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Selected Works from 2011-2012 Revised 2012-10-28
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jennifer jiseon lim2011-2012
selected works
mask houseHOUSE FOR A COLLECTOR:
TRANSITIONAL SPACESEXTRA-SMALL:
INTERSTITALVISIONS OF SETTLEMENT:
OFFSHORESSEF - RECYCLE:
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peekDOMESTIC TRANSFORMATION
table of CONTENTS
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EDUCATION Candidate for Bachelor of Architectural StudiesCo-op Program, University of Waterloo
Relevant Courses: Design Studio I&II, Building Construction I&II, Visual Communication I&II, Principles of Environmental Design I
Ontario Secondary School DiplomaSt. Joan of Arc Catholic Secondary School, Mississauga, ON
EXPERIENCEYearbook Committee Member
Participated in developing yearbook theme, page design and editing, and photography
Newspaper Design EditorDesign editor of St. Joan of Arc annual Newspaper
Bully Prevention Committee MemberDeveloped the design of school shirt encouraging bully prevention and creating healthy school environment
VOLUNTEER HISTORYStudent VolunteerThe Village of Erin Meadows, Mississauga, ON
Developed confidence, patience, flexibility and teamwork skills in confronting a wide variety of situations during the volunteer work: Set up for programs, escorted residents to and from programs, offered support to residents, and wrote boards for the next day’s activities
AWARDS AND CERTIFICATESAward of Merit, 11th Annual SSEF Architectural Design CompetitionEngineering International Student Scholarship, University of WaterlooOntario ScholarFrench as a Second Language CertificateSenior Drawing Award, IMAGES, Dufferin-Peel Catholic District School BoardHonour Roll Recepient, St. Joan of Arc Catholic Secondary School
experience
2012-present
2011
September 2008 - June 2010
2009 - 2010
May 2009 - July 2010
June 20122011, 2012
2009, 2010January 2012
January - June 2011
SKILLS SUMMARY- Independent, organized and self-reliant - Collaborative and responsible as a team member- Strong capability in learning and understanding new tasks, programs, procedures- Adapts fast to a new environment- Strong graphic design skills- Advanced knowledge on Microsoft Office Suite, Adobe Photoshop, Illustrator, Rhinoceros and Autocad- Experiences with diverse culture
LANGUAGE SPOKEN- Fluent English and Korean
2008, 2009, 2010
February 2012
MASK HOUSEn. a form of disguise or concealment usually worn over or in front of the face to hide the identity of a person and by its own features to establish another being.
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MASKS. They are an illusive reflection of reality. They are an agent through which one transforms from one identity to another. They have been long believed to hold a magical power in its pretentious nature, and used for rituals, traidtional ceremonies and dances.
The MASK HOUSE is designed for a mask collector who collects, produces, and performs with traditional, ceremonial masks. It is a place of residence, of performance, and of gathering. The house focuses on the concept of duality - contrast between bright and interactive atmosphere of the centre of the house and the secretive and dark display room for the ritual masks. SITE PLAN
1 A s t u d i o
water st
grand river
focal point at the centre of the sunken stage
visitor’s path of circulation, experiencing the extreme dynamics between dark and light
Studio and storage area looks out to the river and gains diffuse northern light optimal for working
Double-height central space brings light and sense of openness to the living and dining room
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Ground Floor Second Floor
North Elevation
East-West Section
West Elevation
North-South Section
TRANSITIONAL SPACES1 B S T U D I O
i n c o l l a b o r at i o n w i t hj . r e a d , b . c a r twr i g h t , i . c i n a ,
m . W i e r z c h o s l awsk a
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Prefabrication, Transportation and Assembly
Using a truck bed as a structural shell and pallets as a shading device, this “extra-small” TRANSITIONAL SPACE provides an affordable, sustainable and transportable lifestyle with minimal functions packed in a 40m2 space.
The TRANSITIONAL SPACE is flexible and full of possibilieties, through use of transformable furniture, transformable shading device and features for sustainable living. Eventually, the project envisions formation of a community, a number of houses gathered around a communal kitchen.
Site Plan
READY-MADETRANSPORTABLE
STRUCTURALLY STRONG
INEXPENSIVEEASY TO STORE
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Floor Plan
Section A-A
A A
Day: Work / Outdoor ActivityDivision of Space Night: Repose
INTERSTITIAL
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INTERSTITIALn. a small or narrow space or interval between things or parts, especially when one of a series of alternating uniform spaces and parts
The project aims for a radical transformation of the generic suburban neighbourhood near Churchill Park by introducing INTERSTITIAL spaces at different scales. A web of intimate relationships is established with the existing neighbourhood, among the residents of the building, and among the family members. The INTERSTITAL spaces are no longer an overlooked and unoccupied interval, but a communicative, interactive and friendly space that strenthens a sense of community.
Site Plan
Site Section
Establishment of a new promenade for the public. The atrium that connects four individual units
becomes a space of socialization.
Three bedrooms have openings that look into the living room, encouraging more active communication among family members.
1 B s t u d i o
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Unit Plan: Ground Floor Unit Plan: Second Floor
Front Elevation
Section
OFFSHORE S S E F AWARD O F MER I T i n c o l l a b o r at i o n w i t h
N I n a Wang
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Production of crude oil is in rapid decline; in the near future, thousands of offshore oil platforms in Gulf of Mexico and around the world will be abandoned.
Abandonning or demolishing the superstructure is a great economic and ecological loss. Oil rigs, fully equipped with essential programs for living and excellent resources of industrial structure, have a strong potential for the future of architecture.
OFFSHORE proposes renovation of Cantarell Oil Field, an aging supergiant oil complex in Gulf Mexico, into a hotel with warm equatorial climate and exotic view towards the ocean. Essential parts of the superstructure are to be recycled and reused to produce a monumental roof sturcture embracing the nature of ocean waves in gentle curves.
Gulf of Mexico: Distribution of Offshore Oil Rigs
Existing Superstructure of Cantarell Oil Field
Daily Crude Oil Production from CANTARELL OILFIELD
1 b b u i l d i n g c o n s t r u c t i o n
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CRANE
DERRICK
FLARE TOWER
PLATFORMOIL TANKS
JACKET
SHEET METAL ROOF CLADDING, using RECYCLED OILTANKS
BOX-FRAME ROOF TRUSS,using RECYCLED DERRICK AND CRANE
STEEL FRAME FACADE GLAZINGusing miscellaneous STEEL STRUCTURE
REUSED PLATFORM AND JACKET
RECYCLE: Structure of OFFSHORE using pre-exisitng components from the Cantarell Oil Platform
1ST FLOOR:CENTRAL RECEPTION HALLMECHANICAL ROOMWORKERS’ LIVING QUARTERS
2ND, 3RD, 4TH FLOORS:CENTRAL RECREATIONAL SPACEPERIMETER HOTEL RESIDENCES
5TH FLOOR:RESTAURANTSINDOOR GARDEN & DINING SPACE
6TH FLOOR:CHANGE ROOMS LEADING TO UPPER LEVEL SWIMMING POOLOUTDOOR RECREATIONAL SPACE
TOP FLOOR:SWIMMING POOLOUTDOOR RECREATIONAL SPACE
General Programming and Structural Section
peek 2 A S T u d i oi n c o l l a b o r at i o n w i t h
a l i c e c h e n , a l i c e s o n g , m i n a v e d u t , r o n n i e k at a k i , a nq i z h a n g
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“We ask: what can be socialized or communalized in our domestic sphere?” How do we blur the boundary between the private and the public?
The radical alteration of threshold between the bedroom and the backyard questions the concept of public and private space in today’s Post-Fordist society. The backyard is transfomed into a semi-public space for viewers, while a sense of privacy and protection for the bedoom is strengthend by the curtains and the books blocking most area of the opening. The installation facilitates an experience of PEEKing into someone’s bedroom through the window, only to see the viewer’s face projected into the room superimposed on top of a reconstructed body with clothes; the relationship between private and public is reversed and the boundary is blurred.
thank you.
Jennifer Jiseon Lim2A Architectural studies
20431882
170 Water Street North #206Cambridge, ON, N1R3B6
519-267-2593