great orchestral masterworks to music from today’s most prominent composers, highlighted by the annual American Composers Festival and a series of multimedia concerts called “Music Unwound.” Five seasons ago, the Symphony launched the highly successful opera and vocal initiative, “Symphonic Voices.” It also offers a popular Pops season, enhanced by state-of-the-art video and sound, led by Principal Pops Conductor Richard Kaufman, who celebrates 25 years with the orchestra in 2015-16. Each Symphony season also includes Café Ludwig, a chamber music series; an educational Family Musical Mornings series; and Sunday Casual Connections, an orchestral matinee series offering rich explorations of selected works led by St.Clair.

Founded in 1978 as a collaboration between California State University, Fullerton (CSUF), and North Orange County community leaders led by Marcy Mulville, the Symphony performed its first concerts at Fullerton’s Plummer Auditorium as the Pacific Chamber Orchestra, under the baton of then-CSUF orchestra conductor Keith Clark. Two seasons later, the Symphony expanded its size and changed its name to Pacific Symphony Orchestra. Then in 1981-82, the orchestra moved to Knott’s Berry Farm for one year. The subsequent four seasons, led by Clark, took place at Santa Ana High School auditorium where the Symphony also made its first six acclaimed recordings. In September 1986, the Symphony moved to the new Orange County Performing Arts Center, where Clark served as music director until 1990, and since 1987, the orchestra has additionally presented a summer outdoor series at Irvine Meadows Amphitheatre (formerly Verizon Wireless Amphitheater). In 2006-07, the Symphony moved into the Renée and Henry Segerstrom Concert Hall, with striking architecture by Cesar Pelli and acoustics by Russell Johnson—and in 2008, inaugurated the hall’s critically acclaimed 4,322-pipe William J. Gillespie Concert Organ. The orchestra embarked on its first European tour in 2006, performing in nine cities in three countries.

The 2015-16 season sees the continuation of a recent slate of recordings of works commissioned and performed by the Symphony, including William Bolcom’s Songs of Lorca and Prometheus and James Newton Howard’s I Would Plant a Tree, plus his Violin Concerto featuring James Ehnes. In 2014-15, Elliot Goldenthal released a recording of his Symphony in G# Minor, written for and performed by the Symphony. In 2013-14, the Symphony released Richard Danielpour’s Toward a Season of Peace and Philip Glass’ The Passion of Ramakrishna; in 2012-13, Michael Daugherty’s Mount Rushmore—all three commissioned and performed by the Symphony. The Symphony has also commissioned and recorded An American Requiem by Danielpour and Fire Water Paper: A Vietnam Oratorio by Goldenthal featuring Yo-Yo Ma. Other recordings have included collaborations with such composers as Lukas Foss and Toru Takemitsu. Other leading composers commissioned by the Symphony include Paul Chihara, Daniel Catán, Laura Karpman, William Kraft, Ana Lara, Tobias Picker, Christopher Theofanidis, Frank Ticheli and Chen Yi.

In both 2005 and 2010, the Symphony received the prestigious ASCAP Award for Adventurous Programming. Also in 2010, a study by the League of American Orchestras, “Fearless Journeys,” included the Symphony as one of the country’s five most innovative orchestras. The Symphony’s award-winning education programs benefit from the vision of St.Clair and are designed to integrate the orchestra and its music into the community in ways that stimulate all ages. The Symphony’s Class Act program has been honored as one of nine exemplary orchestra education programs by the National Endowment for the Arts and the League of American Orchestras. The list of instrumental training initiatives includes Pacific Symphony Youth Orchestra, Pacific Symphony Youth Wind Ensemble and Pacific Symphony Santiago Strings as well as Santa Ana Strings.

ABOUT pacific symphony

22 • Pacific Symphony | Symphony in the Cities 2015

CONDUCTOR

The Instruments of the Orchestra

PercussionPercussion adds power,accents and excitementto the orchestral sound.Instruments can bepitched to a specific note(ex. timpani, xylophones)or unpitched (ex. drums,cymbals, triangle) and areusually performed bystriking or shaking,which creates vibrations.

BrassBrass adds power, colorand depth to theorchestral sound byvibrating a column of air in a pipe like woodwinds,but the vibration iscreated by buzzing thelips into a mouthpiece.They range (from highestto lowest sound): trumpet,trombone, horn and tuba.

WoodwindsWoodwinds add distinctivecolor to the orchestralsound by vibrating acolumn of air within apipe. In flutes, air is blownacross a hole. In others,reeds are used to createthe vibration. The clarinetuses one reed. Oboes andbassoons use two.

StringsStrings provide the found-ation of the orchestralsound by vibrating a tightlystretched string with a bowor by plucking. The stringfamily includes (soundingfrom highest to lowest):the violin, viola, cello anddouble bass. Bows aremade from horsehair.

ConductorThe conductor brings all the orchestral instrumentalists into a unifiedwhole. It is his or her job to study the music thoroughly, interpret thescore and lead the orchestra in bringing the music to life. A conductormay also be the music director of an orchestra, and serves as the artisticleader who determines what music is performed. Carl St.Clair is themusic director for Pacific Symphony.

CONDUCTOR

1st Violins

2nd Violins Cellos

Violas

DoubleBassesHarp Flutes Oboes

Clarinets Bassoons

French Horns

Trumpets

Trombones

Tuba

TimpaniPercussion

Percussion

Instrument Families

ABOUT the orchestra

MEET the orchestra

* Principal** Assistant Principal

† On Leave

Celebrating , or years with Pacific Symphony this season.

CARL ST.CLAIR • MUSIC DIRECTORWilliam J. Gillespie Music Director Chair

RICHARD KAUFMAN • PRINCIPAL POPS CONDUCTORHal and Jeanette Segerstrom Family Foundation Principal Pops Conductor Chair

ALEJANDRO GUTIÉRREZ • ASSISTANT CONDUCTORMary E. Moore Family Assistant Conductor Chair

NARONG PRANGCHAROEN • COMPOSER-IN-RESIDENCE

FIRST VIOLINRaymond Kobler Concertmaster, Eleanor and Michael Gordon

ChairPaul Manaster Associate ConcertmasterJeanne Skrocki Assistant ConcertmasterNancy Coade EldridgeChristine FrankKimiyo TakeyaAyako SugayaAnn Shiau TenneyMaia JasperRobert SchumitzkyAgnes GottschewskiDana FreemanGrace OhJean KimAngel LiuMarisa Sorajja

SECOND VIOLINBridget Dolkas*

Elizabeth and John Stahr ChairJessica Guideri**Yen-Ping LaiYu-Tong SharpAko KojianOvsep KetendjianLinda OwenPhil LunaMarlaJoy WeisshaarAlice Miller-WrateShelly Shi

VIOLARobert Becker* Catherine and James Emmi

ChairMeredith Crawford**Carolyn RileyJohn AcevedoErik RynearsonJulia StaudhammerJoseph Wen-Xiang ZhangPamela JacobsonAdam NeeleyCheryl GatesMargaret Henken

CELLOTimothy Landauer* Catherine and James Emmi

ChairKevin Plunkett**John AcostaRobert VosLászló MezöIan McKinnellM. Andrew HoneaWaldemar de AlmeidaJennifer GossRudolph Stein

BASSSteven Edelman*Douglas Basye**Christian KollgaardDavid ParmeterPaul ZibitsDavid BlackAndrew BumatayConstance Deeter

FLUTEBenjamin Smolen* Valerie and Hans Imhof ChairSharon O’ConnorCynthia Ellis

PICCOLOCynthia Ellis

OBOEJessica Pearlman Fields* Suzanne R. Chonette ChairTed Sugata

ENGLISH HORNLelie Resnick

CLARINETBenjamin Lulich* The Hanson Family

Foundation ChairDavid Chang

BASS CLARINETJoshua Ranz

BASSOONRose Corrigan*Elliott MoreauAndrew KleinAllen Savedoff

CONTRABASSOONAllen Savedoff

FRENCH HORNKeith Popejoy*Mark Adams†James Taylor**Russell Dicey

TRUMPETBarry Perkins* Susie and Steve Perry ChairTony EllisDavid Wailes

TROMBONEMichael Hoffman*David Stetson

BASS TROMBONEKyle Mendiguchia

TUBAJames Self*

TIMPANITodd Miller*

PERCUSSIONRobert A. Slack*Cliff Hulling

HARPMindy Ball*Michelle Temple

PIANO•CELESTESandra Matthews*

PERSONNEL MANAGERPaul Zibits

LIBRARIANSRussell DiceyBrent Anderson

PRODUCTION STAGE MANAGERWill Hunter

ASSISTANT STAGE MANAGERWilliam Pruett

The musicians of Pacific Symphony are members of the American Federation of Musicians, Local 7. 30 20 10

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Symphony in the Cities 2015 | Pacific Symphony • 23

24 • Pacific Symphony | Symphony in the Cities 2015

Pacific Symphony’s SUMMER FESTIVAL 2015

STAR TREKRelive J.J. Abrams’ 2009 blockbuster featuring Chris Pine and Zachary Quinto boldly going where no one has gone before while Pacific Symphony performs Academy Award-winner Michael Giacchino’s score live! Giacchino’s other films include “Jurassic World,” and Pixar’s “Up.” Gates open at 6 p.m. for picnicking. Come dressed as your favorite Star Trek character!©2009 Paramount Pictures. ™CBS Studios Inc. All Rights reserved.

A night at the movies perfect for the whole family!

Kids under 14

½ pricein mostsections

WITH FULL-LENGTHFEATURE FILM

Supporting Sponsor

Saturday, Aug. 22 • 8 p.m. • Irvine Meadows Amphitheatre

Tickets start at just $25.Groups of 10+ save

Call (714) 755-5799PacificSymphony.org

NUTCRACKER FOR KIDSA SPECIAL VERSION JUST FOR CHILDREN 5–11 Part of Pacific Symphony’s FAMILY MUSICAL MORNINGSPresented by

Oct. 24: PHANTOMS OF THE ORCHESTRAThe Magic Circle Mime Co. joins the orchestra for a festive Halloween spectacular that unites orchestra and visual theater!

Dec. 5: NUTCRACKER FOR KIDSVisions of sugarplums will dance in your head after seeing Tchaikovsky’s delightful Christmas ballet, featuring Festival Ballet Theatre!

Feb. 6, 2016: PIRATES OF PENZANCE, OPERA FOR KIDS!Gilbert and Sullivan’s beloved comic operetta features both professional singers and talented students from Chapman University.

March 12, 2016: SYMPHONY IN SPACEReal footage from NASA will accompany music from Holst’s “The Planets,” as well as selections from Star Wars.

April 30, 2016: THE FIREBIRD, BALLET FOR KIDS!Stravinsky’s popular ballet comes to life in a fully costumed and narrated version featuring Orange County Ballet Theatre.

SUBSCRIBE TODAY!(714) 755-5799

PacificSymphony.org