portfolio yuji mukaiyama

PORTFOLIO

Yuji MUKAIYAMA

[ Biography ]

Yuji MUKAIYAMA

2013-2015 Architect in kwas / kensuke watanabe architecture studio, Tokyo, Japan

2012 Internship in Christian Kerez, Zürich, Switzerland

2011-2012 Exchange Program in Department of Architecture, ETH Zürich

2010-2013 Department of Architecture, Graduate School of Engineering, The University of Tokyo

2008-2010 Junior architect in kwas / kensuke watanabe architecture studio, Tokyo, Japan

2004-2008 Department of Architecture, Faculty of Engineering, The University of Tokyo

1985 Born in Hiroshima, Japan

[ Award and Remark ]2008 Graduation Thesis Project: Urban Design in the Vacant Lot in the Runway of KAI-TAK Airport in

Hong Kong, Tatsuno Prize (1st Place in The University)

2006 TEPCO Inter-University Design Competition, 3rd Prize

2006 UNION Design Award Competition, 3rd Prize

2006 Ground Scape Design Workshop, 1st Place

2006 Wooden Pedestrian Bridge Design Competition, 1st Prize

[ Publication ]2013 FinancialBridgein“AAfiles67“

2013 Editorial Cordination of “Uncertain Certainty” by Christian Kerez

2012 Sowa Unit in “werk bauen + wohnen 1-2 2012”

[ Language ]Japanese Mother tongue

English Fluent

[ Contact ]Address #107CosmosKagurazaka,67Akagishitamachi,Shinjuku,Tokyo,162-0803Japan

Email [email protected]

Phone +81 80 5681 1985

04 _ F INANCIAL BRIDGE

13 _ AUTOPOIESIS

12 _ ZOO OF WILDNESS

06 _ SCRIBES & SQUARES

10 _ BOOK BAR YOMICA

09 _ SOWA UNIT

15 _ TRUSS MOUNTAIN BRIDGE

16 _ OTHER WORKS

07 _ NISHIAZABU VILLAGE HOUSING

11 _ SPLIT MIND

05 _ FORST - C ITY OF WILDERNESS

01 _ RETREAT IN KARUIZAWA

02 _ Y HOUSE

14 _ (UN)COVERED

08 _ YOYOGI HOUSE

03 _ INFORMAL PRINCIPLE

01 _ RETREAT IN KARUIZAWA

2014 _ In Progress

Duration _ November 2014 - August 2015

Program _ Retreat

Location _ Nagano, Japan

Team _ Alyssa Ueno, Yshi Sasada, Yuji Mukaiyama

A retreat in Karuizawa is located in the middle of a deep woods in Nagano prefecture.

The request from the client is to design a hut that could be used as a peaceful resting space for the visitors who visit the

wild f lower garden that she has been working on in collaboration with a landscape architect for years.

The client is a painter who has been painting the wild f lowers of Nagano for decades. The act of maintaining and invit ing

visitors into the garden is her way of showing her sense of gratitude towards the plants.

0 1

2015 _ Work at kwas / kensuke watanabe architecture off ice

Architect _ Kensuke Watanabe

Duration _ 1 year

Program _ Private house

Location _ Kanagawa, Japan

Team _ Kensuke Watanabe, Yuji Mukaiyama

02 _ Y HOUSE

Y House is planned for a couple and three children in Kamakura that is one of old towns in Japan having residential neigh-

borhood and green. We proposed bundles of columns not only to support the structure but also to make the continuity of

the environment that is row of trees and shrubbery. The diagonal columns are tied together at the bottom and connecting

the base plate with the grid of the roof structure. On the ground level, these columns appear as trunks of trees making

the space open and one continuum with the garden. On the other hand, on the first level, they become dispersed and

one may feel surrounded by branches of threes where family stuff l ike books, clothes and miscellaneous things fulf i l l and

separate space loosely.Pursuing architecture as the continuum of the environment, the diagonal columns characterize the

difference between ground level and first level that was treated as homogeneous space in modern frame.

0.5 1 2m0

0.5 1 2m0

BB

A

A

BB

A

A

1F Plan S=1/100

GF Plan S=1/100

0.5 1 2m0

0.5 1 2m0East Elevation S=1/100 South Elevation S=1/100

A-Section S=1/100 B-Section S=1/100

2013 _ Competit ion

Jury _ Kengo Kuma, Kumiko Inui, So Fujimoto

Duration _ 3 weeks

Program _ Housing complex

Location _ None

Team _ Yushi Sasada, Yuji Mukaiyama

03 _ INFORMAL PRINCIPLE

By reinterpreting vernacular forms in Tokyo through careful observation of the city, we introduced informal situation in this housing

complex. Small volumes of housing units, uncouthly attached balconies, additional roof structures on the rooftops and tiny storage

spaces between exterior walls and fences are typical informal expansion of houses in residential area. These elements make the inte-

rior private space expanded to outside space or private space and achieve the situation where dwellers’ activit ies form the cityscape.

04 _ F INANCIAL BRIDGE

2011 _ Studio Charbonnet / Heiz ETH Zürich

Professor _ François Charbonnet, Patr ick Heiz

Cr i t ic _ Laurent Stalder

Assistant _ Phi l ipp Oehy, Leonor Macedo, Pedro Guedes

Duration _ 13 weeks

Program _ Of f ice

Location _ New York City, USA

Team _ Ol iver Pfe i f fer, Yuj i Mukaiyama

Referential images

Site Plan

“IN GOD WE TRUST.” This phrase is written on one-dollar bil ls and well showing the signif icance of trust in rel igion and

finance. Their legit imacy is kept f irm as long as people trust them.

In these days, f inancial agencies seem to be losing their trust and have become one of infamous business. In order to

get trust back into their hands and rehabil itate their reputation, they need a new plan that should be executed by the way

of showing their trustworthiness.

When people trust something or someone, they believe in its rel iabil ity, truth or abil ity without clear evidence. This

means their trustworthiness can not be proven and only created through relationship.

Religious fraternit ies uti l ize mutual relationship that a rel igion and people rely on each other as means to show their

trustworthiness. They provide something necessary for people and get funds, lands or working force in return. This reci-

procity make the rel igious commugreliable infrastructure for people. Thorough this process, people come to trust them.

This process can be applied to f inancial agencies. In this case, they build a bridge passing through Wall Street in Man-

hattan providing a connection between JFK, Brooklyn, New York, Jersey City and EWR. It works as a necessary infra-

structure for people and make them dependent on the financial company. In return, they obtain an exclusive right to use

the space over Wall Street where the land value is extremely high. This bridge becomes a financial building at the same

time. In addition, the land value along this bridge goes higher because of the connection and becomes a target of new

investment. This bridge also can contribute to the development of the city.

Elevation / Section Floor Plans & Elevation / Section

DECK : Yaquina Bay Bridge (1936) / Empire State Building (1931)

PILLAR : Pont d’Esbly (1949) / Rockefeller Center (1940)

05 _ FORST - C ITY OF WILDERNESS

2011 _ Studio Tom Emerson ETH Zürich

Professor _ Tom Emerson

Crit ic _ Anne Holtrop, Adam Khan

Assistant _ Phi l ipp Imboden, Nicholas Lobo Brennan, Bor is Gusic, Chr istoph Junk, Stef fen Jürgensen

Duration _ 13 weeks

Program _ Landscape

Location _ Forst, Germany

Team _ Lorenza Donati, Yuj i Mukaiyama

Flower Garden

Forst is a post-industrial city positioned in Lausitz, eastern Germany. Widely known for its blooming texti le

industryunti lthe70’s,Forstwasthenhitbyasevereindustrialcrisis.Thefal loftheBerl inwallfoundthecity

strongly affected by the economic ramifications of the German reunif ication. Forst had become a shrinking

Abandoned Garden

city entering a process of declination. In the autumn semester 2011, Studio Tom Emerson at EHTZ init iated a

research project on the city of Forst. Our research was based on the strategy to f ind out elements which make

contrast between what is cult ivated and abandoned, in other words, artifact and nature.

Re-naturing of the former industrial site

We saw Forst as a mortal process of the city and decided to intervene in the process of death itself by implementing vast

public park in the middle of the city. It would be composed of abandoned monumental buildings and wildness achieved

by acceleration an cultivation of nature growth through several decades.

As a f irst step, we had to define the borders of the park. By estimating the yearly growth of the vegetation sprouting from

the abandoned spaces, we concluded that in 60 years the ruderal vegetation wil l have overgrown the city and achieved

the defined borders. Private grounds serve as an additional borderl ine.

We chose buildings of monumental quality to be included in the park, namely two churches and six abandoned texti le

factories. These are dispersed in the park and create an archipelago of public spaces in the wilderness. The second step

was to make this large area accessible to the public and to connect the ruined city with the city’s reality, by using on one

hand the existing grid, and on the other hand by creating new paths to interconnect the monuments.

Structure of connection

Site plan of re-natured city centre

View of new open sport court View of new picnic yard in forest

06 _ SCRIBES & SQUARES


Professor _ Tom Emerson

Assistant _ Phi l ipp Imboden, Nicholas Lobo Brennan, Bor is Gusic, Chr istoph Junk, Stef fen Jürgensen

Duration _ 2 weeks

Program _ Pavil ion, Performance theater

Location _ ETH Zürich Hönggerberg

Team _ Studio Tom Emerson

Scope _ Physical experimentation, Design, Presentation, Construction, Art Performance

We designed and built a transportable, modular theatre from reclaimed material. This pavilion was de-signed as a performance space for the theatre class of ZHDK (Zurich University of the Arts).

07 _ NISHIAZABU VILLAGE HOUSING

2011 _ Studio Takeshi Ito the University of Tokyo

Professor _ Takeshi Ito

Duration _ 3 months


Location _ Tokyo, Japan

This is new housing complex project for people who are l iving in Nishiazabu district in Tokyo for a long time. I made a

research on Tokyo in the first place. On the map of the center of Tokyo, I drew circles defined by radius with 800m (10

minutes on foot) and centers on train stations and subway stations. Then, I could f ind spots where are not covered by

these area. I named these spots “Urban Pocket” as hidden Tokyo, and found a small community composed of old houses

built in the beginning of 20th century. This “vi l lage” was supposed to be demolished and there was a construction plan of

new apartment building. For people l iving there, I decided to design a new structure which could work as a frame of this

community and an infrastructure connecting two places isolated by the cliff here.

1F & M1F plan 2F & M2F / 3F & M3F plan

08 _ YOYOGI HOUSE

2011 _ Studio Ken Yokogawa the University of Tokyo

Professor _ Ken Yokogawa

Duration _ 3 months



Site plan

This is private housing project in Tokyo. The client had 3 different hobbies and needed three different rooms for each

other as Tea Ceremony Room, Atelier and Study Room. Because the site had difference in its height as 1.2m - 2.5m to

the street, I proposed burying concrete volumes of l iving area and putting glass volumes of hobby rooms on it. The buried

volume can keep the privacy and has a shape l ike street which create the connection to the city context. Glass rooms

can introduce l ight and air into underground spaces.

1F plan

Section

2F plan

Elevation

2009 _ Work at kwas / kensuke watanabe architecture off ice


Duration _ 1 year

Program _ Vocational training center

Location _ Saitama, Japan


09 _ SOWA UNIT

The project is a vocational training center for people with emotional problems. By shift ing stripe volume one to another,

the building wil l maintain closed facade to its adjacent neighbor while having large opening and transparent view to the

front street in dense residential district.

b-section

a-section

east side elevation 1:100

1F plan

north side elevation 1:100

GF plan

storage

storage

lunch room

multi-purpose

cafe lunch room kitchen locker/ loungeentrance rest room

office worktraining multi-purpose hall staff officechat head office

office worktraining

storage

multi-purpose

conference

hall

wcwc

office service

staff office

chat

storage

head officewash room

ps

storage

ds

site plan

Location: Saitama, JapanCompletion: September 2009Structure: RCSite Area: 413.47m2Building Area: 146.42m2Total Floor Area: 288.84m2Structural Engineer: Ken Nagasaka Engineering NetworkMEP: So SetsubiLighting: Sirius Lighting Office

a

a

bb

cafe

storage

storage

wc

storage

lunch room

kitchen

storage

sk

wc

wc

wc

locker / lounge

entrance

shower

wash

rest room

change

ps

2800 2000

1000

1000

6000

1000

1000

1600

2069

10020

100

20

240

100

2010

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202012512520

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・2012512520・

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3600

FL=1FL±0

1FL=GL+650 CH=2500

Shelf

F-1

F-1

F-1

F-8

F-2

F-2CH=2500

FL=1FL±0 CH=2500

FL=1FL±0 CH=2500

FL=1FL±0 CH=2500

FL=1FL±0～+2950

FL=1FL±0

FL=1FL±0

Drainage pipe 100φ

Insulation + stainless steel cladding

Drainpipe 100φ

Drainage pipe 100φ

F-9

F-8

1

2

3

4

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8

wc

staircase 1

lunch room

storage 1

storage 2

cafe

entrance

porch

Exterior sink

SW03

SW02

SW01

WD02

SD02

WD01

SD01

WD03

1 2 3

1 2 3

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9

A-34

1A-37

3A-37

4A-37

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10A-36

X1

Y7

X2 X3

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Y1detailed plan 1:50Detailed plan

2800

CH=2

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CH=2

880

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Reinforced concrete beam, 450x250 mm

Ground beam 750X250

Sheet alminium capping

C-2

Oak wood �oor, t=15 mm, UV F-1

Acrylic urethane paintMortar, surfacing by steel trowel, t=30 mm

F-1

Structural plywood, t=12 mmOSB, t=20 mmRaised �oor unit

W-2

Thermal insulation, XPS, t=50 mm

Exposed concrete slabGlaze �nish

Exposed concrete slabGlaze �nish

C-2

Slit for lighting rail, 40x20 mmlighting rail

Ground slab t=250 mm

Lean concrete, t=60 mmVapour barrier

Foundation:

In situ concrete wallGlaze �nish

In situ concrete wallGlaze �nish

W-2

Bitumen felt roo�ngThermal insulation, XPS, t=30 mmReinforced concrete slab, t=150+20 mm

Roof:

Band joist, 45x45 mm

rainwater drip, w=9 mm

rainwater drip, w=9 mm

Peripheral insulation, XPS, t=50

Reinforced concrete beam, 500x250 mm

Sheet galvalume capping, t=0.8 mm Sheet galvalume capping, t=0.8 mm

Slit for Curtain rail 20x20 mmCurtain rail

Slit for Curtain rail 20x20 mmCurtain rail

CL

CL

CL

Pendant light

▼ GL

▼1FL = GL+650

▼2FL=1FL+2950

▼RSL=1FL+2950

▼Roof top level =1FL+2950

▼Bottom of foudndation = GL-150

▲1SL

▼2SL

o�ce work trainig staircase 1

storage 2

cafe

X2X1

detailed section 1:50Detailed section

10 _ BOOK BAR YOMICA

2008 _ Work at kwas / kensuke watanabe architecture studio


Duration _ 4 months

Program _ Bar


Location _Tokyo, Japan

Conversion project from office to a bar. 200 advocates wil l bring their favorite 5 books, and these 1000 books wil l be

displayed as the core of the space. Self standing bookshelf in the middle of the space wil l create various atmosphere

within small space. Two types of cloth applied on wall in cross angle wil l show the color of the room different according

to one’s location. Various sense of distance is created within small space.

250

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36°

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329155

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1690

基本モジュール図立面図

塗装ラワンt=18棚板

塗装ラワンt=9縦板

塗装ラワンt=18幕板

塗装ラワンt=18巾木

d：断面

石膏ボードt=12.5

木巾木塗装

b：断面

塗装

木下地45*45

床見切り金物杉田エース

No,20-651

合板t=3

合板t=12

床見切り金物杉田エース

No,20-651

床：リノリウム

ケミクリートEP　クリア床：セルフレベラー材

壁：LGS、石膏ボードt=12.5

壁：既存下地

既存クロス壁：既存下地

壁：既存下地

厨房：既存

a

a：平断面

a：断面

b

c

d

e

c：断面

e：断面

No.265T B/S30 H=800ラウンド鎌錠

H=800 塗装スギ40*45*200No.350 75mm H900

フチナシ引手

石膏ボードt=12.5クロス

合板t=12 クロス

壁：合板t=9


シナフラッシュ引戸t=36 塗装

木胴縁30*20程度

ケミクリートEP　クリアセルフレベラー材

合板t=12 クロス

f

f：断面

クロス

詳細図　1:10

木巾木塗装

BEST

BEST

クロス



木下地45*45

TOTO C-730, S-731B便器：既存移設

ふれ止め

壁：既存下地

壁：合板t=9

クロス

クロス


塗装合板t=3

合板t=12

既存

床：東リ長尺塩ビシート

ガス給湯器：付け替え

鏡：既存移設

（配管のみ含む）

コールドテーブル(別途)



床：東リ長尺塩ビシート

クロス

クロス

クロス

PB t=12.5とPB t=9.5を重ね張りし、間に防音シートを挟む木下地、グラスウール35kg防音壁 t=60(窓枠縁から。窓枠チリを含めるとt=70)


防音シート

クロス

二層シンク

クロス

バックヤード

トイレ

客席

B

3

0

1

A'

2

11 _ SPLIT MIND

2008 _ Bachelor thesis project the University of Tokyo

Jury _ Kazuhiko Namba, Manabu Chiba, Shogo Kishida, Hiroyuki Suzuki, Takeshi Ito, Keisuke Fuji i

Duration _ 10 weeks

Program _ Urban planning

Location _ Hong Kong, China

Team _ Hiroki Shibayama, Yuji Mukaiyama

Award _ Tatsuno Prize (1st place in the University)

Kai Tak Airport is located on the north side of Kowloon Bay in Kowloon, Hong Kong. Kai Tak Runway, an elongated bay area,

is an especial ly unique site in the airport; the length is approximately 2.5km and the width is roughly 250m. This project is an

inner-city urban resort plan for the redevelopment of Kai Tak Runway.

The project emphasizes the tense relation between city and commercial complex. As the commercial complex takes on om-

nipotence and becomes an independent functional city, the surrounding city gets weak and spineless, and the city and the com-

mercial complex split. All that remains of the city is green spaces and streets with al l the business diminished.

Green spaces are signif icant components in the project. The complex is designed around a ria of green space, separating its

functions and maximizing the green space. Pedestrians can easily walk through the green space to access all the amenities.

Each complex block is large and iconic, having its own unique theme that giving visitors varied experience. The site is easily

accessed by foot, car, and ship.

2007 _ Competit ion

Jury _ Toyo Ito

Duration _ 3 weeks

Program _ Zoo

Location _ None

Team _ Hiroki Shibayama, Genki Takahashi, Yuji Mukaiyama

12 _ ZOO OF WILDNESS

Constructing long and double walls in the shrinking cit ies. The wall distribute the human lands and animal lands. Human

only manage biogeocenosis to maintain itself and apart from that they would not interfere each other.

The only thing the humans are able to do is that looking outside from the window. Humans can meet animals only ac-

cidentally. This is the end of animal marginalization.

2006 _ Competit ion

Jury _ Shinj i Miyadai, Nobuaki Furuya, Ryue Nishizawa, Kumiko Inui

Duration _ 3 weeks



Team _ Hiroki Shibayama, Genki Takahashi, Yuji Mukaiyama

Result _ 3rd prize at TEPCO Inter-University Design Competit ion

13 _ AUTOPOIESIS

Features of buildings in Akihabara, a district in Tokyo famous for Otaku culture, concentrate on their facades. The facades of

such buildings are covered with ads and have few windows, bringing forth the image of private, individualized spaces. Such com-

partmentalized, individual spaces have been increasing recently in Japan*, and can be thought of as a kind of modern approach

to the city fabric.In contrast to the facades of Akihabara, those of Shibuya, another famous district of Tokyo, are covered with

windows. We decided to experiment with this district, by bringing in the modern aspect of individualization and compartmen-

tal ization found inAkihabara.White,simplisticcubicboxes,2.7meterspersidearearranged randomlyon thesiteofShibuya

withina2.7metergrid.The2.7metercube isameasureof theJapanese four-and-a-half jyou tatami roomand,as traditional

*An excellent example of such individualized spaces can be seen with the Manga-kissa (the comic café), a feature found quite often in Akihabara

today. In these Manga-kissas, each individual is provided with a small, private compartment in which to do whatever one wants, such as reading

comic books or surfing the internet.*

measures often are, it is based on the human form. There are only two types of such boxes. One is a cubic room that contains

no equipment. The other is a bathroom. By placing these two cubes in various combinations, a variety of dwell ing configurations

are created.

2006 _ Competit ion

Jury _ Ryoji Suzuki

Duration _ 3 weeks


Location _ None

Team _ Hiroki Shibayama, Yuji Mukaiyama

Result _ 3rd prize at UNION Design Award Competit ion

14 _ (UN)COVERED

Adoor,whichinevitablyimpliesthereissomethinginside,paradoxicallyreflextherelationbetweeninteriorandexteriorwhenthewallsare

removed to expose the dwelling interia. The door reveals concealment that the dwelling always structures. The functions that dwellings funda-

mentally possess are buried and hiden underground. Concequently, nameless functions mixed up with various activities that cannnot be lightly

definedareleftbehindonthegroundleveltoexposedwellers’life.Simultaneouslydefinedfunctionsstandsuptoemphasizethecontradiction

betweentwoconcepts:hideandexpose.Theplanismuchsimplistic,consistsoffiveractangles,butalsofexible.

Due to the arrangements of four basements, it is possible to design the surplus room and it is applicable to any kinds of lives.

15 _ TRUSS MOUNTAIN BRIDGE


Jury _ Kengo Kuma

Duration _ 1 month

Program _ Pedestrian bridge

Location _ Kyoto, Japan

Team _ Tran Dai Nghia, Yosuke Masuzaki, Koyo Nakasjima, Yuji Mukaiyama

Result _ 1st prize at Wooden Pedestrian Bridge Design Competit ion

We were required to make a wooden pedestrian bridge on one of the largest intersec-

tions in Kyoto. We adopted a truss structure and put the peaks of the truss beams on

the l ines that connect the center of the site and the tops of the mountains surrounding

Kyoto. The triangle shapes of the truss represent the figures of mountains and Japa-

nese traditional roofs. By seeing these trusses, people wil l be able to f ind the existence

of mountains, which are an important factor of the culture in Kyoto, and which have

now been hidden by the surrounding buildings. There are no mountains to the north

of the site, and accordingly, the bridge has no peaks in that direction. This part of this

bridge has the role of a gate for visitors from Osaka.The winding pedestrian is char-

acterized by the plan of Katsura Detached Palace. This project is a trial to rediscover

the culture of Kyoto.

16 _ OTHER WORKS

2014 _ Gunma culture center

2014 _ Good job center

2013 _ Uncertain certainty

2012 _ social housing in paraisopolis

2009 _ Cross Tower

2009 _ museum on a slope

2009 _ Gunma agriculture center

2009 _ yacht clubhouse project

2009 _ stepped housing

2008 _ asakusa tourist center

2008 _ T House projcect

2008 _ sundsvall art center

2008 _ Kuri of temple

2012 _ Work at Christian Kerez

Architect _ Christian Kerez

Duration of Involvement_ 3 months

Program _ Social housing

Location _ São Paulo, Brazil

UNCERTAIN CERTAINTY

2013 _ Editorial Cordination of Book

“Uncertain Certainty” by Christian Kerez

Author _ Christian Kerez

Publisher _ TOTO Publishing

Duration _ 6 weeks

SOCIAL HOUSING IN PARAISOPOLIS

GOOD JOB CENTERGUNMA CULTURE CENTER

2014 _ Competit ion at kwas /

kensuke watanabe architecture off ice


Duration _ 2 months

Program _ Vocational training center

Location _ Nara, Japan

Team _ Kensuke Watanabe, Hirotaka Namura

Yuji Mukaiyama




Duration _ 2 months

Program _ Museum / Library

Location _ Gunma, Japan

Team _ Kensuke Watanabe, Hirotaka Namura

Yuji Mukaiyama

MUSEUM ON A SLOPE




Duration _ 6 weeks

Program _ Science museum

Location _ São Paulo, Brazil


YACHT CLUBHOUSE PROJECT

CROSS TOWER

2009 _ Work at kwas /



Duration _ 3 months

Program _ Yacht clubhouse

Location _ Kanagawa, Japan





Duration _ 10 months

Program _ Monument

Location _ Saitama, Japan


GUNMA AGRICULTURE CENTER




Duration _ 2 months

Program _ Agricultural experiment station

Location _ Gunma, Japan


SUNDSVALL ART CENTER

ASAKUSA TOURIST CENTER




Duration _ 2 months

Program _ Art Center / Theater

Location _ Sundsvall, Sweden





Duration _ 2 months

Program _ Tourist information center



T HOUSE PROJCECT




Duration _ 2 months







Duration _ 6 weeks


Location _ Lima, Peru


STEPPED HOUSING




Duration _ 6 weeks

Program _ Residence

Location _ Nagano, Japan


KURI OF TEMPLE

Documents

portfolio yuji mukaiyama