Portfolio candacewong

candace wong design portfolio

an exploration of ideation and expression through means of design index

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holy trinity catholic church

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1_diverted rainwater and grey water treated with constructed wer-lands and filtration2_low operable windows at entrance and high operable windows en-able optimal cross ventilation3_4 zoned mitsubishi central air cooling4_passive design to protect East & West and collects rainwater as well5_gsky modular green wall system located at reachable areas.herb plantings6_912sq.ft. thin film photovoltaic arraypositioned for maximum exposure7_solar water heating

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californianativespecies

firestone comp. mtl

bamboohardwoodblonde

firestone una-clad mtl roof

calibamboo decking

perforated metal panel

kliptech eco-clad

gsky pro-wall

polycarbonate panels

thin film

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1_CP Anchor Piers2_Steel Anchor Plates @ Beams, dry grout & bolt3_2x12 @ 16 O.C. Floor Joists4_Plywood5_2x6 @ 16 O.C. Partition walls6_W187_Castellated W188_2x6 @4-0 O.C. Framing9_Plywood10_Metal Standing Seam Roof11_2x4 HSS Secondary skin structure w/ perforated metal panels

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1 / 4 " = 1 ' - 0 "1 S e c t i o n 1

1 / 4 " = 1 ' - 0 "2 S e c t i o n 4

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1 / 4 " = 1 ' - 0 "1 S e c t i o n 2

1 / 4 " = 1 ' - 0 "1 S e c t i o n 1

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view through

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reconnect and reestablish

flexing skin creates relationship between stadium, entertainment street, and district

elevation of openings for views and movement through

entertainment district & park entertainment district & park weave

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section through surrounding streetssection through main axis

LEVEL G: exposition park

north stadium entrance in the club skin | coliseum interstitial space corridor oor four concourse

LEVEL 2: In the club LEVEL 3: the suite zone LEVEL 4: oor four LEVEL 5: high ve

















^ Interstitial space | existing coliseum walls and new interactive skin Level 4: Floor Four ^

v Level 2: In the club Level G: exposition park v

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PUBLIC

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captivating residen

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captivating: to influence and dominate by some special charm, art, or trait and with an irresistible

appeal.

first year SOHO design expressing the definition of captivating through means of architecture. visual and spacial cues serve as verbs in the syntax of architecture. the visual diagonals first draw views in from afar and allow the spaces to suggest movement inwards with tapered volumes and voids. interior spaces also visibly capture movement into spaces with intriguing and playful day

lighting.

the sportscraper, a sports facility skyscraper, is a senior level design experimenting with horizontal thinking expressed in vertical means. by taking a typically horizontal program like sports facilities and flipping it on its side, an urban friendly and dynamic

building is erected.

the overall form of the sportscraper attempts to signify the transition between current skyscrapers and where skyscrapers will soon be. the rigid vertical half of the sportscraper stands perpendicular and blends with typical building type surrounding Houston life while the undulating and expressive curtain wall other half

symbolizes a movement of change soon to come.

the sportscraper houses a yoga garden, spa, Olympic size pool and dive arena, tennis, basketball and volleyball courts, a general arena, a boxing and martial arts floor, ground level skate-in skate park, an atrium rock climb wall, an indoor skydive facility, underground parking to free up the lot to the public, and much more.

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^ 3 form vertical fin wave facade preliminary interior finish studies for new united terminal 7 concourse

^ varied horizontal bands

v 3x5 typical panel v diagonal reveals in trespa panels

united terminal 7 LAX

view of concourse atrium

united terminal 7 LAX

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CNC cut laminated OSB flexible seating that yields two seats per cut and allows collapsible storage for space saving

(right) laminated birch plywood side table with 3/8 continuous spiral

bent metal base

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the Holy Trinity Catholic Church is a design that explores the relationship between traditional Catholic ideas and modern representation. traditional ideas are often expressed in redesigned form and unconventional notions take a turn with typical.

Holy Trinity is located in Bexar County and provides the two story sanctuary space seen above ground, and mixed-use rooms, activity and recreational spaces, and

offices located in the below ground courtyard.

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the majority of the church is raised 3 feet above ground to give illusion to a floating and light building and is held up by the Holy Trinity, represented by the three-part exterior columns. the wedge shape draws from the traditional cathedral building type idea of ascension into the heavens but redefines the

form into a modern interpretation of the spiritual path.

entrances to the church are a formal front entrance symbolic of a winding path that one must climb and an informal second entrance accessed by entering below the church into the below ground courtyard and rising up into the foyer

through the central courtyard.

the main cruciform frosted window provides a soft light to the sanctuary space and characterizes the traditional crucifix with a contemporary form. it continues to wrap the entire building by becoming a roof element, splits off into the tri-part stained glass windows, creates the central courtyard, and flips back under into a structural glass aisle that gives the illusion of walking on air.

an interior nave view showing two story sanctuary space, altar, main glass axis, three part exterior columns, and the traditional stained glass transitioning from

roof element and wrapping down into sanctuary.

a wooden exterior and interior give this modern form a touch of traditional and the structure literally grows out from the ground and ascends into the sky.

overhead view showing site and the main axis glass element with the three part stained glass windows branching off.

(far right) interior formal foyer entrance view. far left leads down into office spaces and classrooms, left leads to main sanctuary space, center is main courtyard that accesses below ground courtyard., and right leads to second

level seating in sanctuary

>>

firehouse #23 gilmore residence

firehouse #23 is a sophomore level design for the College Station Fire Department to house a firemen crew and a municipal court.

due to a separation in formal municipal needs and informal fireman residential space needs, the building has been broken into two separate pieces and seeks to highlight the unique relationship of interdependence between the two functions through form.

the municipal space (on the left) is derived from a standard two-story rectangular volume, but has been shifted and anted into something more distinctive to reflect the unique characteristics of the program. the two pieces also play with coordinating positive space and void. in elevation, it is clear that there are two separate entities,

but alludes to the spaces being easily pushed together to become one.

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this residence, a sophomore year design, was conceived for the fictional mother-daughter relationship of Rory and Lorelai Gilmore. the quirky relationship between this duo gives life to this beach residence and is accommodated by many

peculiarities in design and the whimsical nature of the house.

because both ladies come from a traditional family, it was important to recognize precedence. traditional becomes the starting point of the design, and quirks derived from the characters morph the spaces into something to cater to them both. a standard foyer with grand staircase has been translated into a tapered distinctive space, a unique modern twist on curtain wall colors a typical two-story living room space, a secret staircase from Lorelai and Rorys adjoining rooms gives immediate access to their home theatre, and a completely separate guest room to house the

infamous Emily Gilmore makes this custom home complete.

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the Baker residence, a third year project, is a sustainable low-impact lake house residence in the hills of Lake Travis Austin. the Bakers, a husband who works as an investment banker and yoga teaching wife, wanted a serene and simple home that they could escape to, a space that would reflect their interests, and a project that would be minimally invasive to their beloved hill country. the baker residence design allows for natural ventilation, harvests solar energy with roof mounted photovoltaic panels, incorporates a loft for a minimalistic setting, allows for a studio for Mr. Baker to carry out his business, and is designed with a structural pier system that minimizes the footprint of the residency. the design also comes from the Bakers dissimilar personalities. The home draws little attention and curiosity from street side (bottom left), and once navigated inside, quickly opposes the quaint with dynamic

and allows the rest of the estate to reveal itself.

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[email protected] 3540 Dunn Dr. #3 Los Angeles, CA 90034

Documents

Portfolio candacewong