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    NEW MINIMALIST HOUSES

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    NEW MINIMALIST HOEdited by Anja Llorella Oriol

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    NEW MINIMALIST HOUSESCopyright 2006 COLLINS DESIGN and LOFT Publications

    All rights reserved. No part of this book may be used or reproduced in any manner whatsoeverwithout written permission except in the case of brief quotations embodied in critical articles andreviews. For information, address Collins Design, 10 East 53rd Street, New York, NY 10022.

    HarperCollins books may be purchased for educational, business, or sales promotional use.For information, please write: Special Markets Department, HarperCollins Publishers Inc.,10 East 53rd Street, New York, NY 10022

    First Edition published in 2006 by:Collins DesignAn Imprint of HarperCollinsPublishers10 East 53rd StreetNew York, NY 10022Tel.: (212) 207-7000Fax: (212) [email protected]

    Distributed throughout the world by:HarperCollinsPublishers10 East 53rd StreetNew York, NY 10022Fax: (212) 207-7654

    Packaged byLOFT Publications

    Via Laietana, 32 4. Of. 9208003 Barcelona, SpainTel.: +34 932 688 088Fax: +34 932 687 [email protected]

    Editor:Anja Llorella Oriol

    Translation:Xxxxx Xxxxx

    Art Director:Mireia Casanovas Soley

    Layout:Zahira Rodrguez Mediavilla

    Library of Congress Cataloging-in-Publication Data

    Library of Congress Cataloging-in-Publication Data

    Llorella, Anja.New minimalist houses / Anja Llorella Oriol. -- 1st ed.p. cm.ISBN-13: 978-0-06-089316-3 (hardcover)ISBN-10: 0-06-089316-8 (hardcover)1. Minimal architecture. 2. Architecture, Domestic. 3. Architecture,

    Modern--20th century. 4. Architecture, Modern--21st century. I. Title.

    NA682.M55L66 2006728'.37--dc22

    2006018792

    Printed in Spain

    First Printing, 2006

    Introduction

    WATERFRONT HOUS

    Villa in the South of

    Air House | Sambuichi A

    Portas Novas House

    St. Andrews Beach R

    A&P House | Bauart

    Villa Blommers | 70F

    URBAN HOUSES

    Villa Bio | Cloud 9

    Patio House | Bernalte-

    Pilgrims Lane Hous

    Orange Grove | Pugh &

    House in Sarri | GCA

    Hill Side Residence

    Fontana House | N Ma

    Barro House | Wood-M

    Shimosakunobe K |

    House in Chikata | K

    House H | Caramel Archi

    CONTENTS

    8

    10

    12

    22

    28

    38

    46

    54

    60

    62

    70

    80

    88

    96

    104

    114

    122

    130

    136

    142

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    MOUNTAIN HOUSES

    DOK House | Querkraft Architekten

    House in Beroun | HSH Architekti

    Pavi House |Johannes Kaufmann Architektur

    Travella House | Aldo Celoria Architect

    Hillside House |Johnston Marklee and Associates

    Sund Bjrnsen Villa |Jarmund-Vigsnaes AS Arkitekter MNAL

    Sutterlty House | Dietrich Untertrifaller

    Pausondo House |Javier Iriondo Silvan

    House in Bera |Jabier Lekuona Errondonea

    M Lidia House | RCR Arquitectes

    COUNTRY HOUSES

    Nomad Home | Hobby a. Schuster & Maul

    House N5 | Claesson Koivisto Rune Architects

    Floating House | Holodeck Architekten

    House for Eva & Fritz | Hobby a. Schuster & Maul

    Steinwendtner House | Hertl Architekten

    Bellows House | RCR Arquitectes

    Secano House | Ad hoc SL

    CC_01 House | Leven Betts Studio

    Burrawang House | Whitcher Matyear Architects

    BR House | Marcio Kogan

    Directory

    152

    154

    162

    170180

    190

    200

    210

    216

    226

    236

    0000

    246

    248

    254

    266

    274

    282

    290

    298

    308

    316

    324

    334

    INTRODU

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    8

    M

    inimalism in architecture and design can be traced back to various

    roots. This is not about a permanently defined style direction, but

    rather about an aesthetic with different types of influences.

    Already at the beginning of the 20th century, the first signs of designing simpler

    residential spaces and furnishings emerged. New Realism, which later became

    famous as Bauhaus Style, exerted more and more influence upon architecture,

    art and design. The term, new realism owes its development to the fact that with

    the renunciation of prominent artists of the so-called art nouveau before World

    War I in Germany, a first realism in architecture and the applied arts already

    existed. The signs of a formal simplication in the applied arts were already

    apparent at the large Dresden-based applied arts exhibition in 1906. With

    the founding of the German Work Alliance in 1907, the terms realism,

    functionalism and modern functional styletogether with the first signs of an

    industrial design were discussed more and more openly. New realism ended

    with the power takeover by the Nazis and their culture policy, and many

    representatives of this movement emigrated to the United States. There

    minimalist art was created in the 1960s with artworks that appeared to be tech-

    nically simplified, such as, the equally organized monochromatic cubes of the

    artist Donald Judd.

    In the 1980s, the British architect John Pawson published the book, Minimum,

    which strongly influenced the design world. His displays show how his style was

    influenced by Zen Buddhism. Simplicity became a philosophy of life and a type

    of individual liberation.

    Chinese and Japanese design history also exercised a strong influence o

    minimalist architecture. Traditional Japanese houses impress with their spac

    sleekness, flowing transitions between the inside and outside and use of natu

    materials with untreated surfaces.

    In addition to features such as sleekness and emptiness, light plays a major ro

    in minimalist architecture, and achieves status as a building material. The use

    light as a construction material is not, limited to contact with a natural lig

    source but, rather, includes artificial illumination elements, which serve

    support the architectonic concepts. In order to direct this light outside a

    well as inside, transparent materials such as glass are used again and again.

    this way, the themes of transparency and faade are a primary concern

    minimalist architecture. In addition to the direct use of glazed faade surfac

    some architects prefer the semitransparent features of opaque claddings.

    To some extent, buildings are covered in nontransparent materials such as woo

    with light directed indoors via small holes. This method of building claddi

    changes the status of the faade, which is released more and more fro

    superficiality and established as an individual interspatial structure.

    On the following pages, certain houses are presented whose emphasis is on t

    interaction with the surroundings. For other projects on these pages, innovat

    material selection, as well as the search for new structures is the to

    priority. Despite various points of departure, these designs are connected

    the search for new means of expression that enrich the concept of minimalis

    with new ideas.