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Revolutions in Painting

Revolutions in Painting. Why might an artist choose to paint abstractly instead of representationallydepicting figures, shapes, objects or scenes? What

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Page 1: Revolutions in Painting. Why might an artist choose to paint abstractly instead of representationallydepicting figures, shapes, objects or scenes? What

Revolutions in Painting

Page 2: Revolutions in Painting. Why might an artist choose to paint abstractly instead of representationallydepicting figures, shapes, objects or scenes? What

Why might an artist choose to paint abstractly instead of representationally—depicting figures, shapes, objects or scenes?

What kinds of choices do artists make when painting?

Page 6: Revolutions in Painting. Why might an artist choose to paint abstractly instead of representationallydepicting figures, shapes, objects or scenes? What

How does Frankenthaler use lines to create shapes?

What kinds of shapes do you see in her work?

What gestures or movements did Frankenthaler have to make, based on what you see?

Let’s look at Jacob's Ladder by Helen Frankenthaler…

Helen Frankenthaler, Jacob’s Ladder, 1928

Page 7: Revolutions in Painting. Why might an artist choose to paint abstractly instead of representationallydepicting figures, shapes, objects or scenes? What

How are these paintings similar?

How are they different?

Let’s compare Pollock and Frankenthaler…

Helen Frankenthaler, Jacob’s Ladder, 1928

Jackson Pollock. One: Number 31, 1950

Page 8: Revolutions in Painting. Why might an artist choose to paint abstractly instead of representationallydepicting figures, shapes, objects or scenes? What

Frankenthaler has spoken about opposites in her work—about a combination of freedom and restraint; accident and control.

Helen Frankenthaler, Jacob’s Ladder, 1928

spau
Suggest including a quote in the Notes.
Page 9: Revolutions in Painting. Why might an artist choose to paint abstractly instead of representationallydepicting figures, shapes, objects or scenes? What

Jackson Pollock. One: Number 31, 1950

spau
I moved the quotes into the Notes section (see below) and restated as questions in the slide.
Page 10: Revolutions in Painting. Why might an artist choose to paint abstractly instead of representationallydepicting figures, shapes, objects or scenes? What

Do these paintings convey chaos or control?

What do you think? Helen Frankenthaler, Jacob’s Ladder, 1928

Jackson Pollock. One: Number 31, 1950