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09/07/2014 1 www.iccliverpool.ac.uk London 2012 Cultural Olympiad Impact & Legacy Evaluation Dr Beatriz Garcia Head of Research, Cultural Policy Institute of Cultural Capital [email protected] | @beatriz_garcia Mega-Events, Regional Development & Regeneration Regional Studies Association, London | 17 June 2014 www.iccliverpool.ac.uk Introduction | What is the Cultural Olympiad Chapter 2 | Raising the bar for cultural programming Chapter 3 | Engaging audiences and communities Chapter 4 | Tourism development Chapter 5 | Governance and partnership approach Chapter 6 | Culture at the heart of the Games Conclusion | Legacies moving forward Appendices London 2012 Cultural Olympiad Evaluation Download reports from: www.beatrizgarcia.net www.iccliverpool.ac.uk www.artscouncil.org.uk

London 2012 Cultural Olympiad Impact & Legacy Evaluation€¦ · Big Dance (London) The Scottish Project Power of the Flame (Wales) Connections (N Ireland) Funders! LegacyTrustUK

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Page 1: London 2012 Cultural Olympiad Impact & Legacy Evaluation€¦ · Big Dance (London) The Scottish Project Power of the Flame (Wales) Connections (N Ireland) Funders! LegacyTrustUK

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www.iccliverpool.ac.uk

London 2012 Cultural Olympiad Impact & Legacy Evaluation

Dr Beatriz Garcia

Head of Research, Cultural Policy Institute of Cultural Capital

[email protected] | @beatriz_garcia

Mega-Events, Regional Development & Regeneration Regional Studies Association, London | 17 June 2014

www.iccliverpool.ac.uk

•  Introduction | What is the Cultural Olympiad

•  Chapter 2 | Raising the bar for cultural programming •  Chapter 3 | Engaging audiences and communities •  Chapter 4 | Tourism development •  Chapter 5 | Governance and partnership approach •  Chapter 6 | Culture at the heart of the Games

•  Conclusion | Legacies moving forward

•  Appendices

London 2012 Cultural Olympiad Evaluation

Download reports from:

www.beatrizgarcia.net www.iccliverpool.ac.uk

www.artscouncil.org.uk

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What was the London 2012 Cultural Olympiad

www.iccliverpool.ac.uk

Regional programmes (LTUK)

National  Flagships

Somewhereto; BT Road to 2012 BP Portrait Award : Next generation

Discovering Places Film Nation; Unlimited; Artists taking the lead; Stories of the World; Sounds;

World Shakespeare Festival;

13 Creative programmers

We Play (NW) Imove (Yorkshire) Relays (South West) Igniting Ambition (EM) Moving Together (WM) Eastern Rising (EE) GENERATION (NE) Accentuate (SE) Big Dance (London) The Scottish Project Power of the Flame (Wales) Connections (N Ireland)

Funders      

Legacy  Trust  UK    

Olympic  Lo5ery  Arts  Council  England  

Bri<sh  Council,    BP,  BT,  Panasonic      

National programmes (LTUK)

Speed of Light, Land of Giants, Tate Movie, Games Time, Tree of Light

LOCOG team

What was the London 2012 Cultural Olympiad

Total Budget: £126.6m (LTUK: £35.7m)

Total staff: 75 FT roles

(11 outside London)

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Raising the bar for cultural programming

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Total activity

33.6k  

84k  

London 2012 Festival

Non-Festival

Close to 118k activities Across performances, exhibition days, sessions for education etc.

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Activity per region

0  

2,000  

4,000  

6,000  

8,000  

10,000  

12,000  

14,000  

16,000  

18,000  

20,000  Total  Non-­‐Fes:val  ac:vity  Total  Fes:val  ac:vity  

www.iccliverpool.ac.uk

0  

200  

400  

600  

800  

1000  

1200  

2011  

2010  

2009  

2008  

11%  

6%  

11%  

5%   5%  3%   3%  

22%  

9%  

5%  6%  

5%   5%   5%  

0%  

5%  

10%  

15%  

20%  

25%  

Open  Weekend  events  

Inspire  Mark  events  

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Activity type per region

0  

2,000  

4,000  

6,000  

8,000  

10,000  

12,000  

14,000  

Performances  

Event  /  exhibi:on  days  

Sessions  for  educa:on,  training  or  taking  part  

Other  

www.iccliverpool.ac.uk

Artists per region (in percentage)

0%  

10%  

20%  

30%  

40%  

50%  

60%  

Non-­‐Fes:val  ar:sts  

Fes:val  ar:sts  

Total  

Source:  ICC/DHA  Project  Survey  (N=551)  

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Projects | What is new or different

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Projects per artform

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Projects | Themes •  Young people and emerging talent

–  40% of projects targeted children or young people –  137 projects work with emerging artists,

totalling 6,160 artists –  61% of project participants are under 18

•  Artists with disability –  64 projects work with Deaf and disabled artists,

totalling 806 artists –  80% of Unlimited commissions would not have

happened without the Cultural Olympiad; over half will continue in a similar form; all except two have secured future partnerships

www.iccliverpool.ac.uk

Projects | Themes •  Outdoors & unusual places

–  Programming within iconic outdoor tourist attractions and first time environments for art interventions

–  77% of such projects would not have happened

•  Digital innovation –  70% of projects used digital innovation in their

promotion as well as to engage audiences –  ‘Pop up’ or ‘surprise’ interventions relied almost

exclusively on audiences following social media –  40% of projects used digital activity in the creation of

artistic work

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Engaging Audiences and Communities

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Public Engagement Public engagement over the period of the Cultural Olympiad, across audiences, visitors, participants and volunteers, is estimated at 43.4 million.

Plus 204.4 million in broadcast/online views and hits

    Fes:val   Non-­‐Fes:val   Total  

Attendances and visits – paid 4.7m   0.16m   4.9m  

Total free public engagement (attendances and visits - free, participants and volunteers)

15.4m   23m   38.4m  

Total attendances and visits 16m   21.3m   37.4m  

Total public engagement 20.2m   23.2m   43.4m  

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Engagement across the population Public intent to engage, and actual engagement with Cultural Olympiad, % by region Source: Nielsen/LOCOG State of the Nation (All people 16+), September 2012; DCMS, Taking Part (October 2011-September 2012)

www.iccliverpool.ac.uk

Benefits of engaging, 1 London 2012 Festival audience benefits and drivers for engagement Source: London 2012 Festival Audience Survey, Nielsen (ICC Analysis)

-  seeing new kinds of events -  coming together as a

community to share ‘once-in-a-lifetime’ experiences

-  engaging in new kinds of activities

-  bringing in groups who might not normally engage

-  raising the positive profile of particular groups within the population

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Benefits of engaging 2 Proportion of all projects identifying different types of benefits for those engaging

Source: ICC/DHA Project Survey (base 551 projects)

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Future engagement London 2012 Festival audience, motivation by the Games to do more cultural activities by type of activity Source: London 2012 Festival Audience Survey, Nielsen

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Emerging legacies

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Emerging legacies •  Legacies for the UK

–  UK population were motivated to extend their engagement in culture in the context of the Games

–  Those experiencing the Cultural Olympiad indicate a higher motivation to continue engaging in culture and the arts

–  The Cultural Olympiad raised the profile of the UK’s cultural offer, showed new kinds of work to new types of audience and helped re-imagine iconic locations across the country

–  Over half of projects and new partnerships will continue

•  Legacies for other major events –  Testing a new framework for nation-wide programming –  Raising the bar for Deaf and disabled artist programming –  Programming & dissemination innovations:

digital technology, use of unusual locations

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Thank you

www.beatrizgarcia.net www.culturalolympics.org.uk

European Capital of Culture 30 year overview available January 2014

www.iccliverpool.ac.uk