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Perspective and Printing Press - The First Information Revolutions Perspective

Perspective and Printing Press - The First Information Revolutions

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Perspective and Printing Press - The First Information Revolutions. Perspective. Media. Pigments: minerals or organic. No organic synthetic colors until 19th century. Fresco - pigment on plaster. Tempera - pigment plus water or egg. Linseed oil - 15th century. - PowerPoint PPT Presentation

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Page 1: Perspective and Printing Press - The First Information Revolutions

Perspective and Printing Press - The First Information

Revolutions

Perspective

Page 2: Perspective and Printing Press - The First Information Revolutions

Media Pigments: minerals or organic. No organic

synthetic colors until 19th century. Fresco - pigment on plaster. Tempera - pigment plus water or egg. Linseed oil - 15th century. Use of paint as wood preservative very

recent. • First ready-mixed pigment and vehicle sold

only in 19th century.

Page 3: Perspective and Printing Press - The First Information Revolutions

Representational Styles

• Conceptual - Elements sized or placed according to importance

• Polydimensional - Objects viewed from vantage point that best shows features

• Perspective– Not automatically seen as “natural” by other

cultures– Children have to learn to interpret it

Page 4: Perspective and Printing Press - The First Information Revolutions

Conceptual

Page 5: Perspective and Printing Press - The First Information Revolutions

Conceptual Style –

Byzantine Madonna

Page 6: Perspective and Printing Press - The First Information Revolutions

Polydimensional

Page 7: Perspective and Printing Press - The First Information Revolutions

Polydimensional – British

Columbia Totem

Page 8: Perspective and Printing Press - The First Information Revolutions

Polydimensional – Egyptian

Page 9: Perspective and Printing Press - The First Information Revolutions

Polydimensional - Picasso

Page 10: Perspective and Printing Press - The First Information Revolutions

Polydimensional – Maurits Escher

Page 11: Perspective and Printing Press - The First Information Revolutions

Perspective

Page 12: Perspective and Printing Press - The First Information Revolutions

Perspective

Page 13: Perspective and Printing Press - The First Information Revolutions

Perspective

Vanishing point Size reduction with distance • Conventions are cultural and learned.

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Development of perspective

Distance cues were known and used, but not systematically Size - distance relations Near objects overlap distant ones Foreshortening

Convergence of parallels (pre-perspective examples are common, but lacked geometrical consistency.)

Page 18: Perspective and Printing Press - The First Information Revolutions

The Book of Hours of the

Duc du Barry, ca. 1400

Page 19: Perspective and Printing Press - The First Information Revolutions
Page 20: Perspective and Printing Press - The First Information Revolutions

Size - distance relations inconsistent

Page 21: Perspective and Printing Press - The First Information Revolutions

Inconsistent Viewpoints

Page 22: Perspective and Printing Press - The First Information Revolutions

Convergence of parallels known but

lack geometrical consistency

Page 23: Perspective and Printing Press - The First Information Revolutions

Convergence

Page 24: Perspective and Printing Press - The First Information Revolutions

The Funeral of Raymond

Diocres (1408)

Page 25: Perspective and Printing Press - The First Information Revolutions

Post-14th Century Realism

Page 26: Perspective and Printing Press - The First Information Revolutions

A Very Modern

Convention

Page 27: Perspective and Printing Press - The First Information Revolutions

Development of perspective

Disasters of 14th century led to graphic depiction of often unpleasant realities. Art climate was ripe for greater realism.

Introduction of Ptolemy's Geographia about 1350 re-introduced projection techniques.

Use of grids as drafting aids Camera obscura as aid in drawing

Page 28: Perspective and Printing Press - The First Information Revolutions

Ptolemy’s Geographia

Page 29: Perspective and Printing Press - The First Information Revolutions

The Camera Obscura

Page 30: Perspective and Printing Press - The First Information Revolutions

Natural Pinhole Cameras

Page 31: Perspective and Printing Press - The First Information Revolutions

Effects of perspective technique Delight in new technical mastery (Tour de

Force) Discovery of power of close observation

and attention to detail Power of mathematics to explain nature Power of simple principles to achieve great

effects

Page 32: Perspective and Printing Press - The First Information Revolutions

Tour de Force: Andrea Pozzo, 1600’s

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Tour de Force: Andrea Pozzo, 1600’s

Page 34: Perspective and Printing Press - The First Information Revolutions

Deliberate Use of Perspective