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de c

2007 6 12

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............................................................................ 1

.... 2

3 4

7

... 9

.. 14

d BWV 913 ... 19

e BWV 914 ... 42

c BWV 911 ... 60

.79

.................................................................................................................. 82

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1

(Toccata)

(Johann Sebastian Bach, 1685-1750)

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2

(Wienner Urtext)

de c

d

e

c

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1536 (Lute)

(ricercare) (tastar de corde)

(Giovanni Antonio Casteliono, 1484-1557) 1

(Sperindio Bertoldo,

1530-1570) 1591

1593 (Il transilvano)2

(Girolamo Diruta, 1554-1610)

(Andrea Gabrieli, 1510-1586)

(Giovanni Gabrieli, 1557-1612)

1Intabolatura de leuto de diversi autori G.A. Casteliono 1536

2 Girolamo Diruta

1593 1609

3

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(Claudio Merulo, 1533-1640)3

1593 (Intonationi d organo)

(Toccata d

intavolatura d organo)4

(Gradamo Frescobaldi, 1583-1643)

1615

(tempo rubato)5

3

(Madrigal) (Mass) (Motet)

4 Toccata d intavolatura d organo 1598 1604

5 John Gillespie, The Five Centuries of Keyboard Music(New York: Dover Publications,

1972), 64-65.

4

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6

1627

(pedal note) (suspension)

(Bernardo Pasquini, 1637-1710)7

(Johann Jacob Froberger, 1616-1667)

(Georg Muffat,

6 Firstly, that kind of style must not be subject to time. We see the thing done in modern

madrigals, which, notwithstanding their difficulties, are rendered easier to sing, thanks to the

variations of the time, which is beaten now slowly, now quickly, and even held in the air,

according to the expression of the music, or the sense of the words.

7

(Domenico Scarlatti, 1685-1757)

5

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1653-1704)

(Dietrich Buxtehude,

1637-1707)

1693

(Alessandro Scarlatti, 1660-1725)

(recitative)

(variations)

(Johann Sebastian Bach,

1685-1750)

6

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(Classical period)

(capriccio) (rhapsody)

(Ludwig van Beethoven, 1770-1827)

(Muzio Clementi, 1752-1832)

(Robert Schumann, 1810-1856) C

(Sonata Form)

(Claude

Debussy, 1862-1918) (Pour le piano, 1904) (Maurice

Ravel, 1875-1937)(Le tombeau de Couperin, 1914-1917)

7

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8

(Sergr Sergeyevich Prokofive, 1891-1953)

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(Arnstadt, 1703-1703) (Mhlhausen,

1707-1708) (Weimar, 1708-1714)

1700

( Johann

Christoph Bach, 1642-1703 )

(Mller manuscript)(Andreas Bach Book)

8

9

8Robert Lewis Marshall,Eighteenth-Century Keyboard Music, New York: Schirmer Books,

1994, p.73.9 8, p.74.

9

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1.

A BWV 896 a BWV 922

fBWV 910 C BWV 946

c BWV 911 a BWV 947

D BWV 912/912a A BWV 949

d BWV 913 A BWV 950

e BWV 914 b BWV 951

g BWV 915 B BWV 954

G BWV 916 B BWV 955

BWV 917 G BWV 957

c BWV 921 E BWV 993

2.

F BWV 820 a BWV 965

B BWV 821 C BWV 966

g BWV 822 a BWV 967

fBWV 823 B BWV 992

F BWV 833 e BWV 996

D BWV 963

10

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dBWV913

(Heinrich Nikolaus Gerber, 1702-1775)

10

(George Grove, 1820-1900)

BWV BWV

910 1712 914 1710

911 1714 915 1710

912 1710 916 1714

913 1708

11

10Schulenberg David,The Keyboard Music of J. S. Bach, New York: Schirmer Books,1992, p.74.

11 Robert Lewis Marshall, The Music of Johann Sebastian Bach: The Sources, The Style,The Significance, New York: Schirmer Books, 1989, p.284.

11

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BWV

910 f Toccata ex Fis.

Manualiter

ABB12

911 C Toccata C.

Manualiter

ABB

912 D Toccata Manualiter

Organista

P28913

913 d Toccata Prima. ex

Clave D

Manualiter

P281

914 e Toccata ex E.

Manualiter

915 g Toccata Manualiter

In G mol

P1082

916 G Toccata Manualiter ABB

14

BWV

910 f C ( B)-b"

911 C CD-c'''

12 Andreas Bach Book.

13

14 14, p.285.

12

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BWV

912 D CDE-c'''

913 d CDE-c'''

914 e CD-c'''

915 g CD-c'''

916 G CDE-c'''

(Manualiter)

(Clavier-bung, 1788) (Manualiter)

(de facto)

15

15 Robert Lewis Marshall, The Music of Johann Sebastian Bach: The Sources, The Style,The Significance, New York: Schirmer Books, 1989, p.283.

13

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16

e

Dc

G

(Praeludium)

(prelude and fugue)

e

BWV914

17

16 1213 (clausula)13 (Motet) mot

17 Robert Lewis Marshall,Eighteenth-Century Keyboard Music, New York: SchirmerBooks, 1994, p.75-84.

14

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1 e 1-9 (a) g (b)

(a)

(b)

15

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2 c (a) d (b)

(a)

(b)

16

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3 d (a) c (b)

(a)

17

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20/87

4 e (a) d (b)

(a)

(b)

18

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dBWV913

dBWV913

(Johann Gottfried Walther, 1684-1748)

(Franz Anton Hoffmeister,

1754-1812) 1801

(Wienner Urtext) (J.H.Michel)Darmstadt

Grnewald18Richard Fawcett

d

(Toccata prima) d

( Johann Christoph Bach, 1642-1703 ) 19

d

18 Grnewald

1728-1731

19 19 Franz HauserIn honorem delectissimi fratris Crist.

B. Ohrdruffiensis

19

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dBWV913

1-32 --- 4/4

33-120 THEMA

(Allegro)

4/4

121-145 (Adagio) 4/4

146-296 (Allegro) 3/4

1 324/4

d

1 154/4

15 32

5

20

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5dBWV913 3-5

8 11 D

6

6 ddBWV913 8-11

1 7

d 7

7 dBWV913 15

d

21

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15 32 1723Darmstadt

15 (Adagio)

( imitation)

(sigh figuures) 20 18

(Empfindsamkeit)

(Phrygian)

(Carl Heinrich Graun, 1704-1759) (Der Tod Jesu,1755)

8

20 Schulenberg David,The Keyboard Music of J. S. Bach, New York: Schirmer Books,

1992, p.82.

22

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8(Der Tod Jesu) 1-10

f 9

23

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9 fBWV881 1-4

10 dBWV913 15-17

10 d

d

iv7 i

17

d i

28 (Presto)

(Recitative)

(Tierce de picardie)21 11

21

(Jean-Jacques Rousseau,

1712-1778) 1767(Dictionnaire de musique)

24

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11 dBWV913 27-32

33 1204/4

33 120

33-54 55-65 65-78 78-89 89-105 105-110 111-120

(Thema)

BBWV955

22

d

(Rondo)

22 Schulenberg David,The Keyboard Music of J. S. Bach, New York: Schirmer Books,1992, p.82.

25

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33 35 32

35

D B

D

C D 12

12 dBWV913 33-36

13

26

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29/87

13 dBWV913 33-34 (a) 68-69

(b)

(a) (b)

d 111 120

(German Style)23 14

14 dBWV913 111-113

121 1454/4

GrnewaldRichard Fawcett (Adagio)

(Adagissimo)

15

23 19

27

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15 dBWV913 120-122

124 (Aria)

142 (Presto)

16 dBWV913 142-145

146 2963/4

28

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31/87

146-165 165-182 182-199 199-229 229-252 252-270 279-284 284-296

146-150 150-157 157-165

d d d

d 33 34

17

17 dBWV913 33-34 (a) 146-148

(b)

(a)

(b)

17 (b)

(a) 18

29

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18 dBWV913 146-148

1

165-172 172-177 177-182

d---a

1

19

19 d 111 (a) 166-167 (b)

(a) (b)

30

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2 3

182-184 184-190 191-193 193-199

a a

1

a 20 183

G

20 dBWV913 180-183

GG

G

189 a V I

31

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4

199-201

201-204

204-208

208-215

215-221

221-229

d

a

g

2

2

202

(Hemiola)

21 dBWV913 200-203

Hemiola

221

225

32

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35/87

5

6

229-235235-252

252-254

254-259

259-263

263-270

d d---g

g

B

2

1

2

22 dBWV913 240-241

6

270-278 278-284 284-296

d d d

2

33

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36/87

23aBWV96524

23dBWV913 270-272

276 278

d

d

277 278 V I 24

24 dBWV913 276-278

5

24

19

34

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25 dBWV913 281-289

5

291 (Johann

Adam Reinken, 1643-1722)25

aBWV965

291 293 26a

BWV965

25

(Musica-amicus)(Erste Unterrichtung zur Compesition)

35

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26 (a) BWV965

24-25 (b)

aBWV965

aBWV965

27

27 dBWV913 291-293

(a) (b)

36

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1 32

28

1 8

6 32 28

37

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28 dBWV913 6-7

8 15

22

33 120

(Carl Philipp Emanuel Bach, 1714-1788)

38

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29

29 dBWV913 33-35

121 145

142

124

(arpeggio)

127 128 30

128

39

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30 dBWV913 127-128

146 296

31 dBWV913 146-148

222

40

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32 dBWV913 222-227

d

d

41

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e BWV914

eBWV914 1725

(Heinrich Nikolaus Gerber, 1702-1775)27

28

(Praeludium)29

e BWV914

1-13 3/2

14-41

(Un poco Allegro) 4/4

42-70 (Adagio) 4/4

71-142 (Fuga)

(Allegro)

4/4

27 1724

(figured bass) 1725-6

(Das wohltemperirte Clavier)


1992, p.83.29 27, p.84

42

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1 13 3/2

e BWV914

33

34

BWV914

33

34

33 e BWV914 7-9 33 e BWV914 7-9

34 e BWV914 1-3

14 41 4/4

(motetlike

adagios)30

(Un poco Allegro)

(double fugue)

30 28

43

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14-25 25-33 33-39 39-41

1

14-18 18-23 23-27

e ---b e ---a

(Alto)

(Soprano) 1

2 35 16 E

b e b (Risposta)

35 e BWV914 14-17

1 1

2 2

44

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36 e BWV914 14-15

18

20 21 e

37 e BWV914 18-21

22 e i

(Tenor) i VI

45

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2 3

27-29 29-31 31-33

e

1

e 29 31

1 2

1 g 2

a

38 e BWV914 29-31

G e a

1

2

31 33

(Scalar descents) E-D-C-B-A

46

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49/87

39 e BWV914 29-34

38 41

40

40 e BWV914 38-41

1

2

42 70 4/4

47

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50/87

41eBWV914 42-62 31

42 49

51 62 63 70

4248 49

e

42 e BWV914 47-48

49 50

43


1992, p.84.

48

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51/87

43 e BWV914 49-50

56 D

44

44 e BWV914 65-67

71 142 4/4

71-85 85-96 96-111 111-125 125-136 136-142

49

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71-78 78-80 80-85

e ---b e

(Naples manuscript)

4532

BWV579bAbBWV950-951

45 E 43-46 (a) e

BWV914 71-74 (b)

32 Schulenberg David,The Keyboard Music of J. S.

Bach (Benedetto Marcello,

1686-1739)

50

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53/87

(escape

tones)

b

47

46

46 e BWV914 71-75

47 e BWV914 71-75

51

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54/87

85-87 87-90 90-96

b b e

e V-i

48

48 e BWV914 91-94

52

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55/87

96-104 104-111 111-115 115-125

e ---b b

49b V-i

49 e BWV914 105-106

(Subject Stretto) 50

53

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50 e BWV914 113-118

125-128 128-133 133-136 136-142

e e e

51

133

52

54

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51 e BWV914 124-126

52 e BWV914 136-139

53

55

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53 e 47-49 (a) e

BWV914 125-127 (b)

138-139 54

54 e BWV914 136-139

56

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59/87

e

55 e BWV914 140-142

1 13

6

56 e BWV914 7-9

14 41

57

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60/87

42 70

71 142

58

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61/87

59

e

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62/87

cBWV911

c BWV911

(Johann Christian Bach, 1735-1782)

BWV912 BWV913 c

12

c

1.

c

(pause)

2.

1

3.

60

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63/87

cBWV911

1-12 4/4

12-33 (Adagio) 4/4

33-175 (Allegro)

4/4

1 124/4

5

57

57 cBWV911 5-6

6

(Round) 58

61

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64/87

58 cBWV911 7-8

12 334/4

c

30

59 cBWV911 7-8

c V7 VI

7

62

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65/87

15 c i

c V7

30 60

33 V7

61

60 cBWV911 28-30

61 cBWV911 32-33

33 1754/4

80 85

63

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66/87

cBWV911

33-51 51-69 69-80 80-85

cBWV911

85-109 109-127 127-147 147-162 162-175

33-38 38-43 43-46 46-51

c g c

1

62

64

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62 cBWV911 34-39

1 2

3

51-56 55

60

60-64 64-69

E B g

1

2

1

1 63

c e

63 cBWV911 51-53

1

65

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68/87

69-74 74-76 75

80

80-85

c c c c

3

(cadenza)

64

1 2

ABWV949BBWV954

33


1992, p.79.

66

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69/87

64 cBWV911 69-72

(cadenza)34

66

(figura corta)35

(trillo)

65


1992, p.80.35

33

67

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70/87

65

66 cBWV911 82-83

67 cBWV911 84-85

85-90

91-96

97-102

102-104

104-109

c g c g

68

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71/87

68

3

68 cBWV911 86-90

3

69 cBWV911 103-104

69

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72/87

107-115 115-119 119-122 122127

c c c

36 3

70

70 cBWV911 110-111

115

36 33

70

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73/87

71cBWV911 116-120

123

72 cBWV911 123-125

127-133 133-138 138-142 141-147

E E B

3

71

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74/87

2

E

73 cBWV911 139-140

147-152 152-157 157-162 162-166

B---f

f c

B f

74 (Diminution)

72

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75/87

74 cBWV911 146-149

156

75

75 cBWV911 37-38 (a) 156-157

(b)

(a)

(b)

162 c

73

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76/87

76

76 cBWV911 168-169

77

78

77 cBWV911 168-169

74

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77/87

78 cBWV911 174-175

1.

2.

3.

4.

75

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78/87

1 12

1 3 32

79

79 cBWV911 1-4

6

80 cBWV911 7-10

76

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79/87

12 33

27

81

81 cBWV911 28-30

33 175

16

83 85

77

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80/87

82

82 cBWV911 84-85

78

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81/87

d

e

79

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82/87

c

80

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83/87

81

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84/87

82

Bach, Johann Sebastian.Toccatas. Edited by Christian Eisert. Wiener Urtext, 2000.

________. Toccatas. Edited by Peter Wollny. Brenreiter Urtext, 1999.

________. Toccatas. Edited by Rudolf Steglich. Mnchen: G. Hemle Varlag, 1961.

David, Schulenberg.The Keyboard Music of J. S. Bach. New York: Schirmer Books,

1992.

Gillespie, John. The Five Centuries of Keyboard Music. New York: Dover Publications,

1972.

Kirby, Frank Eugene.Music for Piano-A Short History. Portland, Oregon: Amadeus

Press, 1995.

Marshall, Robert Lewis.Eighteenth-Century Keyboard Music. New York: Schirmer

Books, 1994.

________. The Music of Johann Sebastian Bach: The Sources, The Style, The

Significance. New York: Schirmer Books, 1989.

(Stanley Sadie)(Alison Latham)

(The Cambridge Illustrated Guide of Music)

2004

J. S. 2000

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83

2000

Beversluis, John. Guide to Records: BACH.American Record Guide, Vol. 64 Issue

6, Nov/Dec 2002: 72-76.

Moore, David W.. Guide to records.American Record Guide, Vol. 61 Issue 2,

Mar/Apr 1998: 72.

Bach, Johann Sebastian. BACH & WEBER: OPERE PER PIANOFORTESchnabel.

Artur Schnabel, Piano. Compact disc. URN 22. 119. Italia: Urania, 1999.

________.RICHTER: The Authorised Recordings---BACH. Sviatoslav Richter, Piano.

Compact disc. PHILIPS 438 613-2. Germany: Philips, 1994.

________. Sonatas for da Gamba & Harpsichord. Shalev Ad-El, Harpsichord. Compact

disc. CHAN 0608. England: Chaconne, 1997.

________.ToccatasVOL.1. Glenn Gould, Piano. Compact disc. SMK87762. London:

Sony, 2002.

________.ToccatasVOL.2. Glenn Gould, Piano. Compact disc. SMK87763. Sony,

2002.

________. Toccata BWV911, Partita BWV826, Englische Suite No.2 BWV807. Martha

Argerich, Piano. Compact disc. 463 604-2. Hamburg: DG, 1980.

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84

David, Hand T., and Mendel, Arthur. The New Bach Reader: A Life of Johann Sebastian

Bach in Letters and Documents. New York: W.W. Norton, 1998.

David, Schulenberg.Bach Perspectives v.4: The Music of J.S.Bach--- Analysis and

Interpretation. Lincoln: University of Nebraska press, 1995.

Hans, Tischler. The History of Keyboard Music to 1700. Bloomington: Indiana

University press, 1972.

Troeger, Richard.Playing Bach on the keyboard---A Practical Guide. Portland, Oregon:

Amadeus Press, 2003.

(Friedrich, Otto)(Glenn Gould: a life and

variations)1997

1999

(Guertin, Ghyslaine)(Glenn Gould pluriel)

1994

2002

J. S. BWV 812-817

2003

- a d,

7/24/2019 metadata_08_01_s_05_0068

87/87

2000

2003

D

2005

2003