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Psychology of Music MUSED 681 DRAFT #1 FEEDBACK

Psychology of Music MUSED 681 DRAFT #1 FEEDBACK. Psychology of Music MUSED 681 Music Performance Skills I

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Page 1: Psychology of Music MUSED 681 DRAFT #1 FEEDBACK. Psychology of Music MUSED 681 Music Performance Skills I

Psychology of Music MUSED 681Psychology of Music MUSED 681

DRAFT #1 FEEDBACKDRAFT #1 FEEDBACK

Page 2: Psychology of Music MUSED 681 DRAFT #1 FEEDBACK. Psychology of Music MUSED 681 Music Performance Skills I

Psychology of Music MUSED 681Psychology of Music MUSED 681

Music Performance Skills IMusic Performance Skills I

Page 3: Psychology of Music MUSED 681 DRAFT #1 FEEDBACK. Psychology of Music MUSED 681 Music Performance Skills I

Person #1 Score Person #2

1 +1 +1 1

2 +20 -20 1

1 -20 +20 2

2 -10 -10 2

Person #1 Score Person #2

1 +1 +1 1

2 +20 -20 1

1 -20 +20 2

2 -10 -10 2

Page 4: Psychology of Music MUSED 681 DRAFT #1 FEEDBACK. Psychology of Music MUSED 681 Music Performance Skills I

MotivationMotivation

Now recognized as an integral part of learning

Five Theories of Motivation

Now recognized as an integral part of learning

Five Theories of Motivation

Page 5: Psychology of Music MUSED 681 DRAFT #1 FEEDBACK. Psychology of Music MUSED 681 Music Performance Skills I

MotivationMotivation

Five Theories of Motivation Expectancy-Value Theory Self-Efficacy Theory Flow Theory Attribution Theory Mastery Motivation

Five Theories of Motivation Expectancy-Value Theory Self-Efficacy Theory Flow Theory Attribution Theory Mastery Motivation

Page 6: Psychology of Music MUSED 681 DRAFT #1 FEEDBACK. Psychology of Music MUSED 681 Music Performance Skills I

MotivationMotivation

Expectancy-Value TheorySeeks to explain why individuals are interested or care about an activity to a sufficient degree that they believe it might be important to them in the future

Four Components• Attainment value • Intrinsic motivation• Extrinsic utility• Perceived Cost

Expectancy-Value TheorySeeks to explain why individuals are interested or care about an activity to a sufficient degree that they believe it might be important to them in the future

Four Components• Attainment value • Intrinsic motivation• Extrinsic utility• Perceived Cost

Page 7: Psychology of Music MUSED 681 DRAFT #1 FEEDBACK. Psychology of Music MUSED 681 Music Performance Skills I

MotivationMotivation

Self-Efficacy Theory

Competence beliefs

Degree to which someone believes in his or her ability and capacity to achieve given goals

Self-Efficacy Theory

Competence beliefs

Degree to which someone believes in his or her ability and capacity to achieve given goals

Page 8: Psychology of Music MUSED 681 DRAFT #1 FEEDBACK. Psychology of Music MUSED 681 Music Performance Skills I

MotivationMotivation

Flow Theory

Balance of perceived challenge and perceived skill

Review 9 aspects (see handout)

Flow Theory

Balance of perceived challenge and perceived skill

Review 9 aspects (see handout)

Page 9: Psychology of Music MUSED 681 DRAFT #1 FEEDBACK. Psychology of Music MUSED 681 Music Performance Skills I

MotivationMotivation

Attribution TheoryAbility vs. Effort beliefs

Ability is “given”; effort is a choice

Attribution TheoryAbility vs. Effort beliefs

Ability is “given”; effort is a choice

Page 10: Psychology of Music MUSED 681 DRAFT #1 FEEDBACK. Psychology of Music MUSED 681 Music Performance Skills I

MotivationMotivation

Mastery Motivation

Adaptive (mastery-oriented)

vs. Maladaptive (helplessness) motivational patterns

Mastery Motivation

Adaptive (mastery-oriented)

vs. Maladaptive (helplessness) motivational patterns

Page 11: Psychology of Music MUSED 681 DRAFT #1 FEEDBACK. Psychology of Music MUSED 681 Music Performance Skills I

MotivationMotivation

Interaction of Five Theories Expectancy-Value Theory Self-Efficacy Theory Flow Theory Attribution Theory Mastery Motivation

Competition as a motivator

Interaction of Five Theories Expectancy-Value Theory Self-Efficacy Theory Flow Theory Attribution Theory Mastery Motivation

Competition as a motivator

Page 12: Psychology of Music MUSED 681 DRAFT #1 FEEDBACK. Psychology of Music MUSED 681 Music Performance Skills I

MotivationMotivation

Implications

Incremental ability beliefs

vs.

Entity ability beliefs

Guiding student reflection (PGP) to facilitate healthy and accurate attribution responses

Implications

Incremental ability beliefs

vs.

Entity ability beliefs

Guiding student reflection (PGP) to facilitate healthy and accurate attribution responses

Page 13: Psychology of Music MUSED 681 DRAFT #1 FEEDBACK. Psychology of Music MUSED 681 Music Performance Skills I

Performance AnxietyPerformance Anxiety

Form of social phobia (fear of humiliation) Symptoms are produced by activation of

body’s emergency systemFight or Flight response of amygdala Diversion of resources to critical functions

Increased heart rate, respiration rate, widening of airways, sharpening of vision, limited digestion, fluids to bloodstream (dry mouth), sweating

Form of social phobia (fear of humiliation) Symptoms are produced by activation of

body’s emergency systemFight or Flight response of amygdala Diversion of resources to critical functions

Increased heart rate, respiration rate, widening of airways, sharpening of vision, limited digestion, fluids to bloodstream (dry mouth), sweating

Page 14: Psychology of Music MUSED 681 DRAFT #1 FEEDBACK. Psychology of Music MUSED 681 Music Performance Skills I

Performance AnxietyPerformance Anxiety

Three primary factors that vary independently• Trait anxiety• Situational stress• Task mastery

Three primary factors that vary independently• Trait anxiety• Situational stress• Task mastery

Page 15: Psychology of Music MUSED 681 DRAFT #1 FEEDBACK. Psychology of Music MUSED 681 Music Performance Skills I

Performance AnxietyPerformance Anxiety

Sub-factors• Perfectionism • Self-oriented vs. Socially prescribed • Number of performers• Number of audience members• Proximity of the audience • Status relationships between performer(s) and audience

(Peer teachings)

Sub-factors• Perfectionism • Self-oriented vs. Socially prescribed • Number of performers• Number of audience members• Proximity of the audience • Status relationships between performer(s) and audience

(Peer teachings)

Page 16: Psychology of Music MUSED 681 DRAFT #1 FEEDBACK. Psychology of Music MUSED 681 Music Performance Skills I

Performance AnxietyPerformance Anxiety

Treatments Self-talk Drugs Therapy

Treatments Self-talk Drugs Therapy

Page 17: Psychology of Music MUSED 681 DRAFT #1 FEEDBACK. Psychology of Music MUSED 681 Music Performance Skills I

Performance AnxietyPerformance Anxiety

SPONGE ACIVITY

Medicine, Practice, and Memory

Divide into three groups Develop a list of bullet-point highlights (15’) Report out (5-10’ each)

SPONGE ACIVITY

Medicine, Practice, and Memory

Divide into three groups Develop a list of bullet-point highlights (15’) Report out (5-10’ each)

Page 18: Psychology of Music MUSED 681 DRAFT #1 FEEDBACK. Psychology of Music MUSED 681 Music Performance Skills I

Exam ReviewExam Review

Study Guide

Question & Answer Time

Page 19: Psychology of Music MUSED 681 DRAFT #1 FEEDBACK. Psychology of Music MUSED 681 Music Performance Skills I

Next WeekNext Week

• Reading assignmentsChapters 16 & 17

Prepare for Midterm Exam

• eJournal due Wednesday 8 AM• Continue work on Research Project

• Draft #2 Due Nov. 8

• Prepare for Midterm Exam (next week)

• Reading assignmentsChapters 16 & 17

Prepare for Midterm Exam

• eJournal due Wednesday 8 AM• Continue work on Research Project

• Draft #2 Due Nov. 8

• Prepare for Midterm Exam (next week)

Page 20: Psychology of Music MUSED 681 DRAFT #1 FEEDBACK. Psychology of Music MUSED 681 Music Performance Skills I

SAFE TRAVELSSAFE TRAVELS