Upload
kent-jerson-casiano
View
301
Download
7
Embed Size (px)
Citation preview
8/11/2019 Shaolin 101
1/30
Perception
BY: MARK LESTER SALES
8/11/2019 Shaolin 101
2/30
Perception
Perception The process by which sensory information is actively
organized and interpreted by the brain
8/11/2019 Shaolin 101
3/30
Perception
Gestalt principles of perceptual organization
Figure-ground
Organization depends on what we see as figure (object) and whatwe perceive a ground (context).
Similarity Objects that have similar characteristics are perceived as unit.
Proximity
Objects close together in space or time perceived as belongingtogether.
Continuity
We tend to perceive figures or objects as belonging together if theyappear to form a continuous pattern.
Closure
We perceive figures with gaps in them to be complete.
8/11/2019 Shaolin 101
4/30
Perception
You can see a white vase as figure against a blackbackground, or two black faces in profile on awhite background
8/11/2019 Shaolin 101
5/30
Perception
8/11/2019 Shaolin 101
6/30
Perception
Perceptual constancy
The tendency to perceive objects as maintaining stableproperties (e.g., size, shape, brightness, and color)
despite differences in distance, viewing angle, andlighting
Size constancy
Perceiving objects as being about the same size when they move
farther away Shape constancy
Perceiving objects as having a stable or unchanging shaperegardless of changes in the retinal image resulting fromdifferences in viewing angle
8/11/2019 Shaolin 101
7/30
Perception
8/11/2019 Shaolin 101
8/30
Perception
Monocular depth cues
Depth cues that can be perceived by only one eye
Types of cues
Interposition
When one object partly blocks your view of another, you
perceive the partially blocked object as farther away
Linear perspective
Parallel lines that are known to be the same distanceapart appear to grow closer together, or converge, as
they recede into the distance
8/11/2019 Shaolin 101
9/30
Perception
Monocular depth cues
Types of cues
Relative size
Larger objects are perceived as being closer to the
viewer, and smaller objects as being farther away
Texture gradient
Near objects appear to have sharply defined textures,
while similar objects appear progressively smoother andfuzzier as they recede into the distance
Atmospheric perspective
Objects in the distance have a bluish tint and appear
more blurred than objects close at hand
8/11/2019 Shaolin 101
10/30
Perception
Monocular depth cues
Types of cues
Motion parallax
When you ride in a moving vehicle and look out the side
window, the objects you see outside appear to be
moving in the opposite direction
Objects seem to be moving at different speeds those
closest to you appear to be moving faster than those inthe distance
Objects very far away, such as the moon and the sun,
appear to move in the same direction as the viewer
8/11/2019 Shaolin 101
11/30
Perception
James Gibson
Pointed out that our perceptions of motion appear to bebased on fundamental, but frequently changing,
assumptions about stability
Our brains search for some stimulus in the environmentto serve as the assumed reference point for stability
When youre driving a car, you sense the car to be in
motion relative to the outside environment
8/11/2019 Shaolin 101
12/30
Perception
Depth perception The ability to see in three dimensions and to estimate
distance
Binocular depth cues Depth cues that depend on two eyes working together
Convergence Occurs when the eyes turn inward to focus on nearby objects
the closer the object, the greater the convergence Binocular disparity (or retinal disparity)
Difference between the two retinal images formed by the eyesslightly different views of the objects focused on
8/11/2019 Shaolin 101
13/30
Perception
Ambiguous figures
Can be seen in different ways to make different images
Best known ambiguous figure is Old Woman/YoungWoman, by E. G. Boring
8/11/2019 Shaolin 101
14/30
What do you see?
Now what do you see?
Copyright Allyn & Bacon 2005
8/11/2019 Shaolin 101
15/30
Perception
Impossible figures
Do not seem unusual at first
Figures that cannot be built
8/11/2019 Shaolin 101
16/30
Perception
8/11/2019 Shaolin 101
17/30
Perception
Illusion
A false perception of actual stimuli involving amisperception of size, shape, or the relationship of one
element to another
8/11/2019 Shaolin 101
18/30
Perception
Mller-Lyer Illusion
The two lines above are the same length, but the diagonals
extending outward from both ends of the lower line make it look
longer than the upper line
8/11/2019 Shaolin 101
19/30
Influences on Perception
Bottom-up processing
Information processing in which individual componentsor bits of data are combined until a complete perception
is formed
Top-down processing
Application of previous experience and conceptualknowledge to recognize the whole of a perception andthus easily identify the simpler elements of that whole
8/11/2019 Shaolin 101
20/30
Influences on Perception
8/11/2019 Shaolin 101
21/30
Influences on Perception
8/11/2019 Shaolin 101
22/30
Influences on Perception
Perceptual set An expectation of what will be perceived, which can
affect what actually is perceived
David Rosenhan David Rosenhan and some of his colleagues were
admitted as patients to various mental hospitals withdiagnoses of schizophrenia
Once inside, they acted normal but the staff membersonly saw what they expected to see and not what wasactually occurring
The real patients were the first to realize that thepsychologists were not really mentally ill
8/11/2019 Shaolin 101
23/30
Influences on Perception
Inattentional blindness
The phenomenon in which we miss an object in our fieldof vision because we are attending to another
8/11/2019 Shaolin 101
24/30
Influences on Perception
Simons and his colleagues
Showed participants a videotape of a basketball game inwhich one team is uniformed in white and the other in
black Instructed them to count how many times the ball was
passed from one player to another either on the white orblack team
About a third of participants typically fail to later recallthe presence on the screen of even extremelyincongruent stimuli (e.g., a man dressed in a gorillacostume) under such conditions
8/11/2019 Shaolin 101
25/30
Influences on Perception
Social perception
Facial expressions, the visual cues for emotionalperception, often take priority over the auditory cues
associated with a persons speech intonation andvolume, as well as the actual words spoken
8/11/2019 Shaolin 101
26/30
8/11/2019 Shaolin 101
27/30
8/11/2019 Shaolin 101
28/30
8/11/2019 Shaolin 101
29/30
8/11/2019 Shaolin 101
30/30