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Revolutions in Painting
Why might an artist choose to paint abstractly instead of representationally—depicting figures, shapes, objects or scenes?
What kinds of choices do artists make when painting?
Take a close look at One: Number 31, by Jackson Pollock…
Jackson Pollock. One: Number 31, 1950
Jackson Pollock. One: Number 31, 1950
Jackson Pollock. One: Number 31, 1950
How does Frankenthaler use lines to create shapes?
What kinds of shapes do you see in her work?
What gestures or movements did Frankenthaler have to make, based on what you see?
Let’s look at Jacob's Ladder by Helen Frankenthaler…
Helen Frankenthaler, Jacob’s Ladder, 1928
How are these paintings similar?
How are they different?
Let’s compare Pollock and Frankenthaler…
Helen Frankenthaler, Jacob’s Ladder, 1928
Jackson Pollock. One: Number 31, 1950
Frankenthaler has spoken about opposites in her work—about a combination of freedom and restraint; accident and control.
Helen Frankenthaler, Jacob’s Ladder, 1928
Jackson Pollock. One: Number 31, 1950
Do these paintings convey chaos or control?
What do you think? Helen Frankenthaler, Jacob’s Ladder, 1928
Jackson Pollock. One: Number 31, 1950