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1 Leslie Marrs Drake University Reeling in Extended Techniques Mid-Atlantic Flute Fair 2018 Embouchure and Tone Development Using Extended Techniques I. Overtones/Harmonics A. Octave Slurs B. Overtone Slurs – matching pitch Taps II. Whistle Tones A. Sustain for 8 seconds each B. Harmonic series with whistle tones C. See tune next page

Leslie Marrs Drake University Reeling in Extended Techniques Mid-Atlantic Flute …fsw.net/resources/Documents/2018 Convention/Ext tech Emb... · 1 Leslie Marrs Drake University Reeling

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1

Leslie Marrs

Drake University Reeling in Extended Techniques

Mid-Atlantic Flute Fair 2018

Embouchure and Tone Development Using Extended Techniques

I. Overtones/Harmonics A. Octave Slurs

B. Overtone Slurs – matching pitch

Taps

II. Whistle Tones A. Sustain for 8 seconds each B. Harmonic series with whistle tones C. See tune next page

2

Wayfaring Stranger

III. Flutter Tonguing A. Dental/Italian “r” B. Uvular/guttural/French “r”

Dies irae

IV. Control of Vibrato

A. Vacuum breaths/finger breaths Jacob’s Ladder

3

V. Multiphonics A. Multi-stops

calliope

B. Simultaneous singing and playing

Sea Shanty

O Claire de la lune

4

VI. Microtones A. Individual Microtones

Shenandoah

B. Microtonal Glissandos

Old Joe Clark

C. Timbral Trills (included in Shenandoah above)

VII. Exploring more diffuse tone colors – Aspirant sounds/Aeolian sounds/ Percussive

Sounds A. Key Clicks

Mary Had a Little Lamb

5

B. Tongue Rams

C. Tongue Pizzicatos

D. Residual Tones Go Tell Aunt Rhody

E. Jet Whistles

F. Other Aspirant Sounds and combinations – “boots and cats,” “ch,” “zah,” etc.

G. Lip Buzz Branle

VIII. Aspects of Circular Breathing

©Music from Marrs 2018

6

Sources of Pedagogy for Extended Techniques on Flute

Choice Entry Level Studies for Extended Techniques Holland, Linda L. Easing Into Extended Technique, Vol. 1 - 5, Microtones, Harmonics,

Multiphonics, Pitch Bends and Finger Slides, and Simultaneous Singing and Playing. Edited by Evan Conlee. Santa Barbara, CA: Con Brio, 1999.

McCaskill, Mizzy and Donna Gilliam. The Flutist’s Companion: A Comprehensive Method. Pacific, MO: Mel Bay, 1983.

———. Mel Bay's Flute Handbook. Pacific, MO: Mel Bay, 1994. Offermans, Wil. Für den Jungen Flötisten (For the Younger Flutist). Frankfurt: Zimmerman,

1995. Wye, Trevor. Flute Class: A Group Teaching Book for Students and Teachers. London:

Novello, 1992. ———. Practice Book for Flute: Vol. 1, Tone. London: Novello, 1980.

Top 10 List for Pedagogy of Extended Techniques on Flute Artaud, Pierre-Yves, ed. Flûtes au présent: traité des techniques contemporaines sur les

flûtes traversières à l’usage des compositeurs et des flûtistes (Present Day Flutes: Treatise on Contemporary Techniques of Transverse Flutes for the Use of Composers and Performers). Paris: Gérard Billaudot, 1995.

Colquhoun, Michael. Nine Etudes for the Contemporary Flutist. New York: McGinnis and Marx, 1982 (currently distributed by J.W. Pepper and Sons).

Dick, Robert. Circular Breathing for the Flutist. St. Louis, MO: Multiple Breath Music, 1987.

———. The Other Flute: A Performance Manual of Contemporary Techniques, 2d ed. St. Louis, MO: Multiple Breath Music, 1989. Companion Method: Tone Development Through Extended Techniques, rev. ed. New York: Multiple Breath Music, 1986.

Holland, Linda L. Easing Into Extended Technique, Vol. 1 - 5, Microtones, Harmonics, Multiphonics, Pitch Bends and Finger Slides, and Simultaneous Singing and Playing. Edited by Evan Conlee. Santa Barbara, CA: Con Brio, 1999.

Koizumi, Hiroshi. Technique for Contemporary Flute Music: For Players and Composers. Tokyo: Schott, 1996.

Levine, Carin and Catherine Mitropoulos-Bott. The Techniques of Flute Playing I. Kassel: Bärenreiter, 2002. (vol. II focuses on Piccolo, Alto, Bass flutes)

Nicolet, Aurèle, ed. Pro Musica Nova: Studien Zum Spielen Neuer Musik (Pro Musica Nova: Studies for Playing Avant-Garde Music). Wiesbaden: Breitkopf und Härtel, 1980.

Offermans, Wil. Für den Zeitgenössischen Flötisten (For the Contemporary Flutist). Frankfurt: Zimmerman, 1992.

Pellerite, James J. A Modern Guide to Fingerings for the Flute, rev. 2d ed. Van Nuys, CA: Alfred, 1988.

Sollberger, Harvey. Quodlibetudes for Solo Flute. New York: McGinnis and Marx, 1991.

7

Entry Level

Publicationsg ---------------------------

Techniquesi

Hol

land

E

asin

g in

to

Exte

ndTe

chni

ques

1-5

McC

aski

ll &

Gill

iam

Th

e Fl

utis

t’s

Com

pani

on

McC

aski

ll &

Gill

iam

M

el B

ay’s

Flu

te

Han

dboo

k

Off

erm

ans

Für d

en J

unge

n Fl

ötis

ten

Wye

Flut

e C

lass

: A

Gro

up

Teac

hing

Met

hod

Wye

A

Pra

ctie

c Bo

ok fo

r Fl

ute”

Vol

. 1, T

one

Com

mon

T

echn

ique

s

Natural Harmonics

Whistle Tones

Flutter Tonguing

ControlofVibrato

Mul

ti-

Phon

ics Multi-

Stops

SingingandPlaying

Mic

roto

nes Individual

Microtones

Microtonal Glissandos

Timbral Trills

Perc

ussi

ve E

ffec

ts

Key Clicks

Tongue Rams

Tongue Clicks

Tongue Pizzicatos

Residual Tones

Jet Whistles

Aspirant Sounds

Lip Buzz

Circular Breathing

8

Top 10

Publications:g Manuals

---------------------------

Techniquesi

Arta

ud

Flû

tes a

u pr

ésen

t

Dic

k Th

e O

ther

Flu

te

Dic

k T

one

Dev

elop

men

t th

roug

h Ex

t. Te

ch.

Koi

zum

i Tec

hniq

ue

for C

onte

mpo

rary

Fl

ute

Mus

ic

Levi

ne a

nd B

ott

Tech

niqu

es o

f Flu

te

Play

ing

Pelle

rite

Mod

ern

Gui

de to

Fi

nger

ings

Com

mon

T

echn

ique

s

Natural Harmonics

Whistle Tones

Flutter Tonguing

ControlofVibrato

Mul

ti-

Phon

ics Multi-

Stops

SingingandPlaying

Mic

roto

nes Individual

Microtones

Microtonal Glissandos

Timbral Trills

Perc

ussi

ve E

ffec

ts

Key Clicks

Tongue Rams

Tongue Clicks

Tongue Pizzicatos

Residual Tones

Jet Whistles

Aspirant Sounds

Lip Buzz

Circular Breathing

9

Top 10 Publications:g Etudes/Methods

---------------------------

Techniquesi

Col

quho

un

Nin

e Et

udes

Dic

k C

ircu

lar B

reat

hing

fo

r the

Flu

tist

Hol

land

E

asin

g in

to E

xten

ded

Tech

niqu

es

Nic

olet

P

ro M

usic

a N

ova

Off

erm

ans F

ür d

en

Zeitg

nöss

isch

en

Flöt

iste

n

Sollb

erge

r Q

uodl

ibet

udes

Com

mon

T

echn

ique

s

Natural Harmonics

Whistle Tones

Flutter Tonguing

ControlofVibrato

Mul

ti-

Phon

ics Multi-

Stops

SingingandPlaying

Mic

roto

nes Individual

Microtones

Microtonal Glissandos

Timbral Trills

Perc

ussi

ve E

ffec

ts

Key Clicks

Tongue Rams

Tongue Clicks

Tongue Pizzicatos

Residual Tones

Jet Whistles

Aspirant Sounds

Lip Buzz

Circular Breathing

10

Complete Bibliography of Studies and Reference Manuals Amy, Gilbert. Trois études pour flute seule (Three Etudes for Solo Flute). Paris: Editions

Musicales Transatlantiques, 1978. Artaud, Pierre-Yves, ed. Flûtes au présent: traité des techniques contemporaines sur les flûtes

flûtes traversières à l’usage des compositeurs et des flûtistes (Present Day Flutes: Treatise on Contemporary Techniques of Transverse Flutes for the Use of Composers and Performers). Paris: Gérard Billaudot, 1995.

———. Quatre exercises pour la respiration circulaire (Four Exercises for Circular Breathing). Paris: Editions Musicales Transatlantiques, 1985.

———. Harmoniques, cahier d'exercises: monophoniques et polyphoniques (Harmonics, Exercise Book: Simple Notes and Multi Sounds). Paris: Gérard Billaudot, 1992.

———. La flûte multiphonique: Etudes pur la flute traversière (The Multiphonic Flute: Studies for Flute). Paris: Gérhard Billaudot, 1995.

Bartolozzi, Bruno. New Sounds for Woodwind. 2d ed. London: Oxford University Press, 1982. Bayr, Gustav. Schule für Doppletöne auf der Flöte (Method for Double Stops on the Flute).

Vienna: Private ed., ca. 1824. Available in La flute multiphonique, 26-30, trans. Jean-Charles Margotton, ed. Pierre-Yves Artaud. Paris: Gérard Billaudot, 1995.

Bozza, Eugène. Dix études sur des modes karnatiques pour flute (Ten Studies in Karnatic Modes for Flute). Paris: LeDuc, 1973.

———. Quatorze études-arabesques pour flûte (Fourteen Arabesque-Studies for Flute). Paris: Leduc, 1960.

Broeren, Henri. Borzo: Five Concert Pieces for the Study of Modern Techniques, Op. 1. Amsterdam: Donemus, 1993.

Chamberlain, Nicole. Tutorials for Flute Compositions. https://www.nikkinotes.com/Compositions.html

Colquhoun, Michael. Nine Etudes for the Contemporary Flutist. New York: McGinnis and Marx, 1982 (currently distributed by J.W. Pepper and Sons)

Dick, Robert. Circular Breathing for the Flutist. St. Louis, MO: Multiple Breath Music, 1987.

———. Flying Lessons: Six Contemporary Concert Etudes. New York: Multiple Breath Music, 1984.

———. Flying Lessons, Volume II: Six Contemporary Concert Etudes. New York: Multiple Breath Music, 1987.

———. The Other Flute: A Performance Manual of Contemporary Techniques. London: Oxford University Press, 1975.

———. The Other Flute: A Performance Manual of Contemporary Techniques, 2d ed. St. Louis, MO: Multiple Breath Music, 1989.

———. Tone Development Through Extended Techniques, rev. ed. New York: Multiple Breath Music, 1986.

Dick, Robert, transcriber. Paganini/Dick: Caprice No. 2 in B Minor and Caprice No. 15 in E Minor. New York: Multiple Breath Music, 1989.

Falk, Julien. Quinze études atonales pour flûte (Fifteen Atonal Studies for Flute). Paris: LeDuc, 1972.

Gallois, Patrick. Niccolo Paganini, Vingt-quatre Caprices, Op. 1 pour flûte. Paris: Leduc, 1994. Gasser, Ulrich. Geay, Gérard. Trois études sur les multiphoniques pour flûte (Three Etudes with Multiphonics

for Flute). Paris: Jobert, 1980.

11

Genzmer, Harald. Neutzeitliche Etüden für Flöte (Contemporary Etudes for Flute), vol. II. Mainz: Schott, 1964.

Geraedts, Jaap. Zes Studies in Euler’s toongeschlachten. Amsterdam: Donemus, 1963. Graf, Peter Lukas. Check-Up: 20 Basic Studies for Flutists. 2nd rev. ed. Mainz: Schott,

1991. Heiss, John. Etudes for Solo Flute, Op. 20. St. Louis, MO: J. B. Elkus, 1986. Holland, Linda L. Easing Into Extended Technique, Vol. 1, Microtones. Edited by Evan Conlee.

Santa Barbara, CA: Con Brio, 1999. ———. Easing Into Extended Technique, Vol. 2, Harmonics. Edited by Evan Conlee. Santa

Barbara, CA: Con Brio, 1999. ———. Easing Into Extended Technique, Vol. 3, Multiphonics. Edited by Evan Conlee. Santa

Barbara, CA: Con Brio, 1999. ———. Easing Into Extended Technique, Vol. 4, Pitch Bends and Finger Slides. Edited

by Evan Conlee. Santa Barbara, CA: Con Brio, 1999. ———. Easing Into Extended Technique, Vol. 5, Simultaneous Singing and Playing.

Edited by Evan Conlee. Santa Barbara, CA: Con Brio, 1999. Howell, Thomas. The Avant-Garde Flute: A Handbook for Composers and Flutists. Los

Angeles, CA: University of California Press, 1974. Kessick, Marlaena. Il flauto: metodo e studi per lettura a prima vista (The Flute: Studies for

Sight Reading). Milan: Sonzogno di Pietro Ostali, 1986. ———. Venti studietti preparatori alla musica contemporanea (Twenty Little Studies in

Preparation for the Performance of Contemporary Flute Music). Milan: Ricordi, 1982. Koizumi, Hiroshi. Technique for Contemporary Flute Music: For Players and

Composers. Tokyo: Schott, 1996. Kujala, Walfrid. The Flutist's Progress. Winnetka, IL: Progress Press, 1970. Kynaston, Trent P. Circular Breathing for the Wind Performer. Miami, FL: Warner Bros.,

1978. Levine, Carin and Catherine Mitropoulos-Bott. The Techniques of Flute Playing. Kassel:

Bärenreiter, 2002. Matuz, István. Siz Studies for Solo Flute. Budapest: Akkord, 1990. McCaskill, Mizzy and Donna Gilliam. The Flutist’s Companion: A Comprehensive Method.

Pacific, MO: Mel Bay, 1983. ———. Mel Bay's Flute Handbook. Pacific, MO: Mel Bay, 1994. Mengelberg, Misja. Exercise. Amsterdam: Donemus, 1966. Mower, Michael. Fingerbusters!, 2d ed. London: Itchy Fingers Publications, 1993. Nicolet, Aurèle, ed. Pro Musica Nova: Studien Zum Spielen Neuer Musik (Pro Musica

Nova: Studies for Playing Avant-Garde Music). Wiesbaden: Breitkopf und Härtel, 1980.

Offermans, Wil. Für den Jungen Flötisten (For the Younger Flutist). Frankfurt: Zimmerman, 1995.

———. Für den Zeitgenössischen Flötisten (For the Contemporary Flutist). Frankfurt: Zimmerman, 1992.

Pellerite, James J. A Modern Guide to Fingerings for the Flute, rev. 2d ed. Van Nuys, CA: Alfred, 1988.

Pattillo, Greg. Four Etudes for Beatbox Flute. New York: Greg Pattillo, no date. Ruggiero, Giuseppe. Seize études atonales pour la technique moderne de la flûte (Sixteen Atonal

Studies for the Modern Technique of the Flute). Paris: Leduc, 1968. Rynearson, Paul. Eleven Contemporary Etudes. Greely, CO: Western International Music, 1968.

12

Sollberger, Harvey. Quodlibetudes for Solo Flute. New York: McGinnis and Marx, 1991.

Stokes, Sheridan W., and Richard A. Condon. Illustrated Method for Flute. Culver City, CA: Trio Associates, 1981.

———. Special Effects for Flute. Santa Monica, CA: Trio Associates, 1976. Veilhan, Jean-Claude. Sonorité et Techniques contemporaines à la flute traversière

(Sound and Contemporary Techniques for the Flute). Paris: Editions Henry LeMoine, 1992.

Vinci, Domenico. Dodeci studi per flauto (Twelve Studies for Flute). Milano: G. Ricordi, 1951.

Wye, Trevor. Flute Class: A Group Teaching Book for Students and Teachers. London: Novello, 1992.

———. Practice Book for Flute: Vol. 1, Tone. London: Novello, 1980. Yun, Isang. Drei Etüden. Berlin: Bote und Bock, 1974. ———. Etüden für Flöte(n) Solo. New York: Boosey and Hawkes, 1998.